Historical Events and Portraits

Prints depicting historical events, including knighting ceremonies and children at play, showcasing detailed etchings and engravings.

Many men and women are seated at a long, set table. On the right a dish is being served. Print from a book containing 36 prints with sentence images. Print used in: F. van Hoogstraten, De schoole der wereld, 1682, Large company a dining table LXXXI. On seeing a large and costly Gastmael (title on object), print maker: Arnold Houbraken, Northern Netherlands, 1682, paper, etching, letterpress printing, h 72 mm × w 82 mm, h 157 mm × w 95 mm

Event on July 15, 1647 during the Napolitan uprising, Anonymous, 1652 - 1664 print A man on horseback with a sword in his hand on the ninth day of the Napolitan uprising in 1647. paper etching / engraving / letterpress printing riding a horse, ass, or mule; rider, horseman Naples

Writer in a garden, Johannes van der Spyck, 1737 print A writer is in classic clothing with a writing spring in his hand in a garden. He receives inspiration. Two peacocks run in the foreground. Venus appears in her car in the sky. On the left the Olympus with Apollo and the Muses. Maassluis paper etching / letterpress printing writer, poet, author. Apollo and the Muses, Apollo Musagetes. (story of) Venus (Aphrodite). ornamental birds: peacock

Adversity learns to live well; Presents does learn life; Voorwinckel of patient in the dried trouble. In an oval cartouche the interior of a room in a hospital. The room contains four alkoven. A man is sick in each of the alkoven. Some have a cross while others focus their hands to heaven. Above the cartouche The title (motto) of the print and a quote from the Bible (preacher 31: 2). Under the print a caption: 'Seer Sieck to be is co-conducted' and a description that the print explains. Whoever has been sick has more respect for life. Premature teaches us to love life

Louis XIII hits a kneeling man to knight, Abraham Bosse, 1634 print Paris paper etching / engraving historical persons. king. becoming a knight, knighting. knighting ceremonies

Carpenter, Jan Luyken, 1694 print Amsterdam paper etching carpenter. handicrafts, craftsman at work

Boommaker, Caspar Luyken, after Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. poling, punting

Child with a ball and a child with a hoop; Children playing (series B); Verschyde Aerdy child's play Uyt is done by Cornelis Holsteyn. A child holds a shell in his hand, there is a ball. Another child runs behind a hoop. In the background putti.

Emblem with allegory on trustworthiness depicted as woman with key, helm, church model and dog in round frame decorated with ornaments, Emblem with allegory on trustworthiness Faithfulness , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 150 mm, h 78 mm × w 130 mm

Wig maker, Jan Luyken, 1694 print Numbered at the top right: 57. With six -line fresh in Dutch. Amsterdam paper etching wigmaker, 'perruquier'. street (+ city(-scape) with figures, staffage). comb, brush and other tools (care of the hair). handicrafts, craftsman at work

Many men and women are seated at a long, set table. On the right a dish is being served. Print from a book containing 36 prints with sentence images. Print used in: F. van Hoogstraten, De schoole der wereld, 1682, Large company a dining table LXXXI. On seeing a large and costly Gastmael (title on object), print maker: Arnold Houbraken, Northern Netherlands, 1682, paper, etching, letterpress printing, h 72 mm × w 82 mm, h 157 mm × w 95 mm

XXVII Vroech Mature, Vroech Rot. XXVII Vroech Mature, Vroech Rot. First shock. Part of 'SinnePops', R. Visscher, 1614.

Allegorical performance with freedom and a three-headed hose; Title page for: S.N., the post of the Lower Rhijn, 1783. Freedom is central to an increase. On the left a putto with blowing on a trumpet and a writing putto. To the right, a Putto drives a three-patched snake.

Allegorical performance with Jupiter, Neptune and Mars. Reduced copy to an allegorical print of Pieter van Schuppen from 1659. Jupiter points his lightning bolts at a diving lion under him. Neptunus approaches the coastline from the sea. He stands on a car drawn by hippocampi. Mars, with a shield with a double-headed eagle, floats the lion further into the corner. He also wears fascences, just like Neptune and Jupiter. Star crash the three figures.

