Historical Fashion Illustrations

A compilation of costume prints showcasing traditional attire from various cultures, highlighting unique elements like capes, aprons, and headgear.

Man by wall, dressed in a Rhingrave costume and wide cloak, c. 1685 print Standing man dressed in a Rhingrave costume, consisting of a short Wambuis (Innocent), rectangular BEF with Akertjes, Shirt, wide knee pants with ribbons and stockings on either side. A wide cloak is draped around the shoulders and arms. Hat with a wide weak edge on the both hairstyle. Flat shoes. This print is the 5th state of number 18, and belongs to a series of approximately 24 costume prints, from Figures a la Mode dédiées a Mr. le duc de Bourgogne, published by Etienne Jeaurat, Paris, ca. 1685. paper etching fashion plates. head-gear: hat (+ men's clothes). cape (+ men's clothes). neck-gear: jabot (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). clothing for the upper part of the body (with NAME) (+ men's clothes). clothing for the upper part of the body (INNOCENT) (+ men's clothes). trousers, breeches, etc. (PETTICOAT BREECHES) (+ men's clothes). shoes, sandals (+ me

Mulier Scotica / a Scotsh Woman, Wenceslaus Hollar, 1644 Woman from Scotland, standing to the right, a dark short cape of fur around the shoulders, above which a wide fold. On the head a hat with flaps on the side. A long white apron about the dark skirt; Beursje and knife on the belt. No. 2 from series of twelve costumes from different countries. paper etching Scotland

Man by wall, dressed in a Rhingrave costume and wide cloak, c. 1685 print Standing man dressed in a Rhingrave costume, consisting of a short Wambuis (Innocent), rectangular BEF with Akertjes, Shirt, wide knee pants with ribbons and stockings on either side. A wide cloak is draped around the shoulders and arms. Hat with a wide weak edge on the both hairstyle. Flat shoes. This print is the 5th state of number 18, and belongs to a series of approximately 24 costume prints, from Figures a la Mode dédiées a Mr. le duc de Bourgogne, published by Etienne Jeaurat, Paris, ca. 1685. paper etching fashion plates. head-gear: hat (+ men's clothes). cape (+ men's clothes). neck-gear: jabot (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). clothing for the upper part of the body (with NAME) (+ men's clothes). clothing for the upper part of the body (INNOCENT) (+ men's clothes). trousers, breeches, etc. (PETTICOAT BREECHES) (+ men's clothes). shoes, sandals (+ me

Venetian prostitute of the 16th century. She wears a masculine look, horned hair style, silk doublet, mans shirt, pearl necklace, long apron and chopines. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Femme de cologne Allant par la ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Cologne.

Man wearing long vest. Prints. 1700 - 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Men's clothing

Navigatoris Hollandici Vxor; Traditional costumes from different countries. Skewers woman from Holland, standing to the right, half on the back, a market bucket (chips with metal hoops) at the right arm. A large, round point hat outstanding on either side of the face. Wide folding collar. Sleeveless, fitted jak along the zoom deposited with fur. Sleep falling, ankle-length skirt about the white apron. Kuilen with block heel. No. 3 from series of twelve costumes from different countries. (Compare NHG. 612)

French noble woman with folding fan, dressed according to fashion of approx. 1630; Le Jardin de la Noblesse Françoise (...); Costumes of the French Adel.French Lady, Turned Left, Standing in front of a Landscape, Achievement in hand. About Her Embroidered Underskirt a Suspended Dress With Wide Sleeves. Body With Balloon Sleeves. Cap On The Head.

Woman famous or generous French / A French Lady or Gentlewoman, Wenceslaus Hollar, 1644 Woman of prestige from France, standing to the right, with loose hair that has been turned on the back of the head in a bun. Klangon with deep cleavage and wide collar, trimmed with lace, over the shoulders. The dark overlay falls open from the front so that the brokats can be seen under dressing. A mirror, folding range hangs in the hands on the belt. Shoe with rosette. No. 1 from series of 12 costume prints from different countries. paper etching styles of hairdress - AA - ~ women. pearl; pearl necklace (+ women's clothes). 'décolleté'. neck-gear: collar (+ women's clothes). sleeves (+ women's clothes). mirror - AA - (for) women. fan (+ women's clothes). shoes, sandals (+ women's clothes). Europeans: Englishmen (+ costume) France

