Historical Engravings of Daily Life

A collection of etchings showcasing scenes from daily life in the 17th and 18th centuries, featuring figures, animals, and agricultural settings.

Veneto Venezia Chioggia S. Domenico6. Hutzel, Max 1960-1990 Medieval: Campanile. Post-medieval: 18th century renovation of 14th century church; architectural sculpture; paintings on canvas; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching and copper engraving by Jean Moyreau from 1755 depicting a Flemish Ecuria, showing horses, figures, and 18th-century engraving techniques.

Etching and copper engraving by Pieter Nolpe from 1630-1653 depicting Ruth in the field of Boaz, showing figures, crops, field, and landscape elements.

Bliżej Kultury Hanfstaengl, Fr.

JOSS or album Nicolle album (having belonged to Joséphine Nicolle, sister-in-law of the proscribed Bonnet-Duverdier). Portrait of Charles Hugo in the Hauteville House garden (top). Two photographs on waxed paper and one with a layer of aniline. Anonymous author, around 1860. Paris, house of Victor Hugo. 53633-12 JOSS album, Nicolle album, Aniline layer, French writer, exile, journalist, wax paper, Italian patriot, photography, revolutionary

Etching and aquatint from 1810 by Francisco Goya depicting people behaving violently during war, illustrating the brutality and dehumanization of conflict.

Hoffmann Ludwig (1852-1932), fairy tale fountain in Berlin-Friedrichshain (1914): Titleblatt (from: Max Osborn, the fairytale fountain on Friedrichshain zu Berlin). Pressure on paper, 41.4 x 33.2 cm (including scan edges)

Three photo productions from a publication by the Arundel Society with paintings by Rafaël. .

Veneto Venezia Chioggia S. Domenico6. Hutzel, Max 1960-1990 Medieval: Campanile. Post-medieval: 18th century renovation of 14th century church; architectural sculpture; paintings on canvas; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fotomontage of four faces in Québec in the winter, Jules-Ernest Livernois, c. 1889 - in or before 1894 photomechanical print. photomontage Québec paper collotype ferry. river. sledge, sleigh (winter sports). snow Québec. Saint Lawrence

Reproduction of a painting: Chełmoński, Józef (1849-1914), A courtyard; excerpt from a magazine. unknown, publisher

Allegorical composition for the glorification of Richard Cobden, Célestin François Nanteuil, 1828 - 1887 print Paris paper. monument, statue. coat of arms (symbol of sovereignty). sailing-ship, sailing-boat. unicorn. angels crowning and/or bringing palm-branches. predatory birds: eagle. garland, wreath. flag, colours (as symbol of the state, etc.)

Jan Six, Pierre François Basan, after Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

A copper engraving and etching by Theodor van Thulden around 1635 depicting Cardinal Ferdinand in Antwerp, showing the cardinal and urban setting.

Print made by Edward Goodall, 1795-1870, British, The Chaplet, 1839. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Curtain for the Lviv Theatre of Opera and Ballet ; sheet from the series Album of 'Kraj', `Kraj` 1900, no. 46 (November 30th). unknown, photographer, Kraj (Petersburg ; czasopismo ; 1882-1909), publisher

Party at the Sint-Lucasgilde in Amsterdam, 1653; The Sint-Lukasfeest in Amsterdam, 21 October 1653. Party at the Sint-Lucasgilde in Amsterdam, 1653. Part of the Steel enriches group to the paintings of the historic gallery of the Society Arti et Amicitiae.

Etching by Karl Rahl (1794-1843) depicting Cato Major, showing his figure, attire, posture, and symbolic elements in 18th-19th century European prints.

The Statues of Memnon, Plain of Thebes. Francis Frith (English, 1822 - 1898)

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"10. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Studies of Painting of Bartolomé Esteban Murillo, Charles Nicolas Lemercier, After Bartolomé Esteban Murillo, 1850 print Paris paper historical persons. painting (including book-illumination, miniature-painting)

Francisco de Goya y Lucientes, I saw it., 1810-1820, etching and aquatint.

An aquatint and etching by Jean Pierre Marie Jazet from 1808-1871 depicting the exit of a stable (ecurie), showing horses, riders, and stable architecture.