Death digger The Death digger (title on object) The Menselyk Bedryf (series title), grave digger, Jan Luyken, Amsterdam, 1694, paper, etching, h 140 mm × w 87 mm

XXII in Dese Hoeck. XXII in Dese Hoeck. Second shock. Part of 'SinnePops', R. Visscher, 1614.

XIII How do you fit Harness. XIII How do you fit Harness. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Frightened man with free couple; Amoureus-Liedjen. A young man with raised hand at a minneco couple in a garden. In the background other couples around a table. Book illustration from G.A. Bredero, Boertigh, amorous, and Aendigah Groot Lied-Boeck, 1622. Top right page number 10.

Glasper, Jan Luyken, 1694 print Amsterdam paper etching glazing (window panes, leaded lights, etc.), glazier at work. handicrafts, craftsman at work

Lvii Alit Non Suffocat. Lvii Alit Non Suffocat. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Vision of the Smit van Sellon, ca. 1701-1713; La Vision du Marechal de Sellon and Provence / night-discharge from the Smit of Sellon in Provence. The vision of the Sellon's Smit. The Smit sees at night how a devil with a bellows blows the four lanterns around a statue of Louis XIV. Verses in French and Dutch on the blade. Part of a group of individual cartrents at Louis XIV during the Spanish Succession War, ca. 1701-1713.

Chair maker De Stoelemaaker (title on object) The Menselyk Bedryf (series title), chair, handicrafts, craftsman at work, Caspar Luyken, Amsterdam, 1694, paper, etching, h 142 mm × w 81 mm

57. de Pruikemaaker; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

Boer, Caspar Luyken, after Jan Luyken, 1694 print Amsterdam paper etching farmers

Two figures watching a spider web, Arnold Houbraken, 1682.

The Nijmegen mystery or the complicated marriage, 1619, 1721 print The Nijmegen mystery or the complicated marriage, 1619. Painting hanging on the Raadhuis van Nijmegen with a family portrait with complicated relationships from a marriage there in 1618. Under the show a verse of 2 times 2 lines in Dutch. Hereby also a text sheet with an explanation of the show. Northern Netherlands paper etching / engraving / letterpress printing family relationships (first, second, third and fourth degree), generations. picture, painting Nijmegen

Boekbinder, Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. bookbinding

Moses kills the Egyptian; Moses dot the egiper, and buries Him in 't Zant. When Moses saw how an Egyptian abused a Hebrew. He killed the Egyptian and the body's body in the sand. Above the show a title. There are six fresh rules and a reference to Exodus 2: 11-12. The print is part of an album.

Emblem with allegory on gracefulness, François Van Bleyswijck, 1737 print Emblem with allegory on gracefulness depicts as a woman with roses and bird in her hands. In a landscape, a man looks at his reflection in the water surface of a fountain and men danced around the bust of a woman. Under the performance and on the Verso is a poem about gracefulness. Leiden paper etching Grace, charm; "Grace" "Venusta" (Ripa)

Murder of the Prince of Orange, 1584; The PR. from Orangeien; The Spaensche Tiranye Gheschiet in Nederlant. The Prince of Orange in Delft murdered by Balthasar Gerards, July 10, 1584. In the foreground the prince is shot, the murderer is arrested in the background. Under the show a verse of 16 lines in 2 columns, below stuck a description in 5 lines, in Dutch. Numbered: 16.

Amsterdam, Banse, Hendrik Arend, Schultsz, Johan Christoffel, Title page for: L. van Ollefen, The Dutch City and Village Describer. I Part, 1793, Allegory of Dordrecht, the Hoekse Waard, the Zwijndrechtse waard, the Riederwaard and the land of IJsselmonde, verso - stamped, Wisdom, sitting before clouds, writes in a book. Around her three putti. On the right sits a river god. In the bottom margin a four-line Dutch text., print, engraving, title page, prints, engravings, height 207 mm, width 124 mm, Dutch, 1749-11-06 - 1812-01-06, print maker, printmaker, 1793 - 1793, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Emblem with allegory at grace; Birthheyt. Emblem with allegory on desirity. As a woman with roses and bird in her hands. In a landscape a man looks at his mirror image in the water surface of a fountain and men danced around the bust of a woman. Under the performance and on the Verso is a poem about grace.

