Historical Events and Spectators

Engravings depicting historical events like jousts and public spectacles with crowds, showcasing detailed figures and architectural backgrounds.

Callot, Jacques, work, No. 6, Destruction of the monastery, (1000 - 2000), line etching, graphics, plate width 18.7 cm, plate height 8.2 cm, leaf width 20.4 cm, leaf height 12 cm

Joust on horseback, Jan de Jonge, 1701 print Joust on horseback and various spectators. Top right: fol. 352. Middelburg paper etching duelling

Burning the Rumps at Temple Bar, plate eleven from Hudibras. William Hogarth; English, 1697-1764. Date: 1725-1726. Dimensions: 245 × 495 mm (image); 272 × 505 mm (plate); 274 × 509 mm (primary support); 360 × 568 mm (secondary support). Engraving in black on cream laid paper edge mounted on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

William Hogarth, The Industrious 'Prentice Lord Mayor of London, 1747 The Industrious 'Prentice Lord-Mayor of London

. Print at the top right labeled: fourth part fol. 281.

The Hospital, plate fifteen from The Large Miseries of War Artist's working dates 1612-1635 Netherlands. Etching on paper . Gerrit Lucasz van Schagen

Destruction of a Convent, plate six from The Large Miseries of War. Gerrit Lucasz van Schagen (Dutch, born 1642); after Jacques Callot (French, 1592-1635). Date: 1612-1635. Dimensions: 73 x 181 mm (image); 82 x 184 mm (plate); 99 x 202 mm (sheet). Etching on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Gerrit Lucasz van Schagen.

Print made by Thomas Cook, 1744-1818, British, First Stage of Cruelty, 1807. Etching and line engraving on medium, slightly textured, cream wove paper.

Callot, Jacques, work, No. 6, Destruction of the monastery, (1000 - 2000), line etching, graphics, plate width 18.7 cm, plate height 8.2 cm, leaf width 20.4 cm, leaf height 12 cm

Child is thrown out the window because it refuses to serve Mass, Jan Luyken, 1696

Looting of the House of Mayor Langewagen in Hoorn, 1672, 1704 - 1706 print The looting of the House of Mayor Langewagen in Hoorn by Prinsgezinden, 21 June 1672. The household goods is thrown by the windows on the street. Northern Netherlands paper etching plundering ~ riot Hoorn (North Holland)

Public proclamation of the concluded treaties at Nuremberg, 1650, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, h 123 mm × w 179 mm

Looting the House of Captain Spaaroog during the speaker's progress in Amsterdam, 1696. Collapse by a furious crowd of the house of Captain Martinus Spaaroog to the Reguliersgracht during the speaker's progress in Amsterdam, 31 January-1 February 1696.

Pierre François Basan after Gabriel Jacques de Saint Aubin, The Tavern, 1761 1762 The Tavern

Looting the house of Mayor Langegebagen in Hoorn, 1672; HUYS from HR. Burger Langegegen scheduled. The looting of the House of Mayor Langegejaans in Hoorn by Prinsbinds, 21 June 1672. The householder is thrown on the street by the windows.

Speaker riot in Amsterdam, 1696, 1696 print The speaker riot in Amsterdam, January 31, February 1696. The militia fires on the crowd, houses are looted, in the background suspensions. In the air an owl with the title. Completely unrealistic representation of the events. Germany paper etching street-fights, riots. political demonstration. plundering ~ riot. unsuccessful revolution or revolt, suppression of revolutionary activity Amsterdam

The Hof van Holland, ca. 1610, Bartholomeus Willemsz. Dolendo (attributed to), 1610 - 1612 print The Hof van Holland, ca. 1610. Centrally on the green ZOOTje with a decapitation and collected spectators. On the right the Gevangenpoort, the buildings of the Binnenhof and the Hofvijver, on the left the Buitenhof. paper engraving on the scaffold or place of execution. violent death by beheading Courtyard. Buitenhof. Green so. Hofvijver

Monument consacré a la posterité en memoire de la folie incroyable de la XX. année du XVIII. siecle Monument erected for posterity in memory of the unbelievable madness of the 20th year of the 18th century. 1720. Picart, Bernard, 1673-1733. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Burning the rumps at Temple Bar. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Vue du Salon du Louvre en l'année 1753. Gabriel de Saint-Aubin (France, Paris, 1724-1780). France, 1753. Prints; etchings. Etching

Sieur's TERRENSE FOULON (TI)

Beheading of the Marquis of Cinq-Mars and François De Thou, 1642, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Beheading by Johan van Oldenbarneveld, 1619; Joan van Oldenbrneveld is being beheaded. Johan van Oldenbarnevelt kneels blindfolded for his beheading at the Schave Foot at the Binnenhof in The Hague on May 13, 1619. Seen from the square with the collected spectators.

