Historical Etchings and Engravings

A collection of etchings and engravings depicting scenes of reconciliation, rural jewelry selling, classical portraits, and medical themes, showcasing detailed compositions and historical figures.

Etching by Bartolomeo Biscaino depicting the Madonna with Child, produced between 1650 and 1657.

Etching by Andrea Meldolla depicting the return of the lost son, created between 1515 and 1563, showing figures in gestures of reconciliation and detailed composition.

Etching by Jean-Baptiste Blaise Simonet depicting jewelry sellers in a rural environment, showing figures, merchandise, and surrounding landscape, created in 1777.

Illustrated plate by Nicolas Ponce in 1776 created through copper engraving and etching.

Copper engraving print by Johann Theodor de Bry depicting a portrait of Jean Jacques Boadard, created between 1580 and 1623.

An etching by Jacques-Philippe Le Bas from 1742 depicting the title page of 'Memoirs of the Academy of Surgery,' illustrating medical subjects and scholarly figures in classical composition.

Etching by Bartolomeo Manini depicting Saint Peter around 1678, showing figure, gesture, posture, and religious attributes.

Copper engraving and etching by David Herrliberger showing an allegory of a wedding, created in 1741, using dotting manner for detailed symbolic representation.

Copper engraving and etching by Nicolas Ponce, 1786, showing an Iliad scene with Greek warriors, battle, armor, and classical composition.

Etching by Bartolomeo Biscaino depicting the Madonna with Child, produced between 1650 and 1657.

Copper engraving by Claude Roy created between 1732 and 1756 depicting a portrait of Guillaume Dubois.

Etching by Albrecht Dürer after 1519 depicting Cardinal Albrecht of Brandenburg, showing his figure, attire, and ecclesiastical regalia.

Etching by Albrecht Altdorfer from the first half of the 16th century depicting the Adoration of the Kings with figures presenting gifts to the infant Jesus.

Copper engraving and etching by Nicolas Ponce, created in 1777 as a book illustration, displaying fine detail and line quality.

Copper engraving by Étienne Desrochers between 1700 and 1741 depicting Jean-Baptiste Rousseau, showing portrait features and composition.

Etching by Joseph Fischer depicting Gérard de Lairesse, Jean Glauber, Robert Duval, François Milet, and Gérard Hoet, created after 1822.

The Hundred Guilder Print: the ass, the camel and the wheelbarrow, Rembrandt van Rijn, William Baillie, 1753 - 1810 Fragment of cut -off plate of the one hundred guilders print. The print is part of an album. paper etching / drypoint Fragment of cut -off plate of the one hundred guilders print. The print is part of an album. paper etching / drypoint

Etching and aquatint by Frederick Christian Lewis the Older created between 1837 and 1840 depicting a Claude Lorrain-style landscape with trees, water, and classical composition.

A copper engraving and etching by Dominicus Custos from the 16th-17th century depicting a portrait of Helena Antonia, showing facial features and attire.

Copper engraving and etching by Ferdinand Ruscheweyh depicting Maria Lactans, produced between 1800 and 1846.

A 16th-century etching by an unidentified monogrammist depicting a rider on a horse alongside the personification of the sun, showing movement, figures, and symbolic celestial elements.

Copper engraving by Joseph Saunders, 1799, depicting the Hollandois rising with figures, banners, and period attire in a historical scene.

From a Picture by Patch. Philip H. Delamotte, photographer (British, 1820 - 1889) 1874 A photograph of a caricature by Thomas Patch, painted about 1760 in Florence. The caricature depicts a wealthy woman, Mistress Tabitha Mendes sitting for a portrait. The artist is said to represent Patch himself. A maid is standing behind the mistress and is holding a small dog. A man, John, third Duke of Roxburghe and suitor of Mistress Tabitha, is standing beside the artist's easel with his back to the two women. (Recto, mount) lower center, black printed text: "FROM A PICTURE BY PATCH."; lower right, black printed text: "To face p. 262. Vol. I."; (Verso, mount) lower right, pencil: "IB 60.26 (Del)";

Lithograph by Horace Vernet titled 'Jagdo,' created around 1818. The artwork depicts a dynamic scene, possibly military or hunting, emphasizing figures and movement.

