Historical Fashion Illustrations

19th-century fashion prints depicting women in traditional attire, highlighting intricate designs and cultural styles from history.

French aristocrat in formal 'costume de Cour' Date: circa 1800

French woman in wicker hat decorated with flowers, muslin check dress. Chapeau de sparterie, robe de mousseline. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1815.

Cabinet des Modes or Les Modes Nouvelles, September 1, 1786, Pl.iii, 1786 Woman in a Hofjapon, consisting of a body of pink taf side and skirt of apple -green taf side. A transparent small shoulder mantle from Tulle, trimmed with wrinkled strips. Accessories: Tulle hat with feathers and pearls, earrings, long gloves, folding range. The print is part of the 20th Cahier from Cabinet des Modes Ou Les Modes Nouvelles. The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785 - November 1, 1786. paper engraving fashion plates. styles of hairdress - AA - ~ women. dress, gown: court gown or court dress (+ women's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (MANTELET) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). ear-rings (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes).

Mdlle. Duvernay: the celebrated cachucha Cachucha. Prints. 1837. Jerome Robbins Dance Division. Cachucha (Choreographic work : Elssler), Ballet , 19th century, Duvernay, Pauline Yolande Marie Louise, 1813-1894

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academie Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Fashionable woman in striped bonnet of satin and velvet bands, velvet Spencer jacket. Chapeau de satin et bandes de velours, spencer de velours. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1814.

Habit of a lady of quality in France. Dame Françoise.', 1757 - 1772, by Hans Weigel (1549-ca. 1578). Published in London by T. Jefferys, 1577. The image features engravings of women's clothing and dress in France from the 1500-1599 period, hand-colored

Fashionable women at Tivoli Gardens, 1798. Hat ornamented with a garland of shells and white lace veil. Hairwork necklace with large pendant, black dress with white undersleeves. Chapeau orné d'une Guirlande en coques. Voile blanc. Collier-en-Cheveux. Chemise noire. Jardins de Tivoli. 7 August 1798. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.

Regency lady in ball gown and fashionable head-dress. Dress of spotted gauze over a satin slip, low-cut bust with blond lace quilling, transparent gauze sleeves, fichu a la Marmotte in satin and blond lace. Designed by milliner and dress-maker Mrs Bell of 52 St Jamess Street. Vol. 4, Plate 27, November 1817. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

English woman in the fashion of August 1798. She wears a bonnet, a high-waisted dress with ribbon detail under the bust, panels joined with a brooch, and skirts with embroidered hems. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "English Costumes during the Revolution and First Empire, 1795-1806," Levy, Paris, 1879.

Fancy-dress or theatrical costume of an enchantress or the night, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Woman in straw hat with violet ribbons, hair in curls, green taffeta gown, white gauze fichu tied in front, pink taffeta petticoat. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 17me Cahier, 5 August 1790.

Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil and basquina dress over a white petticoat and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Dress of the reign of King Henry VI, 1422~1461. She wears a blue fur-lined mantle over a jeweled and fur-trimmed bodice over a pink skirt. Her Royal MS, Harleian MS, Froissart, Montfaucon, drawing by King Rene, print in Lidgates poem, Nuremburg Chronicle. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Fashion Plate, Promenade Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, March 1, 1825. Prints; engravings. Hand-colored engraving on paper

Journal of the ladies and modes 1822, Parisian costume (2096), 1822 Print from the journal Journal des Dames et des Modes, 1822. paper etching Print from the journal Journal des Dames et des Modes, 1822. paper etching

Young girl of the Canton of Glarus, Switzerland, 19th century. She wears a lace bonnet with butterfly wings and notched band. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Dama Noble de la Alemania del Norte, en la Edad Moderna. Grabado en color de 1870.

Fashion Plate, Ball Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, June 1, 1825. Prints; engravings. Hand-colored engraving on paper

Regency woman in carriage dress with lorgnette. Dress of cambric muslin or jacconot, embroidered borders, plain handkerchief, Anglesea chip hat with ostrich feathers, green kid sandals. Vol. 14, Plate 17, September 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Newspaper of Ladies and Modes, Paris Costume, April 19, 1799, An 7 (102): Paill Hat (...).Straw hat, decorated with ribbons called 'Echelle de Rubans.' White wet with long sleeves with a blue underskirt. Around the shoulders a transparent scarf. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Woman in large black felt hat with a poppy-red ribbon, caraco jacket, violet corset, and black and poppy petticoats, white fichu and falbala, 1787. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Fashion Plate (Walking Dress). Rudolph Ackermann (England, London, 1764-1834). England, London, November 1, 1820. Prints; engravings. Hand-colored engraving on paper

Regency lady in half dress seated with fan. Gown of lilac sarsnet, cut low at the bust, wreath of pink ribbon, fichu, skirt trimmed with flounce of blond lace and roses, French cornette hat in tulle, Submitted by a lady subscriber. Vol. 2, Plate 22, October 1, 1816. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Journal des Dames et des Modes, editie Frankfurt 1805, Costume Parisien (5) : Costume de Bal.Dancing woman dressed in a balkjapon with short puffy sleeves. She lifts her skirt, so that the underskirt and stockings are visible. Accessories: diadem, earrings, necklace, belt (), Long gloves, flat shoes with bows. Print from the fashion magazine Journal des Laden et des Modes, Frankfurt-Am-Main, 1798-1848. The print is a copy to PL. 609, 5 Janvier 1805, from Journal des Laden et DES MASS, published by Pierre de la Mésangère, Paris, 1797-1839.