Head of the slain Masaniello being carried around on a spike at Naples, 1647, print maker: Caspar Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 154 mm

Augsburg, Nilson, Johann Esaias, Peace and War, Military Rest, Resting Soldiers, verso - stamped, Three soldiers enjoy their rest in the presence of three women. They smoke, drink and walk. On the right are two drummers. In the background a defensive structure with a cannon and a view of a wall at the water. At the bottom of the representation a rocaille frame. In the lower margin two columns with two-line German text., print, ornament print, prints, ornament prints, height 285 mm, width 191 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Jurisders on the scaffold on Dam Square, 1535, 1657 - 1659 print Torture and execution of the re -buyers on the scaffold for the old town hall on Dam Square in Amsterdam, July 28, 1535. From the windows of the town hall, judges watch a large crowd on Dam Square. Under the scaffold the mutilated bodies of the already executed. Without the verse. Print from the book cut, with text on Verso. paper etching / engraving on the scaffold or place of execution City Hall of Amsterdam (14th century-1652). Dam

Arrival of William III at the Westeinderbrug, 1691, 1691 print Arrival of Stadholder-King Willem III at the Poort at the Westeinderbrug, and welcome by the city council of The Hague, 5 February 1691. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Western bridge

Post, Pieter Jansz., Noordelijke Nederlanden, Visscher, Jan de, Oath of allegiance taken by the principality of Orange to Prince William III, 1665, Northern Netherlands, Oath of allegiance taken by the cities and residents of the principality of Orange to Prince William III, May 7, 1665. Ceremony with the delegates of the Prince and of Orange sitting on a stage set up in front of the Roman theater at Orange, in front of the stage a large crowd of spectators. Above the wall of the theater the miraculous phenomenon of a crown of sunlight. The plate is accompanied by a text sheet., print, engraving, news print, prints, engravings, Frederik Muller Historieplaten, height 433 mm, width 361 mm, Noord-Nederlands, 1633 - 1692, print maker, engraving maker, 1665 - 1665, third quarter 17th century, paper, papier, etching, etchings, Work conception, 1608 - 1669-05-02

Jurisders on the scaffold on Dam Square, 1535, 1657 - 1659 print Torture and execution of the re -buyers on the scaffold for the old town hall on Dam Square in Amsterdam, July 28, 1535. From the windows of the town hall, judges watch a large crowd on Dam Square. Under the scaffold the mutilated bodies of the already executed. Without the verse. No text on Verso. Northern Netherlands paper etching / engraving on the scaffold or place of execution City Hall of Amsterdam (14th century-1652). Dam

. Print at the top right labeled: MEMOR: FOL: 19.

Event of 15 Julllet 1789, Louis XVI, coming out of the National Assembly goes back on foot at the castle of Versailles, accompanied only from the three orders and a crowd of people (dummy title) | Historical engravings of the main events Since the opening of the general states of 1789 (TS)

Openable streak, Daniel Nikolaus Chodowiecki, 1770 print Four performances of public penalties. At the top left a courtroom where a fine is handed out. At the top right, a convicted pointed rods must run; A man is flashed in the background. At the bottom left an execution place. At the bottom right a forced laborer, prisoners and men who are banned. Numbered in the middle: Tab XXXIV. paper etching court session (court of justice). running the gauntlet. on the scaffold or place of execution. banishment, exile. flogging, scourging (in public)

The First Stage of Cruelty. 1750. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Monument in memory of the foolishness of the year 1720, Bernard Picart, 1720 print Monument in memory of the foolishness of the year 1720. On a large car, the fortune of the Actien shares scatters shares on a large car. The cart is drawn by, among other things, personifications of the companies of the South Sea and Mississippi. The car is led by the fame in the direction of the poor house and madhouse. Around the cart there traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearances are deceiving in Latin. In the caption the statement of the performance in French and Dutch. Print 27 (Late pressure from No. 18) in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / engraving Lunatic Asylum, Mental Home. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Financial P

Triomf van Melinte in Ariane, Abraham Bosse, After Claude Vignon, 1639 print paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. trolley, triummphal car

