Historical Etchings and Engravings

A collection of detailed etchings depicting religious and classical themes, featuring scenes like the Nativity, Saint Paul's conversion, and revelry, showcasing intricate 16th-17th century art.

Etching by Antoine Bouzonnet Stella from 1676 illustrating the legendary twins Remus and Romulus, emphasizing human figures, gestures, and architectural or natural surroundings.

Etching by Giovanni Benedetto Castiglione dated 1637-1641 depicting the nativity scene with the infant Christ, Mary, Joseph, and surrounding figures, showing detailed gestures and setting.

Etching by Miguel de Sorelló depicting the conversion of Saint Paul, created between 1720 and 1765.

Copper engraving by Theodor Galle from 1591-1633 depicting Saint Nicholas with a demon, showing detailed 16th- and 17th-century religious figures and European artistic style.

Etching by Daniel van den Dyck depicting a Bacchanal scene, produced between 1634-1662, showing revelers in a classical celebration.

Etching titled 'Jagdo' by Cornelis Danckertsz, showing a hunting scene, produced between 1685 and 1717.

Christian Wilhelm Ernst Dietrich's 1731 etching depicts a shepherd and a sheep in a ruined landscape, highlighting pastoral activity and decayed architectural elements.

Copper engraving by Jacob de Gheyn II, 1593, showing a public proclamation with figures, gestures, and a cityscape background.

Etching by Antoine Bouzonnet Stella from 1676 illustrating the legendary twins Remus and Romulus, emphasizing human figures, gestures, and architectural or natural surroundings.

Etching by Romeyn de Hooghe depicting an allegorical procession in Brussels honoring Leopold Is victory over the Turks, created in 1686.

Copper engraving and etching by Jean Audran from 1680-1756 depicting Christ positioned between two figures, showing gestures and composition details.

An etching by Carl von Vittinghoff from 1790-1826 showing a landscape with a ruin, depicting terrain, vegetation, and architectural remnants.

Etching by Giovanni Battista Fontana depicting Mount Sinai, created between 1540 and 1587, showing the mountain, landscape, and biblical scene.

A copper engraving by Jacob Matham from 1590-1631 depicting the biblical story of Juda and Tamar.

Copper engraving by Jan Pietersz. Saenredam, 1599, illustrating the announcement to the shepherds with figures in biblical narrative composition.

Print, Design with Apollo; Published by François de Cuvilliés the younger (German, 1731 - 1777); Germany; etching and engraving on off-white laid paper; Platemark: 23.9 x 16 cm (9 7/16 x 6 5/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Copper engraving by Cornelis Cort from 1568 depicting Jesus and Peter on the lake, showing Peter falling into the water, figures, gestures, and narrative composition.

Copper engraving and etching by Bernard Picart from 1730-1733 depicting the mythological scene of Diana and Apollo killing Niobe's children. The print shows detailed linework and dotting technique in Baroque style.

Copper engraving by Cornelis Galle the Elder depicting The Meal of Tereus, created between 1590 and 1635, illustrating a mythological scene and narrative in Flemish 17th-century printmaking.

Etching by Duthé depicting the Queens trip to the CE Bridge, created in the 18th century.

Etching by Philipp Jakob Loutherbourg the Younger from 1760-1812 depicting a young person, showing figure, posture, and facial features.

Etching by Louis Desplaces around 1721 depicting fire, including flames, smoke, and dynamic movement in composition.

"Etching by Nicolas Poussin depicting Israelites collecting manna, showing figures, baskets, food, and desert landscape. Created in the 17th century, illustrating detailed composition and biblical narrative."

"Copper engraving and etching by Jean Pelletier depicting a nymph and satyr, and Andromeda, showing mythological figures, gestures, and composition around 1760."

Etching by Franz Ertinger created between 1660 and 1710 showing the triumphal procession of Littorius in Toulouse.

Etching by Antonio Fantuzzi from 1540-1545 showing Kunter with prisoners, illustrating sixteenth-century Italian engraving and depictions of captivity.

Etching by Giuseppe Maria Mitelli depicting the Greeks pulling Kassandra from a temple, created in 1663.

Etching by Pietro Testa depicting Venus and Adonis returning from hunting, created between 1628 and 1650, showing mythological figures with hunting elements.

Etching by Pietro Testa depicting Venus in a garden accompanied by putti, created between 1628 and 1650, showing classical figures and decorative elements.

Etching and copper engraving by Cornelis Visscher from 1638-1662 showing Abraham leaving Haran. The print depicts figures, gestures, attire, animals, and landscape in 17th-century Dutch style.

Etching by Jan de Visscher depicting a shepherd couple with a herd of animals, created between 1653 and 1712, showing rural figures and pastoral activity.

Photo reproduction of a drawing, representing a group around a reading woman in a garden; 1795..

Photo production of a sketch by Michelangelo, representing a figure with a putto, c. 1875 - c. 1900 photograph Veniceafter drawing by: Italy cardboard. paper. printing ink collotype sitting figures. Cupids: 'Amores', 'Amoretti', 'Putti' Europe

Etching by Jacques Prou showing a landscape scene with natural and topographical elements, created between 1660 and 1670.

