Historical Fashion Collection

Authentic garments from various historical periods, including suits and gowns, highlighting intricate designs and fabrics from the 18th and 19th centuries.

Upan; The eighties of the 18th century (1780-00-00-1789-00-00);Januszewski, Marian (Fl. Ca 1920) - collections, Subise -Bisier, Gustaw Wilhelm (1849-1937) - collection, clothing, men's clothes, national clothing, Polish clothing, purchase (provenance), Żupany

Composed Armor for Man and Horse ca. 1450-1525 and later Left reinforcing elbow stamped with marks belonging to the Missaglia workshop Italian By the end of the thirteenth century, the armor-producing cities of northern Italy had gained an international reputation and were exporting arms and armor throughout Europe. Milan was preeminent through the sixteenth century, followed by Brescia. The greatest Milanese armorers were members of the Missaglia family, a dynasty of merchant-armorers active from the late fourteenth to the early sixteenth century. During the fifteenth century, the Italians perfected complete armor of plate. Probably developed in Milan around 1400, it covered the wearer from head to foot. The advanced technical and stylistic features of Milanese armor influenced local craftsmen wherever it was exported. Thus, in the fifteenth century, armors worn across western Europe from Spain to Flanders displayed Italian characteristics. Thriving local centers of armor-making were

Blue Afternoon Dress. Dated: c. 1938. Dimensions: overall: 36.4 x 24.1 cm (14 5/16 x 9 1/2 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Lucien Verbeke.

Trousers. Dated: c. 1936. Dimensions: overall: 24.7 x 35.8 cm (9 3/4 x 14 1/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Syrena Swanson.

Indian, wedding and clothes for attire of groom in rack, culture and traditional in gold and choice. Stylish, fashion and suit for men in morning for marriage, selection and accessory by tailor

Linen Blouse, early 1900s. Hungary. Linen; overall: 36.8 x 203.2 cm (14 1/2 x 80 in.).

Brown leather jacket in fashion concept

Children's jacket of white linen with floral motifs in Zaans Sticwork, decorated with Mechelen side, anonymous, c. 1700 - c. 1800 A child's body of stitched linen with lace pieces on the sleeves. linen (material). bobbin lace / Mechlin (lace) / embroidering A child's body of stitched linen with lace pieces on the sleeves. linen (material). bobbin lace / Mechlin (lace) / embroidering

Officer's overcoat, collar down, worn by P. Rounsevelle. The photo was taken on December 1, 1918, at Elysees Palace in Paris, France. The image shows the back view of the overcoat. It was approved by the A.E.F. censor. No specific notes about the photograph were provided.

Chemise 18th-early 19th century Greek. Chemise 85874

Skirt 1815-20 British. Skirt 175218

Kimono with Blossoming Plum Tree. Culture: Japan. Dimensions: Overall: 62 × 49 in. (157.5 × 124.5 cm). Date: second half of the 19th century.Paste-resist dyeing, along with skillful use of a shading technique, finely renders the gradual progression from white to dark gray on this garment. Early Meiji period kimonos often have gray or black grounds and decoration concentrated along the hemline. Here, the plum tree, painted in ink and pigments and embroidered with silk and occasional glints of gold, seems to glow in soft moonlight, while the rest of the robe is in shadow. The design scheme is based on the kosode style that became popular among chonin women at the end of the Edo period (1615-1868). Since the left panel overlaps the right, much of the plum-tree pattern would ordinarily be obscured, coming to light only as the wearer walked. Another plum tree is hidden on the lining inside the underflap. Museum: Metropolitan Museum of Art, New York, USA.

. Right mitaine from white knitted cotton with an open thumb, decorated with a pattern of ajour diamonds.

T. Jefferson's Vest. Dated: c. 1936. Dimensions: overall: 25 x 35.1 cm (9 13/16 x 13 13/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Syrena Swanson.