Petr Brandl a Mich. Halwachs: Poslední večeře Páně. Oltářní obraz z zámecké kapli v Rosicích.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Servants and Dog. Artist: Unknown. Dimensions: Image: 9.3 x 12.1 cm (3 11/16 x 4 3/4 in.)Mount: 27.5 x 23.3 cm (10 13/16 x 9 3/16 in.)Irregular. Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.

Adoration of Madonna, reproduction of the middle part of Jacek Malczewski Krieger, Ignacy (1820 1889)

Reproduction of a painting: Henryk Siemiradzki (1843-1902), U zdroju At the Well; from: `Tygodnik Ilustrowany` 1903, no. 40 (October 3rd), p. 781 (title page). L.J. (fl. ca 1903), photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Road in Heuvellandschap, Lodewijk Schelfhout, 1912 print A road through a hilly landscape with houses and trees. Paris paper drypoint low hill country. road, path

The torchlight procession on the arrival of the Archduke Johann , in Vienna, on June , No, from, Patriotic picture chronicle from the history of the Austrian imperial state , After, Anton Ziegler -, drawer

Sous le charme, editorial proof. Chardon & Sormani (Paryż ; drukarnia ; fl. ca 1886-ca 1892), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Worms, Jules (1832-1914 aut 1924), painter

Photo production of a painting with still life with plants by Paul Cézanne from the Hoogendijk collection, now in The Barnes Foundation, Johannes Gerardus Happel, after Paul Cézanne, c. 1915 photograph The Hague baryta paper. cardboard picture, painting. still life of related objects. plants (in general)

Modern Woman (section of tympanum). Cassatt, Mary, 1844-1926. Illustrations. 1902. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Mural painting and decoration, Painting , United States, Womans Building (World's Columbian Exposition, 1893, Chicago, Ill.)

Photo production of the painting 'Pinel à la Salpêtrière' by Tony Robert-Fleury, Goupil & Cie., After Tony Robert-Fleury, c. 1876 - in or before 1881 photomechanical print paper emotional illness, derangement, madness - AA - female human figure Salpêtrière Hospital

Bliżej Kultury Publishing house F. Bruckmann A. G., Böcklin, Arnold (1827 1901)

Print, Dante and Other Poets, 1806; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); Italy; line engraving in brown ink on brown paper; 26.1 × 30.3 cm (10 1/4 × 11 15/16 in.); Bequest of George Campbell Cooper; 1896-3-298

Etching by Pierre François Basan depicting portraits of Rembrandt Harmensz van Rijn, created in the 18th century.

Powers, pl. 9, Mierci, part II, op. XIII; Klinger, Max (1857-1920); 1891 (1891-00-00-1891-00-00);

Marches Macerata San Severino Marche La Maesta. Hutzel, Max 1960-1990 Exterior views of this church (c. 1300) include the gothic main portal, a romanesque nave portal, and a pair of 14th-century doorknockers. Interior views focus on the votive frescoes and a damaged painting of the Archangel Raphael with Tobias. Object Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo production of a painting by scene from the Opera Siegfried, Anonymous, After Ferdinand Leeke, 1896 cabinet photograph. photomechanical print Maker: Germanypublisher: Munich Baden-Baden cardboard. paper collotype dying

Colosse oriental du Spéos de Phré, à Abousembil (Portrait de Rhamsès-le-grand) March 1850 Maxime Du Camp French Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworth

Heliogravure by Victor Angerer showing a still life with objects from the Ambras collection and a model of the Danube female by Hans Gasser, printed in 1882.

Image reproduction: Henryk Siemiradzki (1843-1902), Spring in Sicily; from: "Tygodnik Ilustrowany" 1907, No. 19 (May 11), p. 383; Bong, Richard (1853-1935), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1907 (1907-00-00-1907-00-00);Siemiradzki, Henryk (1843-1902), Siemiradzki, Henryk (1843-1902) - reproduction, Illustrated weekly (Warsaw - magazine - 1859-1939) - fragment, painting, Polish painting, antique scenes, press clippings

Herrscher, from the series Vom Tode Zweiter Teil 1903 (published 1904) Max Klinger German. Herrscher, from the series Vom Tode Zweiter Teil 384491

Bliżej Kultury unknown

Lavater, Johann Kaspar .