Bookbinder De Boeckbinder (title on object) The Menselyk Bedryf (series title), handicrafts, craftsman at work, bookbinding, Jan Luyken, Amsterdam, 1694, paper, etching, h 140 mm × w 83 mm

Metselaar De Metselaar (title on object) The Menselyk Bedryf (series title), mason at work, handicrafts, craftsman at work, Caspar Luyken, Amsterdam, 1694, paper, etching, h 134 mm × w 83 mm

The Nijmegen puzzle or the complicated marriage, 1619; Uytleging over the rare Huwelyk. The Nijmegen puzzle or the complicated marriage, 1619. Painting hanging on the town hall of Nijmegen with a family portrait with complicated relationships from a marriage closed in 1618. Under the show a verse of 2 times 2 rules in Dutch. Also a text sheet with an explanation of the performance.

Allegorical representation with freedom and a three -headed snake, 1783 print Freedom is central to an elevation. On the left a putto with blowing on a trumpet and a writing putto. On the right, a putto drives away a three -headed snake. paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). monsters ~ snakes

Allegory on Voorne-Putten, Overflakkee and Poortugal; Title page for: R. Bakker, the Dutch city and village description. VI part (...), 1798.a man with shovel stands on a shore next to good. Right a Man With Fur Hat shows Him a Fish. A four-line dutch text in the undermarge.

Consignment Daer Heave already. Consignment Daer Heave already. Third Schok. Particle of 'Sinpapas', R. Visscher, 1614.

Emblem with allegory on her pleasure; Sincerely. Emblem with allegory on satisfy. Depicted by a woman with mirror and scale. In the landscape, Mercury and Zeus sit at the table at a inn and speak a king with a man who lives in a tub. There is a poem under the show and on the Verso.

Title print for the scene of foolishness, 1720, 1720 print Title print with a central performance in which father holds a mirror to a young woman with a globe. Around a frame with dwarfs, animals and rolling work with all kinds of inscriptions, printed from a second album. On the leaf under the plate a fresh in 5 columns. Prent 1 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / engraving / letterpress printing Father Time, man with wings and scythe. little people

Title sheet for the pamphlet: the Napelsche stallion, Visscher and Pikeur, 1701, Romeyn de Hooghe, 1701 print Title sheet for the pamphlet: the Napelsche stallion, Visscher and Pikeur, 1701. A fisherman (Masaniello) in a horse and the Spanish pikeur bound to the pole. Hereby a representation of a pedaling horse. Northern Netherlands paper etching / letterpress printing riding-school, maní¨ge

Allegory of the Nieuwe Kuiper, 1621; Den Nieuwen Kuyper finishing the Staet Vanden Presentweighen time, through a tsamenespreecking between a monsieur and a kuyper. Allegorical representation of the Nieuwe Kuiper, 1621. Print belonging to the (missing) poem Niewe Cuyper of J.J. Starter about the ambition and ambitious and the power of the intercession in obtaining offices in the year 1621. A cooper to work speaks with a nobleman, doctor, pastor, politician and warrior. Links a palace or court where men go up the stairs.

Emblem with allegory on innocence, François Van Bleyswijck, 1737 print Emblem with allegory on innocence depicts as a woman who washes her hands at a fountain. The biblical scene is shown in the landscape in which Pilatus washes his hands in innocence. There is a poem under the performance and on the verso. Leiden paper etching Innocence; 'Innocenza', 'Innocenza o purití' (Ripa). Pilate washing his hands (in innocence). washing one's hands

A tulip, a marigold a sunflower in a landscape, seen from a low perspective. Print from a book in which 36 prints with sentence images. Print used in: F. van Hoogstraten, the schooly of the world, 1682.

