Historical Events and Battles

Dramatic depictions of historical events, showcasing battles and significant moments like the Anabaptists in Amsterdam and Alexander's entrance to Babylon.

Artist: Denis-Auguste-Marie Raffet, French, 1804-1860, A Mort pour laLiberte, Lithograph, sheet: 18.1 × 25.9 cm (7 1/8 × 10 3/16in.), French, 19thcentury, Works on Paper -Prints

Dircksz, Barend, Northern Netherlands, The Anabaptists occupy the Dam, 1535, The Anabaptists occupy the Dam in Amsterdam, May 10, 1535. On the right, mayor P. Colijn is killed. Without the verse. No text on verso., print, picture, history print, prints, pictures, Frederik Muller History plates, height 100 mm, width 76 mm, print maker, printmaker, 1657 - 1659, third quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after a print by, 1500 - 1566

Alexander the Great enters Babylon in 331BC. Alexander III of Macedon, 356 to 323 BC. Greek king of Macedon. From the book Harmsworth History of the World published 1908.

William Hogarth, 1697-1764, British, Study for the Foundlings, ca. 1739. Pen and black ink with gray wash on medium, smooth, cream laid paper.

Reproduction of drawing: Juliusz Kossak (1824-1899), Triumphant entrance of Vienna by John III; excerpt from a magazine. unknown, graphic artist, Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Artist: Denis-Auguste-Marie Raffet, French, 1804-1860, A Mort pour laLiberte, Lithograph, sheet: 18.1 × 25.9 cm (7 1/8 × 10 3/16in.), French, 19thcentury, Works on Paper -Prints

York town, en sanguine engraving shows America receiving the surrender of Cornwallis in the background, while an emaciated cow representing English commerce is robbed of her milk by France, Spain, and Holland in the left foreground, on the right a frock-coated Englishman begs, as does the British lion, whose paw has been injured by a broken teapot.

Heavy thunderstorm in Donsenhausen, Thuringia, 1674, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 111 mm × w 154 mm

Amsterdam, Luyken, Jan, Reconstruction of the Temple in Jerusalem, verso - manuscript in brown ink, print, prints, verso - stamped, 181, height 111 mm, width 147 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Radetzky from Radetz, Josef Graf.

Coming from Willem den 1st in Utrecht.

The assassination of Henry IV of France by François Ravaillac. After a late 17th century work by Jan Luyken. King Henry IV, 1553 - 1610.

Engraving titled 'Industry and Idleness' by William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. Dated 18th Century.

Monument in memory of the foolishness of the year 1720, Bernard Picart, 1720 print Monument in memory of the foolishness of the year 1720. On a large car, the fortune of the Actien shares scatters shares on a large car. The cart is drawn by, among other things, personifications of the companies of the South Sea and Mississippi. The car is led by the fame in the direction of the poor house and madhouse. Around the cart there traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearances are deceiving in Latin. In the caption the statement of the performance in French and Dutch. paper etching / engraving Lunatic Asylum, Mental Home. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Financial Panic. Native Peoples of North America. Native Peoples of South America Coffee house Quincampoix

Bendorp, Johannes Christiaan, Netherlands, Jan van Schaffelaar jumps from the tower, 1482, Jan van Schaffelaar jumps (forward) from the tower of Barneveld, 16 July 1482., print, history print, prints, Frederik Muller History Plates, height 130 mm, width 98 mm, Northern Netherlands, 1766-01-01 - 1849-11-13, print maker, printmaker, 1776 - 1849, fourth quarter 18th century, first quarter 19th century, first quarter 19th century century, second quarter 19th century, paper, etching, etchings, Work conception, after own design by

Fran�ois Ier in Marignan (Ti)

the arrival of emperor Napoleon at the industrial exhibition, Paris, France, 1855 / die Ankunft von Kaiser Napoleon auf der Industrieausstellung, Paris, Frankreich, 1855, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Louis Boulanger (1806-1867). "The Miracles Court". Drawing. Paris, house of Victor Hugo. 36946-1 Court of Miracles, drawing, infirm, j145487413, beggar, portrait, sepia