Galerie Française, Décors de Carton. Léon & Lévy (French, active 1864 - 1913 or 1920)

Woodsawyers' Nooning.

Nicolas Delaunay after Jean Honoré Fragonard, Les Voeux acceptees, probably c 1777 1783 Les Voeux acceptees

Daguerreotype to painting/print L. Robert Rome 1830, V. Chevallier (Vincent), After Louis Léopold Robert, 1839 - 1841 photograph

PATIO DE LA CARCEL DEL SALADERO - GRABADO - 1836. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN.

The Ingrate Made 1832 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet

Scheveningen. .

Silversmederij, Anthon Gerhard Alexander van Rappard, 1868 - 1892 drawing paper. sepia (ink). pencil jeweller, goldsmith, silversmith

Etching by Max Klinger titled 'Action' (Opus VI, sheet 2), printed on French China paper, 1893.

Fotomontage: ten times the same model (block) As Darius who says goodbye to his government mates (Arti, Pulchri Studio), Machiel Hendricus Laddé, c. 1890 - c. 1900 Photograph. visit card. Photo montage Amsterdam photographic support. cardboard albumen print (story of) Darius, king of Persia Art and friendship. Beautiful study

Reproduction of drawing: Artur Grottger, `Duch` The Spirit, 1866, card V from the cycle 'Lituania' (1864-1866). Towarzystwo Przyjaciół Sztuk Pięknych w Krakowie (Kraków ; organizacja ; 1854- ), merchant employer, Szubert, Awit (1837-1919), photographer

Copper engraving and etching by Simon François Ravenet from 1761 titled 'The London Gazette', depicting a printed publication with detailed design.

Umbria Terni Narni S. Agostino8. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th century). Post-medieval: Sculpture, painting, frescoes (15-17th century) General Notes: Conservation: pressure-sensitive tape German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Image reproduction: Henryk Siemiradzki (1843-1902), artist's studio Art; Under the heaven of Greece; Z: "Tygodnik Ilustrowany" 1892, No. 129 (June 18), pp. 393-394; G. Heuer & Kirmse X. A. (Berlin; Drzewytownia; Ca 1880-1908), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1892 (1892-00-00-1892-00-00);Siemiradzki, Henryk (1843-1902), Siemiradzki, Henryk (1843-1902) - reproduction, Illustrated weekly (Warsaw - magazine - 1859-1939) - fragment, painting, Polish painting, artist workshops, antique scenes, generic scenes, press clippings

The Large Brewery. Anders Zorn; Swedish, 1860-1920. Date: 1890. Dimensions: 143 x 225 mm (image); 159 x 237 mm (plate); 280 x 401 mm (sheet). Etching on cream laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Reproduction of a painting: Wojciech Kossak (1856-1942), To our quarters; from: `Świat (Cracow)`, 1889, no. 325. Świat (Kraków ; czasopismo ; 1888-1895), publisher

Scene of "Forces de Vulcan". LeBas (French, active 1850s - 1860s)

Vilnius. Cathedral, photo of the image of an unknown painter, "whipping"; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

No. 30 - A Court Scene.. William Saunders (English, 1832 - 1892)

Life School Royal Academy, 1865. Charles West Cope (British,1811-1890). Etching; platemark: 19.6 x 28 cm (7 11/16 x 11 in.); sheet: 25.2 x 31.2 cm (9 15/16 x 12 5/16 in.).

N.N., Brunnen, Colmar. (From: leaves for architecture and handicrafts, 3rd year, 1890, Plate 100.) (1890-1890): View. Light pressure on paper, 34.5 x 27.4 cm (including scan edges) N.N. : Brunnen, Colmar. (Aus: Blätter für Architektur und Kunsthandwerk, 3. Jg., 1890, Tafel 100)

Two earthenware figures. William Chaffers (English, 1811 - 1892)

Song sellers under the gallery of the Théatre Français in Paris, 1893 - c. 1910 print paper etching / drypoint book-stall, kiosk. colonnade. theatre (building) French theater

. .

