Historical Engravings of Biblical Themes

A collection of historical prints depicting significant biblical events, featuring themes of martyrdom, royal coronations, and mythological tales in detailed etchings.

A loving couple is surprised by the wife's husband The latter threatens the two with a saber Title illustration for volume 7 of a book about the perils of love, caught adultery Vengeance satisfaite , print maker: Charles Ange Boily, (mentioned on object), intermediary draughtsman: Benjamin Samuel Bolomey, (mentioned on object), Netherlands, (possibly), c. 1753 - 1813, paper, etching, h 178 mm × w 120 mm

Hoogmoed van Nero, Ludwig Gottlieb Portman, after Reinier Vinkeles (I), 1804 print Tiridates I is crowned king of Armenia by Nero. Amsterdam paper etching non-aggressive activities of Nero. coronation of a ruler

Martyrdom of Saint Laurentius, Gérard Audran, after Eustache Lesueur, 1650 - 1703 print Paris paper etching / engraving martyrdom, suffering, misfortune, death of St. Laurence

Hercules brings Alcestis back from the underworld, Louis Desplaces, After Antoine Coypel, 1715 print Paris paper etching / engraving Hercules leads Alcestis out of the underworld

Ahasveros gives the ring to Mordecai, Matthijs Pool, After Bernard Picart, 1720 - 1728 print King Ahasveros takes off the signet ring that he had taken from Haman, enemy of the Jews, and gives it to Mordecai. Ester stands between them and gives Mordecai the management of Hamans possessions. Illustration of the Bible text est. 8: 2. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving Mordecai before Ahasuerus, who gives him his signet-ring

Joseph and the wife of Potifar, Louis Surugue, After Rianio, 1691 - 1767 print paper etching / engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Esther for Ahasveros; Performances from the Old Testament. Esther stands for the throne of King Ahasveros and leans on the shoulder of one of her duties. The king steps from his throne to receive her. Print from a series of four performances from the Old Testament to Frescoes from Domenichino.

Lord Kneelt for a Queen, Reinier Vinkeles (I), 1777 print Amsterdam paper etching / engraving ruler, sovereign - BB - female ruler. kneeling figure. crown (symbol of sovereignty). sceptre, staff (symbol of sovereignty)

Transfer of the Spanish Netherlands by Philip II to Isabella Clara Eugenia, Infante van Spain, 1597, 1697 - 1699 print Transfer of the Spanish Netherlands by Philip II to Isabella Clara Eugenia, Infante from Spain, September 10, 1597. Interior with Isabella Clara Eugenia, Infante of Spain and Philip II on his throne, a man bends his hand for him and kisses his hand. Northern Netherlands paper etching

A loving couple is surprised by the wife's husband The latter threatens the two with a saber Title illustration for volume 7 of a book about the perils of love, caught adultery Vengeance satisfaite , print maker: Charles Ange Boily, (mentioned on object), intermediary draughtsman: Benjamin Samuel Bolomey, (mentioned on object), Netherlands, (possibly), c. 1753 - 1813, paper, etching, h 178 mm × w 120 mm

I take over with the mourning of the monarchy, the factouse will play the lambreaux.

Visitation, François Ragot, After Peter Paul Rubens, 1648 - 1670 print France paper engraving / snipping Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

. The writer Terentius, accompanied by the Muze Thalia, hands his comedies to the personification of the Roman public. He holds the freedom hat in hand. Apollo Lauwert De Schrijver. In the foreground the wolvin with Remus and Romulus. A four-line caption in French in the margin.

Sancho Panza is chased by the chefs, who want to shave him with the dishwashing water, Pieter Tanjé, after François Boucher, 1716 - 1761 print Sancho Panza is chased by the chefs, who want to shave it with the dishwashing water. Behind Sancho is Don Quixote, in conversation with the Hertog and Duchess. At the bottom of the margin a two -way caption in French. Amsterdam paper etching / engraving shaving, being shaved. kitchen-personnel. kitchen-personnel. Don Quixote. Sancho Panza

Design for the title print of the glorious, or the humiliated pride, Simon Fokke, 1730 - 1739 drawing Design for the title print of 'De Glorieus, or the humiliated pride' by H. van Elvenvelt to Destouches. paper. deck paint. ink. pencil pen / brush .