Copper engraving by Christoffel van Sichem I depicting a portrait of Lodowyck Hetzer, produced between 1565 and 1624.

Man shows a letter to a woman with fan, Jean-Antoine-Valentin Foulquier, 1878-1879 print Scene from deed IV from "Le Misanthrope" of Molière. paper etching / drypoint fan. letter, envelope. courting. theatre, theatrical performance

Copper engraving and etching by Auguste de Saint Aubin showing Port Royal and Henry IV of Navarre between 1736 and 1807, including ships and harbor structures.

Etching by Hans Holbein the Younger from the 16th-17th century depicting Mary with the infant Jesus, showing figures, gesture, and drapery.

Etching and woodcut by Arthur Pond from 1736 depicting a praying man with a dead bed in the background, showing figure, gesture, posture, interior elements, and composition.

Etching and copper engraving by G. Texier from 1777-1791 depicting a night scene with masked people on a street, showing figures, architecture, and nocturnal setting.

Frederick Christian Lewis produced aquatinta and etching landscapes inspired by Claude Lorrain between 1837 and 1840, depicting natural scenery, architectural elements, and atmospheric effects.

Engraving and etching by Jean-Jacques Flipart from 1720-1782 depicting the mythological figure Prometheus in a dramatic classical composition.

Copper engraving and etching by Karl Rahl depicting an anniversary in 1826 showing a king, figures, ceremonial scene, and architectural elements.

Etching and copper engraving by Noël Le Mire between 1744 and 1789 depicting an allegory with Louis XVI.

Copper engraving by Pierre Viel depicting a young man in a study room with a globe, desk, books, and window, showing human figure, posture, and interior details, produced between 1770 and 1810.

Copper engraving and etching by Pierre Alexandre Tardieu depicting Heinrich IV, King of France, created between 1772 and 1844, illustrating royal portraiture and 18th-century engraving technique.

Copper engraving by Cornelis van Dalen depicting ancient statues, created around 1638.

Jean Michel Moreau's copper engraving and etching features a vignette created as a book illustration for the works of Voltaire, showcasing 18th-century artistic and literary culture.

Joseph Fischer executed a copper engraving print after 1822 featuring works by Robert van Voerst, Willem Hondius, Pieter Holsteyn, Dirk van Bremden, Cornelis Koning, and Regnier de Persyn, showing portraits and figures.

Copper engraving by Joseph Fischer depicting works of Antoine Van Dyck from volume III, produced after 1822, representing 18th-century subjects.

Claude Picquet's copper engraving circa 1620 portrays François-Hugues de Molière, highlighting facial features, attire, and compositional arrangement.

Around 1800, Jean Baptiste Wicar produced copper engravings and etchings showing relief figures and cameos in neoclassical design.

MDE. Roland.

Painter with jug in window, Paulus Lauters, After Ignatius Josephus van Regemorter, 1829 print Brussels paper. human figure at (open) window, seen from outside. painter at work, in his studio

Etching by Cornelis Dusart from 1680-1704 showing a farmer reading, depicting posture, clothing, and rural environment.

Etching by Joseph Fischer after 1822, based on the work of Abraham Van Diepenbeeck.

Photo production of an engraving of a standing woman in a vase by Agostino Veneziano, Benjamin Delessert, After Agostino Veneziano, After Rafaël, c. 1848 - in or before 1853 photograph photographic support salted paper print standing figure - AA - female human figure. container of ceramics: jar, jug, pot, vase

Etching executed by Joseph Fischer after 1822 depicting multiple artists including Jean Fredeman de Vries, Antoine Montfort, Pierre Baltens, Pierre Steevens, Josse A Winghe, Corneille Ketel, and Pierre White, showing portraits and artistic representation.

