Historical Equestrian Portraits

Stylized portraits of notable historical figures on horseback, showcasing varying styles from engravings to lithographs. Emphasis on nobility and dramatic flair.

Etching of Don Juan of Austria; Nikolaas Henneman (British, 1813 - 1893); London, England; 1847; Salted paper print; 11.4 × 8.6 cm (4 1,2 × 3 3,8 in.)

French Avant Courier, a servant who rides ahead of his master to ready fresh horses for the coach, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's "Manners and Customs of the French," London, Sotheran, 1893.

Gaspar de Guzman, Count Duke ofOlivares. Artist: Francisco Goya, Spanish, 1746-1828 After: Diego Velázquez, Spanish, 1599-1660

Etching of Don Juan of Austria; Nikolaas Henneman (British, 1813 - 1893); London, England; 1847; Salted paper print; 11.4 × 8.6 cm (4 1,2 × 3 3,8 in.)

Equestrian Portrait of Napoleon. Artist: Auvrest (French, active late 18th-early 19th century). Dimensions: 16 1/4 x 12 5/16in. (41.2 x 31.3cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

New Illustration of Hudibras, Print made by John Doyle ('H.B.'), 1797-1868, Irish, 1851, Lithograph in tan and black ink on moderately thick, smooth, beige wove paper, Sheet: 11 3/4 x 17 1/4 inches (29.8 x 43.8 cm) and Image: 9 11/16 x 13 5/16 inches (24.6 x 33.8 cm), boots, bowing, capes, crash, crusades, falling, genre subject, hats, horses (animals), Hudibras (poem, 1663) by Samuel Butler (1613-1680), humor, illustration, letter (correspondence), men, obese, parody, peasants, political, politicians, riding, satire, satirical, sketches, squires, swords, table, woman

Well I'll die in good company (IT)

Zurbano, Martín.

George Hunt, active 1820-1840, British, Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is, 1823. Aquatint, hand-colored.

Artist: Conrad Gessner, Swiss, 1764-1826, Two Members of Royal HorseGuard, Watercolor, pen and brown ink, sheet: 10 × 13.2 cm (3 15/16 × 5 3/16in.), Made in Switzerland, Swiss, 19thcentury, Works on Paper - Drawings andWatercolors

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was, George Hunt, active 1820-1840, British, after Henry Thomas Alken, 1785-1851, British, 1823, Aquatint, hand-colored, Sheet: 13 x 15 3/4in. (33 x 40cm) and Image: 10 1/4 x 14 1/4in. (26 x 36.2cm)

Sir Robert Strange created an etching between 1741 and 1792 showing figures returning from a walk through a rural landscape.

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: 2. "Him from his craggy winding haunts unearth'd", 1794. Aquatint.

Equestrian portrait of Paul de Beauvilliers, 1733 print paper engraving / etching high-school riding. armorial bearing, heraldry

Ferdinand II, à cheval, 16th century, Aegidius Sadeler II, Flemish, 1570-1629, 35 x 24 5/8 in. (88.9 x 62.55 cm) (image), Engraving, Netherlands, 16th century

Meeting of Toréadors, Victor Vincent Adam, 1801-1866, Pen and ink, brush and wash, graphite on paper, Vignette of a man standing at left, a rifle in his right hand, festuring with his other hand toward another man on horseback facing him., France, 1833-1837, Drawing, Drawing

Radetzky from Radetz, Josef Graf.

Print made by Richard Houston, ca. 1721-1775, British, The Portrature of Sedbury, 1755. Mezzotint on medium, slightly textured, cream laid paper.

Equestrian portrait of Alexander I, Prince of the Netherlands. Equestrian portrait of Alexander I. In the undergarge his name and title.

Medieval knights in armour on horseback on a stormy night. Sir Ethelbert becomes separated from Alan on a mountain road. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from The Tournament, or Days of Chivalry, William Sams, London, 1823.