Ceremonial clothing of an English Duke, Wenceslaus Hollar, c. 1732 print paper etching nobility and patriciate; chivalry, knighthood. clothes for special purposes

Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Noble Woman Wearing a Veil and a Dress Trimmed in Fur. Dated: c. 1620/1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Amsterdam, Visscher, Claes Jansz. (II), Merian, Matthäus (I), FAEMINA NOBILIS PARISIENSIS, Gentile femme de Paris, Noble lady from Paris, verso - stamped, turned slightly to the left, dressed according to the fashion of ca. 1618: dress with high standing lace collar. Part of the print Paris in bird's-eye view: LUTETIA PARISIORUM..... (from 2 plates). In the margin on the left and right costume pictures with the four ranks and estates. On the left the men's costumes; on the right the women's costumes. Costume pictures freely after Mattheus Merian. In RPK the costume pictures are only available separately. (after Merian, German Hollst. 459), costume print, prints, center bottom - engraved, A noble lady from Paris, dressed according to the fashion of ca. 1618. She wears a dress with a high standing lace collar., height 130 mm, width 47 mm, Northern Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1618 - 1618, first quarter 17th century, paper, etching, etchings, Work conception, S

A married woman from France; Galla Mulier; Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti. A married woman from France, seen from the front, turns something to the left. Glove in the left hand. Hat with feather on the head. Dressed according to the fashion of approx. 1550. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Rec issue from 1569 of the first edition from 1563.

Civis Aut Mercatoris Antuerpiensis VXOR / Burgers Oder Khauffmans Fraw zu Antorff; Koopmanswoman from Antwerp; Aula Veneris; European dressers. Koopmanswoman from Antwerp, slightly to the right, dressed in a hood that is stuck to a flat hat with stem as a handle on the forehead. White high-locked collar above a dark rug that is absorbed from behind, so that it is undercess to see with a passing. Hands in a big mull of fur.

A woman in the costume of Prague. Etching by W. Hollar, 1643.

La Noblesse de Lorraine (The Nobility of Lorraine). Courtly fashion in the French ducal city of Lorraine was all about the details. Men adorned their hats with feathers, their breeches with ribbons and their shoes with rosettes. Women grew increasingly fond of lace collars, the most lavish of which consisted of several layers and a garland of pearls. Intriguingly, it is not clear whether Callot intended to portray the true nobility or the bourgeois citizens who emulated them.

PortraT van Sibylla van Kleef, Anonymous, Virgilius Solis, After Erhard Schön, 1500 - 1549 print Portrait of Sibylla van Kleef, standing, seen from the front, dressed in a pink dress with wide sleeves, including a yellow -brown rug. On the head a flat hat with feathers. (German fashion ca. 1540). paper dress, gown (+ women's clothes). historical persons

Ceremonial clothing of an English prince; Karel Stuart, Prince of Wales, in ceremonial clothing; The Creation Robe of the Prince of Wales; Ceremonial clothing from the English nobility. .

The adornment of a woman (the clothing of English women), Wenceslaus Hollar, 1640 English woman to the right. On the head a hat with tapered sphere and wide edge with hat band on a lace hat that falls over the ears. Two unadorned angles over each other: a double -folded square and one that is over the shoulders, closed in the middle with a bow. Put the hands in a sleeve of fur. No. 21 from the Ornatus Muliebris Anglicanus series. London paper etching muff. head-gear: hat (+ women's clothes). head-gear: cap (+ women's clothes). fashion plates. piece of clothing covering the breast or décolleté. Europeans: Englishmen (+ women) England

Ciuis Norimbergensis VXOR; Woman from Nuremberg; Aula Veneris; European dressers. Woman from Nuremberg, turned to the left, with a tapered hat that connects around the face and over the ears. Wide, sloping folding collar. Short, wide shoulder cape with high armholes, flat collar and pleats on the back, lined with fur. Foot long, around wrinkled skirt that a white apron.

Fille de Prague Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Prague.

Lady with fan, seen from the front, Anonymous, After Jacques Callot, 1630 - 1690 Standing woman, seen from the front, dressed in a dress with a wide collar, a fan in the hands. In the background figures in a village or city. This print is part of a series of 12 prints with noblemen in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies' costumes. print maker: Netherlandspublisher: Amsterdam paper etching clothes, costume (+ women's clothes). dress, gown (VLIEGER) (+ women's clothes). nobility and patriciate; chivalry, knighthood. fan (+ women's clothes). necklace (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). neck-gear: collar (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). hairdress - AA - ~ women Lorraine

Young farmer with suspended skirts; Figures a la mode. Young farmer with headscarf over the long hair, dressed in a bodice and suspended skirt so that the underskirt is visible. No 17 From the Figures a la Mode series.