"Etching by Joseph Fischer after 1822 depicting Gilles Sadeler, volume II, showing the artist's portrait, attire, and compositional representation."

Etching by Lorenzo Baldissera Tiepolo from the 18th century depicting Holy Thekla interceding with a godfather to help the city of Este during a plague, showing religious and civic themes.

Petrus Plancius, ca. 1610., 1865 - 1870 Portrait of geographer Petrus Plancius in his study, ca. 1610. Part of the steel engraving group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving Portrait of geographer Petrus Plancius in his study, ca. 1610. Part of the steel engraving group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving

Copper engraving by Lucas Vorsterman depicting Andre del Sainctes, produced between 1610 and 1675, showing a European historical figure in portrait format.

A dotier manner etching by André Joseph Mecou from 1791-1837 showing a portrait of a young lady, highlighting facial expression, hairstyle, and upper-body posture.

Etching by Joseph Fischer after 1822 showing copies of artworks by different masters, reproducing prints with attention to detail and composition.

Etching by Joseph Fischer and Ian Joris van Vliet created after 1822, depicting artistic techniques characteristic of 19th-century printmaking, focusing on line work and tonal variation.

Etching by Jacob Gole depicting the five senses, produced between 1690 and 1724. The print shows figures representing the human senses of sight, hearing, smell, taste, and touch.

Copper engraving and etching by Jacques Firmin Beauvarlet from 1765-1797 depicting 'The departure of the mail', showing horses, coach, and attendants.

Copper engraving by Marinus Robin van der Goes depicting farmer children, created in 1633.

Etchings by Rembrandt (1642-1680) depicting a schoolmaster and a nail tailor, possibly Bathsheba, executed using etching technique.

Etching by Joseph Fischer after 1822 depicting Jacques Houbraken, created post-1822.

Etching by Frans van der Steen depicting the miser and his wife, showing two figures, gestures, interior, and symbolic elements, created between 1625 and 1672.

Le Seigneur et la dame. Bisson Frères (French, active 1840 - 1864)

Etching and copper engraving by Karl Rahl the Older from 1794-1843 depicting a guardian angel with a child, illustrating figures, protective gesture, and early 19th-century European print technique.

Etching by an unknown artist depicting a scene related to Jan Asselijn, created in the 17th century.

Etching by Joseph Fischer after 1822 depicting the Abbot of Saint-Non during a picturesque journey through Naples and Sicily, focusing on figures, architecture, and landscape.

Walker with hat and a bag on the back, Jacques van Gingelen, 1842 print paper. etching walking. head-gear: hood

Copper engraving and etching by Pierre Alexandre Tardieu from 1772-1844 depicting Heinrich IV, King of France, showing facial features, attire, posture, and 18th-19th century royal portrait style.

Female dancer as a nymph, looking up. Baron Adolf de Meyer (American, born France, 1868 - 1946)

Etching by Maria Anna Angelika Catharina Kauffmann from 1784 depicting a large vestal figure, emphasizing classical pose, attire, and symbolic elements of Roman religion.

Etching by Jacob de Gheyn III depicting Chilon of Lacedaemon, showing his features, attire, and symbolic representation from 1616.

Copper engraving and etching by Pierre Audouin in 1804 depicting Élisabeth Vigée Le Brun, showing her portrait and attire.

Etching by Bernard Picart from 1734 depicting a bathing scene, showing figures, gestures, and setting.

Portrait of Toolsee, one bandit capturing ZIT in Jabalpur; Toolsee. Hindoo dacait. Jubbulpore. .

Etching, steel stitch etching, and steel engraving by Josef Axmann depicting an album, masks, and girl portraits, showing facial features, attire, composition, and decorative elements, produced 1808-1873.

Copper engraving by Reinier van Persyn depicting a portrait of Peter Huntersville Hoofdius, created between 1634 and 1668, showing facial features, attire, and composition.