Portrait of Willem II, King of the Netherlands, 1810 - c. 1839 print Portrait of Willem II. He stands next to a horse and points his right hand to the left. A landscape in the background. In the lower margin two columns with two lines of French and two lines of Dutch text. Top right 'pl. 1. '. print maker: Low Countriespublisher: The Hague paper engraving / etching

Love and Wind, Print made by Henry William Bunbury, 1750-1811, British, undated, Hand-colored etching on thick beige card, Sheet: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm), Plate: 9 13/16 x 7 15/16 inches (25 x 20.1 cm), and Image: 8 9/16 x 7 1/4 inches (21.8 x 18.4 cm), breeches, bridge (built work), bridles, caricature, coats, country (rural landscape), cravat, expression, feathers, field, genre subject, gesture, hair, hats, horses (animals), horses (animals), humor, love, man, obese, riding crop, saddles, satire, smell, wind, woman

The Death of Prince Józef Poniatowski. Leroux, Jean Marie (1788-1870), graphic artist, Couché, Francois Louis (1782-1849), graphic artist, Vernet, Horace (1789-1863), draughtsman, cartoonist, Janet, François (fl. 1814-1843), publisher

Mort du Prince Poniatowski Ou Passage de l'Elster Death of Prince Józef Poniatowski in the Nurtures Elster Lying, François Louis (1782 1849), Aubert, Pierre Eugene (1789 1847), Leroux, Jean Marie (1788 1871), Vernet, Horace (1789 1863), François Janet (Paryż)

Give Points and Left Parry September 1, 1798 Thomas Rowlandson. Give Points and Left Parry. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). September 1, 1798. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

Cit's Airing Themselves On A Sunday. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet: 12 11/16 × 17 3/8 in. (32.2 × 44.2 cm)Plate: 9 7/8 × 13 7/8 in. (25.1 × 35.3 cm). Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Maskerade of the Leiden students, 1850 (plate 7), 1850 Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Seventh plate with the groups numbered 61-71. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Seventh plate with the groups numbered 61-71. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch

An Arab in the Clothes of Guyirat, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm), animal art

Julius Caesar Ibbetson, 1759-1817, British, Galloping Rider With Whip Under His Arm, undated. Gray wash, black wash and graphite on moderately thick, slightly textured, blued white, wove paper.

Benjamin Green, ca. 1736-ca. 1800, British, The Right Honourable Lord Pigot Governor of Madras., 1769. Mezzotint, proof before inscriptions.

Henry William Bunbury, 1750-1811, British, How to Ride without a Bridle, undated. Pen and black ink and gray wash on thin, slightly textured, beige wove paper.

Equestrian Portrait of Prince Józef Poniatowski. unknown, graphic artist, Begerschen Buch und Kunsthandlung (Drezno ; wydawnictwo ; fl. 18..), publishing house

Copper engraving by Adriaen Collaert depicting an equestrian statue of Galba, created between 1587 and 1589, showing the figure, horse, attire, and compositional detail.

1. Going Out / Depart de Chasse, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after John Wootton, 1682-1764, British, 1770, Engraving, Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)

Horse-racing Set of six: 1.The Cullen Arabian &c., William Elliot, active 1774, died 1792, British, And Thomas Smith of Derby, ca. 1720-1767, British, after Thomas Smith of Derby, ca. 1720-1767, British, 1758, Engraving, Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)

Hungarian horseman riding towards the right, other horsemen in the background, a circular composition from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Plate: 7 3/8 × 7 3/16 in. (18.8 × 18.2 cm)Sheet: 8 3/8 × 7 7/8 in. (21.3 × 20 cm). Series/Portfolio: 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois). Date: ca. 1651. Museum: Metropolitan Museum of Art, New York, USA.

Pierre Charles Canot, ca. 1710-1777, French, active in Britain, 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste, 1770. Engraving.

The sound of the horn - or - the danger of riding an old hunter , Hunters, Fords Stream crossings, Horses, Horseback riding, Falling. James Gillray (1756-1815). Prints and Drawings

Print made by Samuel Howitt, 1756-1822, British, Coursing, Plate 4, 1812. Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Valentine -

Her royal highness, Anna, Paulowna, Grandvorstin van / Russia, Gemalinne from the Crown Prince of the Netherlands. Portrait of Josephine (Keizerin der Fransen) on horseback, here as Anna Paulowna Romanowa meant. The performance is caught in a decorative frame, with a balustrade on the top. Under the image a fresh in two columns. Numbered at the bottom right: No. 229.

Huzaar van de Rijngraaf van Salm in 1786. Een Curasier van de Rijn Grave van Salm in dienst van de Nieuw Burgers Constitutie van het Jaar 1786 (title on object). Draughtsman: S.G. Casten. Dating: 1795. Place: Amsterdam. Measurements: h 197 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Swishing at a Rasper, plate six from Indispensable Accomplishments Published 1811 England. Hand-colored etching on paper . Sir Robert Frankland

Francisco de Goya y Lucientes / 'Disparate puntual. Una reina del circo', 1815-1819, Spanish School, Etching; aquatint on paper, 246 mm x 356 mm, G03068. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: 4. "Into the perilous flood", 1794. Aquatint, hand-coloreds with aquatinted border.