Amsterdam, Crajenschot, Theodorus, Northern Netherlands, Kok, Willem, View of the Binnenhof in The Hague, and of the reckless attack made, View of the Interior Court (this Binnenhof) in the Hague, & of the temsequential attack made, Assault on the Deputies of Dordrecht as they ride through the Stadhouderspoort into the Binnenhof, 1786, verso - stamped, Disturbances when the deputies of Dordrecht, Messrs. Gevaerts and De Gijzelaar, drive their carriage through the Stadhouderspoort into the Binnenhof and their horses are seized by the bridle by the Hague wigmaker F. Mourand, 17 March 1786. In the caption a vignette and the titles in Dutch and French., print, prent, prints, prenten, Frederik Muller Historieplaten, height 212 mm, width 241 mm, print maker, prentmaker, 1786 - 1786, paper, papier, etching, etsen, 1761 - 1807-03-29, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, Nederlands, 1717 - 1803, publisher

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Departure of the States Commission from Rotterdam, 1786, verso - stamped, The departure of the States Commission on a quay in Rotterdam, 24 June 1786, print, prints, Frederik Muller Historical plates, height 156 mm, width 112 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1786 - 1795, paper, papier, etching, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

Northern Netherlands, Hooghe, Romeyn de, Jaarmarkt te Arnhem, ca. 1700, Large detailed representation of a horse market and annual fair with funfair held outside Arnhem, ca. 1700. Many stalls selling all sorts of things and eating and dancing. On the right a tree in which a bagpipe player has climbed. At the top an unfilled cartouche. In the foreground a rider is letting his horse drink., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 480 mm, width 570 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1698 - 1702, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings

Address given by speakers at the Royal Palace, Event of the French Revolution, July 12, 1789. (TF)

Arrival at the Brugse Poort van Gent; arrival of Ferdinand in Ghent in 1635 (no. 4); HIC EST Tibi Quem Promitti Saepius Audis; Porta Brugen in terms of Ser. Cardinalis Urbem Ingreditus. Arrival at the Brugse Poort, where the cardinal rides the city in the city. Leaf no. 4 In a whole of 42 plates that illustrate the publication of the dedenth of the Cardinal Infant Ferdinand in Austria in Ghent on 28 January 1635 as the new governor for the Spanish Netherlands.

Departure of Maria de 'Medici from Amsterdam, 5 September 1638, 1638 print The departure of the queen on September 5, 1638. The four Amsterdam mayors say goodbye to Maria de 'Medici on Dam Square between the old town hall and the Waag. In the foreground a dog. Numbered at the bottom right: 16. Plate 16 of the illustrations in the description of the festivities around the visit of Maria de 'Medici to Amsterdam from 31 August to 5 September 1638. Amsterdam paper. ink etching / engraving / pen Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. DEPARTURE ~ Travelling. Townhall. Weigh-house Dam. City Hall of Amsterdam (14th century-1652). Waag on Dam Square

In 't Jaar 1569. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Chancellor J.A. from Crumpipen from Breda to Brabant, 1789; Crumpipen Cansellier from Breda Gebrist and supervised.Chanceller J.A. Crumpipen is Reduced by Carriage and Under Supervision From Breda to Brabant, November 14, 1789.

Departure of Maria de 'Medici from Amsterdam, 5 September 1638, Salomon Savery, After Jan Martszen de Jonge, 1638 print The departure of the queen on September 5, 1638. The four Amsterdam mayors say goodbye to Maria de 'Medici on Dam Square between the old town hall and the Waag. In the foreground a dog (without head). Plate 16 of the illustrations in the description of the festivities around the visit of Maria de 'Medici to Amsterdam from 31 August to 5 September 1638. paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. DEPARTURE ~ Travelling. Townhall. Weigh-house Dam. City Hall of Amsterdam (14th century-1652). Waag on Dam Square

. Needs leaves with four prints.

Arrival within the city; Entry of Ferdinand in Antwerp in 1635 (no. 5), Theodoor van Thulden, 1639 - 1641 print Arrival of the procession within the city. Ferdinand on horseback is welcomed by women with a laurel wreath. On the right a floats with allegorical female figures, probably provincial layers. Marked at the top right: p. 9. Page no. 5 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

Plouwing in Amsterdam, 1748. Plundering a house on a canal in Amsterdam during the tenant robper, June 1748.