Amasis is stabbed in his palace, Balthasar Bernards, After Bernard Picart, 1712 print The king is stabbed in the Royal Palace of Egypt. He lies on the floor and points to his murderer. paper etching / engraving regicide

Ester is faint for King Ahasveros, Anonymous, Jean Audran, After Antoine Coypel, After 1704 print France paper etching / engraving Esther swoons on the shoulder of one of her maids (Esther 15:7)

Bliżej Kultury unknown

Sullivan's Paul Before Felix. Artist: After William Hogarth (British, London 1697-1764 London); After Luke Sullivan (Irish, 1705-1771 London). Dimensions: Sheet: 2 5/8 x 3 5/16 in. (6.7 x 8.4 cm). Engraver: Dent (British, active ca. 1800). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.

Judgment of Solomo, Cornelis Brouwer, Cornelis Ploos van Amstel, After Lucas van Leyden, After Nicolaes de Bruyn, 1782 print King Solomon sits on his throne and felt his judgment. He instructs the baby to share in two to determine who the child's mother is. On the right a man pulls his sword. Before the throne the two women who both claim the child's motherhood. Amsterdam paper the judgement of Solomon (1 Kings 3:16-28)

Ester is faint for King Ahasveros, Jean Audran (Attributed to), after Antoine Coypel, 1704 - 1756 print France paper etching / engraving Esther swoons on the shoulder of one of her maids (Esther 15:7). armorial bearing, heraldry

Bedroom interior with man who gets a Ragotin's foot -in -house, Louis Surugue, 1729 print Ragotin with a parliamentary pot on his foot is a gallant company in a four -poster bed. publisher: ParisFrance paper etching / engraving (SCARRON, ROMAN COMIQUE) specific works of literature (with AUTHOR, Title). chamber-pot

Design for a print, Paul beats the wizard Elymas with blindness, draughtsman: Bernard Picart, 1698, paper, pen, brush, h 139 mm × w 208 mm

Jeanne Deny or Martial Deny after Niclas Lafrensen II, Le consomme Le consomme

. Alexander the big seated on a chair with Princess Cleofile on his side. A man is led to Alexander by a soldier. Book illustration at the tragedy 'Alexandre Le Grand' by Jean Baptiste Racine.

H. Cecilia puts Harp in Engel, Claude Duflos, After Pierre Mignard (1612-1695), 1691 - 1703 print publisher: ParisFrance paper engraving / etching female saints (with NAME). harp

The Death of Lucretia, from Allen's "New and Impartial Roman History" 1797 William Blake British. The Death of Lucretia, from Allen's "New and Impartial Roman History" 383682 Artist: William Blake, British, London 17571827 London, Publisher: John Johnson, London St. Paul's Churchyard, The Death of Lucretia, from Allen's New and Impartial Roman History, 1797, Engraving, plate: 5 7/8 x 3 1/4 in. (14.9 x 8.3 cm) sheet: 7 1/8 x 3 13/16 in. (18.1 x 9.7 cm). The Metropolitan Museum of Art, New York. Joseph Pulitzer Bequest, by exchange, 1940 (40.52.117)

Perpetua. Perpetua is in a room full of people. She looks up, just like a part of the bystanders. Behind her is a Roman highworthiness lying on a throne awarded an eagle. An old man deposits to over to take over Perpetua's baby.

