Historical Events and Allegories

Prints depicting significant historical moments and allegorical representations, rich with symbolic details and historical context.

Columbus, on return from first voyage to America

Allegory on the elevation of William IV to Stadholder in 1747, 1747 print Allegory on the elevation of Prince William IV to Stadholder in 1747. The prince sitting on a throne surrounded by personifications, including the Dutch Virgin, Mercury, the Free Arts, Eendracht and the Peace. Marked at the top: IV. Northern Netherlands paper etching / engraving personifications of countries, nations, states, districts, etc. Netherlands

Columbus, on return from first voyage to America

Toneelscène uit Paul Scarron's comic novel, Edme Jeaurat, after Jean Baptiste François Pater, 1698 - 1738 print print maker: Francepublisher: Paris paper etching / engraving fighting. (SCARRON) specific works of literature (with AUTHOR, Title)

Satyr standing on a stage and pointing downward toward an audience, two jesters gesticulate at lower left 1755 Pierre Hutin French. Satyr standing on a stage and pointing downward toward an audience, two jesters gesticulate at lower left 399398

. The triumphal of Germanicus in Rome. During this entry, Germanicus is reunited with his sons, which he has not seen for ages. The print is part of the History of General Germanicus.

Karel shares his students; There he put the first to his regiter the others on his left hand,. On the basis of the quality of the poems written by his students, Charles divides them into two groups.

Marcus Licinius Crassus uitgelachen door Parthische afgezanten.The Parthischer Vagises points to the inside of his hand. He says to Marcus Licinius Crassus that it will grow up to his hand even faster than that Crassus Seleucia will reach.

A drawing by Bernard Picart depicting an ancient victim scene, executed in brown and gray-brown ink with black chalk signature.

Couple leaves a company. .

Pyrrhus brought as a child to King Glaucias for protection, John Hall, After Benjamin West, After Richard Earlom, 1769 print Numbered: full. II, No. 50. London paper etching / engraving the infant Pyrrhus and his rescuers before Glaucias, king of Illyricum, begging for asylum

The widow of Edward IV gives her son to two archbishops, Francesco Bartolozzi, after Giovanni Battista Cipriani, 1786 print Elizabeth Woodville, the widow of Edward IV, gives her son, the duke of York, to two archbishops who come to get him on behalf of Richard III. Title and text in English in STUDMARGE. London paper etching historical events and situations; historical persons

Allegory to the restoring of the Stadholder Willem V, 1787, Mathias de Sallieth, after David Pièrre Giottino Humbert de Superville, 1788 print Allegorical representation on the recovery of the Stadholder Willem V and his catching up in The Hague on September 20, 1787. Justice opens the gate for a young prince (Prince Willem V), so that the road to The Hague is free for him. Wag art and armed anger try to stop the door in vain. The Province of Holland gives him the command staf. Before the Hollandse Leeuw with the year 1766 (when the prince became a stadholder). In the background, gratitude engraves the names Brunswijk and Rhoon on a column. From heaven, the all -seeing eye looks down on the events. The print includes a text sheet. Rotterdam paper etching / engraving 'Amor della patria' (Ripa). the all-seeing eye, triangle with eye ~ symbol of God the Father The Hague

Marriage of Mozes and Sippora, Simon Henri Thomassin, After Charles Le Brun, 1709 print print maker: ParisParisafter painting by: Francepublisher: Paris paper etching / engraving Moses' marriage with Zipporah

Reinoud II of Brederode, the bishop of Utrecht the knightline of the Goldenover, 1470. Reinoud II of Brederode, the bishop of Utrecht David van Burgundy is being torn the knighthood of the golden fleece, due to the (false) accusation that He would have a stop to Charlemagne attacked, 1470.

The widow of Edward IV allows her son to two Archbishops; The Dowager Queen of Edward The 4th Parting With The Duke of York to the Two Archtishops, by Order of Richard The III. Elizabeth Woodville, the widow of Edward IV, turns her son, the Duke of York, from two Archbishops who come to get him on behalf of Richard III. Title and text in English in undermarge.

