Historical Events and Celebrations

A collection depicting historical events, social gatherings, and cultural scenes, illustrating various moods from looting and dancing to civic actions and performances.

A Harlot's Progress, Plate 1 Her Arrival in London, 1732

Expulsion of Negroes and Abolitionists from Tremont Temple, Boston, Massachusetts, on December 3, 1860, 1860. Winslow Homer (American, 1836-1910). Wood engraving;

Musicians play their instruments as a dancer entertains a crowd of people gathered under an awning and on the steps of a large building. Etching by St. Aubin et de Laungy after J.B. Le Prince.

Engraving depicting Marie Antoinette being taken to be executed. Marie Antoinette (1755-1793) was the last Queen of France before the French Revolution. Dated 19th century

A Parisian BallDancing at the Mabille, Paris Published 1867 United States. Wood engraving on paper . Winslow Homer

Swiss Family Robinson. The caption reads: Skinning a Kangaroo. The Swiss Family Robinson(German:Der Schweizerische Robinson) is a novel byJohann David Wyss, first published in 1812, about a Swiss family of immigrants whose ship en route toPort Jackson,Australia, goes off course and is shipwrecked in theEast Indies.

'Reconciliation or the Return from Scotland', late 18th century. Artist: Unknown

Pity the Sorrows of a Poor Old Man!... plate 2 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 315 × 375 mm (image); 372 × 432 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

FRENCH SCULPTURE IN THE PARIS INTERNATIONAL EXHIBITION, FRANCE, 1867

The Public Writer Georg Emanuel opitza says OPIZ (1775-1841). "The public writes." Paris (IER ARR.). Gravath (Heate-Strong Colors and Write). 1814. Paris, Music Carnivalt.

A Kettledrum in Mayfair, 1862. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

OXFORD

The Invasion, Plate II, England, after William Hogarth, 1697-1764, British, Published by Jones & Co., active 1822-1850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper

The confreres ... / 10 (registered title) | Lithographic album by Charlet. 1830. (Title of the whole)

Mr.Pickwick slides. Illustration from the Charles Dickens novel The Pickwick Papers by H.K. Browne known as Phiz

The Coronation of Charles V of France in 1364, digital improved reproduction of an original from the 1880, miniature in the National Library of Paris, France, Europe

HISTORIA DE FRANCIA (SIGLO XVIII). TRIBUTOS AL REY. "PAGO DE IMPUESTOS DEL PUEBLO DE FRANCIA". Grabado satírico de la época. Coloreado.

Illustration depicting the attack of Joseph Marie Jacquard (1752-1834) a French weaver and merchant, by the silk weavers of Lyons out of fear that his loom would put them out of work. Dated 19th Century

The coming home of two members of the circle of friends.

The self-sacrifice of Mayor Pieter van der Werff, 1574; Le Siège de Leyde. Title plate for the Opera Le Siège de Leyde: the self-sacrifice of Mayor Pieter van der Werff, during the siege of Leiden, 1574. Scene on a stage in frame with curtains and portraits of composer M. bird and librettist H. Lucas.

The Meyrick collection of Armour in the South Kensington Gallery, 19th century, family; parents; museum; knights; weapon; arms; horses; imposing;

Kermesse. Teniers, David II (Flemish, 1610-1690) (designed after) painter Teniers, David III (Flemish, 1638-1685) (designed after) painter c. 1700-1775 Tapestry Dimensions: H 8'9" x W 21'4" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. received from Bonwit Teller 1/23/1931; returned from consignment, 12/4/1931. Before inn, figures dance, drink & smoke; figure standing on inverted tub plays violin; another kermesse scene in village in background Along the right side of the panel illustrating a "Kermesse", a narrow fragment of a similar tapestry was sewn. Borders of both pieces are missing. French & Co. stock sheet in archive, 17034-a Marillier, Teniers Tapestries (1932)

The provincial charlatan (According to Karel Dujardin) Dujardin, Karel (1626 1678), Lambert (1824)

Benvenuto Cellini (1500-1571). Escultor y orfebre italiano. Participó en la defensa del Castillo de Sant Angelo durante el saqueo de Roma en 1527. Grabado de 1866.

William Hogarth (1697-1764), Beer Street in London, engraving, 1751

Garnier, Jules-Arsène, Goupil & Cie, Le supplice des adultères, Reproduction of Le supplice des adultères by Jules-Arsène Garnier, recto - printed, photomechanical print, page, reproduction, photos, photographically illustrated books, Gallery Contemporaine, Littéraire, Artistique, 126, boulevard de Magenta, Paris, height 158 mm, width 254 mm, photographer, 1871 - 1876, paper, Woodburytype, French, cliché maker, Work conception, FRans, 1847-01-12 - 1889-12-25

Cartoon with birds. Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 214 mm × w 337 mm. Museum: Rijksmuseum, Amsterdam.

