Historical Events in Art

Engravings illustrating significant historical moments, including celebrations and royal proceedings, executed with dramatic detail and narrative context.

Luyken, Jan, Amsterdam, Alteration of Amsterdam, 26 May 1578, 26 May 1578. The Spanish-minded city council and the Roman Catholic clergy are forced to leave, on the quay at the Dam they step into ready boats., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 271 mm, width 347 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1679 - 1679, paper, papier, etching, etchings, Work conception, after own design by

Running. Dated: published 1804. Medium: hand-colored etching and aquatint with blue wash. Museum: National Gallery of Art, Washington DC. Author: John Bluck after Thomas Rowlandson.

Return of the royal family in Paris after the leak at Varennes Jean-Louis Prieur the young (1759-1795). "Return of the royal family to Paris, after leak in Varennes". Drawing.

Months of the year: February, in which people celebrate carnival by over-indulgence, frost-fairs etc. Engraving after P. Stevens II.

Félix Tournachon Nadar. Wood engraving, 1851?.

Luyken, Jan, Amsterdam, Alteration of Amsterdam, 26 May 1578, 26 May 1578. The Spanish-minded city council and the Roman Catholic clergy are forced to leave, on the quay at the Dam they step into ready boats., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 271 mm, width 347 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1679 - 1679, paper, papier, etching, etchings, Work conception, after own design by

Union Meetings in the Open Air Outside the Academy of Music, December 19, 1859 (Harper's Weekly, Vol. III). Dimensions: sheet: 15 3/8 x 10 5/8 in. (39 x 27 cm). Former Attribution: Formerly attributed to Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Publisher: Harper's Weekly (American, 1857-1916). Date: January 7, 1860. Museum: Metropolitan Museum of Art, New York, USA.

Unknown, An Open-Air Theatre in Paris, 1869, wood engraving on paper.

Coolen opens the storage shed with rice to help the little man, about 1820-1850. Draughtsman: anonymous. Dating: 1850 - 1950. Place: Indonesië. Measurements: h 203 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Thomas Allom, 1804-1872, British, The Ceremony of Opening London Bridge with the Old London Bridge in the Background, 1831. Lithograph.

FANTASY. / Daguerreotypomania. / N ° 6. (registered title)

BALL AT HAWKSTONE, TO COMMEMORATE THE MAJORITY OF THE HON. ROWLAND CLEGG HILL, 1854

The Bourbon Restoration. Vergara (Guipuzcoa). Interpretation of the solemn hymn "Te Deum" in the church of San Pedro de Ariznoa, upon the arrival of King Alfonso XII (1857-1885) on 19th March, 1876. Drawing by Pellicer. Engraving. La Ilustracion Espa-ola y Americana, March 29, 1876.

GRABADO-FUSILAMIENTO EN LYON. Location: MUSEE CARNAVALET. France.

Ceer to the Vibration of Stephen to world plagues , according to the next day , November , Krönung Leopold , Zum Konig von Hungary in Preßburg Am , November , Carl Schütz -, Copper Engraver

George Cruikshank, 1792-1878, British, Life in London, Peep o'day Boys, Feb. 1, 1821.

Arrival of King William I in Brussels on March 30, 1815. The procession of carriages escorted by cavalry enters the city through a gate. Below the coat of arms of King William I. Part of a series of slides depicting the arrival and inauguration of William I in Brussels, Arrival of King William I in Brussels, 1815 Twelve slides depicting the arrival and inauguration of William I in Brussels and the battles of Quatre-Bras and Waterloo in 1815 (series title), print maker: Johann Nepomuk Gibèle, (mentioned on object), after: Denis-Sebastien Leroy, (mentioned on object), publisher: J.L. van Bever, (mentioned on object), Brussels, 1825 - 1826, paper, etching, h 596 mm - w 793 mm

Page from The Illustrirte Vienna Tegetthoff, in with the illustration the unveiling of the Tegetthoff monument , Unknown

Etching showing the execution of King Louis XVI by beheading, depicting the guillotine and surrounding figures in historical context.