Copper engraving and etching by Jean Daullé (1758) depicting the surprise of the wine, highlighting figures, expressions, and compositional arrangement.

Etching by Bernard Picart from 1709 depicting a garden festival with musicians, showing human figures, musical instruments, gestures, attire, and landscape elements.

Etching by Abraham Blooteling depicting a shepherd couple, created between 1656 and 1690, showing human figures in a pastoral landscape.

Copper engraving and etching by Boëtius Adamsz. Bolswert depicting an allegorical representation of the world, created between 1595 and 1633, showing symbolic figures and elements.

Etching and copper engraving by Nicolas Henri Tardieu showing a title leaf and dedication with an allegorical scene featuring a central portrait of Raphael, created in 1721.

An etching by Benigno Bossi depicting a bacchanal with amorettes, created in 1765, showing mythological figures in dance and revelry.

Copper engraving and etching by Jean-Baptiste Blaise Simonet from 1782, with a titled work showing allegorical or narrative subject matter.

Pierre Etienne Moitte produced a copper engraving and etching between 1750 and 1780 depicting maternal tenderness, illustrating 18th-century European domestic life and portraiture.

Etching by Johann Elias Ridinger from 1718-1767 showing a courageous hunter (Jaeger) in autumn, depicted with hunting posture and landscape details.

Bartolomeo Pinelli's 1820 etching depicts Italian costumes in their traditional settings, showcasing regional attire and cultural practices of early 19th-century Italy.

Etching and copper engraving by Pierre Dupin between 1710 and 1751 depicting Boreas kidnapping Oreithyia, showing mythological figures and dramatic movement.

Copper engraving by Jan van Londerseel depicting a landscape with bear hunting. Printed between 1590 and 1624.

A woodcut by Albrecht Dürer from 1502 depicting the apocalyptic riders, showing figures, horses, and dynamic composition.

Etching by Domenico Maria Bonaveri created between 1680 and 1731 depicting the martyrdom of St. Christina, showing the saint in a religious narrative scene.

Copper engraving by Philipp Galle depicting the mythological story of Adonis, created around 1579.

Copper engraving and etching by Jan Witdoeck depicting Abraham and Melchizedek, created in 1638, showing biblical figures and narrative composition.

Reproduction from a print to a drawing of a stable interior with two men and a naked woman, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'La Jument Du Compère Pierre' by Jean de la Fontaine. A priest has told a man that he can turn his wife into a horse by touching her body. Reproduction of a proof with sketches in the margins. paper one-sided courting

Engraving by Nicolas Beatrizet between 1541 and 1565 presenting a detailed court scene, characteristic of Renaissance composition.

Etching by Claude-Joseph Vernet showing a radoubment vessel, including ship structure, rigging, and harbor elements in a maritime setting.

Copper engraving by Charles Clément Bervic from 1807 depicting Laocoon and his sons, showing struggle, anatomy, and composition.

Etching by Charles Dupuis around 1721 depicting air, showing clouds, wind, and movement in sky composition.

Copper engraving by L. Garreau produced between 1785 and 1811 showing a rural scene with a shepherd couple tending livestock, emphasizing 18th-century landscape and printmaking techniques.

Etching by Jacques Gabriel Huquier between 1750 and 1805 depicting the Chinese Fair, showing figures, stalls, and decorative elements with 18th-century engraving style.

Etching by Jean Mignon depicting a battle scene with horses at Troy, created between 1544 and 1545, illustrating combat, cavalry, and classical narrative.

This 1783 etching by Bernhard Rode shows Paul being rescued by his students in Damascus, emphasizing the figures of Paul, his rescuers, and the architectural setting.

A copper engraving and etching by Claude Du Bosc, created between 1704 and 1745, depicting Apollo driving the sun chariot above the sea, illustrating a mythological scene with deities and symbolic elements.

Description: Minneria. Group of mutilated stone figures on the bund of the Tank. Location: Minneria, Ceylon asia, srilanka, ceylon, asiathroughalens

A copper engraving and etching by Abraham Girardet between 1780 and 1823 showing the Roman legend of the abduction of the Sabine women.

Etching by Bartolomeo Pinelli from 1819 depicting scenes from the history of Rome, showing urban architecture, streets, and people engaged in daily life.

Etching by Anton Herzinger depicting a break during a hunt, showing hunters, dogs, horses, and landscape, created between 1783 and 1826.

Aquatint and etching by Frederick Christian Lewis the Older depicting a scenic landscape inspired by Claude Lorrain, including trees, water bodies, sky, and classical spatial arrangement.

Engraving by Johann Jacobé from 1785 depicting the biblical story of Samson and Delilah, showing figures, gestures, and narrative scene.

Etching by Giovanni Pietro Possenti from 1640-1660 depicting Venus and Mars, showing mythological figures in classical composition with detailed line work.

Copper engraving by Dirck Volkertszoon Coornhert from 1554 depicting Hercules killing Cacus. The print shows the figures in combat, muscles, weapons, and dynamic composition in Renaissance style.