In the year 690, Anonymous, c. 1789 - c. 1810 drawing Man receives document from Vorst. Netherlands paper. ink pen / brush

Jaël and Sisera, Caspar Luyken, 1708 print Nuremberg paper etching Jael takes a nail of the tent and a hammer

Lady Elizabeth Grey with her two young sons Thomas and Richard petitioning King Edward IV to restore her lands. Copperplate engraving by C. Grignion after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Allegory on the death of William III, King of England, Pieter van den Berge, 1702 - 1704 print Imaginative grave monument for William III, a bust of the acclaimed king on a pedestal. A gallery of honor in the background. There are virtue and religion around the monument, in front of the pedestal is the Dutch lion and fame blows on her trumpet. Under the show a verse of three couplets in Dutch with an explanation of the different people. Amsterdam paper etching / engraving Personifications of Countries, Nations, States, Districts, etc .. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). allegorical repartsentactions ~ religion; 'Religion', 'Religion de SS. Mauritio and Lazaro ',' Real Christian religion '(Ripa). severe-bubeding, monumental tomb Netherlands

Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Charles Louis Lingée French. Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369351

Mucius Voor Porsenna, Jean Honore Fragonard, after Giovanni Battista Tiepolo, 1763 - 1764 print The Roman hero Gaius Mucius Scaevola, seen on the back, stands for the Etruscan king Porsenna and some of his counselors. paper etching (Story of) Gains Mucius. (Story of) Porsena

. In a decorated departure, Herod, sitting on the edge of a bed, furiously his clenched fists to his wife Mariamne because she fails to fulfill her marital obligations. Mariamne spends her anger about the murder of her grandfather and admers Herod's back. In the background there is a man who holds his index finger against his lips and carries a vase. This print is an illustration at the tenth chapter of the fifteenth book of 'All the works of Flavius Josephus'.

Pompey Verbrandt corresponds, Christmas Le Mire, After Hubert François Gravelot, 1763 - 1764 print paper etching burning. letter, envelope

Judit havehofdt Holofernes, Gérard Audran, After Andrea Sacchi, 1650 - 1703 print print maker: Franceafter drawing by: Rome paper etching Judith with Holofernes' head and the sword

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Jean-Baptiste Tilliard (French, 1740-1813). Author: Jean de La Fontaine (French, Château-Thierry 1621-1695 Paris). Dimensions: Sheet: 10 1/2 × 7 5/8 in. (26.7 × 19.3 cm). Publisher: Pierre Didot l'ainé (French, 1761-1853). Series/Portfolio: Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Date: 1795. Museum: Metropolitan Museum of Art, New York, USA. Author: After Jean Honoré Fragonard. Jean-Baptiste Tilliard.

Offering to Lares 1810 Italy. Lithograph on paper . Vincenzo Camuccini

. Achilles accuses king agamemnon of greed. The king then demands his slave briseïs. The wise nestor mediates with the conflict. In the background, Apollo launches the plague in the Greek camp. A caption in French in the margin.

Ornament with the kidnapping of Helena, Obelle, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching the abduction of Helen and some of her companions: Paris carries them off by sea, and takes a part of the palace-treasure with him. rocaille ornament

Emperor Augustus speaks to the courtiers; One cannot state on the faithfulness of Lieden, who are ungroyal to her God.

Lucas van Leyden, Ecce Homo, 1509 Ecce Homo

Cazes, Pierre-Jacques, Amsterdam, Philips, Jan Caspar, Allegory of the tragedy, verso lower left - stamped, Allegory of the tragedy: Minerva as patroness of the arts, pointing to attributes symbolizing acting and poetry. An angel flies in the air, holding a coat of arms with French lilies in her hand. On medallions and banderoles names of classical and contemporary writers., print, prints, height 120 mm, width 68 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, etching, engraving, engraving (printing process), Work conception, French, 1676 - 1754-06-25

Abuse of the wife of Masistes, Jan Luyken, 1699 print The wife of King Xerxes of Persia attacks her sister -in -law, the wife of Prince Masistes, with a knife. In the background Persian soldiers. Amsterdam paper etching fighting. rivalry of women for the love of a man; fight for the hose; 'andouille'. male persons from classical history (XERXES). male persons from classical history (MASISTES)

Print, Minerva Protecting the Arts; Print Maker: Ange Laurent de LaLive De Jully (French, 1725 - 1779)

King William III at a session of the Hogerhuis, 1689, 1689 print King William III Sit on the throne lives a session of the Hogerhuis at, 1689. In the middle and left and right the Lords are on cushions. At the front of the clerks around a table. At the top of the Virgin Britannica in the clouds with the portraits of King William III and Queen Maria II Stuart, left and right the fame. Northern Netherlands paper etching / engraving Upper House, Senate Houses of Parliament