Ornatus Muliebris Anglicanus (The Clothing of English Women).The diversity of womens apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollars primary patron. They are therefore among the more reliable visual sources for costume historians.

Non in contemporary costume, Bernard Picart, 1704 print Figure in contemporary costume. In the margin a three -fitting Bible quote from 1 Cor. 13 in French. Paris paper etching / engraving folk costume, regional costume. nun(s)

Femme persienne' by Jean-Baptiste Vanmour, created in 1714 in Paris and published by L. Cars. The artwork features clothing and dress representative of Turkey and Iranians, rendered in the style of engravings

Damoiselle Angloise Allant Par La Ville; Women in traditional costume; Livre Curieux. An English young woman walks to the city, a feather range in hand.

Pierre Thomas Leclerc (1740-APR. 1799). "Magistrate". Drawing for board 245 or 246 of the 38th notebook (bis) of "French costumes", 33rd suite of "fashionable dressed" in 1782. Black ink pen, gray wash, white paper. Galliera, fashion museum of the city of Paris. 37827-2 French costume, black ink, fashionable clothing, gray wash, magistrate, feather, dress

The famous woman of an English / Noble Woman of England, Wenceslaus Hollar, 1642 - 1650 English noble woman, slightly turned to the right. With her that along the forehead is struggled backwards, but on hiding on the bed along the face is curled to the shoulders. Wrong on the back of the head. Dress with square necklace, open body with a lap, elbow -long over sleeves with wide, long lower sleeves and loose -fitting foot -long skirt. Pointed and protruding breastpiece. Two transparent neck cloths with scalloped strip side over the neck cut: a double cloth that closes to the neck and a flat, which is on the shoulders. The body closes with four horizontal tires in the middle. A ribbon over the pointed raised waist with a long loop a feathers is struggling. Returned cuffs are trimmed with a strip of lace. Large drop -shaped earrings, a chain around the neck and a large brooch with drop -shaped pendant in the middle of the breastpiece. paper etching Europeans: Englishmen (+ women). dress,

Noblemen from Different Countries.Both noblemen are fashionably attired in wide, puffy breeches with ribbon garters. The young man holding a plumed hat bears the inscription Frans Edel Man (French nobleman). This, however, was a later addition by the prints publisher. A French nobleman evidently sold better than an anonymous youth.

French nobleman with shoulder jacket; Cavalier and Manteau .. French nobleman, seen from the front, dressed in a loose shoulder jacket over his justaucorps. On his allonry capsel a hat with a wide border and plumes.

Burger van Parijs; CIVIS PARISIENSIS: Bourgeois de Paris.A citizen of Paris, dressed according to the fashion of approximately 1618. He carries a half-length cloak and knee pants. A top hat on his head.

Louis XIII (king of France), Saint-Igny, Jean de, Bosse, Abraham, Costumes of the French nobility in church, La Noblesse Francoise à l'Eglise, French noblewoman, reading a missal, in a church interior, dressed in the fashion of ca. 1630, verso - stamped, Lady, walking to the left in a church interior, reading a missal. She is fashionably dressed in an open-falling overgarment with short balloon sleeves, under which the bodice and skirt are. She wears a wide lace collar and a cap with a plume on her head., costume print, prints, height 152 mm, width 95 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1628 - 1629, paper, papier, etching, engraving, engraving (printing process), Work conception, 1600 - 1647-11-09, after a design by, Publication (Event), Publication, publisher, uitgever, 1601-09-27 - 1643-05-14, granter of privilege

Lady of Meissen, 1577. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Dame de qualité en habit de bal. Bérain, Jean, 1640-1711. Prints. 1690 - 1699. Jerome Robbins Dance Division. Costume design , 17th century, Ballroom dancing , 17th century

Whole-length Figure of a Lady 1625-77 Wenceslaus Hollar Bohemian Full length figure truned slightly to left, head slightly to right. She has straight fringe and a flower in her hair on left and another on the top at at back. She wears a pearl necklace and pearl earrings.. Whole-length Figure of a Lady 360838

Woman with scissors and keys to her belt; Lady ragonde; Women in costumes. A women's figure with a scissors and a forest keys to her belt.