The sleeping farmer of Stolwijk, 1707, 1707 print The sleeping farmer of Stolwijk, or the so -called Sleeping Stolk farmer. Dirk Klaasz de Bakker slept from 29 June 1706 to 11 January 1707 (27 weeks) and after waking asleep again until March 15, 1707. The farmer asleep in his bed, in a frame with columns where father time and death are hiding behind . At the top a Frisian with putti and personifications of hope and faith. Stuck under the plate a verse of 14 lines. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / letterpress printing sleeping in bed Stolwijk

The Dutch Gardener, Frederik Bouttats (De Jonge), 1672 print The title page of the first book by 'Den Nederlantsen Gardener' by Jan van der Groen, the gardener of Willem III of Orange. A court personneler stands for an open gate and points to the background. Through the gate one looks at a large, architectural court garden and a palace. Two riders drive towards the gate. In a cartouche under the print information about the pressure .. print maker: Antwerppublisher: Brussels paper engraving gardening. horticulture, vegetable culture, market gardening. French or architectonic garden; formal garden. inner court of palace or 'hôtel'

Facade met Belgica, harmony in the abundance, 1657 print A façade with the title of the Atlas in the middle. At the top, Belgica is with the symbol of freedom, a freedom hat on a spear, in her hand. Left and right of the title are Concordia with a horn of abundance and a phases and a woman with keys and a corn sheaf, possibly abundantia. At the bottom, two putti flank a cartouche with the address of the publisher. paper engraving / letterpress printing façade (of house or building). personifications of countries, nations, states, districts, etc.. Concordia as Roman personification. Abundantia (abundance) as Roman personification

Saturn devours its children; Herchepinge by Publius Ovidius Naso. Page from a book with text on the recto and verso, and an image at the start of book 14. On a rock by the sea, Saturn is eating the limbs of his chopped son. His other son has hidden behind the rock and looks scared of his father.

Farmer and peasant woman between agricultural equipment and horse and cow as a frame of cartouche with fresh; Verschyden Aerthige Lanthey = / Sen Nae T'leven Curiousness; Landscapes with farms. Title print for a series of 26 landscapes to Abraham Bloemaert. The cartouche with the title is surrounded by agricultural equipment, a shepherd and a shepherd and a horse and a cow.

Mossel Seller, Caspar Luyken, 1711 print Print at the top right numbered: 43. paper etching Moluscs: Mongself. pads

Picart, Bernard, Amsterdam, Costumed monkey on a stage, verso - stamped, A dressed monkey shows a sheet of paper to his audience. A crowd is standing around the stage. At the top in the ornamental frame the motto: Sic Deludimus Neptos., print, prints, height 51 mm, width 67 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Arrival of King William III at Oranjepolder, 1691, 1691 print The arrival of King William III at Oranjepolder in Zuid-Holland, January 31, 1691. Through ice formation, the rowing boat with Willem III has difficulty coming ashore. With four verses under the plate: taking a seat in the boat (twice), on the heavy fog and on land. On the leaf corrections with pen in brown. Amsterdam paper etching / letterpress printing / writing (processes) arrival and return ~ travelling Oranburg powder

De productie van linnen.Illustration for the letter L in the 'Vaderlandsch A-B book, for the Dutch youth' by J.H. Swilden. Women are busy in the production of linen. Three women are preparing the raw material under a shelter. In the foreground a woman is spinning. Linen canvas can dry on the grass. Under the image a two-legged verse. Under the letter a description of the concept.

Putti with the attributes of Apollo at the foot de Parnassus, Derk Anthony van de Wart, 1805 print On the left are two putti hand in hand. The left putto holds a laurel wreath in the air and the right putto holds a winch, both attributes from Apollo. For them, a Bijenkorf is a symbol of work or diligence next to a crown, a scepter, a mask and a scroll with the meaning of the sealing. The putti look at the Mount Parnassus with the radiant temple of Delphi. Amsterdam paper etching attributes of Apollo: lyre. Parnassus, sacred to Apollo Musagetes. bee-hive. title-page

Northern Netherlands, Cruel Murder in Zutphen, Murder in Zutphen, 1572, Massacre by the Spaniards under Don Frederik in Zutphen, November 16, 1572. Inhabitants are thrown in chains into the frozen water of the IJssel. Below the image a verse of 16 lines in 2 columns, below this a description in 5 lines pasted, in Dutch. Numbered: 10., print, historical print, prints, engravings, Frederik Muller Historieplaten, height 175 mm, width 135 mm, print maker, printmaker, 1618 - 1624, first quarter 17th century, paper, papier, etching, etchings

Women with a wheelbarrow, Arnold Houbraken, 1682.

