Historical Events Illustrated

Engravings depicting historical events and cultural scenes from the 17th and 18th centuries, showcasing dramatic moments and public gatherings.

Thomas Wentworth, Earl of Strafford addresses the people from the scaffold, 1641, print maker: Caspar Luyken, (mentioned on object), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11) 1725-68 William Hogarth British. Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11) 400741

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Amsterdam, Hoorn, Jan Claesz ten, Luyken, Caspar, Attack on the house of mayor Van den Brande by rebellious peasants, 1672, recto - manuscript in brown ink, Print marked top right: Fol: 75. In the margin a two-line verse., print, book illustration, prints, 1672. Middelburg O. Strijd, height 94 mm, width 154 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1692 - 1692, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1639 - 1715, publisher

Illustration at Canto Xi of TASSO's 'Gerusalemme Liberata'; Jerusalem is relieved (part 2); Gerusalemme Liberata (part 2). GoFreddo is sitting with a wounded leg for a tent. An angel gives herbs to the Healer Eròtimo. The Christians stormed the city walls of Jerusalem in the background. Italian rules by tasso in two columns in undermarge.

The Doge and his entourage listening to the vesper on Christmas Day in San Giorgio Maggiore Church in Venice, 1610, by Giacomo Franco (1556-1620), engraving from Costumes of Venetian Men and Women. Italy 17th Century.

Thomas Wentworth, Earl of Strafford addresses the people from the scaffold, 1641, print maker: Caspar Luyken, (mentioned on object), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian Wars against the Romans, Roman prisoners in front of the fort, Claudius Civilis parades Roman prisoners in front of the conquered fort (Castra Vetera). Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Thomas Wentworth, Count of Stafford addresses the people from the scaffold, 1641, Caspar Luyken, 1701 print Frankfurt am Main paper etching / letterpress printing on the scaffold or place of execution

The Counts Egmond and Horne, along with other nobles, are beheaded with the sword on the Grand Place in Brussels on the orders of the Duke of Alva. A crowd has gathered around the scaffold, Execution of the Counts Egmond and Horne, 1567 Execution of several nobles by the Duke of Alba, at Brussels , print maker: Jan Luyken, bookseller: Engelbrecht Boucquet, Amsterdam, 1699, paper, etching, h 145 mm × w 86 mm

King on Throne surrounded by subjects and Kuiper with VAT, Cornelis van Dalen (II), After C. Ulft, 1657 print Utrecht paper engraving king. wooden container: barrel, cask, bucket

Plate 20: Civilis Having his Hair Cut, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 5/16 × 8 1/8 in. (16 × 20.6 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Hooghe, Romeyn de, Murder of the de Wit brothers, 1672, Capture of Johan de Witt, print, prent, nieuwsprent, prints, height 156 mm, width 198 mm, print maker, printmaker, third quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Northern Netherlands, 1645-09-10 - 1708-06-15

Joseph Selling Grain in Egypt. In this scene from the Bible, Joseph, Egypts vizier, sells grain to the crowd flocking around him. The people are from surrounding famine-stricken countries. His brothers have come to Egypt as well, but do not recognize their younger brother. De Bisschop made his etching after a print by the painter Bartholomeus Breenbergh, who had lived in Italy for many years.Breenbergh may have given De Bisschop drawing lessons.

Print at the top right labeled: fol: 75. In the margin a two-time fresh.

Death row inmates hanged at the city gate, print maker: Claude Augustin Duflos, (mentioned on object), Louis Fabritius Dubourg, (mentioned on object), France, 1727, paper, engraving, etching, letterpress printing, h 151 mm - w 183 mm

Rebellion in Barcelona, 1640, Caspar Luyken (attributed to), 1701 print Frankfurt am Main paper etching / letterpress printing revolution, revolt Barcelona

Winter; Hyems; The four Seasons. In the foreground a lady in a sled pulled by a horse. Behind it skated people on a pond near a castle. Wood is played in the background. The print has a Latin caption and is part of a series with the four seasons as the subject.