Femme Suisse Allant Par La Ville de Baselle; Women in traditional costume; Livre Curieux. Woman in traditional costume from Basel.

Ceremonial clothing of an English prince, Wenceslaus Hollar, 1662 print paper etching nobility and patriciate; chivalry, knighthood. clothes for special purposes

Damsel peasant; Ancient habits, modern et all over the world .....

Femme de Rouen and Normandie Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Rouen, Normandy.

Manual Piëmont, François Desprez, 1562 print Paris paper folk costume, regional costume. Europeans (with NAME) (+ costume). fashion plates

Marie-Henriette de France, sister of King Louis XIII, wife to King Charles I of England. Handcoloured lithograph by Breton after an original 1633 portrait from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Le Chevalier and Habit the campaign; Suite des Nouvelles Modes Françaises. Man, seen on the back, dressed in a frak with bags, knee pants, stockings and shoes with buckles. On the head a bicorne or stab; The tail (of the hair or wig) in a hair bag with bow. On the left a short saber or hack. No 8 From a series of 24 costume prints entitled 'Suite des Nouvelles Modes Françaises Depuis 1778 Jusqu'à Ce Jour, Dessiné d'après Nature Par c.L. Desrais. Without legend.

Wife of a Doge of Venice, 1581. Fur-lined cloak with large hood, bodice decorated with pearls, necklace and gloves. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Lady in dress from the series Figures à la mode, Romeyn de Hooghe, 1670 - 1685

Elegant dressed pair h, Jan van de Velde (II), 1603 - 1652 Elegant pair, dressed according to fashion approx. 1620, standing in flat landscape with a building behind trees on the left in the background. Eighth print of a series of eight costume prints. Amsterdam paper etching / engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). head-gear: hat (+ men's clothes). neck-gear: collar (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). cape (+ men's clothes). shoes, sandals (+ men's clothes). gloves, mittens, etc. (+ men's clothes). dress, gown (+ women's clothes). head-gear (BOOGMUTS) (+ women's clothes). skirt (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). Netherlands

Elegant Lady at Hagedis, Anonymous, After Adriaen Matham, After Dirck Hals, 1619 - 1652 Lady, standing in landscape, seeing diagonally on the back, to the left, dressed according to the fashion of approx. 1620. She is wearing a dress with shoulder valves and a large lub collar on a portefraes. The skirt is stored. The sleeves are trimmed with outstanding cuffs. On her head a hat with high sphere and spring; A dense, half -circular fan in hand. River and village view in the background. At the bottom left a lizard. Amsterdam paper engraving dress, gown (+ women's clothes). Europeans (with NAME). skirt (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). head-gear: hat (+ women's clothes). head-gear: hat (+ feathers used for clothes). sleeves (+ women's clothes). sleeves. bow (ornamental part of clothing) (+ women's clothes). fan (+ women's clothes). liza

Prostitute from Venice; Meretrici Publiche; Habiti Antichi, ET Moderni di Tutto Il Mondo ... Prostitute from Venice in the Japon with bodice with low decoleté that the breasts half bared. Haircut with two horses on the forehead. She stands in high tripping (according to Vecellio: Shoes in Roman style) and has a vaantjes range in hand. In ornament

Cortigiana famosa. Prints. 1600 - 1610. Spencer Collection. Courtesans , Italy , Venice, Clothing & dress , Italy , 17th century

La Noblesse de Lorraine (The Nobility of Lorraine). Courtly fashion in the French ducal city of Lorraine was all about the details. Men adorned their hats with feathers, their breeches with ribbons and their shoes with rosettes. Women grew increasingly fond of lace collars, the most lavish of which consisted of several layers and a garland of pearls. Intriguingly, it is not clear whether Callot intended to portray the true nobility or the bourgeois citizens who emulated them.

Man seen on the back, dressed according to French fashion ca. 1630; Diversitez d'Habille man's a la mode. Man seen on the back, standing in front of a landscape with a water mill on the left. It is dressed in a short cape that a flat landscape side collar. Calf pants, boots with canons and traces. On his head a hat with wide weak border and feather. With 6 lines of French caption. Print from series of 13 suit cards with title page.

