Historical Executions and Punishments

Dramatic depictions of historical punishments, including executions and beheadings, set in various historical contexts with somber tones.

Print marked top right: Sesde Afdeeling Fol. 77., Beheading of James Scott Duke of Monmouth at London, 1685 Jacobus, Hartog of Monmout, Seer Elendiglyk the Hooft repulsed , print maker: Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 195 mm × w 151 mm

. In the foreground a man is burned on a large grid. In the background the Greek King Antiochus IV. He recommends the execution of the seven sons of Solomonia. A Jewish woman. Solomonia is behind the fire with its remaining sons and refuses to sweep her faith.

Print marked top right: Sesde Afdeeling Fol. 77., Beheading of James Scott Duke of Monmouth at London, 1685 Jacobus, Hartog of Monmout, Seer Elendiglyk the Hooft repulsed , print maker: Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 195 mm × w 151 mm

Willem Jansz. climbs the stake in Amsterdam, 1569; Guillaume Jansz. The Durgerdam Brulé à Amsterdam, AO. 1569 / Wilhelm Hans von Durgerdam, Zu Amsterdam Verbent, Ao. 1569. The Baptist Willem Jansz. From Durgerdam climbs at the Standstapel in Amsterdam, 1569. On the Dam for the old town hall. Monks and soldiers in the background.

Burning the Rumps at Temple Bar, plate eleven from Hudibras 1725-1726 England. William Hogarth illustrated the story of a sad-sack adventurer named Hudibras in twelve engravings. His source was Samuel Butlerís satirical, mock-heroic poem written in the vein of Cervantes and Rabelais. Ridiculing the puritan partyís attempts to overthrow the British monarchy during the Great Civil War of 1640, Butlerís poem exposes the hypocrisy and pretensions of the Presbyterians, Independents, and Zealots who hoped to establish themselves as leaders.Here, Hudibras appears in this large crowd scene as a masked dummy about to burnt. A row of London butcher shops is the setting for a protest against the ìRump Parliament,î a political body that had replaced much of the previous government during the English Civil War. Protester at this historical event in 1659 did in fact burn beef rumps in the streets as well as political effigies.. Engraving in black on cream laid paper edge mounted on cream wove paper

Decapitation of James Scott Hertog from Monmouth in London, 1685, Jan Luyken, 1698 print Print at the top right marked: Sesde Division fol. 77. Amsterdam paper etching violent death by beheading London

Print marked top left and right: 2 Part - Page 295., Mirandor's brother employed by a quack, who has set up his stage in a market square, print maker: Caspar Luyken, publisher: Pieter van Rijschooten, Amsterdam, 1695, paper, etching, h 141 mm × w 85 mm

Attack on the baptists in the town hall, 1535, 1657 - 1659 print Attack by soldiers on the re -buyers who occupied Town Hall on Dam Square, 11 May 1535. Without the verse. No text on Verso. Northern Netherlands paper etching / engraving City Hall of Amsterdam (14th century-1652). Dam

Oath of faithfully covered by the principality of Orange to Prince Willem III, 1665; Verschyning in the air, above the principality of Orangie, in't Iaar 1688 den 7 Mey.EED of faithfully traveled by the cities and residents of the principality of Orange to Prince Willem III, 7 May 1665 (herein wrongly placed in the year 1688). Ceremony with the Members of the Prince and Orange sitting on a stage prepared on a square in Orange, for the stage a large crowd spectators. In the air the wonderful phenomenon of a crown of sunlight.

. .