The lost son leaves his parental home; The lost Son. For his parental home, the lost son says goodbye to his old father and other family members. Packed riding animals driving ahead. Under the show a two-legged French-speaking verse. This print is part of a series of prints around the parable of the lost son, consisting of a title print and ten narrative performances.

Triumph of fame; Six triumphs of Petrarca. Drawn on a carriage by two elephants is the winged fame, she blows on two trumpets. In the foreground a procession of Staatslieden and the poet Dante is chosen by fame. On the left are the large head and foot of the image of Constantijn the Great. In the background, architecture of both Rome and Tivoli is recognizable. Latin inscription in two rules FAMA PEREMVS Erit ... Edax Abolere Vetvstas

Tortorel, Jacques, Keulen, Hogenberg, French, Series 3: French Wars of Religion, 1559-1573, Seven Nobles Hanged in Front of the Gate of the Château d'Amboise, 1560, Execution of the Participants in the Amboise Plot. The bodies of seven nobles are hung in front of the gate of the Château d'Amboise, others are beheaded on the scaffold, March 15, 1560. With 8-line caption in German. Numbered lower left: 21. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 205 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1567 - 1571, paper, papier, etching, etchings, Work conception, Frans

The head of the procession at a triumph port, plate B; Procession of Karel V with the Pope in Bologna after his coronation to Emperor, 1530. The head of the procession at a triumph port, plate B. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Emperor, February 24, 1530.

Rights in Haarlem, 1573, 1782 - 1784 print Rights of Haarlemmers by the Spaniards on the Grote Markt in front of the Town Hall in Haarlem after surrendering the city, July 13, 1573. Northern Netherlands paper etching violent death by hanging. violent death by beheading. massacre ~ war Town hall

Draw from the Hollandsche Loterij in The Hague, 1696; Image of Pulling Hollanche Lotery on the hall of the Court in 's Graavenhage. Trekking of the Hollandsche Lottery in the Ridderzaal of the Binnenhof in The Hague, 1696. T-shirts of bookcases, on the ceiling. Two orphan boys draw the lots from two large round rotary buses, a crowd of spectators in the foreground. Below a second, allegorical, representation with a horizontal fisherman on a monumental stone on which a verse is titled: Every fish for benefits. On the right decline Fortuna with taxes, links a group of people led by desire and hope.

The Duke of Anjou honored to Antwerp, 1582. Homage of Anjou in Antwerp, 19 February 1582. On a stage he gets the mantle and hat of the Duke of Brabant. Design for a print.

The Emperor Meeting the Warrior ca. 1516-17 Agostino Veneziano (Agostino dei Musi) Italian. The Emperor Meeting the Warrior. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1516-17. Engraving. Prints

Olimpio Calvetti, having escaped in disguise after the killing of Count Francesco Cenci, is recognized by friends of the Count. Etching, ca. 1850.

Proclamation of the twelve-annual file in Antwerp, 1609; Series 10: Dutch and foreign events, 1587-1612. Proclamation of the twelve-year-old file for the town hall in Antwerp, April 14, 1609. Bonfires are inflamed in the streets. With caption of 12 rules in German. Unnumbered.

Mezzetin and Harlequin, Disguised as the Captain, Disrupt Pantaloon's Dinner. Dated: c. 1729. Dimensions: overall: 13.6 x 18.6 cm (5 3/8 x 7 5/16 in.). Medium: pen and black ink and gray wash on laid paper; scored for transfer. Museum: National Gallery of Art, Washington DC. Author: Johann Jacob Schübler.