'A suit of velvet with raised figures, worn by Robert Livingston of Clermont Manor, New York', c1740, (1937). Robert Livingston (1688-1775) From "History of American Costume - Book One 1607-1800", by Elisabeth McClellan. Tudor Publishing Company, New York, 1937

Stylish jacket isolated on the white background

Cheeky. Cream cotton canvas. 1770-1790. Galliera, fashion museum of the city of Paris. 100432-18 Costumes, 18th 18th 18th 18th 18th 18th century

Court presentation suit 1877 British. Court presentation suit 91888

Fritz Boehmer, Zoar Man's Hat, Boots and Coat, c 1937 Zoar Man's Hat, Boots and Coat

Couture Embroidery Sample (USA); Made by Sterling Pleating & Stitching Company, Inc. (New York, NY, USA); rayon

Promenade hat 1865-70 French. Promenade hat 113208

Bodice of a burgess unknown

Traditional garment. The historic farm Laufas near Akureyri, now an open air museum. Europe, Iceland. (Editorial Use Only)

Waistcoat late 19th-early 20th century American or European. Waistcoat 91137

Stylish jacket isolated on the white background

Wedding dress 1893 A. B. Coady. Wedding dress 159494

Blue tailor dummy with measuring tape alongside the wall.. Blue tailor dummy with measuring tape alongside the wall

Nurse's Jacket And Pants (China); cotton, silk

Boy's Suit. Dated: c. 1938. Dimensions: overall: 45.5 x 37.8 cm (17 15/16 x 14 7/8 in.) Original IAD Object: trousers: waist: 25", inseam: 10 1/2", outseam: 15 1/2", width of leg: 6"; Jacket: front: 14", back: 19", sleeve, inseam: 12", outseam: 15", bust: 29". Medium: watercolor, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Nancy Crimi.

Working jacket (sakiori shigotogi), 19th century, Unknown Japanese, 49 5/16 × 49 1/4 in. (125.25 × 125.1 cm), Cotton, Japan, 19th century

Catherinette hat inspired by a R.A.F aviator cap; yellow and green satin covered with gold lace; Two sides of tulle, yellow and green, forged under the chin, 1944. Galliera, fashion museum of the city of Paris. Inspired a cap of the Royal Air Force, which it carries the initials above the visor. Accessory, Catherinette hat, feminine, feminine, woman, shape, haute couture

Dress 1830 American. Dress. American. 1830. cotton

Sub -sleek of white cotton, wide model, with cuff on which embroidery, anonymous, c. 1900 - c. 1910 Under sleeve of cotton, wide model, for a ladies' Japon. The lower sleeve is wrinkled attached to the cuff that is decorated with English embroidery. On the cuff one knot. At the top, the lower sleeve can be clamped by means of a cord. West-Europa cotton (textile) Under sleeve of cotton, wide model, for a ladies' Japon. The lower sleeve is wrinkled attached to the cuff that is decorated with English embroidery. On the cuff one knot. At the top, the lower sleeve can be clamped by means of a cord. West-Europa cotton (textile)

Shirt -

Stockings French 19th century

white bathrobe in wardrobe

Three-piece men's suit made of black cloth, jacket vest pants suit outerwear men's clothing clothes wool silk satin cotton metal no.1: shoulder, sleeve, waist, textile Three-piece men's suit made of black cloth consisting of jacket (1) vest (2) and pants (3) dress man costume suit black calf pants

Fur clothing in display in store, Montreal, Quebec, Canada

Vietnam, Ho Chi Minh City (aka Saigon). Delta port town of My Tho, views along the Mekong River delta. Traditional Vietnamese dress.

A red garment on a dressmaking model

Sailor suit 1900-1910 American. Sailor suit 84396

Nancy Crimi, Boy's Suit, c 1938 Boy's Suit

Hat 1865 American. Hat. American. 1865. shell, silk, cotton

Native American Indian women's children's clothing set, dress and high-heeled moccasins, Kiowa culture, Great Plains, USA, 1850-1920, leather, glass beads, mescal seeds, sinew thread and pigments, Anthropology National Museum, Madrid, Spain.

