Historical Etchings and Engravings

A collection of etchings and engravings illustrating various historical scenes and figures, showcasing intricate detail and narrative elements.

Copper engraving and etching by Bernard Picart depicting allegorical scenes with the coat of arms of Great Britain and Amsterdam with four mayors, created between 1716 and 1719.

Etching by Jean Le Pautre in 1644 depicting ruin landscapes featuring multiple scenes and figures.

Etching by Jonas Umbach from 1639-1693 depicting scenes from the Old and New Testament, showing figures, narrative, and architectural or natural settings.

Copper engraving and etching by Jean Michel Moreau around 1800 showing decorative vignettes as book illustrations.

Etching by Giuseppe Diamantini depicting the Roman gods Mars and Venus, created between 1650 and 1700.

Woodcut by Maarten van Heemskerck depicting Tobias healing his blind father's eyes, created around 1550, showing two human figures and a narrative act of healing.

Copper engraving and etching by Raphael Sadeler the Elder from 1580-1632 depicting Christ on the Mount of Olives and on the scourge column, showing figures and gestures.

Etchings by Chodowiecki from 1771-1791 depicting various scenes, including figures, architecture, landscape elements, and compositional arrangements.

Copper engraving and etching by Bernard Picart depicting allegorical scenes with the coat of arms of Great Britain and Amsterdam with four mayors, created between 1716 and 1719.

Etching and copper engraving by Jean Dambrun, 1786, showing a scene from the Iliad with Greek warriors in battle, armor, and mythological references.

Copper engraving by Jacob de Gheyn II depicting biblical figures Zechariah and Peter, created around 1595.

A copper engraving by Jan van der Straet created around 1582 depicting scenes from the Acts of the Apostles, illustrating early Christian figures and events with 16th-century engraving detail.

Etching by Franz Gabet depicting a landscape with ancient ruins, created between 1785 and 1847, showing architectural and natural features.

Copper engravings by Jean François Rousseau from 1767-1804 showing allegories of Philipp V and Karl IV, highlighting symbolic figures, regalia, and narrative composition.

This copper engraving print by an unknown engraver, created between 1590 and 1700, depicts Prophet Jonas and a Sibyl in the Sistine Chapel, emphasizing figures, gesture, and architectural setting.

Etching by Franz Stöber from 1810-1858 depicting figures from Greek mythology, showing gestures, poses, and attributes of each character.

Etching showing a farmer with a basket, a farmer with a bird cage, and two cows by Jacques Kuyper, created between 1765 and 1801, depicting rural activities.

Etching by Pierre Brebiette from 1624 depicting Pluto, Neptune, and Jupiter with Fortuna, showing mythological figures in allegorical composition.

Etching and copper engraving by Jean Michel Moreau featuring vignettes for book illustrations, created around 1800, showing ornamental and figurative details.

Copper engraving and etching by Claude Antoine Littret de Montigny titled 'Love Led by Loyalty,' created in 1766, showing allegorical figures representing love and loyalty.

Copper engraving and etching by Jean-Louis Delignon illustrating 'The Freed Jerusalem' by Torquato Tasso, created between 1784 and 1786, showing figures, battle scenes, architecture, and narrative composition.

An etching by Willem Panneels from 1610-1670 depicting the biblical scenes of Elias and the angel, and Esther before King Ahasver.

A copper engraving and etching by Jan Collaert the Younger depicting Abrahams victim and Job, created between 1580 and 1612, illustrating Old Testament figures and events.

This etching by Matthias Scheits represents the Four Seasons, depicting personifications of spring, summer, autumn, and winter, created in 1678.

Copper engraving by Francois Spierre depicting the Circumcision of the Lord, dated 1662.

Etching by Lorenzo Lolli depicting Bacchus children alongside the coat of arms of Guasta Vilani, created between 1630 and 1691, showing mythological and heraldic subjects.

Copper engraving and etching by Lucas Vorsterman, created in 1633, depicting the title page of 'Plaintes d'Acante'. The print shows figures and ornamental details in Baroque style.

Copper engraving by Gilles van Breen depicting an unequal couple, created before 1677.

Copper engraving and etching by Benoit Audran from 1698 depicting the biblical story of Samson, showing figures, gestures, action, and detailed composition.

A heliograph by Josef von Führich from 1820-1900 depicting The Last Judgement with figures, angels, and symbolic elements.

Copper engraving by Albrecht Dürer showing Maria crowned by an angel, created in 1520.

Etching by an unknown artist showing an allegorical representation, created between 1628 and 1750, featuring symbolic figures and classical composition.

Etching by Giovanni Battista Franco, known as Semolei, from 1530-1561 depicting various antique scenes featuring Kameen, showing detailed figures and objects.

Depicts the Dance of Death, created as an etching by Hans Holbein the Younger in 1780, illustrating skeletons interacting with human figures.