Edmond Morin (1824-1882). "The locust game. Great match played at Bois de Boulogne between French and English players". Bois, 1864. Museum of Fine Arts of the city of Paris, Petit Palais. English, bat, wood boulogne, french, game, player, launcher, match, field, engraving

Square St André (Danton Street Glow) October 8, 1898. (Strike of terrapers). Square Saint-André-des-Arts, Danton Street Glow, 5th arrondissement, Paris. October 8, 1898. Strike of the terrapers. St. André-des-Arts Place, Danton Street Glow, Paris (Fifth Arr.). Photograph of Pierre Emonts or Emonds (1831-1912). Draw on Albuminum Paper, October 8, 1898.

After Winslow Homer, A Littoral Tile, Jan. 1879, wood engraving on cream wove paper.

Bull, lion, & tiger to the right side of the cave temple i.e. Krishna Mandapa, Mahavellipooram

Recreation.. Benjamin West Kilburn (American, 1827 - 1909)

Statues Italiennes & Exposition Russe (No. 5). Léon & Lévy (French, active 1864 - 1913 or 1920)

(Piété Filiale) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Print made by John Wykeham Archer, 1808-1864, British, London Wall, South Wall of Cripplegate Postern, 1851. Etching on medium, slightly textured, cream wove paper.

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium)

Three faces on sculptures in the gardens of the École national superior d'Horticulture in Versailles, France, Anonymous, c. 1895 - in or before c. 1900 photomechanical print Versailles paper collotype horticulture, vegetable culture, market gardening. botanic garden, 'hortus botanicus'. piece of sculpture, reproduction of a piece of sculpture National Horticulture School

The Open Door. Artist: William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). Dimensions: Image: 14.3 x 19.4 cm (5 5/8 x 7 5/8 in. ). Date: before May 1844.Among the most widely admired of Talbot's compositions, The Open Door is a conscious attempt to create a photographic image in accord with the renewed British taste for Dutch genre painting of the seventeenth century. In his commentary in The Pencil of Nature, where this image appeared as plate 6, Talbot wrote, "We have sufficient authority in the Dutch school of art, for taking as subjects of representation scenes of daily and familiar occurrence. A painter's eye will often be arrested where ordinary people see nothing remarkable." With this concept in mind, Talbot turned away from the historic buildings of Lacock Abbey and focused instead on the old stone doorframe and simple wooden door of the stable and on the humble broom, harness, and lantern as vehicles for an essay on light and shadow, interior and exterior, form and

Description: Kamberi africa

Cascata di Caserta. Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Image of horse tuck on the Anichkov bridge in Saint Petersburg; Saint. Pétersbourg. Statue du Pont Anitschkoff .. Part of LeporelloLbum with recordings of Saint Petersburg.

Dedication Page Thomas Shotter Boys (British, 1803-1874). , book published 1839. Lithograph on wove paper, 21 7/16 x 14 3/4 in. (54.5 x 37.5 cm). European Art book published 1839

The Desert Wind. Louis Fleckenstein, photographer (American, 1866 - 1943) 1930 "#2 - 'The Desert Wind' / by / Louis Fleckenstein / 1510 East 3rd St. / Long Beach, Cal," pencil, mount verso top "The / Scottish / Photo- / graphic / Feder- / ation / Twenty-Third / Scottish / National Salon / 1931 / Pilmuir Hall / Dunfermline / Feb. 14 - Mar. 7 / Accepted," black and red ink stamp on brown paper label, mount verso bottom left

Galeries Algériennes (No. 2). Léon & Lévy (French, active 1864 - 1913 or 1920)

Premiere Spring Ascension to the Eugene Eugene Godard II.

Bullfight. Willi Geiger; German, 1878-1971. Date: 1907. Dimensions: 205 x 225 mm (image/plate); 285 x 325 mm (sheet). Etching with aquatint in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Lagina: frieze, A history of discoveries at Halicarnassus, Cnidus and Branchidae, Newton, C. T. (Charles Thomas), 1816-1894, Spackman, B., Wagner, E., Lithography, 1862 or 1863, Two images of blocks from the frieze of the Temple of Hekate at Lagina in Caria. The upper image is slab 210 from the east frieze, which is generally interpreted as the birth of Zeus. This slab depicts Rhea flanked by kouretes and Hekate handing Kronos the stone. The lower image is slab 199 from the south frieze depicting heroes and personifications from an assembly of the gods.