Horse Armoury, Tower, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and watercolor on paper, Men in armor on horses in a long row to the left, with armor between and hung on the walls and ceilings. A few sightseers. Title, artists', and publisher's names below., Europe, London, England, 1809, Print, Print

Robespierre goes to the guillotine, insulted by those who acclaimed her the day before, painting of Alfred Mouillard. (TF)

Watercolor by Johann Nepomuk Höchle depicting the Praterfest on October 15, 1814, showing festival scenes, figures, architecture, and landscape, 1833.

Mannequin of Pope Brule at the Royal Palace on April 6, 1791 Jean-Louis Prieur (the young) (1759-1795). "Mannequin of the pope burned at the Palais-Royal, April 6, 1791".

Senate members going to Saint-Cloud castle, Paris, France, drawing by Janet Lange, illustration from L'Illustration, Journal Universel, No 510, Volume XX, December 4, 1852.

DETALLE DEL BORRADOR DEL RECIBIMIENTO DE LOS OFICIALES EN BAHIA BOTANICA - DIBUJO - SIGLO XVIII - EXPEDICION MALASPINA - PAPEL VERJURAD. Author: JUAN RAVENET (1766-1821). Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Movement in Dordrecht, Unrest in Dordrecht, 1786, verso - stamped, Unrest on the street, various persons with torches, in Dordrecht on 21 August 1786. Marked upper right: XVI.D.Pl.X., print, prent, prints, Frederik Muller Historieplaten, height 103 mm, width 60 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1786 - 1795, paper, papier, etching, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

RAISING THE ROYAL STANDARD - Charles I raises the standard at Nottingham

Anonymous, a picture of fashionable portraits. (Dummy title). Brown feather and ink, gray and brown wash. Carnavalet museum, history of Paris.

Le Prado-Bullier

Medieval knight in suit of armour walking out of a castle to mount his horse. Sir Ethelbert. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from The Tournament, or Days of Chivalry, William Sams, London, 1823.

Canaletto (Italian, 1697 - 1768), Mestre, c. 1735-1746, etching

ROCEFO AUOUNT ASK ASSOMS DE ROCHEFOUCAULD-LIANCIER EXFRANTES THE CHLEZY Saint-Roch en AZZORA Saint-Roch EN CHARG ENGGER

Celebrating the Anniversary of the breach of Porta Pia in Rome, Italy, September 20, 1890, drawing by A Foli, illustration from Il Secolo Illustrato della Domenica, Year II, No 52, September 28, 1890.

Hyde Park Corner. Genre subject. Pen and black ink and gray wash over graphite on medium, moderately textured, blued white, laid paper, mounted on thick, slightly textured, cream, wove paper. Height: 227 mm (8.93 in); Width: 621 mm (24.44 in). Author: Thomas Rowlandson.

THE PRADO, AT MADRID

DIA 10 DE MARZO DE 1820 EN CADIZ - PUERTA DE TIERRA - GRABADO SIGLO XIX. Author: MANUEL ROCA (dibujante) JUAN CARRASA (grabador). Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

EXECUTION DE LOUIS XVI J. Baudoin. "Execution of Louis XVI, 1794".

Amsterdam, Wijnberg, JA, Oosterhuis, Haatje Pieters, Netherlands, Sluyter, Dirk, Historical Tableau. Representing the relief of the city of Leiden on 3 October 1574. by Boisot from Zeeland at the moment he welcomes Mayor van der Werff, Boisot welcomes Mayor van der Werff during the relief of Leiden, 1574, Louis de Boisot welcomes Mayor Pieter van der Werff on the quay during the relief of Leiden, 3 October 1574. In the background the Geuzen distribute bread from boats to the starving population of the city., print, historical print, prints, Frederik Muller Historical Plates, height 430 mm, width 484 mm, Dutch, 1790-01-19 - 1852-06-17, print maker, printmaker, 1800 - 1852, first quarter 19th century, second quarter 19th century, third quarter 19th century, paper, etching, etchings, 1784-11-28 - 1854-12-14, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Robert Havell, 1769-1832, British, Representation of the Election of Members of Parliament for Westminster 1820, 1820. Aquatint, hand-colored.