Saenredam, Jan, work, Young men and women outside the learned window, (1000 - 2000), copper engraving, graphics, plate width 40 cm, plate height 30 cm, leaf width 42.5 cm, leaf height 32.5 cm

Foreigner, appointed king, is led to the city gate on horseback, Jan Luyken, 1693 print Amsterdam paper etching / letterpress printing city-gate. king

Monument in memory of the foolishness of the year 1720, Bernard Picart, 1720 drawing Monument in memory of the foolishness of the year 1720. On a large car, the fortune of the Actien shares scatters shares on a large car. The cart is drawn by, among other things, personifications of the companies of the South Sea and Mississippi. They can be recognized by an inscription. The car is led by the fame in the direction of the poor house and madhouse. Around the cart there traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearances are deceiving in Latin. In the caption the statement of the performance in French and Dutch. Northern Netherlands paper speculation in trade and finance, stock-jobbery. lunatic asylum, mental home. personifications of countries, nations, states, districts, etc.. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Fortuna aurea', 'Fortuna buona', 'Fortuna pacifica overo clemente', 'Sorte' (Ripa). fin

. For an inn has a speech from a man on a ton. Around him members of the archer's guild, women and children.

Cartoon on the disagreement between Willem III and Amsterdam, 1690; Mardi Gras de Cocq A l'Ane; French Kael-Ender, starting vander on-day children-day 1689. To the Borgers Go-Vrydag Ao. 1690; Caricatures on Jacobus II and Louis XIV and the events in the years 1688-1689. Cartoon on the disagreements between Willem III and Amsterdam, 1690. The city is accused of linging with France. A man with the arm of Amsterdam on the shirt standing for hedged France that sits on a toilet and descending his back with the privileges. Behind the Dauphin on a donkey and torch in hand. For him there is a poor child or miller child (with mill): Jacobus Frans Eduardt. Up to the front right, valuables are sold to a Jewish trader. In the background the town hall and the Swygh Utrecht tower of the goals of Amsterdam. Furthermore, many other figures. Under the show a verse in which an explanation of the figures 1-12 in Dutch.

Hooghe, Romeyn de, Haarlem, De Gelukte List. Blyspel., Title print for 'De succesvole list of Bedrooge mof: blyspel' by Andries Pels, verso below - stamped, Night scene. Three women and three men are standing together in front of a house. One of the women is holding one of the men. Another man is slipping away on the right., print, engraving, book illustration, title print, prints, engravings, height 130 mm, width 86 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by

Amsterdam, Picart, Bernard, Stadsstraat, verso - stamped, A city street with on the left a boy, who accompanies a blind man. On the right a man on horseback., print, prent, prints, height 90 mm, width 76 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

DANIEL THE FOOD, PROTHER THAN ROBINSON CRUSE, in PRANGER , DANGER DEGER, AFTER, Eyre Crowe -, artist

The Duke of Anjou honored in Antwerp, 1582, Jacobus Buys, 1780 - 1795 drawing Honing of Anjou in Antwerp, February 19, 1582. On a stage he gets the cloak and hat of the Duke of Brabant. Design for a print. Netherlands paper. ink pen / brush Acclamation of A RULL. Historical Persons. Historical Events and Situations. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

Amsterdam, Bouman, Jan, Luyken, Popular entertainment at the Bairam festival, verso - stamped, Print numbered top right: 77., print, book illustration, prints, height 169 mm, width 131 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1681 - 1681, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, Dutch, publisher

Street scene during the Great Fire of London Date: 1666

Sacking of the house of a French-minded fish vendor in Deventer, 1747. Draughtsman: Jacobus Buys. Dating: 1788. Place: Northern Netherlands. Measurements: h 149 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.

. Print at the top right labeled: fourth division fol: 404.

Civilis has his hair cut, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Civilis has his hair cut according to his promise to beat the Romans. He also lets his grandson arrows at Roman prisoners. Print number 20 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). hair-cutting Netherlands

William Hogarth, England, 1756 England

Leeuwarden, Chalmot, Hendrik Amelius de, Philips, Jan Caspar, Title page for: Paul Scharron and Nicolaas Heinsius, The farcical novel, or The Life of the noble comedians, 1762, Woman sitting on loaded ox cart, verso - stamped, A woman sits on a loaded cart pulled by four oxen and a foal through a town. On the left, two men are talking. On the right, a man walks with a bass violin on his shoulder while bystanders look on., print, engraving, title page, prints, engravings, height 132 mm, width 80 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1762 - 1762, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Don Quixote hangs on a grillion of an inn, Jacob van der Schley, after Charles-Antoine Coypel, 1742 print Don Quixote has, from his horse, held with one hand on a grillion of an inn, and hangs in the air. De Waard is laughing and others watch. Amsterdam paper etching / engraving hotel, hostelry, inn