Sejanus, prefect under the emperor Tiberius, is beaten and strangled, 31 BC, Jan Luyken, Jan Claesz ten Hoorn, 1698

Cologne, Hogenberg, French, Netherlands, Capture of Egmond and Horne, 1567, Capture of the counts of Egmond and Horne by Alva in the Court of Culemborg at the Zavel in Brussels, September 10, 1567. View of the room where in the foreground Alva in a long cloak puts his hand on Egmond's shoulder, on the right Horne is being led away. In the background Alva stands up from discussions at a table. With a 4-line caption in Latin. Numbered: 13. Printed on back with text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 140 mm, width 160 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Cartoon on Hofstede, Kaat Mossel and the Prins, 1783, 1783 - 1784 print Cartoon on Petrus Hofstede, Kaat Mossel and Prince Willem V, 1783. There is a banner on which the Oranjeboom is depicted in front of a fairground. On an elevation are Hofstede, the Rotterdam mayor Van der Heim and Kaat Mossel, before that the prince with his three children, his consort and the Duke of Brunswijk. In the foreground the collected public. At the bottom a four -line verse about 'the doll game and' t entire orange suit '. paper etching / engraving puppet and marionette show. political caricatures and satires Rotterdam

Injured at a hospital, Jacques Callot, 1633 print Standing on a square and there are several wounded - war victims - waiting at the entrance of a hospital. On the right there are a number of crippling in line with a man who distributes soup. Under the show a six -line French verse. This print is part of a series of 17 (18 incl. Title print) prints with performances of various types of misery that warfare entails. print maker: Nancypublisher: Paris paper etching hospital. medical aid and nursing of the sick and wounded in a lazaretto. giving food. disabled soldier

Cologne, Hogenberg, French, Abriess des Koniglichen Process von Navarra in weihung und enderung des glaubens geschehen S. Dionis den 25 July Ao. 93, Hendrik IV goes to church in Saint-Denis, 1593, King Hendrik IV goes to church in Saint-Denis, 25 July 1593. In the foreground a procession in the direction of the church. Behind a view of the church where the king is celebrating mass attends. On the right festivities: the king on a podium or stage, throwing coins and bread and throwing rings. With a 1-line caption in German. Unnumbered. Partial copy after the print by Hogenberg., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 230 mm, width 290 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1593 - 1595, fourth quarter 16th century, paper, papier, etching, etsen

Retreat of the Keurvorst of Bavaria and the French, 1708; Pralende beyers and French leafs from Brussels and Scheldt; Appraising Beyerse and French deckes from Brussels and the S; or the british triumph of the French rooster; The Palmhof of Allies / 't Lusthof of Momus. Cartoon on the retreat of the Keurvorst of Bavaria and the Duke of Vendôme, 1708. The Keurvorst sitting on a chariot drawn by toads. In the plate in Dutch and Latin. Part of: The Palmhof of Allies, a series of 9 unprecedented cartrents on the French in the year 1708 of the Spanish Succession War. Part of the printing work under the collective title 't Lust Court of Momus with the bundled series of cartooning during the 1901-1713 of the Spanish Succession War.

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Disconning of the Twelve Years' File in Antwerp, 1609, 1609 - 1611 print The announcement of the Twelve Years' File for the Town Hall in Antwerp, April 14, 1609. In the streets, bonfires are inflamed. With caption of 12 lines in German. Unnumbered. Cologne paper etching proclamation of peace. festivities on events of national importance. decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.) Antwerp. Town hall

Arrival of Queen Mary of Modena in France, 1688, 1689 print Arrival of the fled English queen Maria of Modena with the Prince of Wales in Calais in France at the end of December 1688. She is received on the quay by representatives of the French king. Plate M in the series 'Engelants Schouwtoneel' about the Glorious Revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French. Amsterdam paper etching flight of ruler from adversary Calais

Meeting between Turnus and Camilla; Working from Vergilius. Followed by warriors on horseback, Camilla drives through the street and passes turning turns and his men. Camilla and turned each other a look. Turnus holds a shield on which Mercury and Io are depicted.

