Historical Events and Celebrations

A collection depicting historical events, social gatherings, and cultural scenes, illustrating various moods from looting and dancing to civic actions and performances.

A Harlot's Progress, Plate 1 Her Arrival in London, 1732

Looting the house of mayor Johannes Cocquelle in Middelburg, 1747; Plonden van 't House of Mayors Joannes Cocquelle in Middelburg. The looting of the house of Mayor Johannes Cocquelle in Middelburg on April 24, 1747 by a Prince-Bezinde Meute who suspect that the mayor would like to flee from the city by the appointment of Willem IV as a cityholder at the French threat. Signature at the top right: Xi.d.pl.i.

Print, The Dance after the Husking; Winslow Homer (American, 1836-1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 15.2 × 23.7 cm (6 × 9 5/16 in.)

Pl. 10. The industrious 'prentice alderman of London, the idle one brought before him & impeached by his accomplice , Judicial proceedings, Bribery. William Hogarth (1697-1764). Prints

A Snow Slide in the City (from "Harper's Weekly," Vol. IV) January 14, 1860 After Winslow Homer American. A Snow Slide in the City (from "Harper's Weekly," Vol. IV). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). January 14, 1860. Wood engraving. Harper's Weekly (American, 1857-1916). Prints

Here you see the great celebrities of literary, musical, and artistic France; they are thirty-six feet tall measured below sea level (Vous voyez ici les grandez célébrités), from Les Saltimbanques, published in La Caricature, April 28, 1839 Honoré Daumier French Printer Aubert et Cie French April 28, 1839

A Harlot's Progress, Plate 1 Her Arrival in London, 1732

The Idle 'Prentice Betrayed by his Whore and Taken into a Night Cellar with his Accomplice: Industry and Idleness, plate 9 September 30, 1747 William Hogarth British. The Idle 'Prentice Betrayed by his Whore and Taken into a Night Cellar with his Accomplice: Industry and Idleness, plate 9 398586

The Dance after the Husking, from Harpers Weekly, November 13, 1858. Artist: Winslow Homer, American, 1836-1910

Princess Wilhelmina of Prussia arrested at Goejanverwellesluis, June 28, 1787 In a room with a painting, a saddle and guns on the wall, the princess, wife of Stadholder William V, is seated at a table with a beer-drinking soldier On the right two ladies-in-waiting, noblemen and soldiers With caption in French and Italian Marked top right: 19, Arrest of Princess Wilhelmina at Goejanverwellesluis, 1787 Arresto della Real Principessa Sofia sposa di Guglielmo V di Nassu Dietz, e sorella di Federico Guglielmo R, Pietro Antonio III Novelli, (mentioned on object), print maker: anonymous, publisher: Antonio Zatta, (mentioned on object), Italy, print maker: Italy, publisher: Venice, 1787, paper, etching, engraving, h 365 mm × w 413 mm

SOCIEDAD ESPAÑOLA. SIGLO XIX. BILBAO. "VISTA DEL MERCADO". Grabado.

David Copperfield, The Emigrants

Onthoofding van Nicolas Gosson te Atrecht, 1578.Decapitation of the Counselor Nicolas Gosson in Retrecht, due to Sympathy with the Malcontents, October 26, 1578. Gosson kneels on the scaffold on a square.

CERVANTES, Miguel de (Alcalá de Henares, 1547-Madrid, 1616). Escritor español. Autor de la obra universal "El ingenioso hidalgo Don Quijote de la Mancha" (1605). "ENTRADA DE DON QUIJOTE EN BARCELONA". (II, 61). Grabado de Gustavo DORE. Biblioteca Nacional. Madrid. España.

Wedding of Cloris and Roosje, Pieter Tanjé, After Cornelis Troost, 1752 - 1761 print Cloris and Roosje dance at their wedding. On the increase two violin players, whose woman lifts the glass. On the right the partygoers and a man who gives a speech from a ton. At the bottom of the margin the coat of arms and an assignment to Jan Jacob de Bruyn, who had the original painting in his collection. Scene from the singing game the wedding of Cloris and Roosje. Amsterdam paper etching / engraving dancing at wedding feast - DD - out of doors. violin, fiddle

The corridor of the opera, at the entrance of the fireplace, a ball night.