Garibaldi's entry into Naples - a sketch in the Strada di Toledo, by T. Nast, 1860. 'The Toledo is the main artery of Naples, and Garibaldi traversed this magnificent street in the afternoon, on his way from the palace where he had taken up his abode to the cathedral. A correspondent thus describes the scene; "After some hours of refreshment and repose the Dictator, accompanied as before, went up the Toledo to the Duomo and back to the Palazzo again, where he remained; and this time there was more enthusiasm, and a different class of people assembled. Indeed, it was a most successful demo

The Third Party Prophet (IT)

Honoré Daumier, Toutes le Parisiennes qui possèdent des chiens , 19th century Toutes le Parisiennes qui possèdent des chiens ...

GRABADO-PROCLAMACION DE ISABEL II-MADRID 1833-Nº INV 18782. Location: MUSEO DE HISTORIA-GRABADOS COLOREADOS. MADRID. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904).

The enraged musician: a street crowd with a ballad singer is creating such a noise that the musician in the window has to put his hands over his ears. Engraving by J. June after W. Hogarth.

Paintings of Paris - La Dairy at the Saint-Martin March Marlet. Paintings of Paris: La Dairy at the Saint-Martin market in 1823. Engraving.

United Kingdom. London. A city thoroughfare. Engraving by Gustave Dore, London: A Pilgrimage, 19th century. Color.

THE EXCITEMENT IN FRANCE

History. Spain. Madrid. Royal Mint . Equalization, laminating, and cutting of the metal bars. Engraving by Laporta. "Spanish and American Illustration", 1872. Author: FRANCISCO LAPORTA.

press/media canstora singer ""The Fair"" coloured lithograph Augsburg circa 1840 Stadtmuseum Munich tablet people leisure Germany Biedermeier,

events revolutions 1848 - 1849 Germany Prussia March Revolution Berlin palace of Prince William is declared to national property 18.3.1848 wood engraving 19th century,

La cour rend des services et non pas des arrêts!. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

RECEPTION OF PRINCESS LOUISE AT INVERARY CASTLE, 1871

Scene Illustration: Milton's 'L'Allegro', Print made by Benjamin Fawcett, 1808-1893, British, after A. F. Lydon, 1836-1914, British, after John Leighton, 1822-1912, British, Printed by George Cargill Leighton, 1826-1895, British, between 1860 and 1885, Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card, Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm) and Image: 4 1/2 x 6 7/8 inches (11.5 x 17.5 cm), basket, bonnets, cane, caps, carpet, cats, children, clock, cottage, discussion, eating, evening, families, fathers, fire, fireplace, gathering, genre subject, gesturing, hats, house, illustration, inside, lantern, literary theme, mothers, nighttime, parents, peasants, poem, poetry, sitting, stone, stool, talking

The Search after Truth, Hablot Knight Browne, 1815-1882, British, undated, Pen and black ink, black chalk, gray wash, and graphite on moderately thick, slightly textured, brown, wove paper, Sheet: 14 13/16 × 21 5/16 inches (37.6 × 54.1 cm), Bible, children, dog (animal), genre subject, pig, satire, truth, well (structure), women

Barber-surgeons' Hall, Monkwell Street, London: the entrance to the hall, showing the elaborate carving of the canopy, a lady and child entering. Wood engraving by C. D. Laing, 1845.

Fall Games - The Apple Bee (Harper's Weekly, Vol. III). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)sheet: 11 7/16 x 16 9/16 in. (29 x 42 cm). Date: November 26, 1859. Museum: Metropolitan Museum of Art, New York, USA.

The same print as A. 2482, but the lance entirely in ribbons., print maker: Johann Wilhelm Kaiser (I), after: Bartholomeus van der Helst, 12-Jul-1850, paper, etching, engraving

Engraving. - Gallery In Birmingham Society of Arts. Wilkinson Collection, Vol I

Colored rule in a reconstructed state. Cartoon showing members of the South Caroline Legislature in argument in the House, with Columbia rebuking them. Thomas Nast, artist. Woodcut, 1874

The Rake's Progress. Plate four of a series of eight by 18th-century English artist William Hogarth. 1735. The series shows the decline and fall of Tom Rakewell; the spendthrift son and heir of a rich merchant; who comes to London; wastes all his money on luxurious living; prostitution and gambling; and as a consequence is imprisoned in the Fleet Prison and ultimately Bethlem Hospital; or Bedlam

The Mint, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, John Bluck, British, 1791-1832, Aquatint, brush and watercolor on paper, Room with stone floor and grill-covered windows. Workers turn presses. Coins in troughs. Title, artists', and publisher's names below., Europe, London, England, 1809, Print, Print

Comforts of Bath, Plate 11. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 7 1/8 × 9 11/16 in. (18.1 × 24.6 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: January 6, 1798. Museum: Metropolitan Museum of Art, New York, USA.