Treed, 1810-1825, 1810 - 1825 A woman can be transported by the sled, next to the sled a man with the reins of the horse, ca. 1810-1825. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving A woman can be transported by the sled, next to the sled a man with the reins of the horse, ca. 1810-1825. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving

Wrede, Karl Fürst.

MARTêNEZ COMPAîN Y BUJANDA, Baltasar Jaime (1735-1797). Trujillo del Perœ en el siglo XVIII. 1782 - 1785. Vol 2. Plate 78. 'Hierra de Bacas' (branding cows). Watercolour. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Palacio Real Library.

Vuelta del Embaxador Andreossy a Francia (Flight of Ambassador Andreossy toFrance). Artist: J. M. D. M.

Equestrian Portrait of Prince Józef Poniatowski. Kiesling, A. (fl. ca 1835), graphic artist, Fietta, Antoni (Kalisz ; wydawca, litograf ; fl. post 1822), publisher

Chevaux Conduits a la Foire Théodore Géricault (French, 1791-1829). Chevaux Conduits a la Foire, 1822. Crayon lithograph on wove paper, 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm). European Art 1822

James Seymour, 1702-1752, British, Foxhunter, with Jockey Up, undated. Graphite and pen and brown ink on medium, moderately textured, beige, laid paper.

Amsterdam, Ancona, GJ d', Commemorative Gift to 1840, for the Dutch Youth, in memory of the Solemn Inauguration of HM King Willem II. With XII plates on which the most remarkable is depicted, Guard of Honor of the Queen, verso - stamped, a rider with drawn sabre. Part of a folder with a series of twelve pictures of the entry of William II, the triumphal arches erected in the city and the inauguration on 28 November 1840 in the Nieuwe Kerk in Amsterdam., print, prent, prints, Frederik Muller Historieplaten, height 110 mm, width 90 mm, print maker, printmaker, 1840 - 1841, paper, papier, lithografie (technique), hand-colouring, Publication (Event), Publicatie, publisher

Moses Swett, "Serab", 1829, lithograph on paper.

The Storm. Charles Émile Jacque; French, 1813-1894. Date: 1866. Dimensions: 213 × 344 mm (image); 257 × 385 mm (plate); 313 × 434 mm (sheet). Etching, drypoint, roulette, and burin on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Royal Guard, Norman Mounted Dragoon and Horse, No. 5, First Limoges Horse. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1813-1823. Dimensions: 254 × 204 mm (image); 377 × 269 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Equestrian portrait. Michałowski, Piotr (1800-1855), painter

A Cheyenne Warrior Resting His Horse. Dated: 1861/1869. Dimensions: overall: 46.7 x 61.3 cm (18 3/8 x 24 1/8 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

1850s GOING TO THE MILL - CURRIER & IVES LITHOGRAPH - 1859

''Old Fashioned Sporting Pictures, and the Road to Bygone Days; Vicissitudes of the Road - 1787--The Highwayman--Lord Barrymore Stopped', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890.

Heilige Joris Te Paard, Henri Charles Guérard, After Unknown, 1897 print Paris paper etching the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Fakel. Louis-Jean Delton (French, 1807 - 1891)

A French Farrier. Dated: 1821. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Théodore Géricault.

Going In and Out Clever, plate four from Insidspensable Accomplishments. Sir Robert Frankland (English, 1784-1849); published by Hannah Humphrey (English, c. 1745-1818). Date: 1811. Dimensions: 187 × 270 mm (image); 211 × 294 mm (plate); 230 × 326 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Image reproduction: Jan Chełmiński (1851-1925), with a message!; Z: "Świat" 1889, No. 18, p. 417; Husnik & häusler (Praga; Reprography Department; 1888-1936), Świat (Kraków; magazine; 1888-1895); 1889 (1889-00-00-1889-00-00);

A Morning Ride, James Gillray, 1757-1815, British, after unknown artist, (I.L.R.), Published by Hannah Humphrey, ca. 1745-1818, British, 1804, Etching on moderately thick, slightly textured, beige wove paper, Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm), Plate: 12 13/16 x 19 5/16 inches (32.6 x 49 cm), and Image: 10 7/8 x 18 15/16 inches (27.6 x 48.1 cm), arches, boy, coats, cobblestones, colonel, columns, fences, genre subject, groom, guard, guards, historical subject, horses (animals), house, humor, king (person), lampposts, men, nobility, pediment, political, prince, reins, riding, running, satire, servants, street, top hats

Sword Arm Protect 1798 Thomas Rowlandson. Sword Arm Protect. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). 1798. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

Reproduction of drawing: Juliusz Kossak (1824-1899), Returning from the Market; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Gorazdowski, Edward (1843-1901), woodcutter

Thomas Sutherland, ca. 1785-1838, British, Set of six: 3. Hunter, 1821. Aquatint, hand-colored.