Salamon de Caus at Bicêtre 1640-76 Jacques Courtois. Salamon de Caus at Bicêtre. Jacques Courtois (French, Saint-Hippolyte 1621-1676 Rome). 1640-76. Etching. Prints

Wedding Night of Jeane, Edme de Boulonois, 1645 - 1681 print Interior of a room with a fireplace on the right where a girl holds a pan over the fire. Behind her another girl brings a bowl of food to a table, including a dog, with drinking and eating figures around it. Next to the table is a bed that is made by four women. A procession of people walks in through the door with a violin -playing musician first. All figures are accompanied by a name and a number, referring to an explanatory text in the margin. paper engraving the wedding night. (civil) marriage ceremonies

Scene with figures from the Commedia dell'arte with Harlequin at a wine barrel, Gabriel Huquier, 1729 - 1732 print France paper etching 'art commedy'. Types in 'Commedia dell'Arte': Harlequin

Belgium, Departure of Foreigners from the City of Brussels after the Jubilee of 1820, Cartoon on the failure of the celebration of the 450th anniversary of the Miraculous Sacrament, 1820, verso - stamped, Cartoon on the failed celebration of the 450th anniversary of the Miraculous Sacrament in Brussels, 16-30 July 1820. Disappointed foreign visitors leave the city of Brussels, on the right Manneken Pis dressed as a general., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 197 mm, width 255 mm, print maker, printmaker, 1820 - 1820, paper, papier, lithografie (technique)

Image reproduction: Stanisław Chlebowski (1835-1884), Joanna d'Arc in prison; early 20th century (1835-00-00-1860-00-00);

Plate # 3 Lithographic sketches 1823, Popular Ball. (Title Title)

Carriage with the deputies of Dordrecht stopped at the Stadhouderspoort, 1786, Reinier Vinkeles (I), after Jacobus Buys, 1794 print Dordrecht's dismayers such as the deputies of Dordrecht, Messrs Gevaerts and De Gijzelaar, with their carriage through the Stadhouderspoort wanting to ride the Binnenhof and their horses at the Toom are grabbed by the wiggermaker F. Mourand, March 17, 1786. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving revolutionary action (violent) Courtyard

The Parisian harvest (IT)

William Hogarth, The Industrious 'Prentice out of his Time, and Married to his Master's Daughter, 1747 The Industrious 'Prentice out of his Time, and Married to his Master's Daughter

A feather and gray-laved sketch by Bartolomeo Pinelli depicting a group of men and women gathered around a fountain, emphasizing figures and spatial arrangement.

Farmers fight for an inn, anonymous, after Cornelis de Wael, 1630 - 1698 print Two farmers fight for an inn. They kick and hit each other. A dog pulls the apron of a woman trying to take them apart. Bystanders watch. Italy paper etching / engraving inn, coffee-house, public house, etc.. drunken brawl (usually peasants fighting in an inn). dog

Drawing by Jean-Baptiste Greuze of a Savoyard child playing with a dancing doll, executed in black and brown ink with washes over graphite pencil around 1765-1769.

Tom Idle and Francis Goodchild, once colleagues meet at a session of the court of justice; Idle is a pleading defendant while Goodchild wearing the furred robe and chain of an alderman is the acting magistrate. Engraving by Thomas Cook after William Hogarth.

Louis XIII (king of France), Paris, Tavernier, Melchior, Bosse, Abraham, The five senses, Les cinq sens, Le Goust., Gustus., Smaak, Taste, verso - stamped, A lady and a gentleman sitting at a set table. A servant carries a tray. In the middle back a tapestry against the wall., print, prints, height 255 mm, width 324 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1635 - 1636, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher, uitgever, 1601-09-27 - 1643-05-14, verlener van privilege

De Misleyden: The ambassador of the Labber lots shows itself in front of the 't Bokki inn in Haarlemmerhout, Abraham Delfos, after Cornelis Troost, 1750 - 1820 print De Misleyden: The ambassador of the Labber lots shows itself in front of the 't Bokki inn in the Haarlemmerhout (a joke made by Jacob Campo Weyerman and associates). A group of people looks at the backside of a man painted as a face, stabbed from the window of the inn. Two trumpeters with black painted faces on both sides. In front of the inn are a black -dressed man and woman, biblical in hand. print maker: Leidenpublisher: Amsterdam paper etching / engraving mocking, insulting; teasing

A New Way to Pay the National-Debt. Dated: 1786. Dimensions: plate: 42.8 × 52.2 cm (16 7/8 × 20 9/16 in.) sheet: 46.6 × 55.5 cm (18 3/8 × 21 7/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES GILLRAY.