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, De Batavische Oft Oude Hollandtsche Oorloghe tegen de Romeynen, De Bataafse Opstand, Civilis has his hair cut, 69-70, Civilis has his hair cut according to his promise to defeat the Romans. He also has his grandson shoot arrows at Roman prisoners. Print number 20 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. On the back text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 164 mm, width 209 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-

Quincampoix in Duigen, 1720; Quincampoix in Buds; The great scene of foolishness. Cartoon on the wind trade of John Law, 1720. A theater from which the actions are sold is pelted by a furious crowd with stones. In the foreground Law is attacked by the crowd, in the distance Paris. In the caption a fresh in two columns by Philadelphus. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Judgment of Cambyses, Willem Isaacsz. of Swanenburg, After Joachim Wtewael, 1606 print King Cambyses let Otanes, the son and successor of the right Sisamnes, take a seat on the judiciary, which is held with his father's raised skin. In the background you can see what preceded: Cambyses lets the corrupt right Sisamnes skin. Under the performance two four -line verses in Latin. print maker: Leidenpublisher: Amsterdampublisher: Leiden paper engraving judgement of Cambyses: he appoints Sisamnes' son to succeed his father, whose skin is nailed onto the judgement-seat (possibly flaying of Sisamnes visible). juridical examples; exemplary judges; 'Gerechtigkeitsbilder'

Large Ecce Homo (copy) n.d. After Lucas van Leyden Netherlandish. Large Ecce Homo (copy) 364820

Arlequyn Actionist Harlequin Stockholder. 1720. Langendijk, Pieter, 1683-1756. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

The throne of the Duke of Alva, 1569 (copy). Allegory on the tyranny of the Duke of Alva in the Netherlands, 1569. Right Alva on his throne with granvelle (with bellows) and the devil, to the left of his throne are members of the blood council. For Alva kneeled chained the 17 personifications of the provinces of the Netherlands, to the right the flowed members of the States General. Above vist a cardinal to riches in a blood pond, behind it the decapitation of Egmond and Horne and others in Brussels in 1568. In the background scenes of torture and executions. In the show inscriptions in German. With overscription of 3 lines in German.

Cartoon on the interference of Louis XIV in the English succession, 1689, Gisling, After Romeyn de Hooghe, after 1689 print Cartoon on the interference of Louis XIV in the English succession, 1689. Kraamkamer in which Queen Mary of Modena is in bed and is visited by a German doctor who looks at her urine. In the middle an angry Louis XIV (Harlekijn) that is stopped by William III, left three Algerians or Turks. In the foreground on the left, Cardinal von Fürstenburg gets a lavement, on the right the child Jacobus Frans Eduard, the poor child (the Prince of Wales) with a mill by two minuses who take an oath of silence. With caption of 2 times 2 lines and on magazine under the show a verse of 2 columns with an explanation of numbers 1-12 in Dutch. print maker: Genèveprint maker: Netherlandsafter own design by: Netherlandspublisher: Genève paper etching / letterpress printing

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian Oft Oude Hollandtsche Krijghe teghen de Romeynen, The Batavian Revolt, Civilus uses movable wooden bridges in the attack on a fortress, 69-70, Civilus used movable wooden bridges during the attack on a fortress. Print number 10 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. On the back text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 166 mm, width 211 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Benefit Ticket for Spiller. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 4 3/16 x 5 11/16 in. (10.7 x 14.5 cm)sheet: 6 3/16 x 9 in. (15.7 x 22.8 cm). Etcher: Samuel Ireland (British, active from ca. 1760, died London 1800). Publisher: Molton and Co. (London). Subject: James Spiller (British, 1692-1729). Date: 1788. Museum: Metropolitan Museum of Art, New York, USA.

