Historical Equestrian Scenes

Depictions of riders and horses in different settings, showcasing transportation and rural life styles in a traditional, illustrative style.

Stefano Della Bella (Italian, 1610-1664), Polish Attendant Holding the Bridle of a Horse, etching on laid paper restrike

Gilpin, The Shepherdess, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 54. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 54. paper. photographic support. cardboard albumen print

Ukrainian Carriage According to the Painting of Józef Chełmoński Drew Perrot. Sharpening from Kłosów 1874 (1) 197 Che Mo Ski, Józef (1849 1914), Perrot (N.N.), Boulay, Ernest (N.N.)

Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Deux chevaux gris pommelé que lon promène (Two Dapple-Grays Being Exercised). Artist: Théodore Géricault, French, 1791-1824

Delfos, Abraham, Northern Netherlands, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, Seventh sleigh, verso - handwritten, The seventh sleigh in the procession. A sleigh with Minerva pulled by a horse and preceded by two persons in Greek clothing. Part of a series of twelve plates (before the number and on different paper) of the sleigh ride on 24 January 1776 organised by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the founding of Leiden University (8 February 1575)., print, prints, engravings, Frederik Muller Historieplaten, verso - stamped, finished Proof, N vd worm, height 227 mm, width 437 mm, 1757-03-16 - 1828-05-12, print maker, printmaker, 1776 - 1776, paper, papier, etching, etchings, engraving, engraving (printing process), 1731-03-08 - 1820-07-13, intermediary draughtsman

Goya El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha Francisco de Goya, El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique), Spanish, 1746 - 1828, in or before 1816, etching, burnished aquatint, drypoint and burin first edition impression, Rosenwald Collection

Roche, Pierre (N.1855-D.1922-01-18), CARRETTE AU CAIRE) ("Farains car with cynocephalles") (main title), 1911. Gypsography, black draw .. Petit Palais, Museum of Beautiful -Arts from the city of Paris.

Stefano Della Bella (Italian, 1610-1664), Polish Attendant Holding the Bridle of a Horse, etching on laid paper restrike

Le Rouleau 1868 Charles Jacque. Le Rouleau. Charles Jacque (French, Paris 1813-1894 Paris). 1868. Etching. Prints

Reproduction of drawing: Juliusz Kossak (1824-1899), In a pasture; excerpt from a magazine. unknown, draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Olszewski, Kazimierz (fl. ca 1870-1890), woodcutter

Duchess of Nemours; Madam Duchess of Nemours.; Horses and Riders. .

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Russia. Droschki, small Russian carriage. Engraving by Lemaitre, Vernier and Chaillot. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Rape (Frauenräuber). Dated: 1920. Dimensions: plate: 25.1 x 30.1 cm (9 7/8 x 11 7/8 in.) sheet: 34.2 x 47.1 cm (13 7/16 x 18 9/16 in.). Medium: drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

The Way in which the ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint and drypoint on ivory laid paper . Francisco José de Goya y Lucientes

Painting by Johann Phillip Lembke depicting two riders giving alms to a beggar and her children, emphasizing figures, gesture, and interaction, using brown brush and laved technique.

Image reproduction: Juliusz Kossak (1824-1899), OndGI 1880, from: "Juljusz Kossak: 260 drawings in the text, 8 rings, 6 facsimili colorful with watercolors, portraits under L. . Witkiewicza ", p. 62; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

Count Adam Krasi Ski and Juliusz Kossak in the carriage; Kossak, Juliusz (1824-1899); 1877 (1877-00-00-1877-00-00);The Library of the Krasińskich Ordinance (Warsaw- 1844-1944), Library of the Krasiński Ordinance (Warsaw- 1844-1944)- collection, Kossak, Juliusz (1824-1899), Kossak, Juliusz (1824-1899)- iconography, Krasiński, Adam (1870- 1909), Krasiński, Adam (1870-1909)-iconography, Krasiński, Adam (1870-1909)-collections, Krasiński, Edward (1870-1940), Krasiński, Edward (1870-1940)-collections, Museum of the Krasińsc - 1860-1944), Museum of the Krasińskie (Warsaw - 1860-1944) - collection, artists, aristocracy, horses, painters, travels, Poland (culture), men's portraits, carriages, cartoonists, Polish drawings, generic scenes, postal trumpets, Windmills (architect.), Sin

James Ward, 1769-1859, British, A Horseman in a Landscape, 1814. Pen, in brown ink on moderately thick, moderately textured, cream, wove paper.