Empress Eugénie behind a weighing, 1860, Ange-Louis Janet, Best Hotelin et Cie, After Steyert, 1860 print Empress Eugénie van France behind the loom at a trade fair in Lyon, 1860. Emperor Napoleon III and his entourage watch. paper weaving-loom Lyon

Masquerades and operas, Burlington Gate. British Cartoon Prints Collection . Theaters,England,London,1750-1760. , Cities & towns,England,London,1750-1760. , Crowds,England,London,1750-1760. , Fools & jesters,1750-1760. , Devil,1750-1760.

Company of drinking and smoking men, William Hogarth, 1732 print The space is St. John's Coffe-House, Shire Lane, Temple Bar at four in the morning. All men are drunk to a greater or lesser extent. The man who spains drinks from the bowl is possible orator Henley of Parson Cornelius. The man who puts him his own wig on his head is possible John Harrison. The man who lights the rough of his sleeve instead of his pipe is a politician. A man falls to the ground in the foreground; He is topped with drinks from a smaller bottle. The man with a pipe and night hat, next to the sleeping man, is possibly Chandler, a bookbinder with whom Hogarth collaborated. Text in English in the lower margin. paper etching / engraving political caricatures and satires. drunkenness

The Four Times of Day: Night, 1738. William Hogarth (British, 1697-1764). Engraving;

'WORCESTERSHIRE MUMMERS,' PAINTED BY C. CATTERMOLE

Blindman's Buff, 1857. Winslow Homer (American, 1836-1910). Wood engraving;

The First Stage of Cruelty, Children Torturing Animals, by William Hogarth (1697-1764), Historical, digitally restored reproduction from a 19th century original.

'A Rake's Progress - 8: The Mad House', 1733. Artist: William Hogarth.

The Second Stage of Cruelty (The Four Stages of Cruelty) February 1, 1751 William Hogarth British. The Second Stage of Cruelty (The Four Stages of Cruelty) 402785

The Day in the Country, 1865. William Holman Hunt .

Kosciusco et le Sellier Tadeusz Kościuszko unknown, Adam, Victor Jean Vincent (1801 1866), Lithographie Villain

Combustion of the post of the Neder-Rhijn, 1786, Jan Lucas van der Beek, after Jacobus van Meurs, 1786 print Public execution by burning by a executioner of a copy of the Patriotic magazine De Post van den Neder-Rhijn, on a scaffold for the old town hall of Arnhem, April 22, 1786. Action by opponents of the magazine in which the release of murder accused Corporal from Douglas was convicted. Northern Netherlands paper etching / engraving on the scaffold or place of execution. burning of books Arnhem

The painter Manchego. The painter storage. "Water-Forte Anonymous, 1812.

A mad dog in a coffee house , Dogs, Coffeehouses, Surprise, Interiors. Thomas Rowlandson (1756-1827). Prints and Drawings

The Second Stage of Cruelty (The Four Stages of Cruelty) February 1, 1751 William Hogarth British. The Second Stage of Cruelty (The Four Stages of Cruelty) 400044

Poultry Market at St.-Jean-de-Mont (Marche a la volaille, a St.-Jean-de-Mont). Dated: 1892. Medium: etching, with aquatint and drypoint. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Marie Antoinette (1755-1793) Queen consort of France and Navarre and wife of King Louis XVI, besieged by a mob in the Tuileries. Dated 18th Century

The "Cold Term," Boston - Scene, Corner Milk and Washington Streets, 1858. Winslow Homer (American, 1836-1910). Wood engraving;