La Saint. Barthémy (TA)

An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 11 3/4 × 16 3/4 in. (29.8 × 42.6 cm). Date: 1678.One of a series of plates depicting the theatrical sets for the opera 'La Monarchia Latina Trionfante', designed by Ludovico Burnacini with a libretto by Nicolò Minato, music by Antonio Draghi, and the ballet by Johann Heinrich Schmeizer. Produced in Vienna in 1678, the opera commemorates the birth of Archduke Joseph, son of Emperor Leopold I and his third wife, Eleonora Magdalena. Museum: Metropolitan Museum of Art, New York, USA.

A sword swallowing acrobat in the Middle Ages, from a painting by Brion, illustration from L'Illustration, Journal Universel, No 752, Volume XXIX, July 25, 1857.

Northern Netherlands, The Great Scene of Folly, The Crazy Actionists to Vianen or 't Peperland, Actionists on their way to Vianen, 1720, A carriage with Actionists leaves Amsterdam at the Muiderpoort and drives towards Vianen and Culemborg. The carriage is driven by a jester, on the roof rides a monkey with a banner with Bombario, the horses are led by a devil. In and around the carriage actionists or wind traders. In the caption a text in three verses. Print in the bound fourth edition (304 B 12) of The Great Scene of Folly with cartoons on the Wind trade or Action trade of 1720., print, cartoon, books, Frederik Muller Historieplaten, height 312 mm, width 385 mm, print maker, printmaker, 1720 - 1720, paper, papier, etching, etchings

Queen Isabella in front of the walls of Granada Spain in 1491

Het oprichten van de obelisk op het St. Pietersplein.A crowd men and horses for the Sint-Pietersbasiliek is setting up the Vatican Obelisk (in 1586) on St. Peter's Square. At the bottom left of an explanatory list of numbers and letters and the portrait of Domenico Fontana, the architect who saw the entire trip and foundation of the obelisk. Presentation faced in a decorative frame.

The rescue of the young John Wesley from the burning parsonage at Epworth, Lincolnshire. Mezzotint by S.W. Reynolds after H.P. Parker.

Amsterdam, Blaeu, Cornelis, Johannes Willemszoon, Moeyaert, Nicolaes, Northern Netherlands, Nolpe, Pieter, Festivities during the visit of Maria de' Medici to Amsterdam in 1638, Maria de' Medici as Cybele, Claes, The painting of Maria de' Medici as Berecynthia in her chariot. At her feet King Louis XIII, on the right the city maiden of Amsterdam in a cog. Between the two groups personifications of the four continents. Allegorical representation used on the triumphal gate on the Varkenssluis. Plate no. 5 in the illustrations in the description of the festivities during the visit of Maria de' Medici to Amsterdam, 31 August - 5 September 1638., print, engraving, book illustration, prints, engravings, Frederik Muller Historical plates, mother of the gods, in her chariot, which is driven by Henry IV. On the right they are greeted by the Amsterdam City Maiden in a cog. Between the two groups are personifications of the four continents. Allegorical representation used on a triumphal arch on t

Meurs, Jacobus van, Netherlands, Veelwaard, Daniël (I), Jan de Bakker, burned as a martyr in The Hague, Martyrdom of Jan de Bakker, 1525, former priest of Woerden, burned at the stake in The Hague for heresy, 1525., print, picture, history print, prints, Frederik Muller History plates, height 124 mm, width 72 mm, Northern Netherlands, 1766-08-14 - 1851-02-28, print maker, printmaker, 1824 - 1826, first quarter 19th century, second quarter 19th century, paper, etching, etchings, 1760 - 1824-05-01, intermediary draughtsman

Burning the Freedom Tree in Breda 1793, Reinier Vinkeles (I), After Jacobus Buys, 1801 print Burning the freedom tree in Breda, after the French troops have left the city, 8 or 9 April 1793. Northern Netherlands paper etching / engraving on fire, ablaze. dancing around the tree of liberty Breda

An embassy of the Nawab of Oudh (Awadh), led by his minister Haider Beg Khan, passing Patna on its way to Lord Cornwallis, the new Governor-General of India, in Calcutta in 1786. Mezzotint by R. Earlom, 1800, after J. Zoffany, 1796.