St. Mary Magdalene. Nicolaas Henneman (British, 1813 - 1893)

Etching by an unknown engraver, 1650-1720, depicting a man with a pipe and a farmers' family at table prayer, showing figures, interior, and objects.

Etching by Joseph Fischer featuring works of Nicolas de Bruyn and Jean Londerseel, created after 1822 using feather techniques.

This 1770 etching by Charles Etienne Gaucher depicts a portrait of an individual named EXAM-CATHERINER COMPROR, highlighting detailed facial features and figure composition.

Reconciliation of Tromp and De Ruyter, 1673, 1865 - 1870 Prince William III reconciles the Admiraals Michiel de Ruyter and Cornelis Tromp with each other, April 1673. Part of the steel engraving group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving Prince William III reconciles the Admiraals Michiel de Ruyter and Cornelis Tromp with each other, April 1673. Part of the steel engraving group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving

Copper engraving by Abraham Tummermann depicting Francesco Andreini, a jealous comedian, created in 1607. The print shows the actor in theatrical costume for a book illustration.

An etching by Joseph Fischer depicting Angelica Kauffmann, showing the artist in portrait format, clothing, and posture.

Tsar Peter the Great at the yard in Amsterdam, 1697; Tsar Peter on the East Indian yard in Amsterdam. Tsar Peter the Great on the yard of the VOC in Amsterdam, August 1697. Part of the Steel engraved group to the paintings of the historic gallery of the Society Arti et Amicitiae.

An etching by Angelika Kauffmann depicting Love sleeping, created in 1793. The work emphasizes allegorical figure, repose, and composition.

Etching by Benigno Bossi depicting various heads, produced between 1747 and 1792.

Copper engraving by Hendrick Goltzius, 1583, depicting the biblical figure Susanna, with detailed figures, attire, and setting.

Gasser, Achill Pirmin .

Dessewffy-czernak-Tárkat, Aurel Graf.

Etching after 1822 by Joseph Fischer featuring engravers C. Simonneau, Gérard Audran, J. Grignon, F. Spierre, P. Giffart, and L. Desplaces, showing portrait representations and engraved details.

Dream of argillano; Il Sogno d'Argillano. Dream of Argillano, from TASSO's 'La Gerusalemme Liberata'. Print No. 15 on Leaf 9 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

The spill , Horseback riding, Horses, Accidents. Thomas Rowlandson (1756-1827). Prints and Drawings

Photo production of an ETS from the rat poison seller by Rembrandt van Rijn, Bisson Frères, After Rembrandt van Rijn, c. 1848 - in or before 1853 photograph Paris photographic support salted paper print merchant, salesman

An etching by Joseph Fischer depicting Albrecht Dürer's Flight, created after 1822 with engraved parts for printing and preservation.

Photo production of a painting of a portrait of an unknown young woman by Diego Velázquez, Leonida Caldesi, After Diego Rodriguez de Silva y Velázquez, c. 1853 - in or before c. 1858 photograph photographic support albumen print historical persons not known by name - BB - woman

Speel -Vogel, 1731 - 1732 Koddige figure, in the caption in the overviewsprent, this figure bears the name: Speel-Vogel. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper Koddige figure, in the caption in the overviewsprent, this figure bears the name: Speel-Vogel. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper

Etching by Joseph Fischer depicting Pansote van Téel, Jean Chalon, and associated figures, created after 1822, showing human figures, group composition, and details of attire.

Copper engraving by Peter Candid, also known as Peter de Witte, depicting the four evangelists, showing figures, symbolic attributes, and narrative composition from 1600 to 1634.

Alone in the cold world. .

Forest face with book and etching needle, 1827 print This print is part of a double cover. paper etching forest, wood. tools, implements of graphic artist. book Bavaria

Photo production of a drawing, representing John Alden and Priscilla Mullins walk into a forest, Mathew Benjamin Brady, after John Ehringer, c. 1854 - in or before 1859 photograph photographic support salted paper print lovers' meeting. pilgrim(s)

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