Lithography by Godefroy Engelmann I, 1818, depicting a celebratory scene with figures and objects, themed 'Long live wine', showing composition and gesture.

Etching by Jonas Umbach from 1639-1693 illustrating scenes from the New Testament, featuring biblical figures, events, and narrative composition.

Copper engraving by Maarten van Heemskerck illustrating the Passion of Christ, produced between the early 16th and mid-17th century.

Etchings by Daniel Nikolaus Chodowiecki from 1772-1779 depicting various scenes with figures and environments, illustrating interactions and daily life with detailed composition.

Anonymous artist engraved a copper print in the 16th-17th century depicting various scenes and a coat of arms, including human figures, symbols, and architectural elements.

Etching by Nicolas Dorigny showing various book illustration scenes, created around 1694.

Copper engraving and etching by Jean Baptiste Patas illustrating 'The Freed Jerusalem' by Torquato Tasso, created between 1784 and 1786, showing figures, battle scenes, architecture, and literary narrative.

Depicts scenes of the Dance of Death, created as an etching by Hans Holbein the Younger in 1780, showing skeletons interacting with humans, illustrating mortality.

Copper engraving and etching by an unknown artist depicting a peasant couple with a child sharing a meal, created between 1615 and 1683.

Etching by Jan Lutma I depicting a weightless Christ and ornamental river gods, created between 1609 and 1669.

A 16th-17th century woodcut by the Cranach workshop depicting Saint Anna and Maria with the child, showing figures, gestures, and religious iconography.

Etching by Bartolomeo Manini depicting the liberation of Saint Peter from prison around 1678, showing figures, gestures, prison, and religious narrative.

Copper engraving by Giovanni Luigi Valesio depicting twelve principal movements of the head and a cardinal's coat of arms surrounded by nine muses, created between 1590 and 1650.

Copper engraving by Theodor de Bry showing caricature scenes, created in 1593.

Jost Ammans late 16th century woodcut depicts anatomical studies and various representations with detailed lines, shading, and compositional structure.

Etching by Stefano della Bella illustrating Lucrece, a woman covering her face, a young man holding her foot, and the Bull of Phalaris, produced between 1630 and 1664.

Woodcut by Anton Woensam from the first half of the 16th century depicting scenes from the Passion of Christ, showing figures, gestures, and narrative sequence.

Etching by Antonio Fantuzzi from 1540-1545 depicting a coastal landscape framed with putti, illustrating sixteenth-century Italian engraving and decorative landscape art.

An etching by Daniel Nikolaus Chodowiecki from 1790 depicting Prussian-Brandenburg State History in a book, showing historical figures, architecture, and symbols.

This copper engraving and etching by Jean Charles Baquoy, produced between 1740 and 1777, depicts scenes from French history, illustrating historical figures, events, and settings of 18th-century France.

Etching by Giovanni Paolo Lasinio dated 1820 depicting the crossing of Christ, showing figures, gestures, and narrative composition.

Etching by Hieronymus Hopfer from 1525-1550 depicting a battle in a forest, showing armed figures, trees, and dynamic combat actions in a detailed landscape composition.

Copper engraving and etching by Jacques Louis Copia depicting Aeneas receiving weapons and armor from Vulcan and Venus, created between 1784 and 1799.

Copper engraving by Francesco Brizio depicting the coat of arms of Cardinal Bianchetti, created between 1595 and 1623, featuring heraldic symbols and decorative elements.

Etching by Bernard Picart from 1734 depicting the Circumcision of Christ, the abstinence of Scipio, and the Adoration of the Lamb, showing figures, gestures, attire, and narrative elements in detailed compositions.

Copper engraving and etching by Nicolas Ponce between 1765 and 1831 depicting figures identified as Marton and Perette.

Copper engraving by Michelangelo Buonarroti from 1533-1565 depicting Venus with Amor, showing mythological figures, gestures, and classical attire.

This 1804 etching by Johann Adam von Bartsch depicts two armed men and a pair of lions attacking a man who attempts to defend himself with a shield, emphasizing figures, animals, and combat action.

Copper engraving and etching by Jean-Baptiste Tilliard illustrating 'The Freed Jerusalem' by Torquato Tasso, created between 1784 and 1786, depicting figures, battles, architectural elements, and literary scenes.

Woodcut illustration by Michael Wolgemut (1491) for Stephan Fridolin depicting the fourteenth and fifteenth figures of the treasure retailer with precise line work.

Copper engraving and etching by Philippe Trière from 1782 depicting King Henry IV visiting a hermit, showing figures in a symbolic and historical encounter.

Etching by Camillo Procaccini depicting the sleeping child of Jesus between 1580 and 1629, showing child, Holy Virgin, interior, and gentle posture.

An etching by Wenzel Hollar from 1627-1677 depicting Hercules as a child along with women in a mythological context.