The fire in the old town hall of Amsterdam, 1652, 1652 print The fire in the old town hall of Amsterdam and some adjacent buildings on July 7, 1652. With buckets and ladders, an attempt is made to extinguish the fire, large numbers of spectators on the dam. The print includes a text sheet with verses. Northern Netherlands paper etching on fire, ablaze. fire-fighting. townhall City Hall of Amsterdam (14th century-1652)

Plundering and Burning a Village, plate seven from The Large Miseries of War Artist's working dates 1612-1635 Netherlands. Etching on paper . Gerrit Lucasz van Schagen

Jean Pierre Norblin, Olindo and Sophronia Saved by Clorinda Olindo and Sophronia Saved by Clorinda

Monument in memory of the foolishness of the year 1720, Bernard Picart, 1720 print Monument in memory of the foolishness of the year 1720. On a large car, the fortune of the Actien shares scatters shares on a large car. The cart is drawn by, among other things, personifications of the companies of the South Sea and Mississippi. The car is led by the fame in the direction of the poor house and madhouse. Around the cart there traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearances are deceiving in Latin. In the caption the statement of the performance in French and Dutch. Print 27 (Late pressure from No. 18) in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Amsterdam paper etching / engraving Lunatic Asylum, Mental Home. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Financial Panic. Nativ

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Antwerpen, Jode, Gerard de, Groeningen, Gerard van, Doetechum, Johannes of Lucas van, Metamorfosen van Ovidius, Aeneas saves his father from burning Troy, Antwerp, Aeneas escapes from burning Troy with his old father Anchises on his back. Next to him walks his son Ascanius, who carries his father's helmet and sword. Below the representation an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 209 mm, width 292 mm, print maker, prentmaker, 1570 - 1574, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher

Etching by Raffaello Santi from 1650-1790 depicting the crossing of the Red Sea, showing Moses, Israelites, water, and composition.

Painting depicting the death of King Sancho II of Castile and León (1036-1072). Dated 11th Century

Georg Pencz. "The taking of Cartagena". Engraving. Museum of Fine Arts of the City of Paris, Petit Palais. Antiquity, Battle, Carthaginian, Roman Empire, Punic War, Punic wars, Town Take, Combat, Combat

Cook, Thomas, work, Hudibras Encounters the Skimmington Plate XII, 1802, line etching, graphics, plate width 51.2 cm, plate height 29 cm, leaf width 56 cm, leaf height 38.4 cm, image width 48.8 cm, image height 24.3 cm

Barcelona. Cabalgata de la Sociedad Coral Euterpe a favor de los pobres. Grabado de 1890.

Volksgeur in Alkmaar during the cheese and bread rudder, 1492. Upstore of the cheese and breadling in Alkmaar, 1492. Plundering the home of the steward Klaas basket and the deaths of his servant. Design for a print.

Speculum Romanae Magnificentiae: Roman Soldiers Fortifying their Camp, from Trajan's Column. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome). Dimensions: sheet: 11 9/16 x 14 5/8 in. (29.4 x 37.1 cm) trimmed to platemark. Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned

Encampments: A military encampment with a tent flying a flag., Jan de Visscher, etcher, circa 1670, Netherlands, etching, Jan de Visscher (c. 1636-before 1712) was a Dutch Golden Age printmaker who became a painter in later life. According to Arnold Houbraken, the great early biographer of Dutch artists, he was an able etcher who made famous prints in his lifetime after the works of Nicolaes Berchem (as here), Jan van Goyen, Adriaen van Ostade and Philips Wouwerman. He became an able pupil of the landscape painter Michiel Carree at the advanced age of 56. Houbraken spoke to Michiel Carree personally about his art, who claimed that Visscher became as good as he was at Italianate landscapes a;lthough no paintings by Visscher's hand are known today. Jan de Visscher had two brothers, Cornelis Visscher and Lambert de Visscher. Although he spent his earlier life in Haarlem, he was registered in Amsterdam in 1692. His death was not recorded, and since he is referred to in the past tense when

HER MAJESTY LEAVING THE HOUSE OF LORDS.