Rustica Gallica / Country woman of France, Wenceslaus Hollar, 1643 Rural woman from France, standing to the left, with a tip cap with room for a wrong on the back of the head. From the neck (on the hat) Two loose slips hang under the shoulders. Open body with low, square necklace, shoulder skirts, long wide, cut sleeves in which the shirt is visible and shot consisting of different buildings. It seems as if the shirt is open far and lies along the sides of the neck cut. Hereby a corner cloth with place that lies over the shoulders from the front has been put into the breastpiece. The open body closes in the middle front with horizontal tires - five of which are visible - over the breastpiece. Unkinded cuffs. Spacious ankle -long skirt above the hem decorated with a number of horizontal tires. Long white apron. Open shoes with low heel. On the right arm an open, braided basket. paper etching France

Recueil des modes de la cour de France, 'Femme de qualité en habit d'hyver'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paper

Elegante dame met hoofdtooi met veer; Klederdracht van Nederlandse edelvrouwen.Standing women's figure in landscape, seen from the front, dressed according to fashion of approx. 1620. She carries a suit with ornamental sleeves and a vertically opened impeller-shaped collar, deposited with lace. The skirt is saved. A semi-open range in her right hand. On the head a hat-like head cover with feather.

Woman dressed according to fashion around 1620. Woman, fashionably dressed according to fashion around 1620, standing, seen from the front, the right hand in the side, left the left.

Girl of the countryside around Rome; Contadine; Habiti Antichi, Et Moderni Di Tutto Il Mondo: Di Nuovo Accesciuti di Molte Figure: Vestitus Antiquorum, Recentiorumque Totius Orbis. Village girl in a suit whose skirt falls just above the ankles. The bodice has a square dolleté and silver brooches. About the skirt A linen apron. Linen headscarf deposited with an edge of embroidery.

Laan, Adolf van der, Dutch costumes, Woman with basket, recto - stamped, Woman in a landscape, dressed in rural clothing, ca. 1710-1720. Full-length, seen from the front. She has a cap on her head, carries a basket on her left arm and holds a twig in her right hand. The print is part of a sixteen-part series of prints depicting Dutch costumes., costume print, prints, verso - stamped, height 148 mm, width 100 mm, 1690 - 1742-05-09, print maker, printmaker, 1710 - 1755, first quarter 18th century, paper, etching, etchings, Work conception

Attitude and culture matrons nobilu and agricultural (clothing and manners of noblewomen and countrywomen), Adriaen Matham (possibly), after Dirck Hals, 1619 - 1623 Lady, standing in landscape, seen from the front, dressed according to fashion approx. 1620. She is wearing a kite costume with decorative sleeves and flat shoulder valves. The sleeves are trimmed with widely outstanding Lubben Ponjetten (cuffs). A wide pleated raft around her neck (lub bow). In her left hand she holds a semi -opened circular fan; the right hand in the side. Flower decoration and braid in the hair. A country house in the background. Haarlem paper engraving dress, gown (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). sleeves (+ women's clothes). Europeans (with NAME). styles of hairdress - AA - ~ women. styles of hairdress (with NAME) - AA - ~ women

Haarlem, Matham, Jacob, Hals, Dirck, Adriaen, Habitus et cultus Matronarum Nobilu et Rusticarum apud Batauos, Clothing and environment of Dutch noble ladies and peasant women, Elegant lady with lizard, lower right - engraved, Woman, standing in a landscape, seen diagonally from the back, dressed according to the fashion of ca. 1620. She wears an overgarment with shoulder flaps and decorative sleeves. The large pleated collar is supported by a portefraes. The skirt is turned up so that the underskirt is visible. The sleeves are trimmed with protruding pleated ponjets (cuffs). On her head a hat with a high ball, brim and feather; a closed, semi-circular fan in her hand. River and village view in the background. Bottom right a lizard., costume print, prints, verso bottom left - stamped, 2, height 198 mm, width 139 mm, 1599 - 1660-11-23, print maker, printmaker, 1619 - 1623, first quarter 17th century, paper, engraving, engraving (printing process), Northern Netherlands, 1571-10-15 - 1631-

Man in fashionable clothing, Pieter Jansz Quast, 1625 - 1647 print Standing man in a landscape, dressed according to Dutch fashion circa 1625-35. In the background the contours of a village and some figures. print maker: Netherlandspublisher: Amsterdam paper engraving clothes, costume (+ men's clothes). boots (+ men's clothes). coat (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). head-gear: hat (+ men's clothes). bow (ornamental part of clothing) (+ men's clothes). landscapes. prospect of village, silhouette of village

Barones uit Napels; Baronessa; Habiti antichi, et moderni di tutto il mondo....Barones from Naples, seen on the back, in a dressed sleeveless collar and ornamental sleeves, trimmed with brocade. Haircut decorated with pearls and gold and veil of thin silk. In ornament edge.