Suicide of Hannibal, Ludwig Gottlieb Portman, After Jacobus Buys, 1796 print Hannibal has just been discovered by Roman spies. To prevent extradition to Rome, he commits suicide by taking poison. Amsterdam paper death of Hannibal: he drinks a dose of poison so as not to fall into the hands of the Romans

Waterloo, Antonie, work, Two men and a dog, (1000 - 2000), etching, graphic, 12.2 cm x 14, 2 cm

Scene Uit Tite and Bérénice, Antoine Radigues, After Hubert François Gravelot, 1763 - 1764 print paper etching / engraving theatre, theatrical performance

Morning (Le Matin) ca. 1700 Claude Simpol French. Morning (Le Matin) 427238

A itinerant medicine vendor demonstrating a deceptive illusion to an audience, he is pretending to burn a man's back and then use ointment to clear up the burns, in order to sell his wares. Etching.

Tarantella. Payne, Albert Henry (1812-1902), graphic artist, Valério, Théodore (1819-1878), draughtsman, cartoonist

The forced marriage, 1706, 1706 print Cartoon on the appointment of Philip V as king of Spain, arranged by Koning Louis XIV. On the right Louis XIV, injured in the chest by seven arrows, on the left the Spanish Virgin. Page No. 5 in the series of 25 magazines entitled: By joint to the Koninglyke Almanach, called the Gulde Year of the allies, 1706. Part of the print work published under the collection title: 't Lust-Hof of Momus, with the bundled series of Bartilers during the years 1701-1713 of the Spanish Succession War. Northern Netherlandspublisher: Amsterdam paper etching / engraving political caricatures and satires

Non -resistant servant taken to prison, Anonymous, 1585 print The carefully servant is locked up in prison on behalf of his Lord who stands at the door. A soldier kicks his feet. Under the show a reference in Latin to the Bible text in mat. 18. Antwerp paper engraving the king reproaches his servant for his mercilessness and delivers him to the tormentors ~ parable of the unmerciful servant. prison, jail

Judgment of Solomo, François Tortebat, After Simon Vouet, 1665 print France paper etching the true mother objects to Solomon's verdict

Hercules consults with Mars and Minerva; Festivities in the visit by Maria de 'Medici to Amsterdam in 1638. Tableau Vivant. Hendrik IV, dressed as Hercules, consults with Mars and Minerva about the way to make France back to a whole. Mercurius points to the gods on the clouds. Justice is still under the globe of the split French empire and is assisted by peace. Presentation used in the water theater on the Rokin. Legal under numbered: 11. Plate 11 of the illustrations in the description of the festivities around Maria de 'Medici to Amsterdam from 31 August to 5 September 1638.

Idolatry of Solomo, Reinier Vinkeles (I), After Jacobus Buys, 1797 print Amsterdam paper etching / engraving Solomon offers sacrifices to pagan gods (sometimes idols and/or a golden calf upon the altar)

Grützner, Eduard von, Photographische Gesellschaft Berlin, 'Ich Kenn' Dich Alter Nicht', Photographic reproduction of Ich Kenn' Dich Alter Nicht by Eduard von Grützner, This photograph is part of a cover with seven photographs, a title page with photograph and a text sheet., photograph, photo, reproduction, photographs, photographically illustrated books, height 223 mm, width 186 mm, photographer, 1873 - 1878, photographic paper, photo paper, albumen print, albumine print, German, 1846 - 1925

Mortality due to illness and plague among the Lectaren, 1574; La Peste Pendant Le Siege de Leide. Death due to illness and plague among the Lectaren, during the siege of Leiden, 1574. Interior with group of Leiden men and women who die from exhaustion, hunger and illness. A coffin is carried away in the middle. Without the sculpted frame with Hermen on either side. Legal education marked: d.