Anneken Hendriks, burn on the Dam. Anneken Hendriks, burn on the Dam in Amsterdam in 1571.

VICTORIAS CARLOS V-CARLOS V LIBERA VIENA 1532-(RETIRADA DE TURCOS). Author: MAERTEN VAN HEEMSKERCK (1498-1574). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. CARLOS V (CARLOS I). Charles I (V of the Holly Roman Empire).

Army encampments at Rada. Vermeyen, Jan Cornelis (Barbalonga) (Netherlandish (before 1600) - North Netherlands, ca.1500-1559) (cartoon creator) painter Coecke van Aelst, Pieter (the Elder) (Netherlandish (before 1600) - Flanders, 1502-1550) (cartoon creator, attr.) painter Goten, Jacob van der (the Younger) (Netherlandish (after 1600), act.1720-d.1768) (workshop) weaver Goten, Adriaen van der (Netherlandish (after 1600), act.1720-d.1773) (workshop) weaver Goten, Cornelis van der (Netherlandish (after 1600), act.1720-d.1786) (workshop) weaver c. 1740-1743 Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Spanish Weaving Center: Madrid Ownership History: Spain, Sevilla, Seville, Real Alcázar. Inscriptions: Inscription in L border cartouche: PLVS OULTRE Inscriptions: Inscription on R border cartouche: XI / Esta.. Inscriptions: Inscription in upper border entablature: A.. estado el.. Inscriptions: Inscription in lower border cartouche: VR

Image reproduction: Juliusz Kossak (1824-1899), entry of King Jan to Vienna; Z: "Tygodnik Ilustrowany" 1898, No. 1 (January 1), p. 10; Löwy, J. (Vienna; Reproductive Zak 1898 (1897-00-00-1897-00-00);

La fontaine de la Régénération sur les débris de la Bastille, le 10 Août 1793. Monnet, Charles, 1732-1809. text. Prints. 1838. Spencer Collection. France, Fountains , France , Paris

Callot, Jacques, Florence, The Great Passion, Crowning with Thorns, verso lower left - stamped, Soldiers push a crown of thorns onto Christ's head, sitting in front of a building. Three men watch from a balcony. This print is a counterprint (contre-épreuve) of a print that is part of the unfinished print series 'The Great Passion', consisting of 7 scenes from the Passion., print, prints, height 110 mm, width 214 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1619 - 1624, first quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), counterproof, counterprint, Work conception, after own design by

'Lambeth Gas Works', 1872. Artist: Gustave Doré

10 / Day of October 16, 1793 (IT)

A Charm for a Democracy, Reviewed, Analysed, & Destroyed Jan 1 1799 to the Confusion of its Affiliated Friends. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: Sheet: 11 7/16 × 17 3/4 in. (29.1 × 45.1 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Subject: Charles James Fox (British, 1749-1806); William Pitt (British, 1759-1806); George III, King of Great Britain and Ireland (British, London 1738-1820 Windsor); Maximilien-François-Marie-Isidore de Robespierre (1758-1794). Date: January 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

De Wogan tied to a war pole, California. United States of America. Drawing by Jules Pelcoq (1823-1887) Travels and adventures of Emile de Wogan (1817-1891) in California, 1850-1852. Le Tour du Monde 1860

A medieval tourney with cudgel, sword and lance. From an illustration in Georg Ruxner's Origins of the Tourney in the German Nation, 1532. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages, Chez Collignon, Metz, 1810.