Etching by Bartolomeo Biscaino depicting St. Margaret, created between 1650 and 1657, showing the saint in traditional religious attire and iconography.

A copper engraving by Marc Duval created between 1560 and 1581 depicting grotesque motifs representing autumn and winter, illustrating ornamental designs and seasonal themes.

Copper engraving by Maarten van Heemskerck from 1554-1555 depicting a victim of Solomon, showing figures, gestures, and historical or biblical context.

Copper engraving print by Léonard Gaultier from 1581-1641 depicting Zeus and the Trojans, illustrating mythological figures and narrative composition.

Isaac Briot's copper engravings from 1610-1670 illustrate themes of nature, Moses, and grace, showing human figures, symbolic elements, and detailed line work.

This etching by Moyses van Uyttenbroeck, created between 1610 and 1648, depicts mythological scenes including Diana and Kallisto, and Pomone, illustrating figures and narrative elements.

Etching by Bernhard Rode around 1774 depicting an ancient bust and personification of Feldmarschall, Count of Schwerin with classical and military attributes.

A woodcut by Jacques Stella, created between 1620 and 1657, depicting King Solomon and King David, showing biblical figures, gestures, and regal attributes.

Etching by Pompeo Ghitti from 1650-1703 depicting St. Maurus performing healings, showing human figures, patients, and detailed interior and landscape elements.

Etching by Carel de Moor depicting Maria Magdalena as a penitent and portraits of a young man, created between 1670 and 1738.

Etching by Raffaello Schiaminossi depicting allegorical personifications, created in 1605.

A woodcut by Hans Schäufelin around 1510 depicting Saint Rochus, Saint Sebastian, and the martyrdom of Saint Katharina, showing detailed religious figures and devotional iconography.

This copper engraving and etching by Jean Michel Moreau, circa 1800, shows Voltaire for a book illustration, depicting facial expression, pose, and period clothing in early 19th-century European style.

Etching by Marco San Martino depicting a satyr family along with Fortuna and Amor, created between 1635 and 1680.

Etchings and copper engravings by Justus Sadeler depicting the months of November and December, created between 1590 and 1620, illustrating seasonal changes and landscapes.

An etching by Maria Anna Angelika Catharina Kauffmann from 1780-1782 depicting Tranquillity restored by Love and Science resting in the arms of Peace, executed in the punctuation manner.

Copper engraving by Crispin van de Passe showing a female personification of piety and Christian virtues in round images, created between 1584 and 1637.

Etching by François de la Guertière showing grotesque decorative designs, produced in the mid-17th century.

Etching by Andrea Meldolla depicting Bellona, the Roman goddess of war, created between 1515 and 1563, showing her with traditional martial attributes.

Etching by Joachim Martin Falbe depicting a vase with a mascaron and an atelier scene including a donkey, created between 1729 and 1782.

A woodcut by Jacques Stella, created between 1620 and 1657, depicting Susanna in the bath, illustrating the biblical story with figures and setting.

Etching by Jost Amman from the second half of the 16th century depicting an allegorical representation, showing figures, symbols, and composition.

A copper engraving and etching by Raphael Custos from 1620 depicting an angel with the instruments of Christ's suffering, showing emblematic and symbolic details.

Duplicate entry: Arnold Houbraken etching from 1675-1719 depicts a title page and theatrical allegorical scene with personifications and symbols, showing 17th-18th century Dutch engraving.

Etching by Daniel Nikolaus Chodowiecki from 1784 depicting the history of mankind according to cultural relationships, showing figures, interactions, attire, and compositional elements in 18th-century European prints.

Copper engraving by Raphael Sadeler the Younger depicting a title leaf, created in 1627, illustrating decorative text, ornamental motifs, and 17th-century graphic design.

Woodcut illustrations by Georg Pencz created for books, produced between the 16th and 19th centuries.

Etching by Claudine Bouzonnet-Stella from 1657 showing a title leaf with children playing in decorative style.

Woodcut by Michael Wolgemut depicting Stephan Fridolin as a treasure keeper, with detailed figures, costume, and compositional elements in a book illustration from 1491.

Copper engraving and etching by Philipp Galle created around 1577 depicting giving the thirsty to drink and dressing the bare, showing human figures, charitable acts, and religious context in 16th-century style.

This etching by Jacopo Palma, created between 1600 and 1636, depicts a detailed study of the human body, emphasizing anatomy, posture, and proportion in classical art practice.

Etching by Daniel Nikolaus Chodowiecki from 1771 illustrating Ariosto's 'Rasender Roland' in book illustration format, showing narrative and character scenes.

This 1784-1786 copper engraving and etching by Benoît Louis Prévost illustrates Torquato Tassos *The Freed Jerusalem*, highlighting narrative scenes and figure composition for a book illustration.

Etching by Tommaso Benedetti depicting a genre scene, produced between 1810 and 1863.

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