Shakspeare. King Henry the Eighth, act IV, scene II : Abbey of Leicester : Wolsey, Northumberland, and attendants, Abbot of Leicester, etc. , Abbeys, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry VIII. Thomas Pennant Barton Collection

The death of the first born of Egypt. Etching.

Artist: Nicolaes de Bruyn, Flemish, 1571-1656, After: Hendrick Goltzius, Dutch, 1558-1617, Crowning with Thorns (PassionSeries), Engraving, 19.9 × 13.6 cm (7 13/16 × 5 3/8in.), Made in Flanders, Flemish, 16th-17thcentury, Works on Paper -Prints

Ottokar II Przemysl, King of Bohemia.

Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc., Print made by Francis Legat, 1755-1809, British, after Benjamin West, 1738-1820, American, active in Britain (from 1763), 1803, Engraving, unfinished state, Sheet: 17 x 23 1/4in. (43.2 x 59.1cm)

Event of February 19, 1790, Favras at the Town Hall dictating its Testament (Title Title) | Historical Engravings of the main events since the opening of the United States of 1789 (TS)

Jozef is familiar with his brothers, Reinier Vinkeles (I), After Jacobus Buys, 1797 print Joseph is familiar with his brothers in his palace in Egypt. The brothers kneel for Joseph and ask him for forgiveness. Biblical show from Gen. 45: 1-15. Amsterdam paper etching / engraving Joseph reveals his identity and in tears forgives his brothers' past misdeed

Katharina of Medici, Queen of France.

Mortally wounded, Richard I pardons Bertrand De Gurdun, his would-be assassin Date: 1199

Theanaes beats De Reus, Michel Lasne, 1623 print Paris paper engraving / letterpress printing giants, colossi. king

Two kneeling men on a quay, Reinier Vinkeles (I), 1768 print With three -faced caption in Dutch. paper etching kneeling figure. quay. names of literary characters. female literary characters. theatre, theatrical performance

Scattering, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Verne Rooft's daughter of philodamo; VERNE MAGISTRATO A LAMPASCO CITTA DELL'ELLPONTO NELL'Asia, Disnora Il Nome Romano, Volendo Far Rapire Con La Forza Une Giovine Figlia di Philodam (...); History of the Roman Empire; Frontespizio della Iistantia Romana. A conflict of war of soldiers. Verne, magistrate of Lampasco, Rooft the Daughter of Philodamo.

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Jacob and Esau, after Etienne Jeaurat 1744 Michel Aubert. Jacob and Esau, after Etienne Jeaurat. Michel Aubert (French, 1700-1757 Paris). 1744. Etching. Prints

Nero, Roman emperor.

Allegory on the life phases of man, Bernard Picart (workshop or), After Nicolas Poussin, 1693 - 1710 print Landscape with four dancing women who personify the pleasure, wealth, poverty and work. Left father time playing De Lier and a putto with an hourglass. On the right a Januskop and a putto that blows bubbles. In the heaven Apollo in the solar car, pulled through four horses, and preceded by Aurora. In the margin a six -line caption in French. Paris paper etching / engraving human life divided into stages. Father Time, man with wings and scythe. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. Janus' head, two-faced head. Apollo in the chariot of the sun, drawn by four horses, usually preceded by Aurora holding a torch; 'Carro del Sole' (Ripa)

Job on the manure heap. At a ruin, Job is on a manure and he is attacked by a devil and at the same time shaped by his wife, who stands next to him. Next to him are three of his friends.