Insane in an interior, Alexander Ver Huell, 1856 print Female insane in an interior (from the foundation in Zutphen). In the middle a woman who holds a cloth with a broom up. Netherlands paper. etching lunatic asylum, mental home. emotional illness, derangement, madness - AA - female human figure

Haspinger, the Tyroleans for the fight for the Kaiserhaus, Haspinger, the Tyroleans for the fight for the imperial house, Johann Leonhard Raab -, Etcher, Karl Rauscher * , Etcher, after, Alois Gabl -, Peinstre, Society for Duplacement Art in Vienna, Publishing House

Man with binoculars, Alexander Ver Huell, 1848 - 1889 print A man with binoculars, possibly Justus van Effen, looks out of his window with binoculars. In front of him is a spring with Van Effen on a book. Outside a square full of figures. Arnhem paper binoculars, spy-glass, etc.

Plate from Livre de Scènes Comiques. Gabriel Huquier (French, 1695-1772); after Claude Gillot (French, 1673-1722). Date: 1729-1732. Dimensions: 165 × 218 mm (image); 190 × 225 mm (plate); 235 × 315 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Gabriel Huquier.

Doctor Syntax is robbed in St. Giles, London, Robert Isaac Cuikshank (Possible), 1820 print paper etching robbery. street (+ city(-scape) with figures, staffage). names of literary characters London

In 1874, Thomas Nast created this racist caricature of African American politicians emotionally debating in a southern legislature during the Reconstruction Era. Ten years earlier, his depictions of blacks were more empathetic, dignified, and heroic. This may reflect the war weariness and disillusionment cause by 15 years of civil conflict (BSLOC_2019_5_136)

Geketende man omringd door figuren.A chained man is visited in prison by a number of figures. PRENT In the middle numbered: V.

The Murder of Shane O'Neill. Drawn by H.Warren, engraved by J.Rogers.

Robespierre, Maximilian de.

First Design for the Enraged Musician, Print made by Thomas Ryder, 1746-1810, Irish, after William Hogarth, 1697-1764, British, Published by Samuel Ireland, active 1760-died 1800, British, 1799, Etching and roulette on medium, slightly textured, cream wove paper

Palace gallery, Abraham Bosse, 1637 - 1638 print Three shops in the 'Galerie du Palais' on the Ile de la Cité of Paris. On the left the bookstore, in the middle the store where fans, gloves and other accessories are sold; On the right the lingerie shop where, among other things, lace collars and cuffs are displayed. With caption which shows that the customers do not belong to the nobility, but to the well -to -do bourgeoisie, who wants to mirror themselves in clothing and customs. Possible source of inspiration for this performance was the play of Corneille 'La Galerie du Palais' (first executed in 1633). The piece opens with the same stores as those on the print. Bosse advertises his own work in the shops: in the middle a box is removed from the shelf that says 'Evantails de Bosse' (fans of Bosse); In the bookstore a book is shown with the title 'Marianne', a play by Tristan L'Hermite (1635) in which the title page is by Bosse. paper etching / engraving clothes, costume (+ men's clot

Maria-Theresa of Savoy-Carignan, Princess of Lamballe, is led out through the gates of La Force prison to the street in Paris where she is killed by the Revolutionary mob. Wood engraving.

Village school. Szumacher, I. (Petersburg ; zakład graficzny ; ca 1860-1870), printing house, Pokorny, Józef (fl. 1865-1872), graphic artist, Girardet, Edouard-Henri (1819-1880), painter

Honoré Daumier, Promenade du Boeuf gras, 1839 Promenade du Boeuf gras

THE VIENNA UNIVERSAL EXHIBITION

Thanksgiving Day - Ways and Means upper left. Dated: published 1858. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: after Winslow Homer.

Print made by George Cruikshank, 1792-1878, British, The Captain of Knockdunder, 1836. Etching on medium, slightly textured, cream wove paper.

Trekking of the Lottery in Amsterdam, 1696; Imagination of what kind of the Loterye to Amsterdam was drawn ao. 1696 in Mey. Trekking of the Lottery in Amsterdam, May 1696. There are two large barrels on an open gallery. On the right the staples and cotton wool, left the Nommers. A little boy pulls a lot of destine and gives it back. The winners are written and proclaimed here. Under the show a verse in two columns of three rules in the world each as a lottery.