Gentlewoman with fan, 1640, France, History of Fashion, Costume History, Historical, digitally restored reproduction of a 19th century original, exact...

. This series highlights the contrast between the clothing of Dutch noblewomen and that of women from the provinces. The regional clothing evolves slowly over time, while the fashionable attire of the elite is subject to foreign influences. For example, the woman in plate 1 wears a Spanish, conical farthingale beneath her skirt, while the woman in plate 2 wears the bellshaped version from France.

Ornatus Muliebris Anglicanus (The Clothing of English Women).The diversity of womens apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollars primary patron. They are therefore among the more reliable visual sources for costume historians.

The knight in countryside habit, 1778 Man, seen on the back, dressed in a freak with bags, knee pants, stockings and shoes with buckles. On the head a bicorne or stitch; The tail (from the hair or the wig) in a hair fitting with bow. On the left a short saber or Houwer. No. 8 From a series of 24 costume prints entitled 'Suite des nouvelles Fodes Françaises Detpuis 1778 Jusqu'à Ce Jour, Dessiné d'Aperrès Nature Par C.L. Desrais. Without legend. paper engraving fashion plates. head-gear: bicorne, bicorn (+ men's clothes). stockings, socks (+ men's clothes). coat (FRAC) (+ men's clothes). shoes, sandals (+ men's clothes). hairdress. wig. hacking and thrusting weapons: sword

Costume of a Laplander bride (now Finland), 16th century. She wears a dress of ermine and sable skins, a headdress of skins cut into leaf forms, and wears long wooden shoes like skis. Costume de Lapon. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Mulier Basiliensis (Woman of Basel) 1644 (reprinted 1816) Wenceslaus Hollar Bohemian A woman of Basel standing whole length to front, looking towards the viewer, her left hand on her stomach; wearing a fur cap, ruff, small waistcoat over laced bodice, and three layers of skirts.. Mulier Basiliensis (Woman of Basel) 361505

Man in fashionable clothing, Pieter Jansz Quast, 1647 - 1665 print Standing man in a landscape, dressed according to Dutch fashion circa 1625-35. In the background the contours of a village and some figures. print maker: Netherlandspublisher: Amsterdam paper engraving clothes, costume (+ men's clothes). boots (+ men's clothes). coat (+ men's clothes). head-gear: hat (+ men's clothes). trousers, breeches (+ men's clothes). bow (ornamental part of clothing) (+ men's clothes). landscapes. prospect of village, silhouette of village

Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era," written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

Figures à la mode, no. 2: veiled lady; Figures à la mode. Veiled lady dressed in long crisp with wide puff sleeves, decorated with ribbons, standing on city square. Number two from the Figures à la Mode series, a series of twelve costume prints in which the contemporary men's and women's fashion is shown.

Nobilis Gallica Ornatta; Diversarum Nationum Habitus (...) Padua, 1592. French lady, seen from the front, from: Pietro Bertelli .... no. 34. Ploo collar, veil with wings. Sleeves with cuffs. Folding rotate in hand. (Data Bianca)

Femme d'Anvers Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman from Antwerp, standing to the right, for a landscape. She is wearing a hood consisting of a small round hat with a raised stake and plume on the forehead, to which a spacious, finely pleated cape that is included here to the elbows. Long curly hair falls to the shoulders. Two unmedged neckeries over each other: a double-folded square and one that lies over the shoulders. Jap with close-fitting body, semi-length cut sleeves closed with a bow and a skirt that has been lowered in the middle and up to the waist. The under-sleeves and pedestrian skirt are equipped with a motif with curls. Immilated truss cuffs. Gloves with wide decorated caps. Copy to 'Mulier Generosa Coloniensis'.

Venetian Courtisane in winter costume; Donna La Vernata; Habiti Antichi, Et Moderni di Tutto Il Mondo ... Venetian woman in a 'Romane' (dressed), trimmed with fur, with ornamental sleeves that depend from the shoulder. Below a 'carpetta' or under patent side. In ornament edge.