Gerrit van Schagen after Jacques Callot, Plundering and Burning a Village Plundering and Burning a Village

Pays bas, De treurige ondernemen van de Nederlanden, 1569, Southern Netherlands, The Tragic Oppression of the Netherlands, Allegory of the tyranny of the duke of Alva in the Netherlands, 1569. On the left the Duke of Alva sits on his throne with Granvelle (with bellows) and the devil, behind the duke are members of the Council of Blood, including Vargas and Del Rio. In front of Alva kneel in chains the 17 personifications of the provinces of the Netherlands, on the right the mute members of the States-General. Above Margaret of Parma fishes for riches in a pool of blood, behind that the beheading of Egmond and Horne and others in Brussels in 1568. Print in this state reduced at the top, so that the executions in the background have disappeared and the scenes of torture on the left are reduced. With a four-column caption in French., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 333 mm, width 480 mm, print maker, prentmaker, 1569 - 1569, third quarter 16t

. Monument in memory of the folly of the year 1720. On a large car laid down by a jet the fortune of the action shares in the round. The cart is drawn by personifications of the companies of the South Sea and Mississippi (an invalid Indian) and others. The car is led by the fame in the direction of a poor house and madhouse. Around the cart are traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearance is deceiving in Latin. In the question the statement of the show in French and Dutch. Print 18 in the series of large scene of foolishness with cartriders at the 1820 wind trade.

Jacques Callot, The Departure The Departure

Bliżej Kultury unknown

The Mystery of Masonry Brought to Light by the Gormogons. 1724. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print marked top right: Memor: Fol: 19., Great popular uprising in front of the palace at Madrid, print maker: Caspar Luyken, (mentioned on object), publisher: Willem Broedelet, print maker: Amsterdam, publisher: Utrecht, 1696, paper, etching, h 185 mm × w 128 mm

A boy of nine years is scourged in the marketplace and more atrocities are commited to the followers of the House of Orange by the cavalry. Etching by J. Luyken.

Return of Grand Duke Cosimo I from Tuscany to his palace, 1583 After his coronation, Grand Duke Cosimo I de 'Medici in parade returns to his palace. In the lower margin two lines of text in Latin. With pen numbered 4. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Rome After his coronation, Grand Duke Cosimo I de 'Medici in parade returns to his palace. In the lower margin two lines of text in Latin. With pen numbered 4. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Rome

Allegorische Voorstelling puts from National Conventie Die de 'Declaration of Human and Citizen Rights' Vieren, A. Duplessis, 1795 print Paris paper etching civil law. the citizen and his rights. political propaganda

Servant with the five talents floats trade; Ghelijckenisse van d'wtghede talents; Parable of the talents; Den Grooten Figuer Bibel (...). The servant, who has received five talents from his Lord, floats trade in the port of a city. In the midst of packs and tons on the quay he gives money to a trader. Under the show a reference in Latin to the Bible text in mat. 25:16. This print is part of an album.

Trades Practiced in Bologna. Francisco Curti (Italy, circa 1603-1670)Agostino Parisini (Italy, 17th century, active Bologna 1625-1639). Italy, circa 1640. Prints; etchings. Etching

Parson Adams Betrayed into an Unhappy Dunking Scene, from "The Adventures of Joseph Andrews, and his friend Mr. Abraham Adams" 1792 Thomas Rowlandson. Parson Adams Betrayed into an Unhappy Dunking Scene, from "The Adventures of Joseph Andrews, and his friend Mr. Abraham Adams". Adventures of Joseph Andrews. Thomas Rowlandson (British, London 1757-1827 London). 1792. Etching. James Sibbald (British, Whitlaw, Roxburghshire, Scotland 1747-1803 Edinburgh). Prints