Rév. from Paris. Brissot and 20. From its accomplices to guillotine - N º213 p.146. (IT)

L'Estrapade (Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10 1633 Jacques Callot French. L'Estrapade (Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; first state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Capital execution by hanging at the fatal lantern, place of strike, at the corner of the street of the mutton, current place of the city hall, 4th arrondissement. Act III, XV scene of the play The imitators of Charles IX or the flew conspirators 1790. Event of the French revoltio. (Factitious title)

. .

Opkomts, Midden, en Geen Eynde van den Doortrapte Jan Lauw Rise, middle, and no-end of the crafty John Law. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire, Law, John, 1671-1729

The Marriage of Randolph and Hilda, George Cruikshank, 1792-1878, British, 1842

Southwark Fair. January 1733-34, Ernst Riepenhausen, etching

Seven nobles for the gate of the Château d'Amboise hung, 1560, 1567 - c. 1571 print Execution of the participants in the conspiracy of Amboise. The bodies of seven nobles are hung in front of the gate of the Château d'Amboise, others are beheaded on the scaffold, March 15, 1560. By caption of 8 lines in German. Nummered in the bottom left: 21. The print is part of an album. Cologne paper etching violent death by beheading. violent death by hanging Amboise castle

Amsterdam, Wendel en Zoon, J., Netherlands, Asch-Karmans New Year's Wish 1835, New Year's wish from the Amsterdam ash cart men for the year 1835, verso - stamped, New Year's wish on behalf of the ash cart men (cart man or garbage man) in Amsterdam for the year 1835. View of a street in Amsterdam with a man emptying an ash bucket into the cart, a boy with a rattle and another man collecting money from door to door. At the bottom a poem in two columns. On behalf of JD Farjon, the ash cart man of district no. 19., print, image, New Year's wish, prints, images, Frederik Muller Historieplaten, height 340 mm, width 205 mm, print maker, printmaker, 1834 - 1835, paper, papier, letterpress printing, woodcut, Dutch, printer, drukker

Johan van Oldenbarnevelt kneels for his beheading, 1619; Johan van Olden Barnevelt insurges, the 13th. May. 1619. In the age of 72. Years. Johan van Oldenbarnevelt kneels for his decapitation at the Binnenhof in the Hague on May 13, 1619. His servant Jan Franken kneels on his side on the scaffold, a pastor holds a prayer. On the square the collected spectators. Inside picture frame with pilasters with allegorical medallions. On the left to cut the freedom lance; On the right the shepherd dog is devoured by the wolf.

The Court of the Great Mogul ('t Hof vanden grooten Mogol) 17th century Anonymous, Dutch, 17th century Dutch. The Court of the Great Mogul ('t Hof vanden grooten Mogol) 399855

Alteration of Amsterdam, 26 May 1578, Theodoor Koning, 1778 print Alteration of Amsterdam, 26 May 1578. The Spanish -minded city council and the Roman clergy are forced to leave, on the quay near the Dam they get in ready boats. Northern Netherlands paper etching Dam. City Hall of Amsterdam (14th century-1652)

Skins of skinned residents of Tlemcen are shown on a square in Algiers, 1627, Jan Luyken, 1684 print View of a square in Algiers where European and North African spectators look at the skins of skinned inhabitants of Tlemcen, which are brought into the city filled with straw on the straw. This was said to have happened in 1627 after a downstand by Tlemcenians, led by a marabet. Print at the top right numbered: fol. 99. Amsterdam paper etching square, place, circus, etc.. violent death by flaying Algiers

Formal garden with riders; Sigtivates and perspectives. View in a formal garden with a pond with fountain. On the left a building. In the foreground riders.

Schouwburg der woekerende en belaggelyke lothandelaars. 1720 - 1733. Picart, Bernard, 1673-1733. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Sale of property and exodus to Münster, 1534, 1657 - 1659 print The backlower sells all their possessions to traders and leave over the water to Münster, 1534. Without the verse. No text on Verso. Northern Netherlands paper etching / engraving Münster. Netherlands

Unknown (-), Orientals outside a city, 1656

Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.. Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

La Course de Chars sur la Place Santa Maria Novella a Florence (The Chariot Race in the Piazza Santa Maria Novella in Florence), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. La Course de Chars sur la Place Santa Maria Novella a Florence (The Chariot Race in the Piazza Santa Maria Novella in Florence), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