Military jacket. Culture: British. Manufacturer: C. Webb (British). Date: ca. 1862.The initials on the epaulettes of this naval jacket stand for Medical Service. The title was replaced in 1872 with M.D. (Medical Department). The length on the epaulettes distinguishes rank, in this case the 2.5-inch length indicates the rank of assistant surgeon. This style of coat was introduced in 1832 and retained its identical form and materials throughout the Civil War. It was worn by Leonard C. McPhail in about 1862. Museum: Metropolitan Museum of Art, New York, USA.

Trousers; silk

Jacket, 20th century, 16 1/2 x 19 in. (41.91 x 48.26 cm), Silk velvet, Myanmar (Burma), 20th century

Two Geisha Kikugawa Eizan Japanese. Two Geisha 56100

Day dress and shawl. Dress: Mauve taffeta, seven buttons covered with purple satin. Small: square, wool and striped silk, some in silk, others in wool. Around 1866. Galliera, fashion museum of the city of Paris. Chale, feminine, French Impector, day dress, satin, Second Empire, Mauve taffeta

Delion, 1912. Gray silk plush, Gros-Gin stressing the edge. Black felt ribbon. Brown leather cleanliness headband. Cream silk cap. Palais Galliera, fashion museum of the city of Paris.

(Sheikh) Jacket, c. 1920, 33 x 26 in. (83.82 x 66.04 cm), Wool, silk cord, metallic thread; needlework, Syria, 20th century

JAS by J.R. Thorbecke, Anonymous, c. 1850 Blue cloth jacket; Silver galon on collar, cuffs, valves of bags and in the middle of taillaad; m.v.: 9 gilded buttons. Jacket belonging to official costume by J.R. Thorbecke as Minister of the Interior. Netherlands cloth. galloon

Bra

Womans Tunic (Baju)

Corset ca. 1780 British. Corset. British. ca. 1780. cotton, flax, wood, metal

A photograph taken by P. Rounsevelle on January 2, 1919, shows the back view of a General Staff Officer's coat at Elysees Palace, Paris, France. The photo was received on December 1, 1918. It was taken during World War One and was approved by the A.E.F. censor. Caption: "General Staff Officer's coat at Elysees Palace, Paris, France."

Anonymous. Underwear: pair of stockings, days in x and D. knit of cream wire, days, around 1830. Galliera, fashion museum of the city of Paris. 79127-3 Stockings, female lingerie, women's fashion, under-nomination, 19th 19th 19th 19th 19th 19th 19

Coat. Culture: Spanish. Date: 1784-85. Museum: Metropolitan Museum of Art, New York, USA.

Noble uniform from Gubernia of Radom unknown

Dress Form Mannequin in Studio

Carmagnole Jacket. France, circa 1790. Costumes; outerwear. Wool plain weave, full finish

Vest. Dated: c. 1937. Dimensions: overall: 36.5 x 27.9 cm (14 3/8 x 11 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lillian Causey.

Knee Pants. Dated: c. 1936. Dimensions: overall: 28 x 22.8 cm (11 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frederick Jackson.

Stylish jacket isolated on the white background

Female mannequin in the window display of the Loro-Piana fashion boutique on the Maximilianstrasse, Munich, Bavaria, Germany, Europe

Fashion sample patterns hanging against wall in design studio

mock up illustration of casual dress on abstract background

Burning fashion sample pattern against wall in design studio

A man shows off his patch-covered vest at a motorcycle rally in South Dakota.

Different clothing related to the "Angakoq", Inuit shamans. Exhibition of clothing and Eskimo objects. Historical Museum. Oslo. Norway.

England, Nelson's Trafalgar Coat which he was Wearing when Killed in The Battle of Trafalgar

Jeanne Lanvin (1867-1946). Together jacket and dress in gold, black, yellow, red and green print (front view), summer 1929. Galliera, fashion museum of the city of Paris. 25959-6 Ensemble, feminine, black print, yellow, gold blade, female mode, red, green, jacket, dress

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