Bliżej Kultury Tomkowicz, Stanisław (1850 1933)

Julian Fałat. Towarzystwo Zachęty Sztuk Pięknych (Warszawa ; 1860-1940), merchant employer, Schuster, Rudolf (Berlin ; wydawnictwo ; fl. ca 1880-1900), reproduction atelier, Julian Fałat (1853-1929), painter

Summer and Autumn, vignettes. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist

Venice. Andrea del Verrocchio (1481-1488), horse monument Bartolomeo Colleoni on Campo Santi Giovanni E Paolo - view of the statue of B. Colleoni on the side; Z: Der Stil in Den Bildenn Künsten und Gewerben Aller Zeiten, Herausgegeben von Georg Hirth, Serie 1, Bd. 2: Der Schöne Mensch in der Kunst Aller Zeiten: Der Schöne Mensch in Mittelalter und Renaissance, München und Leipzig, 1900, Taf. 95; Hirth, Georg (1841-1916), Weese, Artur (Fl. 1900); 1900 (1898-00-00-1900-00-00);

Freedom, Jan de Waardt, 1875 - 1900 drawing In a flat landscape, two workers admire the rise of sun of freedom. On the right behind them is a signpost, to their left an ascending sun. On the downside a sketch of workers who greet the sun that comes up with the word 'freedom' above the industrial landscape. Netherlands paper. chalk. pencil pen / brush sunrise. working class, labourers. modern professional organization, trade union Netherlands

Did any of them get away. B. W. Kilburn; American, 1827-1909. Date: 1893. Dimensions: 7.5 x 7.6 cm (each image); 8.8 x 17.7 cm (card). Albumen silver print, stereo. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: BENJAMIN WEST KILBURN.

The Steerage, 1907. Alfred Stieglitz (American, 1864-1946). Photogravure; image: 32 x 25.7 cm (12 5/8 x 10 1/8 in.); image with black margin: 33.2 x 26.5 cm (13 1/16 x 10 7/16 in.); paper: 40 x 27.9 cm (15 3/4 x 11 in.); mounted: 50.8 x 38 cm (20 x 14 15/16 in.). With his camera, Stieglitz transformed a scene of impoverished immigrants returning to Europe into a study in shape and form; the image sparked his evolution from a pictorialist into a modernist. Reflecting on his career in 1942, Stieglitz proclaimed this image, taken in 1907, as an achievement of modern art that anticipated Cubism.

Paris exhibition - Lacropere sculptures The exhibition of Paris. Encyclopedia of the century, small palace, 1900, Volume II, page 37: The ornamentalists of the small palace of the Champs-Elys�es - The sculptures of the process .

Séeberger, Jules (n.1872 - D.1932), Old Montmartre / L'Impasse Trainee / March 1904 (title registered (letter)), 1904-03. Gelatino-silver-bromide draw. Carnavalet museum, history of Paris.

Etching by Romeyn de Hooghe depicting a garden scene, created in 1686.

Zéménon. Fileuses. Frédéric Boissonnas (Swiss, 1858 - 1946)

The militia meal in the Footboog or St. Joris goals in Amsterdam to celebrate the conclusion of the Peace of Munster, June 18, 1648, 1851 print The painting of the militia meal in the foot arch goals or St. Jorisdoel in Amsterdam to celebrate the closing of the Peace of Munster, June 18, 1648. Presected are: Captain Cornelis Jansz Witsen (with the Zilveren Drinkhoorn), Lieutenant Johan Oetgens van Waveren (who His hand shakes), De Vaandrig Jacob Banningh (sitting next to the Great Trommel), Dirck Claesz Thoveling and Thomas Hartog (Sergeanten), Pieter van Hoorn, Willem Pietersz van der Voort, Adriaen Dirck Sparwer, Hendrick Calaber, Govert van der Me, Johannes Calaber, Benedictus Schaeck, Jan Maes, Jacob van Diemen, Jan van Ommeren, Isaac Ooyens, Gerrit Pietersz van Anstraadt, Herman Teunisz de Kluyter, Andries van Anstraadt, Christoffel Poock, Hendrick Dommer Wz, Paulus Hennekijn, Lambegt van den Bos and Willem ( the drum butcher). A paper with a poem by Jan Vos hangs on the large dru

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