King on throne surrounded by nationals and cooper with barrel, Cornelis van Dalen II, Gijsbert van Zijll, Dirck van Ackersdijck, 1657

The Spirit of Erasmus leaves Rotterdam, 1720, 1720 The Windhandel in Rotterdam is leaving the spirit of Erasmus de Stad, 1720. Cartoon on the Windhandel in Rotterdam. On the right in the foreground, a well -to -do rotter is trying the scales of justice, on the left it appears that the treasury during inspection only contains coal. In the caption verses in Dutch and French. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Rotterdam The Windhandel in Rotterdam is leaving the spirit of Erasmus de Stad, 1720. Cartoon on the Windhandel in Rotterdam. On the right in the foreground, a well -to -do rotter is trying the scales of justice, on the left it appears that the treasury during inspection only contains coal. In the caption verses in Dutch and French. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or actio

Engraver: Agostino Musi, called Veneziano, Italian, ca. 1490-after 1536, After: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534, Emperor Freeing the SlaveAndrocles, ca.1516-17, Engraving, sheet (trimmed to platemark): 39.7 × 26.5 cm (15 5/8 × 10 7/16in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

Reconciliation between the Romans and the Sabines; Famous Roman women; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. The mothers of the Sabini virgins throw themselves between the two fighting armies of Sabines and Romans and do a call to peace. With a caption in three columns in Latin. The print is part of an album.

La Guinguette (The RoadsideInn). Engraver: Pierre François Basan, French, 1723-1797 After: Gabriel de Saint-Aubin, French, 1724-1780

Northern Netherlands, Fokke, Simon, Inhaal van burgemeester Westerwijk te Goes, 1702, under - handwritten, The inhaal of burgemeester Adolph Westerwijk te Goes. Banished by Willem III but reinstated on 23 May 1702. The mayor is welcomed at the city gate., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, Inhaling van Westerwyk te Goes, height 87 mm, width 43 mm, 1712-09-01 - 1784-04-10, print maker, printmaker, 1779 - 1781, paper, papier, etching, etchings

Allegorical representation with references to poetry and theater, Bernard Picart (workshop of), After Bernard Picart, 1716 print Allegorical title page with Thalia (with a trumpet) and the personification of the city of Amsterdam (with a Bijenkorf). They point to the background where people in costumes dance exuberantly. In the foreground Joan Pluimer, the director of the Amsterdam Schouwburg, who is threatened by Harlekijn. Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ the theatre. symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa)

Sleedevaart by the Leiden Society Veniam Pro Laude, 1776, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print The Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575). Marked at the top right: XIII.D.PL.VIII. Northern Netherlands paper etching commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Soldier kneeling before a woman, Abraham Dircksz Santvoort, Gerrit van Goedesberg, 1666.

Winter landscape with skaters on ice, Skaters on ice, print maker: Jan van de Velde (II), publisher: Cornelis Willemsz Blaeu-Laken, Amsterdam, 1627, paper, etching, letterpress printing, h 82 mm × w 173 mm

Dog walks with a lost foot in his mouth over the Memmingen market, Caspar Luyken, 1704 print Nuremberg paper etching / letterpress printing dog. foot Memmingen

Copper engraving by Lucas Hugensz. van Leyden from 1510 showing Ecce Homo with figures, gestures, and traditional iconographic elements in detailed composition.

Man introduces a man at a woman at night. .

. Print at the top right labeled: third part fol. 92.