Albanian lady in national costume, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Gallerie des modes et costumes français, 1782, qq 230: dress to English (...), 1782 Woman, seen on the back, in a 'Robe à l'Anglaise' decorated with a tire of brochaged tulle, trimmed with pleated strips of tulle. A scarf around the means. Further accessories: earrings, necklaces, long gloves, bracelet, fan. Print from the QQ series. 40th Cahier des Costumes Français, 30th Suite d'Habillemens à la Mode and 1782, Gallerie des Modes et Costumes Français paper engraving fashion plates. dress, gown: robe à l'anglaise (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). fan (+ women's clothes). pearl; pearl necklace (+ women's clothes). bracelet, wristlet (+ women's clothes). ear-rings (+ women's clothes). border, ribbon, braid (+ women's clothes)

Wendic woman in bridal costume, Samuel Gränicher, 1803 - 1808 print Dresden paper etching folk costume, regional costume. bride (in wedding-dress) Saxony

Journal des Dames et des Modes, Costume Parisien, 5 juin 1821, (1988): Chapeau de gaz (...).Woman, seen on the back, walking to the right, with a canopy hat of tulle decorated with various flowers. She is wearing a Cotton Batist jon (percale) decorated with 'bouillons' of muslin. Just like the belt, FICHU is formed by a wide ribbon of tulle. Further accessories: parasol, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Ladies' diary and modes 1824, Parisian costume (2227). Prant UIT Het Tijdschrift Journal des Dames and Modes, 1824.

Woman of Seville, Spain, 19th century. She wears a ribbon tied in a bow over her ringlets, a fringed petticoat and a distinctive shawl. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Dress of the reign of King George II, 1727~1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

French woman in velvet hat, dress in Merino wool decorated with velvet bands. Chapeau de velours, robe de merinos garnie en velours. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1815.

Woman with wide hat.

Empress Josephine, wife of Napoleon Bonaparte, 1763-1814. In the grand costume of the empress, purple velvet manteau and dress embroidered in silver. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Journal des Luxus und der Moden 1786, Band I, T. 20.Woman to the right, in a 'Robe à la turque' from green taft with bodice and skirt from white taft side. Garnish of Jap and Falbala from the skirt consisting of bows of white crepe on which art roses. The sleeves have cuffs from side. Fichu with bow on the chest. White long gloves. On the head a new type of hat: a 'chapeau-bonnette' with a colored ribbon, feathers and a dependent veil. Range in hand. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Costume of a lady, reign of King Charles II, England, 1680. She wears a hat over veil, lace collar, velvet robe with skirts tied up to reveal lace apron and petticoats. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Princess Maria Teresa of Savoy-Carignan, Princess de Lamballe, lady of the court, France, 1786. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Gabrielle d'Estrees, Duchess of Beaufort and Verneuil, mistress of King Henry IV of France, 16th century. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

French women's fashions of 1790: dress cut a la Turque, bonnet a la grande pretresse. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Madame Charlotte Doche in Madame Roland by Virginie Ancelot, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

A drawing by Auguste de Saint Aubin of a young lady facing right, executed in black chalk with reddish tones, pen in black, and watercolor.

Femme de l'Ile de Tine Tinos., 1808 - 1826, Istanbul

Journal des Ladies et des Modes, Costume Parisien, 6 Novembre 1799, AN 8 (169): Chapeau - Capote. 'Chapeau-capote'. Canezou on a striped dress with short sleeves. A reticle with an embellishment of a harp and leaves in the left hand. Further accessories: long gloves, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Journal des Luxus und der Moden, 1795, T 36.Woman in a dress with three-quarter sleeves and trail, the zoom decorated with a flower and leaf motif. Accessories: Hat under the chin nodded, folding impeller, shoe. On the left a line drawing of the woman, seen on the back, until the hip. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Fashion Plate, Ball Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, June 1, 1826. Prints; engravings. Hand-colored engraving on paper

Woman in large gauze bonnet with feathers and tricolor cockade, hair in five large curls, fichu, satin robe a la Circassienne, bodice in tricolor stripes, white gauze skirt with garland of roses at knee. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 2me Cahier, 5 March 1790.

Woman in white felt bonnet a l'Angloise, white gauze colinette, hair in ringlets, white shawl with black lace trim, blue-grey satin gown and petticoat, lemon yellow slippers. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 29me Cahier, 5 December 1790.

Newspaper of Ladies and Modes, Paris Costume, July 24, 1800, An 8 (232): Double Frosted Hood. 'Decorated with smoke. Japan with pattern of arcs. POF Sleeves and Drag. To the neck has striped damn (). Flat Shoes with tip nous. The Print Is Part Of The Fashion Magazine Laden Journal and Moldes, Published By Pierre de la Mesanger, Paris, 1797-1839.