Henry Thomas Alken, 1785-1851, British, A Gentleman driving a four-in-hand to a Mail Phaeton, accompanied by three grooms, undated. Graphite and watercolor.

Having All the Fun to Themselves 1865-1875 England. Watercolor and graphite, with pink gouache, heightened with white gouache, on gray wove paper, perimeter mounted on ivory wove paper . Hablot Knight Browne

Henry Thomas Alken, 1785-1851, British, "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport', between 1831 and 1832. Graphite and red chalk on thin, slightly textured, blued white, wove paper.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Francisco Goya (1746-1828). "Tauromachie - Pl. 7 - Origen de los arpones o Backet - H 210 III1". Eat, chisel and aquatint, BRUNISSOIR works - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - Pl. 7 - Origin of the harpons or flags - H 210 III1 AQUATINTE, ARABE, ARENA, ARENE, BANDERILLE, BULL, BULLFIGHTING, BURIN, BURNISHED AQUATINT, DRY POINT, EAU-FORTE, ETCHING, FIRST EDITION, HARPON, MAURE, MOOR, ORIGINE, PREMIERE EDITION, TAUREAU, Turban, arab

Roulier Montant Une Cote, 1823, Jean Louis André Théodore Géricault, French, 1791 - 1824, 8 1/2 x 12 in. (21.59 x 30.48 cm) (image), Lithograph, France, 19th century

Mayeux et Robert Macaire - Sous les auspices de ses deux associes..., c. 1839, Charles-Joseph Travies de Villers, French, 1804-1859, 13 1/4 × 9 7/8 in. (33.7 × 25.1 cm) (sight), Lithograph, France, 19th century

Leiden, Immerseel Mounier, CA van, Netherlands, Mensing & Last, Last, Carel Christiaan Antony, Image of the costumed procession, representing the entry of Philip II, Prince of Spain, into Utrecht, on 3 October 1549, held on 17 June 1846, by HH Students of the Utrecht University, Masquerade of the Utrecht students, 1846 (plate 15), Historical costumed procession of the students of the Utrecht University held on 17 June 1846 on the occasion of the 210th anniversary of the University. The procession depicts the entry of Philip II into Utrecht on 3 October 1549. Plate with the groups numbered 81-87. Part of the series of 22 loose sheets that can be glued together., print, picture, books, Frederik Muller History Plates, height 240 mm, width 310 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1847 - 1847, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

Thomas Rowlandson, The Course, probably 1789 The Course

Canadian Calash or Marche-Donc, Isaac Weld, 1774-1856, Irish, between 1795 and 1797, Pen in black ink, gray wash, over graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 6 1/2 x 9in. (16.5 x 22.9cm)

Hablot Knight Browne, 1815-1882, British, Mr. Hawks thinks he had Better Turn Back, undated. Graphite and black chalk.

A Livery Stable. Genre subject. Watercolor with pen and red-brown, gray, and brown ink, over graphite on medium, slightly textured, beige, wove paper with pen in gray ink line and gray wash borders. Height: 227 mm (8.93 in); Width: 314 mm (12.36 in). Author: Thomas Rowlandson.

GOYA Y LUCIENTES, Francisco de (1746-1828). The very skilful 'student of Falces' wrapped in his cape, tricks the bull with the play of his body. 1816. Plate 14 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Men and women flirting at a donkey post-house, France, 18th century. Pleasures of a Poste aux anes. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from Journal of Sentimental Travels in the Southern Provinces of France, translated and abridged from Moritz August von Thummels Reise in die mittäglichen Provinzen van Frankreich im Jahre 17851786, Rudolph Ackermann, London, 1821.

The roadway of Antin Eugene Lami (1800-1890). The roadway of Antin. Engraving.

Sjees with a quack, 1835; Quackery; The individual performances, which ventifies, held by H.H. Students of the Leidsche Hoogeschool op den 9 Feb: 1835, decided. SJEES with a quack, before the car a dentist tries to choose a dentist, Harlekijn. Third plate in the procession held by students from Leiden Hogeschool for celebration of the Dies Natalis of the University on 9 February 1835.