Romans destroy a Jewish temple in Jerusalem, Jan Luyken, 1705 print Amsterdam paper etching ruin of a building ~ architecture. attack ~ siege Jerusalem

London, Humphrey, Hannah, England, Gillray, James, Siege de la Colonne de Pompee, Science in the pillory, Cartoon on the French expedition to Egypt, 1799, verso - stamped, 1799. On top of the Column or Pillar of Pompey in Alexandria, a group of French scientists have fortified themselves against attacks by the Turks and Egyptians. A fire is lit at the foot of the column. Scientific publications and instruments are falling from the column. A balloon is released shot into the air. On the left in the background the pyramids of Giza., cartoon, English cartoons, height 547 mm, width 418 mm, English, 1756-08-13 - 1815-06-01, print maker, printmaker, 1799-03-06 - 1799-03-06, paper, papier, etching, etchings, hand-colouring, Publication (Event), Publication, 1745 - 1818, publisher

Seigneur administering justice. unknown c. 1490-1520 Tapestry Dimensions: H 370 x W 395 cm Tapestry Materials/Techniques: wool Culture: Southern Netherlands Weaving Center: unknown Ownership History: Dr. Albert Figdor coll. Vienna; sold in 1930 in Berlin by Paul Cassirer. Inscriptions: Inscription on mens' shirt: PAIS Lord holds staff & sits in front of city gate (L, foreground), group of men approach lord (R, foreground), his attendants stand nearby, 2 have inscriptions on their sleeves (man at L corner, other R of center, middle ground) walled city & city gate on which sit peacock & dove () (R, middle ground), ships at sea (background) Written notation in the Getty Center's copy of the Figdore sale catalog possibly in reference to who bought the tapestry: Copenhagen Museum. Figdor, Die Sammlung Figdor v.1 (1930), no. 36, pls. XVIII-XX

Anne hue from the shutter brush, echtgenote van jean habert de montmor ..

Near the swinging open double doors of a fence, a man and a girl on clogs stand talking. The man is holding a long beam., Two figures at an open gate, print maker: Johannes Mock, (mentioned on object), Netherlands, 1824, paper, etching, h 102 mm × w 122 mm

Watercolor photography: Wojciech Gerson (1831-1901), "Swedes in Wawel"; around 1915 1922 (1915-00-00-1927-00-00);

Spanish conquest of the Aztec Empire (1519-21). Construction of the Villa Rica of La Vera Cruz, with the help of the Totonac Indians. Board 3 belonging to a set of 24 boards made with the 'enconchado' technique (fragments of mother-of-pearl embedded in the wooden surface, and soft layers of paint are added to the shiny surface). Painted by Juan and Miguel Gonzalez (active in the second half of the17th century). Reign of Charles II. Oil on panel and nacre. Viceroyalty of New Spain. Mexico, 1698. Museum of the Americas. Madrid, Spain.

Wygnanie protestantów z Salzburga, z cyklu "Denkwürdigkeiten aus der Brandenburgisch-Preussischen Geschichte". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

An engraving depicting Lisbon destroyed by an earthquake in 1755. Dated 19th century

Engraving depicting the 1886 Lewes Bonfire. Lewes Bonfire describes a set of celebrations held in the town of Lewes, Sussex that constitute the United Kingdom's largest and most famous Bonfire Night festivities, with Lewes being called the bonfire capital of the world. Dated 19th century

English tourists in the Paris catacombs, 1820. Doctor Syntax and his wife inspecting the catacombs in Paris. His wife surprised by a ghost, but actually just a guide with a flaming torch. Handcoloured copperplate drawn and engraved by Charles Williams from Doctor Syntax in Paris; or a Tour in Search of the Grotesque, W. Wright, London, 1820.

NEW YORK

PROCLAMACION DE LA PRIMERA REPUBLICA EL 11 DE FEBRERO DE 1873 - GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA. Author: JOSEP LLUIS PELLICER (1842-1901). Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN.

Allegory of love: Cupid and children, illustration by Bertall from L'Illustration, Journal Universel, No 309, January 27, 1849.