William III, King of England, lies in bed about to die. Around him the court has gathered. Below the scene is a six-line verse in Dutch on the king's death., Deathbed of William III, King of England, print maker: Pieter van den Berge, (mentioned on object), intermediary draughtsman: Pieter van den Berge, (mentioned on object), publisher: Pieter van den Berge, (mentioned on object), Amsterdam, 1702 - 1704, paper, etching, h 285 mm × w 195 mm

Artist: Nicolaes de Bruyn, Flemish, 1571-1656, After: Hendrick Goltzius, Dutch, 1558-1617, Christ Shown to the People (PassionSeries), Engraving, 20 × 13.6 cm (7 7/8 × 5 3/8in.), Made in Flanders, Flemish, 16th-17thcentury, Works on Paper -Prints

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Pietro Antonio Novelli, The Marriage of Europe and China, c 1760 The Marriage of Europe and China

Birth of the Virgin, anonymous, 1673 drawing paper. deck paint. ink pen / brush interior of the house. several childbed scenes ~ birth of Mary

Lazio Roma Rome S. Maria degli Angeli6. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Philoctetes, seated on a block with a lion's skin in a tent, tells Telemachus his adventures to his left. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered upper right: No. I. Philoctetes tells Telemachus his adventures, print maker: Jean-Baptiste Tilliard, (mentioned on object), Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 315 mm × w 242 mm

L. Truchy, 1721-1764, The Exercise of See Saw, c. 1743. Engraving.

Judgment of Solomo, Cornelis Ploos van Amstel, after Lucas van Leyden, 1782 print King Solomon sits on his throne and felt his judgment. He instructs the baby to share in two to determine who the child's mother is. On the right a man pulls his sword. Before the throne the two women who both claim the child's motherhood. Amsterdam paper etching the judgement of Solomon (1 Kings 3:16-28)

. In an amphitheater full of figures, King Herod assigns Agrippa from his throne to an owl that is above his head. The appearance of the owl is the sign of agrippa's death. This print is an illustration at the seventh chapter of the nineteenth book of 'All the works of Flavius Josephus'.

Reception of victims in Babyloniënbroek, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print Reception of victims in a chapel in Babyloniënbroek, during the flood of January 1809. print maker: Netherlandsafter drawing by: Babyloniënbroek paper etching / engraving Dike-Break Babyloniënbroek

Judgment of Solomon, Anonymous, After Boëtius Adamsz. Bolswert, after Peter Paul Rubens, 1590 - 1683 print Solomon recommends a soldier to kill the living child, the real mother of the child reacts shocked and tries to stop the soldier. There are two figure studies in black chalk from a later period on the verso. paper engraving Solomon gives verdict; he commands a soldier to divide the living child in two

Perpetua, Dirk Jurria Sluiter, after chimaer van Oudendorp, 1826 - 188 print Perpetua is in a room full of people. She looks up, just like some of the bystanders. Behind her is a Roman dignitarary on a throne crowned with an eagle. An old man plunges forward to take over Perpetua's baby. Amsterdam paper etching / engraving female saints (PERPETUA) - female saint meditating, in ecstasy

King William III and Queen Maria receive the crown of Scotland and explain the oath, 1689; The comisaries from the Algae Meeting of Scotland present the crown of that Ryk to her majesties that take the selve to it and eating; Chronicle of the house Stuart; Cornyck or Stuarts Nootlot Synde all the pre-inaugural disasters and belly that T 'Since her start to thesen Tyt that stemme transferred syn. King Willem III and Queen Maria receive the representatives of the Scottish Convention the crown of Scotland and explain the oath, April 21, 1689. Part of a series about the fortunes of the English royal family of Stuart of 1558-1711, of which are included here Sixteen prints about the battle between Jacobus II and Willem III in the years 1688-1689.