For the Benefit of Spiller (copy). 1720. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Meckenem, Israhel van, Antwerp, Heyden, Pieter van der, Verbeelde vragen, recto bottom right - stamped, Five figures in a row, each depicting a proverb on the theme of dishonesty and opportunism versus honesty and modesty. On the right is King David, who expresses the moral of the proverbs. He advocates a life of man in which everything one possesses is acquired through honesty, rather than a life in which one enriches oneself dishonestly. Above the head of each figure is a line in Latin, below each figure a two-line verse in Dutch. On the far left is a man with a cat on his shoulder that is licking him, next to him a man at a grindstone who holds his cloak open. In the middle is a man with a stick or axe over his shoulder and one in his hand, next to him a man who is hitting a sickle with a hammer. On the far right is King David with his harp. The implication is that it is better to possess little, through honesty, than much through dishonesty. This is depicted by the figure in the mi

Riot in London: the house of William Laud is looted and the Tower is stormed by the people to free prisoners, 1640, print maker: Caspar Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 111 mm × w 150 mm

Amsterdam, Sweerts, Hieronymus, Northern Netherlands, Aveele, Johannes Jacobsz van den, Uytrechts Changes that occurred in the years 1672, 73 and 74, Series of five prints about the events that occurred in Utrecht during the period 1672-74, The Procession in Utrecht, Procession held by French Catholics on Corpus Christi in the year 1672, The procession held by French Catholics on Corpus Christi in the year 1672. Top left a verse of 4 lines in Dutch. Second print in a series of five prints about the events that occurred in Utrecht in the period 1672-74., print, history print, prints, Frederik Muller History plates, height 208 mm, width 266 mm, 1655 - 1727-05-18, print maker, printmaker, 1674 - 1674, third quarter 17th century, paper, etching, engraving, engraving (printing process), Publication (Event), Publication, 1629 - 1696, publisher

Christiaan Langedul and three others in Antwerp for the Stake, 1567, Jan Luyken, 1685 print Amsterdam paper etching execution of heretic, e.g. by burning at the stake, 'auto-da-fé'. violent death by burning at the stake; pyre Antwerp

Print left and at the top right labeled: 2 part - p. 215.

Hendrik De Vierde Bygemaalt De Groote in Fym Karos surprises ... (ti)

Knife cutter and man with cat on the shoulder looking at a group of women, Jacob van der Heyden, 1608 print Numbered at the bottom right: 22. With above text in Latin and below in German. paper etching Morality. 'album amicorum', 'Stammbuch'. sharpening, grinding (industrial processes). cat. city-view in general; 'veduta'

Quincampoix in Duigen. (Ti)

Hogenberg, French, Northern Netherlands, Capture of the city of Campen by the States, Conquest of Campen, 1578, Capture of Kampen after siege by Dutch troops under Rennenberg, 20 July 1578. In the background the German garrison leaves the city. With a 4-line caption in Latin. Numbered: 101. Unprinted on the back., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 134 mm, width 161 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Print at the top right labeled: fol. 14.

Vizit chrezvychainago Eia Imperatorskago Vysochestva samoderzhitsy vserossiskoi posla kniazia Nikolaia Vasilevicha Repnina, byvshago u velikago viziria Turetskago v TSaregrade, noiabria 28 d. 1775 g. Visite de M. Prince Repnin Ambassadeur de Sa Majesté Impériale de toutes des Russie, chez le Grand Visir de 18. Nov. 1775 à Constantinople. The reception of the Russian Ambassador (N.V. Repnin) at the Ottoman court. Prints. 1777. Rare Book Division. Russia , Foreign relations , Turkey, Ambassadors , Turkey , 1700-1799, Repnin, Nikolai Vasil'evich, kniaz', 1734-1801

Entry of Margaretha from Austria in Ferrara. In a procession, Margaretha drives from Austria on horseback, flanked by two cardinals, on a city gate (from Ferrara).

Queen Maria II Stuart on her deathbed, 1695; The death and corporation of Maria II Stuart, Queen of England, 1695. Large representation of the Chamber in which Queen Maria II Stuart lies on her deathbed. On the left is the crying Willem III on his throne.