Gin Lane William Hogarth (British, 1697-1764). Gin Lane, 1751. Engraving on laid paper, 15 3/8 x 12 3/4 in. (39 x 32.4 cm). William Hogarth was an artist who greatly expanded the market for his work by translating many of his paintings into engravings, a technique he learned as a teenager while apprenticed to a silversmith. He specialized in comic or satiric subjects treated in series of images, in which the narrative unfolded like scenes in a novel, then an emerging art form. Hogarth believed popular art could effect social change, and his images frequently offer prescriptive commentary on the manners and mores of Londons inhabitants. In these two companion images, he reacted to a dangerous surge in gin consumption among the lower classes, illustrating how unregulated sales of the “cursed fiend” gin exacerbated poverty, criminality, and amoral behavior (with a “bad mother” as the central figure), while drinking beer “can sinewy strength impart,” as the moralizing captions proclaim.

Dans la galerie du Louvre. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Floral department of the Great Fair , Fairs, Florist shops

Figures Looking at Outdoor Spectacle 1781-1823 France. Brush and gray wash with black crayon, on ivory laid paper (pieced together), laid down on card . Paul Gregoire

A Rake's Progress, Plate 6 June 25, 1735 William Hogarth British. A Rake's Progress, Plate 6 403225

Print made by John Romney, 1786-1863, British, William Kieft Introducing a New Mode of Punishment for Beggars & c, 1823. Line engraving on medium, slightly textured, cream laid paper.

Tom Getting the best of a Charley, George Cruikshank, 1792-1878, British, Aug. 31, 1820

Tous les coups portent, mon cher , Bishops, Diplomats, Kings, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, Louis Philippe, King of the French, 1773-1850. Honoré Daumier (1808-1879). Lithographs

Decapitation of Masaniello, 1647, Caspar Luyken, 1699 print Masaniello, a fisherman who was the leader of the Napolitan revolt against the Spanish Habsburgs, is beheaded by the citizens of Naples. Leiden paper etching violent death by beheading Naples

Plate Four, from A Rake's Progress 1735 England. Etching and engraving in black on ivory laid paper . William Hogarth

The Grain Weighers. Dated: 1608/1611. Dimensions: plate: 19.6 x 21.1 cm (7 11/16 x 8 5/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The best lighting system (registered title) | News. (Title of the set)

Finding things not exactly what he expected - Plate 2, Print made by George Cruikshank, 1792-1878, British, after Capt. Frederick Marryat, 1792-1848, British, Published by George Humphrey, ca. 1773-ca. 1831, British, 1820, Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm), Plate: 8 1/2 x 11 7/16 inches (21.6 x 29.1 cm), and Image: 6 7/16 x 9 15/16 inches (16.3 x 25.3 cm), barrels, caricature, chaos, drinking, drunk, fear, flute, food, genre subject, hats, humor, illustration, ladder, laughing, lights, marine art, midshipmen, music, plates, Royal Navy, satire, seamen, ship, smoking, surprise, uniforms, violin

After Winslow Homer, Home from the War, published 1863 Home from the War

Museum of Rennes, satirical subject, vintage engraved illustration. Magasin Pittoresque 1844.

Les Dernières Cartouches, from "L'Univers illustré". Artist: Louis Paul Pierre Dumont (French, born Paris, 1822); After Ch. Benoist (French, active 1873-74); After Alphonse-Marie-Adolphe de Neuville (French, Saint-Omer 1835-1885 Paris). Dimensions: Sheet: 7 7/8 × 11 in. (20 × 28 cm). Date: June 21, 1873. Museum: Metropolitan Museum of Art, New York, USA.

Illustration from 'La vie de St. Bruno, fondateur de l'ordre des Chartreux' Paris 1660. after the paintings of Eustache Le Sueur and engraved by FranA§ois Chauveau

Analysis of thought Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Analysis of thought". Board published in "caricature" of July 26, 1832. Lithography. Paris, House of Balzac.