Cinderella on the Bal, Simon Fokke, After G. Edelinck, 1754 - 1784 print A young man kneels with a women's shoe in his hand for Assepeoster. In turn, she holds her foot to adjust the shoe. In the background view of a ballroom with dancing people. This print is made by the story of Cinderella from "Vertellingen by Mother de Gans - Contes du Tems Passé de Ma Mere lOye" by Charles Perrault. Amsterdam paper etching ball, formal dance. putting on (tying) or taking off (untying) sandals or shoes. tales and fairy tales (with TITLE)

Job on the Mesthoop, Jan Lauwryn Krafft (I), After Peter Paul Rubens, After Horst, 1704 - 1765 print With a ruin Job is on a manure trap and is attacked by a devil and at the same time dismissed by his wife, who stands next to him. Three of his friends are sitting next to him. paper etching / engraving Job on the dunghill (Job 2:7-13)

Christ healing the paralytic 1540-50 Niccolò Vicentino Italian. Christ healing the paralytic. Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). 1540-50. Chiaroscuro woodcut from four blocks in gray-blue. Prints

Allucius is reunited with his fianc, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1795, paper, h 214 mm × w 135 mm

Alexander the Great with the Van Darius family, Gerard Edelinck, After Pierre Mignard (1612-1695), 1666 - 1707 print Print in two parts representing the visit of Alexander the Great and Hephaestion to the imprisoned family of the Persian king Darius III after the Battle of Issos. Darius's mother is mistakenly kneeling for Hephaestion, but Alexander forgives her and gestures her up. Under the forth three lines in French and three in Latin. print maker: Parisprint maker: Parisafter painting by: Parispublisher: ParisFrance paper engraving Darius' family kneels before Alexander, who requests Sisigambis, Darius' mother, to rise

Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc., Thomas Ryder, 1746-1810, Irish, after Thomas Stothard, 1755-1834, British, 1803, Engraver's early proof, Sheet: 17 3/8 x 23 11/16in. (44.1 x 60.2cm), literary theme, The Tragedy of Othello, the Moor of Venice, Act II, Scene I, The Tragedy of Othello, the Moor of Venice, play by William Shakespeare

The wedding to Kana

Louis XIV (King of France), Paris, Picart, Bernard, Poussin, Nicolas, L'image de la vie humaine, Allegory of the stages of human life, verso lower left - stamped, Landscape with four dancing women personifying pleasure, wealth, poverty and labour. On the left Father Time playing the lyre and a putto with an hourglass. On the right a Janus head and a putto blowing bubbles. In the sky Apollo in the sun chariot, drawn by four horses, and preceded by Aurora. In the margin a six-line caption in French., print, prent, prints, prenten, height 280 mm, width 312 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1693 - 1710, paper, papier, etching, etchings, engraving, engraving (printing process), Frans, 1594-06 - 1665-11-19, after, after a painting by, Publication (Event), Publicatie, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

The Triumph of Mordecai, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on paper, Within a low archway, Mordecai, on horseback, is surrounded by a large group of people. In the foreground, left, a turbaned figure moves forward, gesturing toward the spectator., Netherlands, ca. 1641, Print, Print

Polykarpus in court, Reinier Vinkeles (I), 1800 print Amsterdam paper etching / engraving juridical examples; exemplary judges; 'Gerechtigkeitsbilder' (+ judge)

Simon de Montfort, 6th Earl of Leicester (c. 1208-1265). Nobleman of French origin who led the baronial revolt against King Henry III of England. Simon de Montfort before King Henry III of England. Engraving by J. Gilbert and S. Williams. "Los Heroes y las Grandezas de la Tierra" (The Heroes and the Grandeurs of the Earth). Volume VI. 1856. Author: John Gilbert (1817-1897). English artist. S. Williams.

Feeding the Hungry, from the series Sept Oeuvres deMisericorde. Artist: Charles Francois Hutin, French, 1715-1776

Wszyscy Święci w MNK John, Friedrich (1769 1843), signed by Fugger and engraved by John, Füger, Heinrich (1751 1818)

Tableau Vivant with the marriage of Reinald II van Gelre and Eleonora of England in 1332, 1642, 1642 print Allegorical Tableau Vivant with the marriage of Reinald II Hertog van Gelre and Eleonora Plantagenet of England in 1332. Display founded in the theater gate on Dam Square at the Damsluis during the visit of English Queen Henrietta Maria on Amsterdam, 20-22 May 1642. In the caption the title and 2 times 4 lines in Latin. Fifth plate in a group of ten impressions and triumph arches. Northern Netherlands paper etching / engraving 'Living painting'. (Civil) Ceremonies Marriage. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam. Dam

Brutus condemns his sons to death; Gross Condanna Li Suoi Due Figli Tito, E Tiberio A Morte, Come Complici di Congiura, per Ristabilire Li Tarquini Sul Trono; History of the Roman Empire; Frontespizio della Iistantia Romana. Grutus stands on an increase and condemns his two closed son Titus and Tiberius to death. A crowd looks.