The smoking room in a gentlemen's club. Reproduction of a wood engraving after Dalziel after R. Doyle.

A Band of Savoyards, Charles Knight, 1743-c.1826, British, after Henry William Bunbury, 1750-1811, British, 1785, Stipple engraving, Sheet: 13 7/8 x 18 1/16in. (35.2 x 45.9cm)

Honoré Daumier, De l'utilité d'une famille pour une cantatrice, 19th century De l'utilité d'une famille pour une cantatrice

Plate XXV from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Pulley system for raising buckets of bricks on a pipe to the top of the wall, masonry. Seven men at work. Description in Latin on verso of 1949-152-232., Lyon, France, 1582, Print, Print

Campania Caserta Capua Museo Campano08. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Riots in Meppel, Disturbances in Meppel, 1785, verso - stamped, 11 November 1785. A man is shot in the street., print, prints, Frederik Muller Historical plates, height 104 mm, width 61 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1785 - 1795, paper, etching, etchings, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

Inside of a Country Alehouse. William Ward (English, 1766-1826); after George Morland (English, 1763-1804). Date: 1797. Dimensions: 457 × 604 mm (image); 484 × 610 mm (plate); 511 × 654 mm (sheet). Hand-colored mezzotint on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Impressions de voyage d'un grand poète

Onze officieren in de trein. Krijgsgevangenenkamp Stalag IVB in Mühlberg aan de Elbe (series title). Draughtsman: Wim van Hooff. Dating: 1944 - 1945. Place: Mühlberg. Measurements: h 16.5 cm × w 23 cm. Museum: Rijksmuseum, Amsterdam.

Lithographic sketch board 1823, nascent love. (Factitious title)

after William Hogarth, 1697-1764, British, The Invasion, Plate II, England, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

Plymouth Dock, Thomas Rowlandson, 1756-1827, British, 1817, Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper, Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm), baskets, buildings, chickens, children, chimneys (architectural elements), crowd, dock, dock, dog (animal), doorways, genre subject, hats, houses, luggage, marine art, men, pipe (smoking equipment), ships, shore (landform), soldiers, steps, village, water, wheelbarrow, windows, women, Devon, England, Europe, Plymouth, United Kingdom

The Boston Tea Party was a political protest by the Sons of Liberty in Boston. in the British colony of Massachusetts. against the British government and the East India Company. which controlled all the tea imported into the colonies. On December 16. 1773. a group of colonists boarded the ships and destroyed the tea by throwing it into Boston Harbor. Digital reproduction of a historical original.

Auguste Louis Lepère, Marché à la Feraille, 1859-1918, woodcut on paper.

Workers strike. Painting by F. Malaev.

Les chantres Espagnols , Choirs Music, Singers, Alphonse Legros (1837-1911)

Opvoeding; L'éducation. Fable CLXVI..Man and two dogs in a courtyard. The man seems to be one of the dogs to make something clear by controlling the other dog with his hand. Illustration of Fabel CLXVI, L'Éducation.

Thomas Rowlandson, 1756-1827, British, The Woolpack Inn, undated. Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream, wove paper.

Misery and splendor. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1908. Dimensions: 202 × 152 mm (image); 429 × 323 mm (sheet). Lithograph in black on gray wove chine. Origin: France. Museum: The Chicago Art Institute, USA. Author: Théophile-Alexandre Pierre Steinlen.

Figure reproduction: Daniel Mikołaj Chodowiecki (1726-1801), Eine Gesellschaft von Sechs Damen Mit Dem künstler in Sein Zimmer; 19th century (1801-00-00-1900-00-00);

A Country Inn Yard, Print made by Thomas Cook, 1744-1818, British, after William Hogarth, 1697-1764, British, Published by Longman, active 1804-1914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Padovanino, Alessandro (1588 1648), Glücksberg, Michał (1838 1907)

Spotprent waarin Daniel Raap naar de galg wordt geleid, 1752.Cartoon on the goalkeeper Daniël Raap because of his opinion in 1752 to no longer lease the load on the wine, but by having wine buyers pay. Rapes is led to a gallows, left are three supporters riders, wachloo and taddle. At the top of a representation of Bacchus sitting on a wine barrel.