Virtue of Scipio, Ludwig Gottlieb Portman, after Jacobus Buys, 1795 print Allucius is reunited by Publius Cornelius Scipio Africanus with his fiancé. In gratitude he grabs the hand of the Roman general. Amsterdam paper the continence of Scipio: he restores a captive woman to her bridegroom Allucius, who kneels before him; the ransom offered by the bride's parents is given to Allucius as a wedding-gift

Naäman asks Elisa to accept his gifts, Abraham de Blois, after Bernard Picart, 1728 print Naäman wants to thank Elisa for his healing and asks him to accept his gifts. Under the show is the title in six languages. print maker: Amsterdampublisher: The Hague paper engraving Naaman urges Elisha to accept some gifts, but Elisha refuses them; Naaman asks two mule-loads of earth

History and the Dutch Virgin. History writes in a book while looking at the chart Dutch virgin with freedom hat. On the right the coat of arms of the Netherlands, a caduceus, a trident and cornucopia.

Vase or a woman (according to the oil picture of Henryk Siemiradzki); Z: "Tygodnik Ilustrowany" 1879, No. 178 (May 24), pp. 328-329; Siemiradzki, Henryk (1843-1902), PUC, Bronis 1879 (1879-00-00-1879-00-00);Siemiradzki, Henryk (1843-1902), Siemiradzki, Henryk (1843-1902) - reproduction, Illustrated weekly (Warsaw - magazine - 1859-1939) - fragment, painting, Polish painting, antique scenes, generic scenes, press clippings

La Toilette 1771 After Pierre Antoine Baudouin. La Toilette. After Pierre Antoine Baudouin (French, Paris 1723-1769 Paris). 1771. Engraving. Prints

Lorenz Froelich (1820-1908), Trolovelsen, 1853

Morning (Le Matin). Artist: Claude Simpol (French, Clamecy 1666-1716 Paris). Dimensions: Sheet: 9 1/2 × 14 1/4 in. (24.1 × 36.2 cm)Plate: 7 7/8 × 11 1/16 in. (20 × 28.1 cm)Image: 7 3/8 × 10 11/16 in. (18.7 × 27.2 cm). Date: ca. 1700. Museum: Metropolitan Museum of Art, New York, USA. Author: Claude Simpol.

Francesco Solimenas chalk and feather drawing circa 1720-1725 depicts a prince pointing to his sons medallion, with a medallion of his wife on the left, rendered with gray laved shading.

Portrait bust unveiled by two monkeys, Reinier Vinkeles (I), After Jean-Baptiste Oudry, 1787 print A little man points to a portrait bust who is revealed by monkeys. There are various animals around the bust. Amsterdam paper etching / engraving little people. monkeys, apes. beasts of prey, predatory animals: lion

Geometry in Mars, Sébastien Leclerc (I), 1690 print print maker: Francepublisher: Paris paper etching / engraving 'Geometria' (~ quadrivium); 'Geometria' (Ripa). (story of) Mars (Ares)

La Nozze di Germanico, e di Agrippina. Del Frate, Domenico, approximately 1765-1821. 1801 - 1833. Morghen, Raffaello, 1761-1833. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A blindfolded Cupido with a torch for a couple in festive clothing, Jacques de Gheyn (II) (workshop or), after Jacques de Gheyn (II), 1595 - 1596 print A blindfolded Cupido holds a burning torch for a man and a woman in festive clothing standing in hand next to him. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and/or dressed figures are shown out. paper engraving masquerade, masked ball. torch. cupids: 'amores', 'amoretti', 'putti'

Portrait of Alvise Barbarigo and the personifications of generosity, wealth and social assistance, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Alvise Barbarigo in Harnas on the front. On the back the female personification of generosity (liberalitas). To the left next to the pedestal the female personification of generosity. In addition, a woman on a throne with scepter and crown. A sheep with her legs. She is the personification of wealth or wealth. On the right the personification of assistance or help: an armed man with a sword and an oak branch with fruits. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa). sowing. 'Ajuto', 'Soccorso' (Ripa). Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa)

Night Artist's working dates 1764-1802 France. Etching on paper . Patas

Title page for: 'Contemporary history of the Arabs, part 2', 1765. Title page with three women who write a book. In the foreground Minerva shields some fighting men with turbans with a curtain.