French nobleman for a lock; Diversitez d'Habillemens a la Mode (...). French nobleman dressed according to fashion of approx. 1630, wears a hat with large feather on the head, sweetheart. He is wearing a wamboo with a weakly folding collar and short pleated cuffs over which a shoulder sheath with flat collar. His knee pants are closed just under the knee and he wears stockings and shoes with rosettes. With a caption at the bottom.

Girl from Zijpe; North Holland clothing forces. Standing young woman from the side pepolder. Nr. 1 in a series of eight young women in North Holland market forces. With caption of two lines in Latin.

Dame en habit de ballet: Le Pautre delin. et sculp. cum privil. regis. Bérain, Jean, 1640-1711. Prints. 1680 - 1690. Jerome Robbins Dance Division. Ballet , 17th century, Costume design , 17th century, Ballet , France , 17th century

Lady in a dress decorated with a lot oval brooch "Lady with a great gem"; Hollar, Wenceslaus (1607-1677), Stent, Peter (Fl. 1640-1667); 1640 (1640-00-00-1640-00-00);Rehdigeran (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, 17th century (costume), jewelry, women

Provincie Holland, Amsterdam, Gole, Jacob, Laroon, Marcellus (I), Londen, Savage, John, The Cryes of the City of London, Straatvenders in Londen, Inkoopster van second-hand clothing, London, verso bottom center - stamped, A buyer of second-hand clothing. She wears a top hat and has a basket on her right arm. The print has an English, French, Italian and Dutch caption and is part of a series on street vendors in London., print, costume print, prints, height 247 mm, width 162 mm, Northern Netherlands, 1660 - 1724, print maker, printmaker, 1688 - 1724, paper, engraving, engraving (printing process), etching, Work conception, after a print by, 1653 - 1702-03-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, granter of privilege

Small mail of the ladies, 1829 (613), 1829 Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving

Noble woman in Venetian gesture, Jost Amman, 1577 Dame in Venetiaanse Dracht ca. 1577, met 4 regelig ver in a het duits. Nr. 119 shipped "habits of the most important people, both men and women's singular skill painted. Trachtenbuch darin fast allerley und der furnembsten nationen die heutigs tags bekandt sein. paper letterpress printing dress, gown (+ women's clothes). neck-gear: collar (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). sleeves (+ women's clothes)

France, Paris, costume sketch for Don Basilio performed by Giuseppe de Begnis for The Barber of Seville, or The Useless Precaution, at Theatre des Italiens

French nobleman for a lock, Isaac Briot, After Jean de Saint-Ibes, c. 1630 French nobleman dressed according to the fashion of approx. 1630, wears a hat with large plume on the head, the side by his side. He is wearing a wambuis with weak pleated and short pleated cuffs about which a shoulder mantle with a flat collar. His knee pants are just under the knee and he wears stockings and shoes with rosettes. With a caption at the bottom. France paper engraving coat (+ men's clothes). shoes, sandals (+ men's clothes). neck-gear: collar (+ men's clothes). head-gear: hat (+ feathers used for clothes). head-gear: hat (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). ornamental parts of clothing (+ men's clothes)

Habitus et cultus Matronarum Nobilu et Rusticarum (Clothing and Manners of Noblewomen and Countrywomen). This series highlights the contrast between the clothing of Dutch noblewomen and that of women from the provinces. The regional clothing evolves slowly over time, while the fashionable attire of the elite is subject to foreign influences. For example, the woman in plate 1 wears a Spanish, conical farthingale beneath her skirt, while the woman in plate 2 wears the bellshaped version from France.

Palatine woman going through the city, Anonymous, After Wenceslaus Hollar, 1662 A woman from the Palatinate, walking to the city. A fur hat on the head. Road with round necklace and bragons, which runs into a point from the front. Sleeves with splitting and cuffs, trimmed with lace. Thick pleaty that is tied up with a ribbon at the front. Ankle -long skirt with white apron. Shoes with heels. paper etching Palm

Young lady curtsying on a street, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters and Misses, R. Baldwin, London, 1759.

Foreign woman in Venetian costume; Various Donne; Habiti Antichi, Et Moderni di Tutto Il Mondo ... immigrant in Venice, dressed in a Venetian pregnant, combined with foreign influence. Dress and 'Sottana' from silk. Long 'cappe' as a veil overlook. Golden chain over the body. Necklace and earrings.