January en February, Giles Sadeler (2), after Paul Brit, 1615 print Rome during the months of January and February. Right in the foreground travelers at a campfire. Shepherds drive their cattle towards the city. In Rome there are festivities going on around an obelisk on Piazza del Popolo. A sword dance is performed and spectators look at a horse race in the background. At the top left and right the signs of the zodiac: the zodiac sign Waterman and the constellation fishing. Prague paper engraving landscape symbolizing January. landscape symbolizing February. obelisk, needle. open fire (in general). herd, flock. festivities Rome. Piazza del Popolo

Unknown (1650-1700), Russian city with Maend gathered around an overhauled, horse-drawn kane, (1647)

Wat Tyler, leader of the Peasants Revolt, murdered by Walworth, Mayor of London, while negotiating with King Richard II at Smithfield, London, 1381. Woodcut after an illuminated manuscript from Sir John Froissart's Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV, George Routledge, London, 1868.

Collection of Egmond and Horne, 1567, 1613 - 1615 print Collection of the Counts of Egmond and Horne by Alva in the Hof van Culemborg on the Zavel in Brussels, September 10, 1567. Face in the hall where Alva lays hands on the shoulder of Egmond in the foreground in a long cloak, is Horne on the right drained. In the background, Alva stands up of discussions at a table. With caption of 4 lines in Latin. Numbered: 13. Printed on the back with text in Latin. print maker: Low Countriesafter print by: Cologne paper etching law and jurisprudence (+ arrest) Brussels. Zavel

From 48 years old to the age of 64; Dorica; The six ages of man symbolized by the construction orders; Theatrum Vitæ Humanæ. Older men are talking on the terrace for a house. There are books in the niches of the house. A man falls from the stairs that leads to the terrace. In the margin a four-line caption, in two columns, in Latin.

In 't Jaar 1788. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Offering the peace writing to the Duchess of Parma, 1566. Offering the peace writing by the covenant of nobles to the land vehicles, the Duchess of Parma, in the Palace in Brussels April 5, 1566.

Festivities in Rotterdam on the birthday of the Prince, 1783, Reinier Vinkeles (I), After Jacobus Buys, 1791 print Festivities on the street in Rotterdam on the occasion of the birthday of Prince Willem V, March 8, 1783. Amsterdam paper etching / engraving public festivities on the occasion of royal events Rotterdam

Entry of Queen Isabella van Beieren in Paris, Dominique Sornique (attributed to), 1729 - 1733 print Paris paper engraving / etching queen. historical persons

Stage Coach Setting Down at the Dolphin Inn. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 6 3/16 × 8 15/16 in. (15.7 × 22.7 cm). Publisher: William Rowlandson (British, active 1788). Date: December 3, 1788. Museum: Metropolitan Museum of Art, New York, USA.

Arrival of the coaches with the ambassadors at the Huis ter Nieuburch in Rijswijk for the peace negotiations, 20 May 1697. In the caption titles and legends 1-10 in French and Dutch. Part of the series of fifteen prints on the Huis ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697, Arrival of the Ambassadors at the Royal Palace in Rijswijk, 1697, print maker: Adriaen Schoonebeek, (mentioned on object), publisher: Anna Beeck, (mentioned on object), unknown, (mentioned on object), print maker: Northern Netherlands, publisher: The Hague, 1697, paper, etching, h 232 mm × w 287 mm

Cornelis Tromp, 1691, Jan Luyken, Timotheus ten Hoorn

Offering the keys of the city of Amsterdam to Louis Napoleon, on his entry as King of Holland on April 20, 1808. The carriage with the king in front of the Law Courts in the Watergraafsmeer, Offering the keys of the city to Louis Napoleon, 1808 Offering the keys of the city of Amsterdam to his Majesty, in front of the Law Courts in the Diemermeer, April 20, in the year 1808 (title on object), print maker: Abraham Vinkeles, (mentioned on object), Abraham Vinkeles, (mentioned on object), Netherlands, 1814 - 1816, paper, etching, engraving, h 155 mm × w 210 mm

Pierre Francois Courtois after Augustin de Saint Aubin, La promenade des remparts de Paris, 1760 La promenade des remparts de Paris

Artist: Noach van der Meer II, Dutch, 1741-1822, Oproer te Hoorn, over de invoering van meuwe Excynzen[1471?, Engraving, platemark: 17.2 × 20.3 cm (6 3/4 × 8in.), Made in The Netherlands, Dutch, 18thcentury, Works on Paper -Prints