Allegory on the arrival of the Prince of Orange to England, 1688. A portrait of the prince, with (English) Crown, is held up by zeal, bravery and discipline, at the back faith. The recipient is another woman (England) with a crown and arrives bundle, it offers a treaty in exchange. Left Also present: Caution or religion and power, in the air portraits of predecessors from the Oranje-Nassau house. Right Parliament with the helm of state, Pallas, Mercury and Putti. In the middle is a blindfolded old man with crowns (Dolle Drift) on the ground. A battle with the French in the distance. Right for a tablet with an allegorical representation of the beneficiary unemnts (Concordia) between the Netherlands and England. Before the verse in 6 verses of 6 lines under the show.

Allegory at the national meeting, 1796; National art print at the National Meeting representing the people of the Netherlands. Allegory at the first national meeting, opened in The Hague on March 1, 1796. Temple in which a counselor in Roman clothing sitting on his throne a command post with a ribbon with the "Vox Populi, Vox Dei" receives from the Dutch Virgin. Caution and wisdom (Minerva) watch. On the columns of the temple portraits of Hendrik D. Hooft, Johan van Oldenbarnevelt and Hugo de Groot. On the left in the background the meeting room. A statement belongs to the print.

Amsterdam, Luyken, Caspar, The staff of Moses turned into a snake devours that of the Egyptian magicians, verso - manuscript in brown ink, print, prints, verso - stamped, 49, height 113 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Death of Stefan Czarniecki, study for the painting. Gierdziejewski, Ignacy (1826-1860), draughtsman, cartoonist

Roman bakchanalie a group of exposed women playing and dancing against the background of the landscape. (according to Charles Gleyre) Gleyre, Charles (1806 1874), Montaut, Gabriel Xavier (1798 1852)

Manius Curius Dentatus Weigert Geschenken van de Samnieten, Anthony Walker, after John Hamilton Mortimer, after Pietro da Cortona, 1763 print Nummered in the bottom left: 1. London paper etching bribery. Manius Curius Dentatus, while cooking a simple meal at his hearth, refuses the gifts of the Samnites

A Performance by the Commedia dell'Arte. Dated: c. 1710. Dimensions: overall: 15.9 x 21.4 cm (6 1/4 x 8 7/16 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: CLAUDE GILLOT.

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Alva demands the tenth medal, 1569; Claim v.d. Tenth penning / iv. vocals; Scenes from the life of Prince Willem I, 1568-1584; Artificial plates belonging to the epic, in four and twenty dangers by the Netherlands closer J. Nomsz .. The Duke of Alva demands the tenth medal at a meeting of the states, 1569. Fourth vocals.

Napoleon receiving the keys of the City of Vienna (TF)

Map of Rumilly, Anonymous, Erven Johannes Blaeu (Possibly), 1682 - 1697 print Map of Rumilly in a nutshell perspective. At the bottom right, the IR initials are mentioned. publisher: Amsterdampublisher: The Hague paper engraving / etching maps of cities. armorial bearing, heraldry Rumilly

Allegory on the neutrality of the Netherlands in the Austrian Succession War, 1742. Allegory on the neutrality of the Netherlands in the Austrian Succession War, 1742. Wisdom looks at war and put peace on a large scale in balance. The Dutch virgin with the Dutch lion is attached to freedom. The fame announces the news. With multiple allegorical figures. In the performance the numbers 1-20. Reduced version of the original performance.