Abimelech killed by a millstone, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728 print Abimelech killed by a millstone, thrown by a woman from the tower of Thebez. Illustration of the Bible text Ri. 9: 52-54. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper etching / engraving Abimelech is struck on the head by a millstone thrown by a woman. God calls Adam and Eve to account for their deed

Good thing is threatened; Abuse of the process. On a town square, good and bad judges, good and bad lawyers, good and bad witnesses face each other with skew in the attack. Good thing (Bona Causa) tries to run unheeting in between to victory (Victoria), who looks up her in the middle of the square. Extensive caption in Dutch, German and Latin. This print is part of a series of eight prints about greed, deception and litigation.

Arrival of Margaretha of Austria in Valencia. Margaretha of Austria and its consequence for a city gate (from Valencia). In the background the ship with which they have arrived.

Italy, Fontana, Giovanni Battista, Life of Romulus and Remus, Legibus urbi datis postea dicti, King Romulus and his twelve bodyguards and a hundred senators, View of a palace with Romulus on his throne. Next to him are his bodyguards with spears. In front of Romulus sit the senators he has chosen. The print is part of an album., print, prent, albumblad, prints, prenten, height 138 mm, width 181 mm, Italian, 1524 - 1587-09-25, print maker, printmaker, 1572 - 1573, paper, papier, etching, etsen, Work conception, after own design by

Henry IV, King of France and Navarre, murdered by the monk François Ravaillac, 1610 Henry the Fourth Bygenamet the Great in syn Karos murdered in the Street of the Yser stores (...) (title on object), Print upper right: First Part Fol. 285, attempt, political murder, four-wheeled, animal-drawn vehicle, eg .: cab, carriage, coach, Henry IV (king of France and Navarre), François Ravaillac, Jan Luyken (mentioned on object), Amsterdam, 1696, paper, etching, h 299 mm × w 376 mm

A monument dedicated to posterity in commemoration of ye incredible folly transacted in the year 1720. Picart, Bernard, 1673-1733. 1823. Baron, Bernard, 1696-1762. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

May, Adriaen Collaert, After Joos de Momper (II), 1586 - 1618 print In the foreground on the right is a young man with a hunting falcon on his hand. In the background an architectural garden with walking couples, musician youngsters and a hunting company. In the middle of the clouds the astrological sign of the twins. The print has a Latin caption and is part of a twelve -part series for the months of the year. paper engraving May and its 'labours' (+ with zodiacal signs). hunting, chase. hunting, chase (+ hunting with falcon, hawk; falconry). French or architectonic garden; formal garden. couple of lovers

Plein in Cork where the residents look at the thousands of starlings in the air, 1621, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing village square, place (+ city(-scape) with figures, staffage). song-birds: starling. groups of birds Cork

Cologne, Hogenberg, French, Series 4: French, German and English Events, 1576-1610, Assassination of Henry III, 1589, Assassination of King Henry III by the monk Jacques Clément in four successive scenes separated by columns: Clément taking the Eucharist and confessing; assassination of the king; coronation of Henry of Navarre, body of Clément being quartered. With 12-line caption in German and 7 lines in French. Unnumbered. Sheet from a disassembled album. Numbered top right (in pen): 36., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1589 - 1591, fourth quarter 16th century, paper, papier, etching, etchings

The trial of Gonzalo Gusto: Gonzalo Gusto is presented to King Almancor and accompanied by impersonations of Fear and Sadness. Etching with engraving.

Paris, Carnavalet Museum. Paris, Carnavalet Museum. Nicolas Guérard (son). "Bacchanal and entertainment of the surroundings of Paris". Engraving.