Charles G. Lewis, 1808-1880, British, A View in Smithfield, undated. Aquatint, hand-colored.

Orchestra performance under a baton penalty; Grandville, Jean-Jacques (1803-1847); after 1830 (1830-00-00-1840-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, conductors, caricatures, moral caricatures, political caricatures, musicians, music, music, orchestras, French drawings

Burning of the New York Crystal Palace, on Tuesday Oct. 5th, 1858. During its occupation for the annual fair of the American Institute. Eno, Amos F., 1836-1915. Prints. 1858-10-05 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Crystal Palace (New York, N.Y.) , Fire, 1858, Fires , New York (State) , New York , 1850-1859

Reino Unido. Inglaterra. Jardines de Vauxhall (Vauxhall Gardens). Jardines de recreo para el entretenimiento público en Londres, desde mediados del siglo VII hasta mediados del siglo XIX. Se encontraban en Kennington, en la orilla meridional del Támesis. No fueron una parte urbanizada de Londres hasta el final de la existencia de los jardines a mediados del siglo XIX. Vista a la luz de la luna de los jardines, lugar de esparcimiento. Una exhibición acrobática en el escenario, una fuente y una multitud de visitantes elegantemente vestidos. Grabado por Charles Mottram (1809-1876) a partir de un estudio original del pintor paisajista Charles Marshall (1806-1890). "London and its Environs", h. 1840 (Londres y sus Alrededores). Biblioteca Histórico Militar de Barcelona, Cataluña, España.

Reception of his Royal Highness the Prince of Wales by the inhabitants of Toronto; Canada West; Sketch by G.H. Andrews.

Corneris van den Burgh, 1789, Rienk Jelgerhuis, 1789 - 1791 print Cornelis van der Burg, mayor of Bolsward, in Leeuwarden on May 16, 1789. A large mass of spectators for the scaffold. When the mayor blindfolded kneels on the scaffold and De Beul keeps the sword above his head and the death sentence is converted into a exile of twenty years. Leeuwarden paper etching historical events and situations Leeuwarden

AMADEO I (Turín,1845-Turín,1890). Duque de Aosta y rey de España (1871-1873). Hijo de Víctor Manuel II de Italia. Fue elegido constitucionalmente por las Cortes Españolas. Después de dos años de su reinado dimitió. "LLEGADA DEL REY AMADEO A LA ESTACION DE FERROCARRIL DE TARRAGONA, EN BARCELONA" (1871). Grabado coloreado. La Ilustración Española y Americana.

Altarpiece in the Church of Opatow, The Entry of Vienna , Ludwig A, Eberl, Reproduction Technician

MADRID. PELEA DE GALLOS EN EL PASEO DE RECOLETOS. GRABADO DE EL MUSEO UNIVERSAL , AÑO 1859. MADRID PINTADO.

Café Bauer, Praterstern No, Viennas most elegant coffee house newspaper wood stitch from Die Bomb, Carl Angerer -, engraver

14.To the death of Delaunay governor of the Bastille. (IT)

Boulogne wood.

The Prize Fight, Thomas Rowlandson, 1756-1827, British, 1787, Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm) and Frame: 29 3/4 x 36 1/4 x 1 1/8 inches (75.6 x 92.1 x 2.9 cm), boxes (containers), canes, carriages, collar, crowd, dogs (animals), fighting, horses (animals), men, platform, poles, prize, ring, sporting art, trees, wagons, women

Henri Patrice Dillon, Devant le Palais de l'Industrie, Before 1898, Pen and black ink on card.