Equestrian portrait of Wilhelmina van Prussen. Equestrian portrait of Wilhelmina. In the middle of her arms and the weapon of Willem V, decorated with the garter and the motto of the garter of the garter, with a crown, a lion and hercules. In the undermaster her name and titles.

Watercolor by Sigmund Ferdinand von Perger depicting a queen, showing the figure, attire, and surrounding interior or landscape.

George Townly Stubbs, 1748-1815, British, 'Baronet', 1794. stipple engraving.

Baker travelling to the city from Costumes of South America by Emeric Vidal, ca. 1820, Peru 19th century. Watercolor.

Title page for: Johannes le Francq van Berkhey, the Political Hollandsche Koemarkt, 1787, Anonymous, After Johannes le Francq van Berkhey, 1787 print Proefprint of the title page for: Johannes le Francq van Berkhey, the political Hollandsche Koemarkt, 1787. A French spy buys from an old -fashioned Dutch farmer at Handlag de Hollandse Koe. print maker: Northern Netherlandsafter drawing by: Leiden paper etching / engraving barter. cow

Portrait de Charles 1er, state IV; Jasi Ski, Feliks Stanis Aw (1862-1901), Dyck, Anthony Van (1599-1641), Wittmann ch., Imprimérie (Paris; Printing house; Ca 1886-1908); 1886-1887 (1886-00-00-1887-00-00);Karol and Stuart (King of England-1600-1649), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), French (culture), French graphics, graphics Poland, reproductive graphics, horses, state prints, Poland (culture), horse portraits, swords, armor

Pruisische ruiters te Amsterdam. Pruijsisch Ruyter (...) in Amsterdam in Garnisoen in het jaar 1787 (title on object). Draughtsman: S.G. Casten. Dating: 1795 - 1796. Place: Amsterdam. Measurements: h 197 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Florentine dragon study on horseback Ren� Marjolin (1812-1895). Florentine dragon study on horseback (Italy). Graphite and watercolor pencil. Paris, museum of romantic life.

Mr, Ronacher, Anton Ronacher as a banner of the hosts in the pageant from Die Bomb , László frecskay -, caricaturist

Easter Monday, or The Cockney Hunt July 14, 1807 Thomas Rowlandson. Easter Monday, or The Cockney Hunt. July 14, 1807. Hand-colored etching. Prints

Maskerade of the Leiden students, 1850 (plate 9), 1850 Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Ninth album with the groups numbered 78-90. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Ninth album with the groups numbered 78-90. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch

The Chase December 1, 1791 Thomas Rowlandson. The Chase. Riding to the Hunt. Thomas Rowlandson (British, London 1757-1827 London). December 1, 1791. Hand-colored etching and aquatint. James Sibbald (British, Whitlaw, Roxburghshire, Scotland 1747-1803 Edinburgh). Prints

Studies of a Man and Horse Cart. Dated: c. 1870-1890. Dimensions: sheet: 32.07 × 24.61 cm (12 5/8 × 9 11/16 in.). Medium: watercolor and graphite on gray laid paper. Museum: National Gallery of Art, Washington DC. Author: Jr. Enoch Wood Perry.

Frederick II., King of Prussia Eraser: Berger, Daniel (1744) Factural place of origin: Berlin

Towpath 1864 Charles Jacque. Towpath. Charles Jacque (French, Paris 1813-1894 Paris). 1864. Etching. Prints

Scipio, a spotted hunter, the property of Colonel Roche Scipio, Colonel Roche's Spotted Hunter Scipio, property of Colonel Roche (Node), member of the Buccleuch Hunt Inscribed in black paint, lower left: "Scipio a horse of | Colonel. Roche." Signed and dated in black paint, lower left: "T. Spener pinx. | [17... [date hidden by frame", Thomas Spencer, 1700-1753, British

Equestrian statue of Marcus Aurelius, Nicolas Beatrizet, 1548 print The equestrian statue of Marcus Aurelius on Piazza del Campidoglio in Rome. print maker: Italypublisher: Rome paper engraving equestrian statue Rome. Capitol

After Franklin Brooke Voss, Equipoise, 1934, engraving on paper.