Allegorical show with father time and French and third language; Title page for: Pieter Marin, complete Nederduitsch and Fransch Dictionary, 1717. In the middle is a putto on a pedestal with an open book in which you can read: t Use is a great book. In addition, father is time with Zeis. Two writing women are in the foreground as Personifications of the French and Therited Language. There are open books with them. On the right is a putto with medallion with a river god. In the background a square with obelisk.

Justice, Lambert Cornelisz., After Jacob Leendertsz, c. 1590 - c. 1610 print Justitia is not bribed with money. Female personification in oval from a series of unknown size. paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Incorruptibility

The Death of Sophonisbe, Laurens screen, 1689 - 1701 drawing paper. pencil. ink pen / brush violent death by poison in drink (+ seeking death, suicide). death of Sophonisbe: she receives from a servant a cup of poison sent to her by Masinissa

Moses brought to Pharaoh's daughter , Nobility, Biblical events, Moses Biblical leader. William Hogarth (1697-1764). Prints

Allegory on the Mogolrijk; Contemporary history of the Ryk des Groten Mogols, vide part; Title page for: S.N., Contemporary History or the continuation of the General History, 1770. Five men with turbans are standing at a tent. In addition to the tent a tower of blocks on which shows. Above them is a woman with a bazuin and portrait medallion on clouds.

Heilig Oliesel (links part), Jean Pesne, After Nicolas Poussin, 1680 - 1694 print Sacrament of the dying. publisher: ParisFrance paper etching extreme unction ~ the last of the seven sacraments

Allegory on the Banketen in Amsterdam by the Wissel-Windhandel, Jan Caspar Philips, after Gerard van Nijmegen, 1763 print Allegory on the bankruptcy at the Amsterdam stock exchange by the Wisselwindhandel in the year 1763. The commercial of Amsterdam (Mercury) is driven out by Hoogmoed and Weelde. In the foreground an empty money box, a Lias unpaid bills and a monkey that does the accounting. In the background dark clouds above the exhibition of Amsterdam. A six -line Dutch text in the lower margin. paper etching / engraving bankruptcy Fair of Hendrik de Keyser

. In a classic decorated interior, Herod pushes his son Antipater from him, while a soldier watched a throne. Herod repert antipater the murder of his brothers. This print is an illustration at the seventh chapter of the seventeenth book of 'All the works of Flavius Josephus'.

John Buncle and Miss Spence disturbed by the Irish group of friends, Daniel Nikolaus Chodowiecki, 1778 print John Buncle in conversation with Miss Spence in a spa town of Harrogate. They are disturbed by a group of Irish friends of John Buncle. Among them is Mr. Mackins that is only four feet high. paper etching Literature. interrupted meeting, lovers caught by surprise. little people

Leopold III., Markgrave of Austria, Saint.

In the year 1555, Anonymous, 1789 - 1810 drawing The throne distance of Emperor Charles V on October 25, 1555, in which he transfers the government of the Netherlands to his son Philip. Netherlands paper. ink pen / brush Brussels

Sense of Smell 1774 France. Etching and aquatint on cream laid paper . Jean Baptiste Le Prince

Title Page, from 'L'Art Universel des Fortifications Françoises, Hollandoises, Espagnoles, Italiennes et Composées', Jean Le Pautre, French, 1618-1682, Etching on paper, Athena, seated beside a table and pointing at the plan of a fortress in a book. A group of officers stand at left. View of a sieged town in the rear. The title is shown in an escutcheon held by two putti before a curatin., Europe, France, ca. 1660, Print, Print