Edward the Martyr stabbed by order of Elfrida (Ælfthryth) while drinking a cup of mead she has offered. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

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The Grand Carozel Royal made by its maison or the price of the race / ring and tests made the 5.6, and 7th, Iuin 1662. (IT)

Noblemen around a richly set table, On a platform there is a company of nobles at a set table, where you can see especially many wine jugs and glasses. A small man raises his glass in the middle. On the left is an older man - who also has a glass of wine in his hand - looking at the vomiting man in front of him, while a young man on the right handing his glass well again. Below the image a Dutch verse in two columns., Vine, vomiting, eating and drinking, Cornelis van Kittensteyn (mentioned on object), Amsterdam, 1610 - 1652, paper, engraving, h 222 mm × w 327 mm

Paulus En Silas Geranseld, Jean Lepautre, After Nicolas Poussin, 1628 - 1682 print publisher: ParisFranceVaticaanstad paper etching Paul and Silas at Philippi. armorial bearing, heraldry

unknown, Rome, Guerra, Giovanni, Bonifazio da Sebenico, Natale, The Erection of the Obelisk in St. Peter's Square, verso - stamped, A crowd of men and horses in front of St. Peter's are busy erecting the Vatican Obelisk (in 1586). At the bottom left a legend with an explanatory list with numbers and letters and a portrait of Domenico Fontana, the architect who supervised the entire journey and erection of the obelisk., print, prent, prints, prenten, height 513 mm, width 1155 mm, Italian, 1537 - 1592, print maker, printmaker, 1586 - 1586, paper, papier, etching, etchings, engraving, engraving (printing process), 1540 - 1618-08-29, printer, drukker, Publication (Event), Publicatie, publisher, uitgever van privilege

Reichstag from Augsburg, 1530, 1600 - 1699 print Reichstag from Augsburg, 25 June 1530. View of the hall with all those present, left Charles V on his throne. With the names of those present in the performance. With caption of one line. Germany (possibly) paper etching / engraving negotiations, conference ~ diplomacy Augsburg

Construction of the Tower of Babel, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 158 mm

Northern Netherlands, Victim of possession or sorcery (nos. 10-11), ca. 1658, Two representations of an interior with a person suffering from a form of epilepsy or madness, interpreted as possession or sorcery. Above: a man lying on the ground. Below: the man is blindfolded and flogged in an attempt to exorcise the spirit. Numbered: 10 and 11., print, prints, Frederik Muller Historieplaten, height 143 mm, width 91 mm, print maker, printmaker, 1657 - 1659, third quarter 17th century, paper, engraving, engraving (printing process)

Execution of Bathasar Gerards, 1584, 1587 - c. 1591 print Torture and execution of Bathasar Gerards, July 14, 1584. Gerards is executed in front of the crowds on the Grote Markt in Delft. With caption of 12 lines in German. Numbered in the bottom left: 205. The print is part of an album. Cologne paper etching on the scaffold or place of execution. torture Delft. Market

Piazza Santa Maria Novella, Florence. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

Copper engraving by an anonymous artist depicting senators participating in the Triumph of the Caesars, created in the second half of the 15th century.

The Martyrdom of Saint John the Evangelist, plate five from The Martyrdoms of the Apostles. Jacques Callot; French, 1592-1635. Date: 1612-1635. Dimensions: 71 × 45 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Judgment of Cambyses; Thronus Justitiae Duodecim Pulcherrimis Tabulis ArtificiosisSime Aeri Incisis Illustratus. In the foreground, King Cambyses leaves the young man otanus, son and successor to judge Sisamnes, take a seat on the headcase. The chair is covered with his father's stripped skin. In the background you can see what preceded: Cambyses lets the corrupt right Sisamnes vill. On the right in the foreground Three archers. Under the show two four-line verses in Latin. The print is part of an album.

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), The fiscal lawyer Kievit is taken to the Prison Gate, 1686, The fiscal lawyer Johan Kievit is arrested for financial fraud at the Admiralty of the Maze and taken to the Prison Gate under escort of soldiers, 1686., print, engraving, historical print, prints, Frederik Muller Historical plates, height 165 mm, width 107 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1780 - 1795, fourth quarter 18th century, paper, etching, etchings, 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

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