A copper engraving and etching by Bernard Picart created between 1700 and 1733 depicting the biblical moment when God appears to King Solomon in a dream.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

The 1774 etching by Bernhard Rode depicts Agrippina, showing her figure, attire, and historical significance in Roman history, illustrated with classical style.

Dernier thème de R. Schumann , Composers, Angels, Fictitious characters, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Etching by Johann Elias Ridinger serving as a title leaf, showing ornamental design and decorative motifs in 1768 publication.

Copper engraving by Nicolaes de Bruyn depicting a proclamation scene, created in 1622.

Print (France); Designed by François Boucher (French, 1703-1770)

Etching by Bartolomeo Pinelli from 1821 illustrating Italian costumes in authentic environments, showing figures, attire, and surrounding architecture.

Etching by Dirck Volkertszoon Coornhert depicting scenes from the story of Jacob, created in 1549, showing Jacob in various narrative moments.

A 16th-century woodcut by Georg Pencz depicting the mythological figures Thetis and Chiron, showing interaction and classical composition.

Etching by W. Heseltine, 1802, showing the death of Porcia with figures, gestures, and classical Roman setting.

Etching titled 'Summer' by Jan van de Velde II, created in 1617, representing seasonal scenes with landscape elements and rural activity characteristic of summer.

Copper engraving and etching by Grégoire Huret between 1626 and 1670 depicting an allegory with the portrait of Claude Bouthillier.

Etching by Jean Jacques Le Veau depicting sailors on a ship distributing food, showing maritime daily routines, created between 1745 and 1786.

A copper engraving and etching by Albrecht Dürer before 1500 depicting a sea miracle, showing figures, ships, and stormy landscape.

Lithography by Annibale Carracci depicting the Massacre of the Innocents in Bethlehem, created between 1801 and 1844, showing the historical and religious scene with figures and gestures.

Kidnapping of Villeroy from Cremona, 1702, 1712 - 1715 Kidnapping of the French Marshal Villeroy from Cremona by the imperial army under Eugenius of Savoye after the robbery on the city in the night of January 31 to February 1, 1702. In the foreground an allegorical representation in which Koninh Louis XIV is advised by Hercules, the caution , a monk and a whispering woman. On the right, a commander is sucked to sleep by the flute game of Mercury. At the top a cartouche with a description of the fighting in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Cremona Kidnapping of the French Marshal Villeroy from Cremona by the imperial army under Eugenius of Savoye after the robbery on the city in the night of January 31 to February 1, 1702. In the foreground an allegorical representation in which Koninh Louis XIV is advised by Hercules, the caution , a monk an

Copper engraving by Léon Davent dated 1540-1543 depicting Cupid over a festival scene with Apollo and the Muses, showing figures, gestures, and classical elements.

Copper engraving by Cornelis Cort from 1564 depicting an allegorical scene illustrating the reward of virtue, showing figures, symbolic gestures, and attributes.

Photograph of Jan Matejko's painting Departure of Henry the Pious from Legnica Szubert, Song (1837 1919)

Lithography by Josef von Führich illustrating 'Kresomysl Goes to a Tribute,' created between 1820 and 1876, showing figures, ceremonial tribute, and landscape elements.

Etching by Giuseppe Maria Mitelli depicting three distinct scenes illustrating the act of listening, produced between 1675 and 1710.

Etching by Louis Surugue from 1732 depicting Perseus rescuing Andromeda, showing figures, Pegasus, rocky coast, and dramatic composition.

Etching by Christian Wilhelm Ernst Dietrich depicting an afternoon landscape, emphasizing light, shadow, and natural scenery. Created between 1750 and 1824.

Etching by Pierre Charles Canot (1773) depicting the biblical scene of Jesus calming a storm, showing Jesus, disciples, boat, water, waves, and sky in 18th-century Europe.

An etching by Franz Edmund Weirotter from 1750-1771 showing a landscape view of Vernonnet in Normandy, depicting terrain, buildings, and natural features.

Louis Desplaces created copper engravings and etchings between 1700 and 1739 depicting figures coming to the waters, showcasing 18th-century European engraving techniques and naturalistic scenes.

A 1680 copper engraving and etching by Guillaume Chasteau titled The Mannalese, rendered with detailed artistic treatment.

Etching by Jacob Louys depicting the interior of a barn with a mother and two children beside a pig, created between 1630 and 1673, showing figures in a rural domestic scene.

Copper engraving and etching by Jean Charles Le Vasseur from 1750-1816 depicting the Triumph of Galatea, showing mythological figures, sea creatures, and detailed composition.

Print, DESSUS DE CLAVECIN GRAVÉ DAPRÉS LE DESSEIN ORIGINAL INVENTÉ PAR GILLOT; Designed by Claude Gillot (French, 1673 - 1722); Print Maker: Anne Claude Philippe Caylus (French, 1692 - 1765), Louis Crépy; Published by Edmé-François Gersaint (French, 1694 - 1750), Louis Surugue (French, 1686-1762); France; etching and engraving on laid paper

Etching by Hans Bol from the 16th century showing a mountain landscape with horse-drawn carriages, roads, trees, and buildings.

Etching by Giuseppe Ribera depicting a drunken Silenus, created in 1628.

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