. Minerva accompanies trolling to an old manner man. He holds her a mirror and points to the title. He is accompanied by unity. In the background Mercury at a niche with a statue of justice.

Cartoon on the Landzaten, 1795, 1795 - 1796 print Cartoon on the prince -minded lands that turned out to be worthless during the French invasion of 1795. A Patriot militarily wears a basket on his back in which there are two landesses that he offers for sale already singing: who takes my last such ... Double folded leaf with the text From the song in seven couplets. Northern Netherlands paper etching / letterpress printing wandering or travelling merchant. political caricatures and satires

Deformed person from Madagascar, 1658, 1658 print A deformed person armed with arrow and arch, found on the island of Madagascar and taken to France where it is still alive in the city of Nantes in the year 1658. On the magazine under the plate was printed a text in 3 columns in Dutch, French and German. Amsterdam paper etching / engraving / letterpress printing anthropomorphic beings (legendary or not) with heads, limbs or organs of an abnormal number, in abnormal places or of an abnormal shape) Madagaskar. Nantes

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Allegorical performance with freedom and a leopard, 1784 print Freedom stands on a leopard with her left foot. Two putti on the left, writing and blowing on a trumpet. paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). beasts of prey, predatory animals: leopard

Vignet with the personification of vice; Vice; Virtues and vices. Vignet with the depicting of the personalized vice surrounded by snakes and pennacles, on top of the architectural picture frame a skull adheres. The vice has devilors and holds a branch with thorns. With her right foot, she kicks on two stone tablets on which the ten commandments are written. The print is part of a series of book illustrations about virtues and vices.

Naked love couple caught by women; Title page for: B. Bekker, of Perfect Fixed Spijse, 1670 / 1674. Above the title An image of people in contemporary clothing at the supper. For the title, a naked man and woman are taken apart by women in antique clothing. Below a text and a cityscape.

A laurel wreath surrounded portrait of Maurits, prince of orange flanked by two female personifications. Left in a niche The personification of the church, to the right of politics, in employment clothes with sword and rich. They have four personifications in Europe, Asia, America and Africa. Under the title a portrait of Emanuel van Meteren at the age of 76. At the top and at the bottom of a row with five images of kings and emperors. Title page for Emanuel van Meteren, History of the Netherlands and her neighbors' wars. Amsterdam, 1652.

Emblem with allegory of chastity purity depicted as woman with lily branch and veil leaning on column In round frame with ornaments Below the representation and on the verso is a poem, Emblem with allegory on chastity purity Reynheit , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 149 mm, h 130 mm × w 78 mm

Title vignette for: the first part of the new Groote Lootsmans Zee-Spiegel, relieving the Noordsche and Oostersche Schipvaart, 1709, Adriaan le Duc, 1709 print A sailor with a low -plin in his hands is between books and astronomical instruments. In the background the sea with ships. paper letterpress printing vignette. book. astronomical instruments. sea (seascape). ships (in general)

Eight of diamonds: the compass.. 1702. Parsons, William Barclay, 1859-1932. Prints, Playing cards. Rare Book Division

Woman with crying child, Arnold Houbraken, 1682 print A woman with a crying child in her arms. A house in the background. Pent from a book in which 36 prints with sentences. Print used in: F. van Hoogstraten, The School of the World, 1682. Northern Netherlands paper etching / letterpress printing mother and baby or young child

Skeleton with Axe, Antique Skeletons of Amsterdam

Justitia troont boven voorstellingen van de doodstraf; Titelpagina voor: Reynolds, Johan. Tonneel der wereltse rampsaligheden, 1667.Above TROTS Justitia amid two angels with a flaming sword. Under her a cartouche with the title, flanked by various representations of the death penalty. Above-top Radbroken; top right the pine and the stake; At the bottom left of the gallows and the bottom right dead by decapitation with a sword. In the corners left - and at the bottom right another performance to be identified.