THE LOVING CUP

Pressing down stoppers in sacks to increase packing space, cork stopper workshop, France, illustration by Henri Valentin from L'Illustration, Journal Universel, No 651, Volume XXVI, August 18, 1855.

THE NEW INDIAN SECTION, SOUTH KENSINGTON MUSEUM, LONDON, 1880

Bliżej Kultury Oleszczyński, Antoni (1794-1879), Dancckers de Rij, Peeter (1605 1661), Chardon, Francis Ainé et Fils (printing house Ca 1821 1880), Wilczyński, Jan Kazimierz (1806 1885)

Drunken sailors round a table cheering and throwing their hats in the air as a man with a wooden leg recounts the Battle of the Nile. Reproduction of an etching by C. H., c. 1825, after G. Cruikshank.

I always get with a new pleasure ... Charles Joseph Travies of Villers, says Traviès (1804-1859). Press cartoon. "I always get with a new pleasure". Board published in "caricature" of October 16, 1834. Lithography. Paris, House of Balzac.

Amsterdam, Holst, FGL, Porsters Kermiswensch 1865, Kermisprent van de Amsterdamse porsters voor het jaar 1865, verso - gestempeld, Kermisprent van de Amsterdamse porsters (alarm clocks), 11 september 1865. View along a canal in Amsterdam with a boy walking down the street with a bunch of keys and a woman knocking on the door of a house. With a verse in two columns. On behalf of the porster: the widow Hekker., print, prent, kermisprent, prints, prenten, Frederik Muller Historieplaten, height 337 mm, width 212 mm, print maker, prentmaker, 1865 - 1865, paper, papier, letterpress printing, boekdruk, houtsnede, printer, drukker

The conquest of equality / or foiled frames Allegory of the day of 10 August 1792. Dedicated to the French republicals. (IT)

The Rhinoceros, Clara, in the foreground, her keeper holding her horn and a whip behind her at center with various other spectators in Carnival masks. Artist: Alessandro Longhi (Italian, Venice 1733-1813 Venice); After Pietro Longhi (Pietro Falca) (Italian, Venice 1701-1785 Venice). Dimensions: Sheet: 16 5/16 × 20 1/4 in. (41.4 × 51.5 cm). Publisher: Joseph Wagner (Italian, Thalendorf 1706-1780 Venice). Date: after ca. 1751. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous. The halls in the 17th century, the auction of sea fish. Gouache, decor for fan. Paris, Carnavalet museum. 99381-27 HALLS

Cockfighting match between Lanark and Haddington counties, 1785, in front of an audience of nobles and knaves including Sir James Baird, William Hamilton Lord Bellhaven, MacLeod of Drimnin, Lord North the caddy, and Deacon Brodie. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

The shooters meal in the foot mogelroom or St. Joris derels in Amsterdam for celebration of the Peace of Munster, 18 June 1648. The shooters meal in the foot mogelroom or St. Joris derels in Amsterdam for celebration of the Peace of Munster, 18 June 1648. It is presented: Captain Cornelis Jansz Witsen (with the silver drinking horn), Lieutenant Johan Oetgens van Waveren (who shakes his hand), the Vaandrig Jacob Banningh (sitting next to the big drum), Dirck Claesz Thoveling and Thomas Hartog (Sergeanten), Pieter van Hoorn, Willem Pietersz van der Voort, Adriaen Dirck Sparwer, Hendrick Calaber, Govert van der Me, Johannes Calaber, Benedictus Schaeck, Jan Maes, Jacob van Diemen, Jan van Ommeren, Isaac Ooyens, Gerrit Pietersz van Anstenraadt, Herman Teunisz de Kluyter, Andries van Anstenraadt, Christoffel Poock, Hendrick Dommer WZ, Paulus Hennekijn, Lambregt van den Bos and Willem (the Drumslager). There is a paper with a poem by Jan Vos on the large drum. Due to the open windows, the faç

THE NELSON RELICS AT THE ROYAL NAVAL EXHIBITION

Fingerhakeln, an old Alpine power sport practised mainly in Bavaria and Austria, 1869, Germany, Historic, digitally restored reproduction of a 19th century original, Europe

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