Desperate traders in the exhibition of Amsterdam, 1720; The wind buyers with wind paid, or the last will hang blyven; The great scene of foolishness. Desperate traders, victims of the wind trade, in the courtyard of the exhibition of Amsterdam, 1720. In the middle there is a list of wind negotie products. In the caption a verse in three columns by I. Bombarie. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Monument devoted to posterity in memory of the incredible madness of the XX. Year of the XVIII. century. / The fortune of the actions on his chariot driven by madness. (IT)

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Iconoclasm, 1566, August 20, 1566. View in a church where men pull down statues of saints, smash windows and destroy paintings. Soldiers look on, on the right there is plundering and looting. With an 8-line caption in German. Numbered lower left: 41. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 210 mm, width 284 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1572, paper, etching, etchings

Print marked top right: Third Afdeelinge Fol. 115., Beheading of Lady Jane Grey at London, 1554 Johanna Gray, Within London onthalst int Year 1554 , print maker: Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 186 mm × w 150 mm

Failed attack on Prince William I of Oranje in Antwerp, 1582, Jan Luyken, 1698 print Amsterdam paper etching violent death by beheading Antwerp

Relocation of a painter, Claude Augustin Duflos, 1757 print print maker: Francepublisher: Paris paper engraving / etching moving (house). painter in non-work situation. street

Martyrdom of Saint Andreas, Carlo Maratta, After Domenichino, 1635 - 1713 print View in a room where the holy Andreas is tied on a wooden table. He is tortured by different men. A crowd watches. On the right a glimpse to a landscape with a temple and other structures. print maker: Romeafter drawing by: Romeafter painting by: RomeItaly paper etching martyrdom and death of Andrew. the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll - martyrdom, suffering, misfortune, death of male saint

Lenfant prodigue est equipe de nouveau (The Prodigal Son is Equipt Once Again), from the series La vie de lenfant prodigue (The Life of the Prodigal Son). Artist: Jacques Callot, French, 1592-1635

Intartenimento che demo ogni giorno li Ciarlatani from Habiti d'huomeni et donne Venetiane ca. 1610 Giacomo Franco Italian. Intartenimento che demo ogni giorno li Ciarlatani from Habiti d'huomeni et donne Venetiane 370059

Italy, Wael, Cornelis de, Genre scenes, Group of people at a fountain, verso lower left - stamped, A group of men and women at a classical fountain try to protect themselves with hats and coats against the water that is spraying out of it. In the foreground lies a broken cornice with a coat of arms. A man and child are secretly watching from behind the fountain. On the side of the fountain a dedication in Latin., print, prent, titelprent, prints, prenten, height 118 mm, width 158 mm, Zuid-Nederlands, 1592-09-07 - 1667-04-21, print maker, prentmaker, 1633 - 1648, paper, papier, etching, etchings, engraving, engraving (printing process)

It is Sint Maarten, if one sees bright firing / of Knapen, who has been peat and firewood at the neighbors / his, and have taken it, Bly, / with their Sint Maartens vocals, and yet some money 'There by. Leaf with a big representation of boys making a fire with Sint-Maarten. Under the image a eight-line fresh in two columns. Signature at the top right: ff.

Southwark Fair 1733-1734 England. Engraving in black on ivory laid paper . William Hogarth

Fashionable society arriving in coaches for a promenade in Paris, 18th century. Lithograph after Augustin de Saint Aubin from Paul Lacroix' The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

Northern Netherlands, Victim of possession or sorcery (no. 1), ca. 1658, Interior with a person suffering from a form of epilepsy or madness, interpreted as possession or sorcery. A woman lies on the floor with convulsions. In this case it concerns supposed sorcery in the case of a woman named Dirkje Gerrits in Haarlem, 1617. Numbered: 1., print, prints, Frederik Muller Historieplaten, height 146 mm, width 94 mm, print maker, printmaker, 1657 - 1659, third quarter 17th century, paper, engraving, engraving (printing process)

Collection at patriots in Zutphen of drums and banners, 1787. Draughtsman: Jacobus Buys (signed by artist). Dating: 1796. Place: Northern Netherlands. Measurements: h 150 mm × w 93 mm. Museum: Rijksmuseum, Amsterdam.