Young Man offers a mourning man a glass, Jan van de Velde (II), After David Vinckboons, 1622 print A man in disappointed attitude has separated himself from a eating and drinking company at a table in the background. Next to him is a young, elegant dressed man who offers him a glass. Book illustration from G.A. Bredero, Boertigh, Amoreus, and Aend-like Lied-Boeck, 1622. At the top right page number 27. Amsterdam paper etching / letterpress printing banquet of elegant company. hand(s) bent towards the head. giving drink

26 Why are you looking among the nobles of mind, the courts of a degenerate . 26 Why are you looking among the nobles of mind, the courts of a degenerate . Tweed schok . Onderdeel van Sinnepoppen , R. de Wit , 1614.

XXXVI Goet Schimmischap. XXXVI Goet Schimmischap. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Title page for the pamphlet: The Picked Tapestry, 1702. A falling Indian (tapoeijer) is attacked by an eagle and a cockatoo. The Indian (France) who tried to catch the parakeet for his gold (Portugal and his possessions in America) but falls from the tree and dies. All the other birds come to retrieve their feathers that the Indian had previously stolen. Title page for the pamphlet: The Plucked Tapestry, 1702 The Plucked Tapestry Esopus in Europe , print maker: Romeyn de Hooghe, Northern Netherlands, 1702, paper, etching, letterpress printing, h 175 mm × w 140 mm

Cartoon on the English, 1652, 1652 print Cartoon on the English, 1652. Oliver Cromwell and another Englishman (Admiraal Blake) Lying on the wheel of Fortuin turned by the Dutch sailor and the Dutch Lion. The stolen resources are spit from the mouth of Cromwell, a fleet of warships is eaten out in the other. A sea battle in the background. At the top two small scenes. Under the plate, a verse of 3 columns in Dutch. Northern Netherlands paper engraving / letterpress printing political caricatures and satires. Turn of Fate, Wheel of Fortune. battle (+ naval force)

Oil bearing De Olislaager (title on object) The Menselyk Bedryf (series title), handicrafts, craftsman at work, pressing (industrial process) (oil, crafts, industries, agriculture), Caspar Luyken, Amsterdam, 1694, paper, etching, h 143 mm × w 86 mm

Amsterdam, Wendel en Zoon, J., Netherlands, Asch-Karmans New Year's Wish 1826, New Year's wish from the Amsterdam ash cart men for the year 1826, verso - stamped, New Year's wish on behalf of the ash cart men (cart man or garbage man) in Amsterdam for the year 1826. View of a street in Amsterdam with the ash cart, a boy with a rattle and a man who collects money from door to door. In the background the cart is emptied on the ash dump. At the bottom a poem in two columns and a song in three verses. On behalf of Bartholomeus Wardenaar, the cartman of district no. 3., print, picture, New Year's greeting, prints, pictures, Frederik Muller History plates, height 325 mm, width 200 mm, print maker, printmaker, 1825 - 1826, paper, letterpress printing, woodcut, Dutch, printer

Title page for the pamphlet: by entering the Moogendheid in the Hof van den Leeuw, 1701, Romeyn de Hooghe, 1701 print Title page for the pamphlet: by meeting of the Moogendheid in the Hof van den Leeuw, 1701. Meeting of the Lion with the Eenhoorn (England), Elephant (Denmark), Beer (Sweden), Eagle (empire) and a cat (Holland) in which the Lobility of the tiger (France) is discussed. Northern Netherlands paper etching / letterpress printing

XXXI that the right Gae. XXXI that the right Gae. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Xx d'a minute, the other brings. Xx d'a minute, the other brings. Second shock. Part of 'SinnePops', R. Visscher, 1614.

Emblem with allegory on beauty depicted as nude woman leaning on column with globe and lilies and compass in her hands Sitting in the landscape is Paris passing judgment on which of the three women is the most beautiful to him Below the representation and on the verso is a poem, Emblem with allegory on beauty Schoonheyd , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 151 mm, h 77 mm × w 127 mm

Emblem with allegory of caution depicted as woman with head of Janus, indicating her caution, and other attributes such as store hook, armillary and anchor In the landscape is a fort by the sea Below the scene and on the verso is a poem about caution, Emblem with allegory on caution Voorsigtigheyd , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 150 mm, h 128 mm × w 76 mm

Cartoon on the English; General statement of this sinne image. Omnia Nonnibus placent. Symbols on the thanklessness of the English on the eve of the Third English War. Allegorical show with the Dutch virgin and a Dutch sailor that discharges the tails of the English dogs. Under the show the 'General statement of this sinnate. Omnia Non Omnibus Plaucent. " The print has been copied and included in 'a Justification of the present War Against The United Netherlands' by Henry Stubbs, published in London in 1672.