NAPOLEON III CONDUCIENDO UN TILBURI - SIGLO XIX - 18,5x30 - ACUARELA. Author: CONSTANTIN GUYS. Location: PRIVATE COLLECTION. NAPOLEON III. BONAPARTE LUIS NAPOLEON. LUIS NAPOLEON. BONAPARTE CARLOS LUIS NAPOLEON. MONTIJO EUGENIA MARIDO.

Horse and Rider Weather Vane. Dated: c. 1938. Dimensions: overall: 38 x 50.7 cm (14 15/16 x 19 15/16 in.) Original IAD Object: 18 1/2" high; 24 1/8" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: George File.

Georges Michel (1763-1843). Collection of drawings: "cart pulled by horses". Charcoal, lead mine. Paris, Carnavalet museum. 112263-16 Load, cart, horse, drawing, charcoal, man, wheel, pull

SJEES with a quack, 1835, 1835 print SJEES with a quack, for the car a dentist trousers pulls a tooth, Harlequin looks. Third plate in the parade held by students from the Leiden University of Applied Sciences to celebrate the Dies Natalis of the university on February 9, 1835. print maker: Netherlandsafter drawing by: Leiden paper commemoration of the founding of a university. students' pageant. quack extracting teeth or molars. types in 'commedia dell'arte' Leiden

Millers Waggon, from A New Book of Horses and Carriages 1784 Thomas Rowlandson. Millers Waggon, from A New Book of Horses and Carriages. A New Book of Horses and Carriages: The Rhedarium. Thomas Rowlandson (British, London 1757-1827 London). 1784. Etching and stipple. Elizabeth Jackson (British, active 1785-87). Prints

John Leech, 1817-1864, British, Rosa McDermott and Lord Marchhare, undated. Graphite and watercolor on medium, smooth, wove paper.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Drawing by an anonymous artist depicting sheet 8 of the funeral procession for Archduke Ferdinand of Tirol, groups 37-39, rendered in brown pen, watercolor, and cover colors on paper.

Rustic Conversation.".

The Coal Wagon, plate 7 from Various Subjects Drawn from Life on Stone 1821 France. Lithograph in black on ivory wove paper . Jean Louis André Théodore Géricault

Photo production of a painting by Velázquez, representing a portrait of King Philip III of Spain, Juan Laurent, after Diego Rodriguez de Silva y Velázquez, c. 1857 - c. 1880 photograph Part of Reisalbum with photos of sights in Spain and Morocco. Madrid cardboard. paper. photographic support albumen print ruler, sovereign. equestrian state-portrait

The mule with bells (DuTUIT 29) Karel Dujardin (1622-78). The mule with bells (Dutuit 29). Forte, 1653. Museum of Fine Arts in the city of Paris, small palace.

Attributed to John Leech, 1817-1864, British, The Hunting Doctor, undated. Graphite, pen and brown ink, and watercolor on medium, slightly textured, white wove paper.

Henry Thomas Alken, 1785-1851, British, "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty, between 1848 and 1851. Graphite and watercolor on medium, slightly textured, cream wove paper.

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

A Hay Wagon Drawn by Four Horses, Charles Cooper Henderson, 1803-1877, British, undated, Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream, wove paper; mounted on, thick, moderately textured, beige, wove paper, Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm), Contemporary drawn border: 7 3/16 × 11 5/8 inches (18.3 × 29.5 cm), and Sheet: 6 1/4 × 10 5/8 inches (15.9 × 27 cm), cart, children, genre subject, hay, horses (animals), landscape, men, wagon, women

Italy, Tempesta, Antonio, His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat, Horses from different countries, A horse galloping to the left, verso attachment sheet - stamped, Text in Latin in bottom margin., print, prints, height 141 mm, width 165 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, after own design by

Cacoletière à la Tour (Woman Riding an Ass near a Tower). Dimensions: plate: 8.9 x 8.8 cm (3 1/2 x 3 7/16 in.) sheet: 23.4 x 30 cm (9 3/16 x 11 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Reproduction of a painting: Brodowski, Józef (1828-1900), Bringing the hay; from: "Kłosy" 1874, II, 65. unknown, graphic artist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

Chariot with boulders drawn by horses Sketches by various artists Croquis par divers artistes on object, print maker: Alexandre-Gabriel Decamps, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), publisher: Henri Rittner, (mentioned on object), print maker: Paris, printer: Paris, publisher: Paris, publisher: Paris, publisher: London, 1830 - 1831, paper, h 243 mm - w 318 mm

Sawrey Gilpin, 1733-1807, British, Le Piaffer, Dressage Position, undated. Graphite on medium, moderately textured, beige, laid paper.