English Lady in Winter Costume (The Winter habit of an English Gentlewoman) 1644 Wenceslaus Hollar Bohemian A full length standing figure of a woman, wearing a dark hood tied under the chin and a black half mask. She also wears a fur stole and carries a fur muff on her left arm. A feather fan hangs from her right wrist. Although she stands outdoors in cold sufficient to require heavy furs, this woman has removed one hand from her muff. As her exposed fingers caress the long tail of her collar, her large eyes meet the viewer's own, and her full lips reveal the suggestion of smile. With these subtle signs, Hollar hinted at a sensuality concealed beneath the woman's rich garments and winter mask.. English Lady in Winter Costume (The Winter habit of an English Gentlewoman) 356521

English woman of stand with wide -rigid hat, Wencslaus Hollar, 1665 - 1707 English woman, and profil turned to the left. Because the dress has been taken up, the embroidered bottom can be seen. A highly connected collar trimmed with lace. On the head a tapered hat with cord around the sphere and wide weak edge. Shoes with heels, decorated with a rosette. London paper etching head-gear: hat (+ women's clothes). Europeans: Englishmen (+ women). neck-gear ~ clothing (NECKERCHIEF) (+ women's clothes). neck-gear: collar (+ women's clothes). dress, gown (+ women's clothes). clothes, costume (+ women's clothes). fashion plates. shoes, sandals (+ women's clothes)

Regency woman in walking dress and pelisse. Round dress in cambric trimmed with lace, pelisse of blue and white shot sarsnet, white satin hat ornamented with flowers. Designed by Mrs Elizabeth Gill of Cork Street, Burlington Gardens. Vol. 2, Plate 11, August 1, 1816. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Friedrich Heinrich, Prince of Orania, Count von Nassau as a victorious general in the foreground of the siege of Groenlo ("Groll") 1627: Full figure standing, half of the right; BARHAUPT; with wireless and godbard; Top collar; in patterned. Wams with breast slots, lace cuffs; Lace-lined ferrule around the right shoulder; Cape wrapped around the hips; in patterned knee pants; The lightweight footwear with loop stock; Command duty in the right on the right hip supported, left on the handle of the Degens hanging on the side; At the top left Latin. Meal, right Latin. Legend. Copper engraving, without designation.

A gentleman walking forward, with his right arm outstretched and a whip in his left hand, wearing a plumed hat and decorated shoes. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Jean de Saint-Igny (French, Rouen ca. 1595/1600-1647 Paris). Dimensions: Sheet: 7 3/8 × 5 1/16 in. (18.8 × 12.8 cm)Plate: 5 1/2 x 3 5/8 in. (14 x 9.2 cm). Series/Portfolio: The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing(Le Jardin de la Noblesse Française dans lequel ce peut ceuillir leur maniere de Vettements). Date: 1629.A gentleman walking forward, with his right arm outstretched, and a whip on the left hand, wearing a jerkin with small dots and ribbons, and a large collar, knee breeches with small pompons on the sides and bordered with lace, worn with a wide-sleeved coat, stockings, and shoes decorated with lace puffs. A hat with a large bundle of feathers adorns the head. Museum: Metropolitan Museum of Art, New York, USA.

Lord, elegant dressed according to the fashion from around 1660, standing in front of the sidewalk of a house, Jan van Troyen, after Gerbrand van den Eeckhout, c. 1660 A gentleman, dressed according to the fashion of approx. 1660, standing in front of the sidewalk of a house. He is dressed in a wambuis with wide sides collar, over which a wide band to which hises are attached. Pofbroek with bows, stockings and shoes with bows. The hair is long. He holds his hat in the right hand. paper engraving clothes, costume (+ men's clothes). cape (+ men's clothes). head-gear: hat (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). neck-gear: collar (+ men's clothes). hairdress. shoulder-belt, bandoleer (+ men's clothes). trousers, breeches, etc. (PETTICOAT BREECHES) (+ men's clothes). shoes, sandals (+ men's clothes). border, ribbon, braid (+ men's clothes). hacking and thrusting weapons: sword Netherlands

Hungari: man and woman, dressed according to the Hungarian fashion of approx. 1610-'20. Man and woman standing from the front, dressed according to the Hungarian fashion of approx. 1610-'20. Cutting map Europe, Blaeu Exc.

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