Windball maker, Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. bellows

Allegory on the landing of the English and Dutch fleet near Cadiz, 1702, 1702 print Allegory on the landing of the English and Dutch fleet near Cadiz, August 1702. A unicorn (Great Britain) and a lion (the Netherlands) grasp the columns of Hercules (Plus Ultra). In the air signs of the zodiac. On the leaf under plate a verse in two columns. Amsterdam paper etching / letterpress printing Cádiz

Title page for Willige Wyshijd, 1644. Title page for the book "Willige Wyshijd", with an allegoric wedding. In the foreground a covered table where putti puts on and left two palm trees with shields.

Silkworm The Syreeder (title on object) The Menselyk Bedryf (series title), silk (material, textile industry), handicraft, craftsman at work, Caspar Luyken, Amsterdam, 1694, paper, etching, h 143 mm × w 81 mm

Last effort of the Jacobins. (IT)

Kuiper, Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. handicrafts ~ wood, timber. wooden container: barrel, cask, bucket

Amsterdam, Banse, Hendrik Arend, Schultsz, Johan Christoffel, Title page for: L. van Ollefen, The Dutch City and Village Describer. Part II, 1793, Allegory of Delfland, verso - stamped, Historia writes in a book. Next to her stands a woman with a cap of liberty and sit Mars and a river god. On the right sits a putto with a compass and some merchandise. In the bottom margin an eight-line Dutch text., print, engraving, title page, prints, engravings, height 207 mm, width 125 mm, Dutch, 1749-11-06 - 1812-01-06, print maker, printmaker, 1793 - 1793, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Title page of the patriotic magazine De Post van den Neder-Rhijn, DL. II, 1782. Allegorical representation with State Agency, writing by a stone, assisted by freedom and two children with symbols of Mercury and Neptune.

Northern Netherlands, Spanish Tiranye is taking place in the Netherlands, Spanish Fury in Antwerp, 1576, 4-7 November 1576. Atrocities committed by mutinous soldiers on the population of the city. Below the image a verse of 16 lines in 2 columns, below this a description in 5 lines, in Dutch, is pasted. Numbered: 15., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 175 mm, width 135 mm, print maker, printmaker, 1618 - 1624, first quarter 17th century, paper, etching, etchings

Adelbold, Duke of Frisians; Adelboldus. Dux Frisiae Secundus.; Kings and potestocks from Friesland; Frisia, SEV, the viris. Adelbold, Duke of Frisians. Standing for feet, sword and shield in hand. In an ornamental frame. Illustration, with text on the back, coming from the book: Frisia Seu de Viris Rebusque Frisiae Illustrus Libri Duo.

Title page for the leaflet: the repeat shadow, 1701; The relying shadow; Esopus in Europe. Title page for the leaflet: the replenishment shims, 1701. The shadow of the deceased King Charles II appears in the middle of a circle with magic characters.

The engraved title reads "Le Triomphe de la Mort, grave d'apres les Dessins originaux de Jean Holbein, graveurt Chrt. de Mechel." The title appears to be engraved on a gravestone, with a portrait of Hans Holbein at top flanked by two cherubs, and a figure of Death at left pointing to a terrified man (Holbein) hiding behind a curtain at right. With a spear in his right hand, "Death exhibits to him the grand spectacle of the scenes of human life he is intended to paint. This is further designated by a heap of the attributes of greatness, dignities, wealth, arts and sciences, intermixed with Death's heads, all of which are trampled underfoot by Death himself.".

L Frideat Apart. L Frideat Apart. Second shock. Part of 'SinnePops', R. Visscher, 1614.

XXVIII Who knows what is. XXVIII Who knows what is. Third shock. Part of 'SinnePops', R. Visscher, 1614.

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