Paris. Rue Quinquempoix, 1720. Scene of panic outside a financial institution during the speculative crisis, 1719-1720. Engraving by Antoine Humblot. Engraving. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe Carnavalet (Carnavalet Museum).

Misery and Splendor (Misere et splendeur). Dated: 1908. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: TEOPHILE STEINLEN.

Cartoon at Lord George Gordon, Ca. 1780-1781, Anonymous, 1780 - 1781 print Cartoon on the English Lord George Gordon, the instigator of an anti-room riot in London in 1780. Lord George Gordon in desperate wringing his hands in prison, sees the bars that rioters have been hung for punishment. Under the plate a statement of the performance. Northern Netherlands paper etching / engraving / letterpress printing prison, jail (+ imprisonment)

Caricature, 1793, Freedom of the Press, France, Europe

Tasting the new wine, late 18th century, engraving by Carl Kunz after Johann Geiger (detail)

Reproduction of a painting: Chodowiecki, Daniel Mikołaj (1726-1801), Three illustrations depicting a fool; excerpt from a magazine. Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), reproduction atelier, Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

De l'utilité d'une famille pour une cantatrice. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Scene in a London Street. Date/Period: 1770. Painting. Oil on canvas. Height: 1,124 mm (44.25 in); Width: 1,416 mm (55.74 in). Author: John Collet.

Rome Catacombs (catacombs) Gnauth, Adolf (1812 1876)

Théophile Alexandre Steinlen, Chez Maxime Chez Maxime

Country Inn Yard Engraved by T Engleheart after Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

Print made by Edmund Evans, 1826-1905, British, Bring Out Your Dead, 1864. Color-printed wood engraving on medium, smooth, cream wove paper.

Energizing the broken , Charitable organizations, Crowds, Distress, Salvation Army. George Bellows (1882-1925). Prints and Drawings

Trades in Regency England. Carpet weaver at a loom in Wilton 16, pig farmer feeding hogs in Hampshire 17, and women knitting and embroidering with needles made in Chichester 18. Woodcut engraving from Rev. Isaac Taylors Scenes of British Wealth, in Produce, Manufacture and Commerce, John Harris, London, 1823. Isaac Taylor was an English writer, artist, engraver and inventor 1787-1865.

Print made by Thomas Cook, 1744-1818, British, Chairing the Members, 1807. Etching and line engraving on medium, slightly textured, cream wove paper.

ST. DUNSTAN'S CLOCK. London, UK, 19th century engraving

Thomas Rowlandson, 1756-1827, British, Racing set of six: 2. Weighing, 1799. Hand colored etching.

'ICE TREE,' MIDDLE TEMPLE.

Street industry: a tree cart for sale; Z: "Kłosy" 1872, No. 365 (June 27), p. 437; Brodowski, Józef (1828-1900), Nowakowski, L., Kłosy (Warsaw; Drzewytnia; 1865-1890); 1872 (1872-00-00-1872-00-00);

BERNHARDT , SARAH. ACTRIZ FRANCESA. PARIS 1844 - 1923. PROFESORA EN EL CONSERVATORIO. UNA LECCION SOBRE " LA NOCHE DE MAYO ". DIBUJO DE L. SABATTIER. GRABADO DE L `ILLUSTRATION , AÑO 1907.

ESTAMPA PARISINA -DOMINGO DE RAMOS - S XX. Location: PRIVATE COLLECTION. France.

Cattle market at York , Meat industry, City & town life, Shopping. Thomas Rowlandson (1756-1827). Prints and Drawings

THE LOST CHILD, 1870

Thomas Rowlandson, 1756-1827, British, A Horse Sale in Hopkins's Repository, Barbican, between 1798 and 1800. Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream, wove paper.

Engraving depicting a scene within the Paris Bourse (Exchange).

The appeal to the people , Statesmen, Public speaking, Crowds, Fences, De Valera, Éamon, 1882-1975. George Bellows (1882-1925). Prints and Drawings

GRABADO-MERCADO. Location: PRIVATE COLLECTION. France.

Print, Spring in the City; Published by Harper's Weekly; After Winslow Homer (American, 1836-1910); USA; wood engraving in black ink on paper; Image: 23.4 x 34.7 cm (9 3/16 x 13 11/16 in.)

of 3