An omnibus of the firm 'Dame Blanche', pulled by two white horses, drives across a square in the city, 'Dame Blanche' omnibus with two horses drives across a square Dame blanche a deux chevaux Vehicles of all kinds Panidocheme ou toutes sortes de voitures , print maker: Victor Adam, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Charles Etienne Pierre Motte, (mentioned on object), Paris, 1830, paper, h 257 mm - w 345 mm

Edad Media. Somatén en Barcelona, en época de Juan II de Aragón (1398-1479). Eran cuerpos armados de protección civil. Ilustración por Urrabieta. Grabado por Roca. Historia de Cataluña y de la Corona de Aragón, por Victor Balaguer. Barcelona,1862.

National servants and Antonio de Leyva, plate mm, 1530 - 1536 print National boys and Antonio de Leyva, plate mm. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. Mechelen paper etching festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Taking of fortress of Hulst. Snellinck, Jan I (Flemish, ca.1549-1638) (cartoon creator, attr.) painter Reymbouts, Martin II (Netherlandish (before 1600) - Flanders, b.1570-d.1619) (workshop) weaver c. 1600 Tapestry Dimensions: H 357 x W 429 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Madrid, Museo Del Palacio De El Pardo, accno. A.365-12363. Inscriptions: Inscription in upper border cartouche, in center partially legible in photograph: HVLSTANI. ADITV. AVXILIVS / NON PRACVLSO. FACTA DEDI / TIONE. MILISTES. PLVSQUAM. CDCD / INCELVVMES.. EDVEVNT. VEVNT Inscriptions: Inscription in left border cartouche, in center not legible in photograph: PANICO TERRORE. Inscriptions: Inscription in right border cartouche, in center not legible in photograph: AVEDENTIOR. IBO HA

Fire in 's Lands Zeemagazijn, 1791, Jan Bulthuis, 1791, Large fire in 's Lands Zeemagazijn at Amsterdam on July 6, 1791. Design for a print., draughtsman: Jan Bulthuis, (signed by artist), Amsterdam, 1791, paper, pen, brush, h 185 mm × w 275 mm

Italy, Veronese, Paolo, Vanni, Giovanni Battista, Christ at the Wedding at Cana (upper part), verso - stamped, A wedding is being celebrated in a courtyard. Christ is seated in the middle, next to his mother Mary. The bride and groom are seated at the end of the table on the left. Meat is being chopped on the dais in the background. A group of musicians are seated in the middle foreground. On the right, a man is pouring wine from a water vat. The two men behind him are amazed that the water has turned into wine., print, prints, height 251 mm, width 672 mm, Italian, 1599-02-21 - 1660-07-27, print maker, printmaker, 1637 - 1637, paper, papier, etching, etchings, 1528 - 1588-04-19

Fire fire in the Amsterdam Schouwburg Seen from the Prinsengracht, 1772, Noah van der Meer (II), 1772 print The blazing fire in the Amsterdam Schouwburg seen from the bridge over the Prinsengracht to Runstraat. The crowds and bridge are on the quays and bridge. Part of a group of illustrations about the fire in the Amsterdam Schouwburg on 11 May 1772. Amsterdam paper etching theatre, theatrical performance. on fire, ablaze Schouwburg Keizersgracht (1637-1772)

Mexico.Aguascalientes.Engraving of Jose Guadalupe Posada (1852/1913).

Gate of St. Martin in Paris (July 28, 1830.) (IT)

Representation of Mystery play. Middle Ages. 13th-14th centuries. Germania, 1882. Juan Scherr.

Charles II (1630-1685) king of Great Britain and Ireland from 1660: Charles entering London 29 May 1660, after the restoration of the monarchy, Popular hand-coloured print,

Paulus is bitten by an Adder, Jan Luyken, 1712 print Amsterdam paper etching Paul bitten by a viper (when throwing wood on the fire)

Entrance of free barriers Jean-Louis Prieur the young (1759-1795). "Entry of free barriers, May 1, 1791". Drawing.