Attelage de boeufs (Haut-Dauphiné) d'après Dubuisson.. Dubuisson, Alexandre (1805-1870). 1857. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Ox teams

Edgar Degas coal drawing from 1885-1900 depicts a jockey on a horse seen from the back, using wiped coal over a grid for structure.

Francisco Goya (1746-1828). "Tauromachie- Pl.27- The famous Fernando del Toro, Barilarguero, forcing the beast with its Garrocha- H 230 I1". Eau-Forte, Pointe Sèche, Burin et Aquatinte Partielle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Tauromachie - PL27 - Fernando del Toro Barilarguero forcing the Fiera with its Garrocha - H 230 I1 Arene, horse, etching, rejoneador, bull

"The water trough". Engraving after a painting by Koch. La Ilustración Española y Americana, December 30, 1882.

The Dover Express. Charles B. Newhouse (English, 1805-1877); possibly after Charles Cooper Henderson (English, 1803-1877). Date: 1832. Dimensions: 191 × 262 mm. Watercolor, heightened with white gouache, and selectively varnished on gray wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Reproduction of a painting: Juliusz Kossak (1824-1899), To the Stable; from: `Świat` 1888, 249. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Świat (Kraków ; czasopismo ; 1888-1895), publisher

Morning 1860 France. Wood engraving on light gray China paper laid down on ivory wove paper . Jacques Adrien Lavieille

'Sporting Notions': 'My Good Fellows Have You any Notion Where You Can Get a Saw', Henry Thomas Alken, 1785-1851, British, between 1831 and 1832, Graphite and red chalk on thin, slightly textured, blued white, wove paper, Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm), branches, fence, field, galloping, horseback riders, horseback riding, horses (animals), jumping, men, sporting art, trees

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Love puts time (registered title (letter)). Colored lithography, laid paper. Balzac house.

Ułan opatrujący konia. Bagieński, Stanisław (1876-1948), painter

DameBlanche. Artist: Denis-Auguste-Marie Raffet, French, 1804-1860

Full Cry, Samuel Howitt, 1756-1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper, Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm) and Sheet: 7 1/16 × 9 1/2 inches (17.9 × 24.1 cm), dogs (animals), fence, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, jumping, landscape, men, sporting art, trees

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Thomas Sutherland, Epsom. Running, 1818, aquatint on paper.

Illustration from a nineteenth century edition of 'Robinson Crusoe' a novel by Daniel Defoe. The book was first published on 25 April 1719. It relates the story of Robinson Crusoe, stranded on a desert Island for 28 years and his subsequent fight for survival.

Francisco de Goya (1746-1828), the brave Martincho in the arena in Saragossa, 1815-1816

Death in Barouche', c1850-1890 Artist: Stanislas Lepine. Although generally not considered an Impressionist painter, Stanislas participated in the first Impressionist exhibition held in 1874. He died suddenly in Paris in 1892.

Studies of Peasants, Diligences, and Hay Wagons, Samuel Prout, 1783-1852, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige, wove paper, Sheet: 4 1/8 × 5 7/8 inches (10.4 × 14.9 cm), bales, barrels, bonnets, carriages, carts, cloaks, coverings, crates, figure study, genre subject, hay, hay wagons, men, peasants, stagecoaches, still life, top hats, travel, wagons, wheels, women

Image reproduction: Józef Brodowski (1828-1900), hay lift; Z: "Kłosy" 1874, No. 474 (July 30), p. 65; unknown, Kłosy (Warsaw; magazine; 1865-1890); 1874 (1874-00-00-1874-00-00);

Negating sled, Abraham Delfos, 1776 drawing The ninth sledge in the parade. A sledge with the personification of justice, pulled by a horse. Part of the series of fifteen drawings for the plates of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575). Northern Netherlands paper commemoration of the founding of a university. sledge, sleigh (winter sports). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Leiden

Henri de Toulouse Lautrec, The Jockey (Le jockey), 1899 The Jockey (Le jockey)

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Gezicht vanuit de Grotte delle Capre. Autre vûe de la Grotte des deux nos précédens (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 250 mm × w 386 mm. Museum: Rijksmuseum, Amsterdam.