Oed of Trouw taken by the principality of Orange to Prince William III, 1665, 1665 print Eed of Trouw taken by the cities and residents of Orange Prince to Prince William III, 7 May 1665. Ceremony with the Prince's representatives and of Orange sitting on a stage for the Roman theater in Orange, for the stage one Large crowd spectators. Above the wall of the theater the wonderful phenomenon of a crown of sunlight. Printed under the plate on the magazine the Legenda A-R in French. Northern Netherlands paper etching / letterpress printing swearing allegiance to a ruler. nimbus, halo ~ radiance emanating from persons or things Orange

At two inns on the outskirts of a village, vigorous political campaigning, comprising fighting and bribery takes place; a countryman is offered money and cards of invitation by two rival representatives of the Tory and Whig inns. Engraving by Charles Grignion after William Hogarth, 1757.

Print made by T. E. Nicholson, active early 19th century, British, Chairing the Member, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

Unsuccessful attempt on Prince William I of Orange in Antwerp Belgium, 1582, Jan Luyken, Jan Claesz ten Hoorn

Winter, Reinier Angles (I), 1769 print A man at a gate points to skating people on the frozen speed at a mill behind him. A fight in the middle. A four -line Dutch text in the lower margin. paper etching / engraving winter ~ human activities (the four seasons of the year). skates (winter sports)

Looting of the House of Mayor Geertsema in Groningen, 1748, Reinier Vinkeles (I), After Cornelis Buys, 1780 - 1795 print The looting of the House of Mayor Geertsema in Groningen, 17 March 1748. A carriage is pushed into the water and things are thrown out of the house by the rioting crowd. Northern Netherlands paper etching plundering ~ riot Groningen

Print made by Charles Mosley, c.1720-c.1770, O the Roast Beef of Old England, &c, 1749. Etching with line engraving.

Title print for the Treurspel The Downfall of Jonkheer Willem van Arkel, 1660 - 1665 print Title print for the Treurspel The Downfall of Jonkheer Willem van Arkel. Willem Heer van Arkel died during a fight on the street in the Krijtsteeg in Gorinchem, December 1, 1417. Northern Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Gorinchem

Fight between Eteocles and Polynories, Pieter Tanjé, After Louis Fabritius Dubourg, 1743 print The fight between the Eteocles and Polynories brothers, where they both find death. Book illustration at the tragedy 'La Thébaïde Ou Les Frères Ennemis' by Jean Baptiste Racine. Amsterdam paper etching / engraving single combat between Eteocles and Polynices; they both die

Print made by George Cruikshank, 1792-1878, British, Randulph Defending himself Against Philip Frewin and his Myrmidons, undated. Etching on medium, slightly textured, cream wove paper.

Arrival of Prince William III in Utrecht in April 1674, Johannes Jacobsz van den Aveele, 1674 print The arrival of Prince William III in Utrecht in April 1674. The Prince Central on Horse in the midst of riders and foot soldiers. In the background the city of Utrecht. At the top a canvas with the title and two four -line verses in Dutch. Fifth (unnumbered) print in a series of five prints about the events occurring in Utrecht over the period 1672-74. print maker: Northern Netherlandspublisher: Amsterdam paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Utrecht

ARISTROCRATE BERNED BERN BY PATRIERS BRANCHES FOR RADITING POSTERS (IT)

Netherlands, Martyrium Cornelii Musii, Cornelius Musius hanged in Leiden, 1572, Father Cornelius Musius is killed by the Beggars Lumey tortured and hanged at Leiden, 10 December 1572. On the left a view of the interior where the torture takes place, on the right the body hangs from the gallows on a square., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 140 mm, width 86 mm, print maker, printmaker, 1698 - 1700, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings

The Porteous riots, Edinburgh.