Reception of Philippa of Hainault at London, Wife of King Edward III, 1328, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpin, 1857

London, Pine, John, Adams, Robert, Vroom, Hendrik Cornelisz., Spiering, François, Lemprière, Clement, Reproduction of a tapestry about the Spanish Armada (20-21 July), The English (left) and Spanish fleet (right) in the Channel off the coast of Cornwall and Devon with the coat of arms of the English Queen Elizabeth I at the top. The image (numbered II) is set in an ornamental border with 22 portraits of commanders of the English fleet. In the middle above the portrait of Charles Howard, the Lord High Admiral. In the upper corners his coat of arms. Between the portraits flower and fruit garlands, monkeys, birds, putti, cornucopia etc. The image is part of a book about the Spanish Armada and the tapestries that were made about it on behalf of Charles Howard., print, engraving, book illustration, album page, prints, pictures, height 251 mm, width 481 mm, height 377 mm, width 607 mm, English, 1690 - 1756-05-04, print maker, printmaker, 1739-06-24 - 1739-06-24, paper, engraving (printing pr

Study for the painting 'Le Destin', 1889, Lucien-Marie-Francois Metivet, French, 1863 - 1930, 21 3/4 x 10 9/16 in. (55.25 x 26.83 cm), Black chalk heightened with white chalk on white laid paper, France, 19th century

Winter Quarters in Camp - The Inside of a Hut. After Winslow Homer (United States, Massachusetts, Boston, 1836-1910). United States, 1863. Prints; engravings. Wood engraving

The law is too slow , Burning at the stake. George Bellows (1882-1925). Prints and Drawings

First Part, the Departure ca. 1830-60 Célestin Nanteuil. First Part, the Departure. Célestin Nanteuil (French (born Italy), Rome 1813-1873 Bourron-Marlotte). ca. 1830-60. Lithograph. Prints

The Prince of Wales in Halifax. The triumphal procession passing the children's Gallery in the Grand Parade. From a sketch by the artist G.H. Andrews

The coat of arms of the kingdom of Hungary, crown of St Stephen and the sword, illustration from L'Illustration, Journal Universel, No 1262, volume XLIX, May 4, 1867.

Etching depicting the expansion of London, showing the eating up of greenfield sites and pollution from the city and from brickworks. Etched by George Cruikshank (1792-1878) a British caricaturist and book illustrator. Dated 19th century

Cupidigia, the great devil gold distributor, about 1830, civica raccolta delle stampe achille bertarelli, milano

Stooks and a Mill. Date: August 1885, Nuenen. Dimensions: 44.3 cm x 56.3 cm. Museum: Van Gogh Museum, Amsterdam.

Europa. Guerras de las religiones (1524-1697). Jean Barbeville (-1560), masón, originario de Normandía, es quemado en París.

España. Catalunya. Incendio de los conventos en Barcelona en 1835. Grabado de 1866.

Burning the Freedom Tree in Breda 1793, Reinier Vinkeles (I), After Jacobus Buys, 1801 print Burning the freedom tree in Breda, after the French troops have left the city, 8 or 9 April 1793. Northern Netherlands paper etching / engraving on fire, ablaze. dancing around the tree of liberty Breda

Salon of 1874, Painting. - The Trojan Horse, by Motte, vintage engraving. Salon of 1874, Painting. - The Trojan Horse, by Motte, vintage engraved illustration. Magasin Pittoresque 1875. Copyright: xZoonar.com/PatrickxGuenettex 10679685

Queen Victoria of the United Kingdom passing under the triumphal arch created by the artists of the Opera and in front of the trophy created by the artists of the Opera-Comique, Paris, France, illustration from L'Illustration, Journal Universel, No 652, Volume XXVI, August 25, 1855.

James Gillray, Titianus Redivivus, 1797 Titianus Redivivus

Paul is bitten by a viper in Malta, Jan Luyken, Pieter Mortier, 1703 - 1762

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