Watercolor with cover colors, white paint, and black ink by Maximilian Lenz depicting a study trip in Taormina, showing landscapes and architectural elements, around 1894.

Woman loading wheat, melons and vegetables onto a Roman two-wheeled farm cart Plaustrum drawn by oxen. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1798).

Unareïna del circo. Disparate puntual.. Goya, Francisco (1746-1828). 1816 - 1828. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Horses, Circus animals, Circus performers

Honoré Daumier, La pluie tombe déja comme ça depuis , 19th century La pluie tombe déja comme ça depuis ...

Fox hunters and hounds preparing to depart. Wootton, John (British, ca.1686-1765) (designed after) painter c. 1725-1750 Tapestry Dimensions: H 8'5" x W 10' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: French & Co. purchased from Denver Art Museum, 3/9/1960; sold to Mr. L. Lionel H. Harris () 10/29/1965.

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

A man scoops the garbage into his wagon Three draft horses are stretched in front of the wagon, Street Sweeper Les Boueux Quatre sujets divers , print maker: Théodore Géricault, (mentioned on object), printer: Gottfried Engelmann, (mentioned on object), publisher: Mme. Hulin, (mentioned on object), Paris, 1823, paper, h 196 mm × w 244 mm, h 293 mm × w 418 mm

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Reproduction of drawing: Juliusz Kossak (1824-1899), The Mother; from: "Tygodnik Ilustrowany" 1898, 1, 441. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Zajkowski, Andrzej (1851-1914), woodcutter

Thomas Ross, active from 1753, British, Figures with a Wagon and Horses, undated. Pen and black ink, red chalk, graphite, and gray wash on medium, slightly textured, cream laid paper.

Umbria Terni Terni Palazzo Montani0. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture; frescos (17th century); tapestries after designs of Raphael school; intarsia (furniture); wooden cassone carved with the arms of the Montani Antiquities: Portrait heads in marble of Roman youths and a consul German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'The Baron 'vills his Wet', 1838. Artist: Henry Thomas Alken.

The mail mail, Illustration from Vienna and the Viennese, in pictures from life, ed, By Adalbert Stifter, Pest, around

The Jockey Made 1899 France. Color lithograph on ivory laid paper . Henri de Toulouse-Lautrec

Plate 2, Outlines of Figures, Landscapes and Cattle...for the Use of Learners March 8, 1790 Thomas Rowlandson. Plate 2, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). March 8, 1790. Hand-colored etching. S. W. Fores (London). Prints

James Ward, Marengo, 1824 Marengo

Print made by George Cruikshank, 1792-1878, British, The Commodore's Wedding, undated. Etching on moderately thick, slightly textured, beige wove paper.

Gezicht op een Franciscanen klooster aan de kust voor de aankomst in Polignano. Vue d'un couvent de Franciscains sur le bord de la mer avant d'arriver à Polignano. Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 178 mm × w 262 mm. Museum: Rijksmuseum, Amsterdam.

Barnone of the National Convention, 1795, James Gillray (Possibly), After David Hess, 1795 Cartoon with the Batavian Republic as a seven -member monster that tries to give birth of a constitution. A French doctor is ready to speed up the birth with a tong, as well as a devil that stings the "woman" between her legs with a trident. On the left a doctor with a book The Caesarean section. London paper etching Cartoon with the Batavian Republic as a seven -member monster that tries to give birth of a constitution. A French doctor is ready to speed up the birth with a tong, as well as a devil that stings the "woman" between her legs with a trident. On the left a doctor with a book The Caesarean section. London paper etching

Study of Young Horsemen, pl. XV from "Recueil de caricatures". Artist: Ange-Laurent de La Live de Jully (1725-1779); After Jacques François Joseph Saly (French, Valenciennes 1717-1776 Paris). Dimensions: Sheet: 11 1/8 × 7 7/8 in. (28.3 × 20 cm)Plate: 10 3/4 × 7 1/2 in. (27.3 × 19 cm). Date: ca. 1754.This print is bound in an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman. Museum: Metropolitan Museum of Art, New York, USA.

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