Drunken King John of England killing Arthur I Duke of Brittany, with a dagger after imprisoning him in the castle of Rouen, 1203. Death of Prince Arthur. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Il se présente aux Seize, et demande des fers... Horace Vernet (French, 1789-1863); poem by Voltaire (French, 1694-1778); printed by Mademoiselle Formentin (French, 18th-19th century); published by Dubois (French, 18th-19th century). Date: 1825. Dimensions: 187 × 261 mm (image); 199 × 279 mm (primary support); 289 × 417 mm (secondary support). Lithograph in black on cream chine, laid down on ivory wove paper (chine collé). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The coat of arms of the city of Paris / the municipal body and the governor of Paris / At the inauguration of the statue of Louis XV (1763) (IT)

Pallas praises nature at the birth of the seven sons of Lara, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. print maker: Italypublisher: Antwerp paper etching (story of) Pallas. infant, baby. tales and fairy tales

Hannibal has just been discovered by Roman spies. To avoid extradition to Rome, he commits suicide by ingesting poison. Suicide of Hannibal, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1796, paper, h 207 mm × w 136 mm

Allegory on the return of the kidnapped objects of art and science in Antwerp, 1815, 1821 print Allegory on the return of the kidnapped objects of art and science in Antwerp, 1815. A car with painting players enters the city through the Emperor's gate of Antwerp. On the left in the foreground, the Stadzensmandag van Antwerpen transfers the good news of the return of the objects to the personification of art, which is grieving in a tent. On the right the draftsman establishes the scene, watched by the publisher Groenewoud. In the clouds is the triumvirate, the heroes of Waterloo: the Prince of Orange, Blücher and Wellington. paper. chalk brush symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). personification of a city, town-patron(ess). picture, painting. draughtsman at work - CC - out of doors Keizerspoort. Antwerp

Actress Susannah Maria Cibber in the role of Cordelia, Pieter van Bleeck, 1755 - 1764 print Scene from Shakespeares King Lear. Cordelia (actress Susannah Maria Cibber) is outside in the storm. Next to her a woman guiding her. Behind them three men and a dog. One of the men has straw in his hat and in his shoes. paper King Lear. group of actors, troupe; actors on the stage. actress (on the stage)

Philip III gives military help to Hungary against the Turks, Jacques Callot, 1612 on the advice of Margaretha of Austria of Austria print Philip III and Margaret of Austria speak, seated on an elevation, with a gentleman. Soldiers are visible on the right in the background. Florence paper etching land forces Hungary

J. Barlow, active 1791, Merchant of Venice, Act III, Sc. I, 1791. Engraving.

Johann Jacob Schübler, Mezzetin and Harlequin, Disguised as the Captain, Disrupt Pantaloon's Dinner, c 1729 Mezzetin and Harlequin, Disguised as the Captain, Disrupt Pantaloon's Dinner

Esther before Ahasuerus, c. 1705, Gérard Audran; Artist: after Antoine Coypel, French, 1661-1728, 18 5/16 x 22 7/8 in. (46.51 x 58.1 cm) (plate)20 x 25 5/16 in. (50.8 x 64.29 cm) (sheet), Engraving, France, 18th century, Even though he is her husband, Esther knows that to appear before the king without being summoned is punishable by death and has prepared herself by praying and fasting for several days. Esther goes to the King's chamber and reveals Haman's evil plot to massacre the Jews as well as the fact that she too is Jewish. When he becomes angry, Esther faints. The French text goes on to say, 'At the same time God changed the heart of the king and inspired him to gentleness. Suddenly he got up from his throne and held Esther in his arms and, believing what she had revealed to him, said, 'What is wrong Esther, I am your brother, you must believe me.'

Radbod can not be baptized, 719. Draughtsman: anonymous. Dating: 1830 - 1849. Place: Netherlands. Measurements: h 193 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

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