Decapitation of John the Baptist, Giuseppe Longhi, After Gerard Dou, After Gerard van Honthorst, 1806 print A executioner is about to cut off the head of John the Baptist with an ax. Johannes is kneeling on the floor and is prayer. Salome is ready with a bowl in the background. Italy paper engraving the beheading of John the Baptist

Freedom and Clio at a monument, Anonymous, 1700 - 1800 print With a monument on which two portraits hang, the one of a man with a turban and the other of a man with hat and beard, the personification of freedom with freedom shed is standing with freedom hats. A putto is with her. On the right is the muse of history, Clio. She writes with a writing spring in her book. She wears a laurel wreath on the head. There are a crown, scepter, books and documents on the ground. paper etching Freedom, Liberty; 'libertà' (ripe). Monument, statue. clio (one of the muses); 'Clio' (ripe). 'History'; 'History' (rippa)

Return of Scipio's son, Ludwig Gottlieb Portman, after Jacobus Buys, 1796 print Lucius Scipio, the son of Publius Cornelius Scipio Africanus, was sent back home by Antiochus. He is hired by his sick father. Amsterdam paper etching the young son of Scipio taken captive by Antiochus, king of Syria, is restored to his father

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

Izebel promises King Ahab Nabots vineyard to obtain, Philips Galle, After Maarten van Heemskerck, c. 1561 print King Ahab is disappointed in bed because Nabot refuses to sell his vineyard. His wife Jezebel stands next to the bed and promises him that she will ensure that he gets Nabots vineyard. Behind Izebel is a group of servants and in the doorway palace guards. On the left in the background a representation of what preceded: King Ahab asks Nabot to give up his vineyard. Under the show a verse in Latin. print maker: Haarlempublisher: Antwerp paper engraving Ahab becomes depressed, lies down on his bed, faces the wall and refuses to eat ~ Naboth's vineyard. Naboth refuses to sell his vineyard to Ahab

Allegory of the Constitution. The law constitutionally delegates the legislative and executive powers to the concord, nation, armed force, the king. The reason makes known the constitution to the people. 1791. French Revolution. (IT)

Keizer Augustus speaks to the courtiers, Reinier Vinkeles (I), 1800 print Amsterdam paper etching / engraving speaking. ruler, sovereign. index finger forwards, pointing, indicating

Man on steeper, pieter tanjé, after Louis Fabrius Dubbourg, 1770 print A man on his deathbed surrounded by various figures. At the back left is a group of men in Lendoek. paper etching / engraving deathbed

Plate 1: Young Woman Feeding her Infant, from Premier Livre de Sujets et Pastorales (First Book of Subjects and Pastorals) 1720-72 Gabriel Huquier French. Plate 1: Young Woman Feeding her Infant, from Premier Livre de Sujets et Pastorales (First Book of Subjects and Pastorals) 412622

Batseba receives the letter from David; History of David and Batseba; Theatrum Biblicum (...). Batseba, accompanied by servants, is on the edge of a water basin at a fountain. A servant presents her a letter from King David. David is on the balcony of the palace on the left in the background. Under the show a reference in Latin to the Bible text in 2 SAM. 11.

Philocectetes tells Telemachus his adventures. Philocectetes, seated on a block with a lion's skin in a tent, tells Telemachus to the left of him his adventures. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. I.

In addition to the Hoelkämusk Diskilliham Van to gous, After Philip Tidens, added Davi-Tidens, announced the La Zoss de laschw, 1707 print In the middle a blindfolded man in Eastern clothing with a tablet for himself. The personification for design, with a passer on the head, stands behind him and sends his hand. Next to him is a woman in antique clothing with a container in her hand. Above his head, fame flies with Bazuin in the hand on which the title of the book. In the background a draftsman in a library. In the middle of a round vignette, painting is afraid. In addition to the vignette the attributes of painting. Amsterdam paper etching / engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). 'Picture', Symbolic Repres invention, Allegories and Emblems ~ Painting; 'Painting' (Ripa). 'Geometry' (~ quadrivium); 'Geometry' (Ripa). Draughtsman at work. blindfold