Edouard Manet, The Balloon, 1862 The Balloon

The Post Office, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, Aquatint, brush and watercolor on paper, Men in red coats, on stools at rows of desks. Others at a large table, left foreground. Title, artists', and publisher's names below., Europe, London, England, 1809, Print, Print

Arcole Bridge, July 28, 1830. (IT)

Auguste Raffet, Nocturnal Review, 1836 Nocturnal Review

The Polling. Plate III.. 1758. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Festivals and illuminations to the Champs Elysees. / July 18, 1790

Louis Adolphe Hervier, Market in Normandy, 1848, etching and aquatint on wove paper.

Straatscène, Abraham Frena, c. 1700 - c. 1800 drawing Design for a title page or print. paper. ink. pencil. chalk pen / brush

Triumphant freedom bringing the state of the State to the port of the Constitution PERDRI�AU. Trumphant freedom bringing the state of the state to the port of the Constitution.

Keller, Albert (1820-1874). Italian capitalist. He bequeathed part of his fortune to build the first crematorium in Milan by entering in his will that his own corpse was subjected to cremation. Keller's body cremated. Engraving.

Alexander III., papa .

Taking the Louvre / (July 29, 1830) (IT)

Juliusz Kossak (1824-1899), Transfer of gifts to J. I. Kraszewski in the Cloth Halls of Kraków on October 3rd; from: "Tygodnik Ilustrowany". Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, unknown, woodcutter

The Kermis stall of the Action Traders, 1720, 1720 The fairground stall of the action traders. A large cart pulled by two toads and murdered by deception on which Bombario (with Bochel) in Harlekijnswear, the devil with a bladder ball and a fool specifies shares. A large crowd of action traders in panic around the cart and at the Quincampoix coffee house. On the right a gate with the weapons of Haarlem, Amsterdam and Leiden to which De Kar is denied access. In the caption a verse in four columns by Philadelphus. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Coffee house Quincampoix The fairground stall of the action traders. A large cart pulled by two toads and murdered by deception on which Bombario (with Bochel) in Harlekijnswear, the devil with a bladder ball and a fool specifies shares. A large crowd of action traders in panic around the cart and at the Quinc

Ballet des Muses, allegory for the King's entertainment, 1770 - 1779. Engraving measuring 26.8 x 21.2 cm, featuring a circular border and plate mark. The artwork is related to dance in France during the 18th century

The Interior of the Fives Court, with Randall, and Turner Sparring, Charles Turner, 1774-1857, British, after T. Blake, active 1821-1831, 1821, Aquatint, hand-colored, Sheet: 22 7/8 x 31 5/8in. (58.1 x 80.3cm)

Carnival: Americans are not Bandits, United States of America, drawing by Emile Bayard (1837-1891), from The White Conquest, 1875, by William Hepworth Dixon (1821-1879), from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume IV, Issue 21, October 19, 1876.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Engraving depicting the fete at the Crystal Palace in honour of M. De Lesseps. Dated 1870

Thomas Worth, "Saved!", 1873, wood engraving on paper.

Pont-Neuf, Paris, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof

Execution by guillotine of Louis XVI of France, 21 January 1793. Louis lying bound on guillotine waiting for blade to fall and decapitate him. Basket ready to receive his head. Oil on copper. Carnavalet, Paris

MADRID-MOTIN EN LA PUERTA DEL SOL 1869- LITOGRAFIA S XIX DE E. ALBA. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS COLOREADOS. MADRID. SPAIN.

Fancy Turkey Coach from Peter's Parley's Picture Book, by Samuel Goodrich, 1834

Extraordinary Steeple-Chase Henry Thomas Alken (London, England, 1785 - 1851)

History of the United States of America, 18th century. British colonies in North America. Loyalist captured and humiliated, being feathered by a group of Sons of Liberty. Engraving by Vernier. Panorama Universal. History of the United States of America, from 1st edition of Jean B.G. Roux de Rochelle's Etats-Unis d'Amerique in 1837. Spanish edition, printed in Barcelona, 1850.