Peasant wedding by the meatcutters at Vienna for Emperor Matthias, 1613, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 111 mm × w 156 mm

The Victor Conducted in Triumph, Paul Sandby RA, 1731-1809, British, after David Allan, 1744-1796, British, born in Scotland, Published by Paul Sandby RA, 1731-1809, British, ca. 1781, Aquatint and etching on medium, moderately textured, cream laid paper, Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm), Plate: 14 15/16 x 21 7/8 inches (37.9 x 55.6 cm), Image: 14 1/8 x 20 1/2 inches (35.8 x 52 cm), and Image: 13 7/16 x 20 1/2 inches (34.1 x 52 cm), architectural subject, cityscape, sporting art, Europe, Italy, Lazio, Rome

Jacques Callot, Piazza Presso alla Porta al Prato, c 1622 Piazza Presso alla Porta al Prato

The lawyer -fiscal Kievit is taken to the Gevangenpoort, 1686, 1780 - 1795 print The lawyer-fiscal Johan Kievit is arrested for financial tampering in the admiralty of the Maze and brought to the Gevangenpoort under the supervision of soldiers, 1686. Northern Netherlands paper etching transport (of arrested person) Gateway

The Industrious 'Prentice Lord Mayor of London (Industry and Idleness, plate12) September 30, 1747 William Hogarth British. The Industrious 'Prentice Lord Mayor of London (Industry and Idleness, plate12) 399821

Houses at Benin, with their executions and way of riding, Astley, Thomas (d. 1759), London, Publisher, Printed for T. Astley, 1745 - 1747, Manners and customs, Africa, Engravings

The leak on purpose / or perjury Louis XVI (TI)

Netherlands, Steam Balance, Cartoon on the fraud of the firm C. de Bruyn & Zonen, 1834, verso - stamped, Cartoon on the fraud with a false scale of the firm C. de Bruyn & Zonen, 1834. The firm owned the first steam sugar refinery on the Lijnbaansgracht in Amsterdam. On 8 January 1834 they were caught using a balance with an extended arm. On the left the false balance hanging on the facade of the factory. Two gentlemen are being weighed on the steam balance, several people are standing next to them. In the background De Bruyn flees from the Beurs to a house on the Rokin., print, cartoon, prints, Frederik Muller Historieplaten, height 265 mm, width 372 mm, print maker, printmaker, 1834 - 1834, paper, papier, lithografie (techniek), Publication (Event), Publicatie, publisher

Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; second state of three (Lieure). Prints

Noon (The Four Times of Day) March 25, 1738 William Hogarth British. Noon (The Four Times of Day) 403215

Palace of King Demetrius Nikanor in Antioch attacked by the population, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 111 mm × w 156 mm

Views: The Market on the Molo, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching; platemark: 14.4 x 21.1 cm (5 11/16 x 8 5/16 in.).

Sale of painting in the courtyard of the Oudezijds Herenlogement in Amsterdam, 1773, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, 1773 - 1783 print View in the courtyard of the Oudezijds Herenlogement in Amsterdam, where a sale of painting takes place. It is probably the public sale or auction of the painting collection of Leiden mayor Johan van der Marck Aegidiusz, who died in 1772. on August 25, 1773. Under the show the title in Dutch and French. Numbered at the top right: 26. Amsterdam paper etching / engraving art sale, auction. hotel, hostelry, inn Oudezijds Heerenlogement

William Hogarth, The Times, pl1, 1762 The Times, pl.1

Chairing the Member, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 1697-1764, British, Published by The London Printing and Publishing Company, 1833, Etching and line engraving on medium, slightly textured, cream wove paper

Physionimies of Paris / Industry Palace / (Champs-Elysées).

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), The removal of the city gates of Franeker, Removal of the doors of the city gate in Franeker, 1788, verso - stamped, The removal of the doors of the city gate of Franeker, February 1788., print, history print, prints, Frederik Muller History plates, height 185 mm, width 112 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1795 - 1797, paper, papier, etching, etchings, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Stopping the carriage of Messrs Gevaarts and De Gijzelaar, deputies of Dordrecht, at the Binnenhof in The Hague, 17 March 1786, Jacobus Buys, 1786 - 1801, draughtsman: Jacobus Buys, (mentioned on object), 17-Mar-1786 - 1801, paper, pen, brush, h 143 mm × w 89 mm

The TrojanHorse. Artist: Louis-Joseph Le Lorrain, French, active Russia, 1715-1759

Schuster, Ignaz.

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