Watercolor by Johann Nepomuk Höchle depicting a mountain passage in the Vosges region, created in 1815.

A Match At Newmarket, No. 1 1790 John Nost Sartorius (1759-1828 British) Oil On Canvas The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA

Cheval D'Hanovre, 1822, Jean Louis André Théodore Géricault, French, 1791 - 1824, 7 x 9 1/4 in. (17.78 x 23.5 cm) (image), Lithograph, France, 19th century

Image reproduction: Juliusz Kossak (1824-1899), Kozak, 1876; Meisenbach RiffArth & Co. (Munich, Berlin, Leipzig; Graphic and Retoproductive Zak 1892-), Unknown; after 1876 (1876-00-00-1901-00-00);

Extraordinary Trotting Match against Time, Charles Hunt, 1803-1877, British, after John Frederick Herring, 1795-1865, British, 1839, Aquatint, hand-colored, Sheet: 20 x 29in. (50.8 x 73.7cm)

Zaans playing cart, 1824, 1824 - 1825 Two men and two women in a so-called play cart, in the Zaanstreek, ca. 1824-1825. Bottom right: pl. 6. Part of a sheet metal from ca. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: NetherlandsAmsterdamafter drawing by: Zaandampublisher: Amsterdam paper etching Zaandam Two men and two women in a so-called play cart, in the Zaanstreek, ca. 1824-1825. Bottom right: pl. 6. Part of a sheet metal from ca. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: NetherlandsAmsterdamafter drawing by: Zaandampublisher: Amsterdam paper etching Zaandam

Amsterdam, verso - stamped, Herald and King of Arms, both on horseback. Part of a folder with a series of twelve pictures of the entry of William II, the triumphal arches erected in the city and the inauguration on 28 November 1840 in the Nieuwe Kerk in Amsterdam., print, prent, prints, Frederik Muller Historieplaten, height 90 mm, width 110 mm, print maker, prentmaker, 1840 - 1841, paper, papier, lithografie (technique), handkleuring, Publication (Event), Publicatie, publisher, uitgever" Amsterdam, Ancona, GJ d', Herinneringsgeschenkje aan 1840, voor de Nederlandsche Jeugd, in commemoration of the Solemn Inauguration of HM King William II. With XII pictures on which the most remarkable is depicted, both on horseback. pictures of the entry of William II, the triumphal arches erected in the city and the inauguration on November 28, 1840 in the Nieuwe Kerk in Amsterdam., printmaker, hand-colouring

Mier Józef Poniatowski's book; Adam, Victor (1801-1866), Lemertcier, Benard et Cie (Paris 1820-1850 (1820-00-00-1850-00-00);Biała Elster (Czech Republic, Germany - River), Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813) - iconography, Society for the Care of the Monuments of the past (Warsaw - 1906-1944), Society for the Care of the Monuments of the past (Warsaw - 1906-1944)- collection, battle of Leipzig (1813), battles, Napoleonic era (1799-1815), French graphics, Poland (culture), portraits, horse portraits, army, army, death

Book, Viennese scenen from common life after nature drawn by Sigmund by Perger, Hofmahler , Tableaux Caracteristiques du Bas Peuple de Vienne, Publiés à Vienne Chez Tranquillo Mollo, - Blatt , A sled that clears the snow, Un traineau qui ramasse la rew,

'Portrait of I.P. Novosiltsev'. Russia, Late 1840s - early 1850s. Dimensions: 73x61 cm. Museum: State Hermitage, St. Petersburg. Author: Nikolay Sverchkov.

Portrait of John Cotes, Esquire, M.P. for the County of Salop, William Ward, 1766-1826, British, after Thomas Weaver, 1774-1843, British, 1810, Mezzotint, color-printed, Sheet: 21 3/4 x 28 5/8in. (55.2 x 72.7cm)

The goblins, illustration by Maurice Sand for Les Visions de la nuit dans les campagnes (Visions of the night in the country) by George Sand, from L'Illustration, Journal Universel, No 504, Volume XX, October 23, 1852.

Harvest scene. Draughtsman: Abraham Delfos. After Philips Wouwerman. Dating: 1795. Measurements: h 393 mm × w 330 mm. Museum: Rijksmuseum, Amsterdam.

Posting in Scotland. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1805. Dimensions: 308 × 385 mm (image); 312 × 387 mm (plate); 333 × 415 mm (sheet). Hand-colored etching and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

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