Watercolor by Eduard Gurk depicting the inauguration event for the Battle of Kulm monument, showing figures in ceremonial positions and architectural surroundings with pencil underdrawing traces.

A Bivouac Fire on the Potomac; from Harpers Weekly, December 21, 1861.. Artist: Winslow Homer, American, 1836-1910

MADRID. ROMERIA DE SAN ISIDRO DELCAMPO. GRABADO DEL MUSEO UNIVERSAL , AÑO 1860 MADRID PINTADO.

'Carrying-Out of Alexander III's Catafalque from the Small Palace at Livadia'. Series "Death of Alexander III in Livadia". Russia, 1895. Dimensions: 23,5x30,5 cm. Museum: State Hermitage, St. Petersburg. Author: MIHALY VON ZICHY.

John Harris, 1811-1865, British, One of a set of four: The Liverpool Great National Steeple-Chase, 1839. Color printed aquatint.

Royal coach passing St Paul's Cathedral, City of London, 1837. Artist: Anon

Philibert-Louis Debucourt, Carnival, 1810, etching and aquatint on paper.

A stagecoach arrives in the courtyard of a country inn. Date: circa 1830

First freedom tree in Rotterdam, 1795; Planting the first Vryheids-Boom in Rotterdam, on Monday, 26 January 1795. Planting the first freedom tree on the Grote Markt in Rotterdam, January 26, 1795.

'The Marina of Brest', c1750-1810. Artist: Nicolas Marie Ozanne

La Journee du 10 aout 1792. Dated: probably 1794. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Duclos after Charles Monnet.

Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge, William Day, 1764-1807, after Frederick Calvert, ca. 1785-1845, Irish, 1831, Hand colored lithograph

History of France. Paris. Universal Exhibition of 1878. It was held from May 1 to November 10, 1878. Works on the reinforcement of the avenues near the Palace of the Champ de Mars, on the eve of the opening day. Engraving. La Ilustracion Espanola y Americana, 1878.

Exact History Description / Place de la Bastille, as it has been decorated to celebrate the 10th anniversary of the July Days ...

Steinlen, Théophile Alexandre, work, Carts on a dark street, etching, graphics, plate width 29.2 cm, plate height 29.7 cm, leaf width 43.7 cm, leaf height 55.5 cm

May Ball. Dated: 1763. Dimensions: overall: 24.6 x 38.8 cm (9 11/16 x 15 1/4 in.). Medium: pen and black ink with brown and gray wash, watercolor, and gouache, heightened with white gouache on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN MICHEL D. J. MOREAU.

Saint Albans Steeplechase. Reeves (probably English, 19th century); after James Pollard (English, 1797-1867). Date: 1837. Dimensions: . Aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Optocht in maskerade (plaat 6), 1829; Maskerade van Utrechtse studenten op de Dies Natalis, 1829.Procession in Masquerade of Utrecht students to celebrate the Dies Natalis of the University of Utrecht on March 26, 1829. Plate 6: procession with riders and a float on which a play 'patent patent' is increased. Part of a group of seven plates that together form a long frieze.

Event of July 7, 1790. / Works of the Champ de Mars (IT)

FIESTA DE LOS BALLESTEROS EN NUESTRA SEÑORA DEL SABLON - DETALLE INFERIOR IZQUIERDO - SIGLO XVII - TABLA - 72x104 cm - BARROCO FLAMENCO. Author: PEETER SNAYERS (1592/1667). Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

Etching by Jan van Ossenbeeck depicting a cavalcade during the wedding of Roman Emperor Leopold I with Margarete Theresa of Spain, showing horsemen, attendants, and ceremonial procession, created around 1667.

Dragging a rock for a statue of Tsar Peter the Great, Jacob van der Schley, 1725 - 1779 print Under the watchful eye of citizens of various origins, a huge rock is dragged, for an image of Tsar Peter the Great. On the boulder, men are busy working with hammers and there are two drums, among other things. paper etching / engraving rocks. building activities

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