Illustration for Salzmann's 'Carl von Carlsberg,' second part. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

Ruychaver at the corpse of a Spanish-minded counselor in Alkmaar, 1573 Scenes from the life of Prince William I, 1568-1584 ( series title), Nicolaas Ruychaver stands with raised sword at the corpse of a Spanish-minded counselor whom he has thrown out of the window, Alkmaar 1573. The counselor is lying on the shards of the broken window, which may have made him fall down. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration for the ninth song., Alkmaar, Nicolaas Ruychaver, Theodoor Koning, Amsterdam, 1781, paper, engraving, h 275 mm × w 220 mm

NECKER, Jacques (1732-1804). Swiss financier and statesman at France's service. Necker is claimed and taken in arms by the Third Estate after his destitution as Minister of Finances in 1789. Etching. FRANCE. LE-DE-FRANCE. Paris. National Library.

Decapitation of Ambiodorix, Jan Luyken, 1681 print Print at the top right marked: F: 603. Amsterdam paper etching violent death by beheading

In the year 1578. Design for a print.

Revolutions of Paris. / Period of Friday, February 19, 1790. (IT)

William Hogarth, 1697-1764, British, The Invasion, Plate II: England, 1756. Etching.

William Hogarth, 1697-1764, British, The Cockpit, 1759. Engraving.

Amsterdam, Lamsveld, Samuel, Scherm, Laurens, Riot on the Dam during the Speakers' Riot, 1696, verso bottom right - stamped, The people demonstrate at the Town Hall on Dam Square during the Speakers' Riot. They are armed with tools and holding flags., print, engraving, book illustration, prints, Crowd of angry citizens armed with sticks and brooms in front of the City Hall on the Dam in Amsterdam during the Speakers' Riot, 31 January-1 February 1696., height 135 mm, width 84 mm, Noord-Nederlands, 1671 - 1702-11-13, print maker, printmaker, 1702 - 1702, paper, papier, etching, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, Nederlands, publisher

Relocation with a boat; The relocation.

Post, Pieter Jansz., Wouwerman, Philips, Northern Netherlands, Visscher, Jan de, Accident of Count Johan Maurits on the bridge of Franeker, 1665, verso - stamped, January 6, 1665. The drawbridge over which the count and his entourage ride collapses and the count falls into the water., print, prints, height 483 mm, width 388 mm, 1633 - 1692, print maker, printmaker, 1665 - 1665, paper, papier, etching, etchings, Work conception, 1619-05-24 - 1668-05-19, after a design by, 1608 - 1669-05-02

Orange gives goignies his sword, 1578; People find many princesses; but unfortunately! Only few heroes; Scenes from the life of Prince Willem I, 1568-1584. Goignies, released at the request of Mondragon, will receive a degen, 1578. Twentieth singing.

Hugo de Groot argues for tolerance in the Amsterdam Vro Gereedschap, 1616, 1722 - 1784 print Hugo de Groot argues in vain for tolerance in the Amsterdam Vro Gereedschap on behalf of the Remonstrants, 1616. Northern Netherlands paper etching plea, defence Amsterdam

Children's games in The Hague, Jan Hendriksz. Verstraelen, After Adriaen Pietersz van de Venne, 1625 print Children are working on different games. View of Lange Voorhout, with the houses on the Kneuterdijk in The Hague on the left. Middelburg paper etching / engraving / letterpress printing children's games and plays. (playing with) toys Kneuterdijk. Long Forest

Pompée verbrandt correspondentie; Titelpagina voor: Corneille, Pierre. Sertorius, s.a..On the left, Pompée throws the letters from Perpenna about Aristie in a burning column. To Him look at Aristie and Viriate. On the right is Perpenna () Murdered by soldiers. In the distance, soldiers are for a church. Under the show a cartouche with the title.

A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5), Luke Sullivan, 1705-1771, British, And William Hogarth, 1697-1764, British, after William Hogarth, 1697-1764, British, 1745, Engraving, Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm)

Raise the guard at the courtyard with a shameful banner, 1787; WAGtbrew of the teacher of H.E. Hoogden Magden with a scandarily painted banner. At the Binnenhof in The Hague, the guard with a shameful banner at which a gallows has been applied to the Dutch lion, 18 February 1787.