David plays the harp for Saul, Reinier Vinkeles (I), after Jacobus Buys, 1797 print In an army camp, David plays his harp for King Saul and two other kings. Amsterdam paper etching / engraving harp. ruler, sovereign. (military) camp with tents. (other) specific aspects ~ David. David playing his harp before Saul

Alva claims the tenth medal, 1569, Theodoor Koning, After Jacobus Buys, 1779 print Fernando Alvarez de Toledo - known as the Duke of Alva - claims the tenth medal in a meeting of the States, 1569. Alva sits on a chair with lion's legs. He wears a hat with exuberant feathers and has a bontrand on his cloak. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration with the fourth singing. Amsterdam paper engraving

Newly married woman's morning toilet; La Toilette de la Mariée ou le jour de siré. In a room, a young woman is dressed by a few servers, while her husband embraces her and offers a flower. Two servants are busy with her hairstyle, while two others want to confirm her garter. Scene caught in frame with flower gums.

Tobias heals his father; Stolzman, Karol Bogumił (Fl. Ca 1818-1830), Piller, Piotr (Lviv; Litographic Plant; Fl. 1826-1848); 1830-1840 (1830-00-00-1840-00-00);

Woman kneels for a man, Reinier Vinkeles (I), 1751 - 1816 print A woman kneels for a man and tries to grasp his waist. He keeps her away. Amsterdam paper etching / engraving kneeling figure. clock

Alfons IV, King of Portugal reprimanded by a counselor, Reinier Vinkeles (I), After Jacobus Buys, 1785 print Alfons IV, king of Portugal, in hunter's costume and with hunter's bag around the shoulder, reprimanded by a counselor. Amsterdam paper etching / engraving hunter. game bag

Allegory at the National Assembly, 1796, 1797 print Allegory at the first national meeting, opened in The Hague on March 1, 1796. Temple in which a counselor sitting in Roman clothing sitting on his throne a command staf with a ribbon with the scratching 'Vox Populi, Vox Dei' receives from the Dutch Virgin. Caution and wisdom (Minerva) watch. On the columns of the temple portraits of Hendrik D. Hooft, Johan van Oldenbarnevelt and Hugo de Groot. Left in the background the meeting room. The print includes a statement. Rotterdam paper personifications of countries, nations, states, districts, etc.. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. specific aspects, allegorical aspects of Minerva; Minerva as patroness. Lower House, Parliament, Chamber. revolutionary government Netherlands

Alcove with the death of Cleopatra; Alcofen a la romaine. Alcove with Cleopatra lying on a bed under a canopy. Lagging women and soldiers surround her. Legal under 2 numbered.

The Mystic Marriage of Saint Catherine Made 1555-1557 Italy. Giorgio Ghisiís devotional print is influenced by the style of Fontainebleau artists. Ghisi may have known Francesco Primaticcio when they were both working in Mantua, and adapted his sculptural engraving style to the painterís languid elegance. Primaticcio is not known for religious scenes; the original painting, now lost, would have been an unusual part of his oeuvre. The scene shows the infant Christ putting a ring on the finger of Saint Catherine of Siena, a 14th-century Dominican tertiary nun who received the stigmata as part of her calling to become a bride of Christ.. Engraving in black on cream laid paper . Giorgio Ghisi

The death of Sophonisbe, draughtsman: Laurens Scherm, 1689 - 1701, paper, pen, brush, h 238 mm × w 325 mm

Allegory on the world's trade. Design for a painting.

Mercury in Herses room; Ovidius' metamorphoses. Mercury approaches Herse in her four-poster bed. In the background right you can see how Aglauros is touched by envelop, and how Aglauros Mercury tries to prevent HERSES room. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series.

Plate 10: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" 1638 Pieter Nolpe A large globe lies broken at center. Marie de Medici stands to the right, pleading with the gods to send help. Henry IV as Hercules, stands to the left. One of a series of sixteen plates showing the festivals and ceremonies in honor of Marie de Medici's visit to Amsterdam from August 31 to September 5, 1638. Illustration to Caspar Barlaeus, "Medicea Hospes", Amsterdam, 1638.. Plate 10: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" 698754

Ninus and semiramis. unknown, Schmutzer

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