NUEVA RELACION DE LOS VIAJES-GRABADO-MONJE PREDICANDO. Author: GAGE THOMAS. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

Antwerp, Jode, Gerard de, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Daniel, Daniel and the Dragon, Daniel stands with King Cyrus near the dragon of Babylon, who is worshipped by the Babylonian people. Daniel refuses to worship the dragon and asks the king for permission to kill the dragon without sword or stick. Daniel is ready to feed the dragon a cake of fat, tar and bones. As a result, the dragon will be torn open from within and die. Above the image is a reference in Latin to the Bible text in Dan. 14. This print is part of an album., print, album page, prints, height 238 mm, width 329 mm, print maker, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1527 - 1607, after design of, Publication (Event), Publication, Northe

Man is stabbed next to a woman in a coffin, violent death by weapon, torch, coffin, night, Reinier Vinkeles (I), Amsterdam, 1781, paper, engraving, h 205 mm × w 149 mm

Carnival in Antwerp, draughtsman: Gonzales van Heylen, 1671 - 1720, paper, pen, brush, h 191 mm × w 243 mm

THE IDLE APPRENTICE EXECUTED AT TYBURN. London, UK, 19th century engraving

Bartholomeusnacht, Jan Caspar Philips, 1773 print A massive murder of Catholics on Huguenots in Paris. A devil figure holds an image of Henry IV in a carriage up. The failed murder attack may be shown here. Henry IV was forced to conceive to Roman Catholicism when the throne is climbing. On the left on a block with the title is the personification of betrayal with a flag with the cross. print maker: Amsterdampublisher: Amsterdampublisher: Amsterdampublisher: Leidenpublisher: Leiden paper etching / engraving violent death, being killed; being mishandled and maltreated; seeking death. Betrayal. attempt, political murder. persecuted believers (hiding), e.g. Huguenots, Pilgrim Fathers

Courageous answer from Hopman Johan van den Kornput, the defender of Steenwijk, 1580, Jacobus Buys, 1786 - 1788 drawing Hopman Johan van den Kornput, the defender of Steenwijk, answers the question of a butcher about food shortage during the siege of Steenijk, November 20, 1580. Design for a print. Netherlands paper. ink pen / brush person addressing a group, orator. historical events and situations. historical persons Stone district

Thanksgiving by Count Johan Maurits after the accident on the bridge of Franeker, 1665, Jan de Visscher, after Philips Wouwerman, after Pieter Jansz. Post, 1665 print Thanksgiving by Count Johan Maurits after his salvation after the accident on the bridge of Franeker, 1665, January 6, 1665. De Graaf kneels at the collapsed drawbridge. Northern Netherlands paper etching accident with horse (or kindred animal). collapsing building. bridge. one person praying Franeker

Targ at the Szkężnicka Gate in Warsaw Norblin, Jan Piotr (1745 1830)

The kidnapped Sabine women intervene to stop the war between the Sabines led by king Titus Tatius and the Romans under Romulus, 8th century BC. Combat des Romains et des Sabines, termine par les Sabines. Copperplate engraving by Johann Georg Mansfeld after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

Don Pablo (Buscon) on a horse, Caspar Luyken, 1699 print Don Pablo (Buscon) is sitting on a horse and lets the beast eat from a basket of a market saleswoman. She protests. A scene from the work 'History of Buscon' by Francisco de Quevedo. Leiden paper etching horse. market. male literary characters (with NAME)

Chairing The Members, 1758. Etching: Francois Antoine Avilines (d.1780), after William Hogarth (d.1764)

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, engraving, book illustration, prints, engravings, Arrest of Hans Smit and eleven others, 1558, verso - stamped, 71, Hans Smid Ao 1558, height 114 mm, width 141 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, Noord-Nederlands, - 1693-06-26

Don Pablo (buscon) is sitting on a horse and let the beast eat from a basket of a market saleswoman. She protests. A scene from the work 'History of Buscon' by Francisco de Quevedo.

of 3