Journal of the ladies and fashions, Parisian costume, April 25, 1803. An 11, (465): hat garnished in chicory, Pierre Charles Baquoy, after Carle Vernet, 1803 Woman with a hat on the head decorated with 'Chicorée'. She wears a dress with cleavage, short sleeves, high waist and tow. Further accessories: long gloves, scarf trimmed with fringes, flat shoes with straps over the instep. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). ear-rings (+ women's clothes). shoes, sandals (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes)

Fashion Plate, Ball Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, July 1, 1827. Prints; engravings. Hand-colored engraving on paper

Journal des Dames et des Modes, editie Frankfurt 21 octobre 1821, Costume Parisien (43) : Chapeau de satin moiré (...).State the caption and accompanying text (p. 464): hat of satin moiré, decorated with a sash of gaze in the shape of a cooking. Spencer of velor. Cotton Batist shratch, garnished with embroidered muslin and openwork tulle. White gloves. Black shoes. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, Paris, 1797-1839.

Journal of the ladies and fashions, supplement to the Parisian costume, May 11, 1798, year 6, (35): St Aubin in Primeros (...), 1798 Costume of a villager from the province: a tunic () With short sleeves, on a skirt with (decorative) apron with diamond pattern. Hat with a strict ribbon, over which a cloth with a diamond pattern, stuck under the chin. Further accessories: stockings, flat shoes with pointed noses. The print is part of a supplement of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear (+ women's clothes). apron (+ women's clothes). clothing for the upper part of the body (+ women's clothes). shoes, sandals (+ women's clothes). shoes, sandals (+ women's clothes). stockings, socks (+ women's clothes)

General painting of the taste, January 20, 1799, an. 7, no.18 (Jan. 20, 1799): Cypris hat, 1799 Woman, seen on the back, in a gray dress with tow. A cloaket of crepe with lace around the shoulders. On the head a 'Chapeau à la Cypris'. Fan and pouch in the hands. The print is part of a series of 20 fashion prints, published by Gide, Paris, An VII, 1797-1799. paper etching fashion plates. clothing for the upper part of the body (MANTELET) (+ women's clothes). head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). fan (+ women's clothes). bag (HANDBAG) (+ women's clothes). lace (+ women's clothes)

Regency woman lounging on a sofa at a ball, 1812. Grecian robe of white crepe embroidered up the front, antique bodice of marigold velvet, square veil of Mechlin lace on her head. Plate 11, Vol. 7, February 1, 1812. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, London.

Journal des Dames et des Modes, Costume Parisien, 24 janvier 1799, An 7 (86) : Toque de Velours (...).Woman walking to the left, with a toque of velvet on the head, trimmed with golden side. She is wearing a clot with a 'demi corset' of velvet. Flat shoe with pointed nose. According to the caption, this show was drawn to life at the 'Opéra, 27 leveling'. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Journal des Ladies et des Modes, Costume Parisien, 25 Avril 1803. AN 11, (465): Chapeau Garni and Chicorée. Woman with a hat decorated on the head with 'chicorée'. She is wearing a clot with cleavage, short sleeves, high waist and drag. Further accessories: long gloves, scarf trimmed with fringes, flat shoes with straps over the instep. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (591) Ceinture en Echarpe.Woman to the right, in the Japon of white crepe, with puffy sleeves on which a small bow. Long yellow gloves and as jewelry a necklace and earrings. On the head a bonnet with tufelt flowers and a bow. A long white scarf in the right hand, deposited with an edge of flowers. The print is part of the fashion magazine Journal des Laden et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839

Marguerite de Cambis, Baronne d'Aigremont, French translator of Boccaccio, fl. 1550s. Handcoloured lithograph by Leopold Massard after a figure in Roger de Gaignieres' portfolio VIII 86 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Journal of the ladies and fashions 1824, Parisian costume (2227), 1824 Print from the journal Journal des Dames et des Modes, 1824. paper etching Print from the journal Journal des Dames et des Modes, 1824. paper etching

Dress of the reign of Henry VIII, 1509~1547. She wears a purple hat decorated with jewels and feathers, a red dress with puffed and slit sleeves, lace collar and cuffs. Based on a woodcut of the time, Strutts Habits, Society of Antiquaries, Observations on Female Headdress in England." Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Journal de la Mode et du Goût, 20 mai 1792, 9e cahier, pl. 1.Standing woman with arms outstretched, dressed in a white caraco and skirt, embroidered with floral pattern. On the head a blue hat with tie ribbons. The print is the left half of the 9th Cahier, 3rd Année, from the fashion magazine Journal de la Mode et du Goût ou amusemens du salon et de la Toilette, Paris, 25 February 1790-19 April 1793.

Dress of the reign of Henry V and VI, 1413~1461. She wears a crimson jacket trimmed with ermine over a white dress, with tall jeweled headdress in the shape of a heart. Based on Royal and Harleian manuscripts, Froissart, Montfaucon. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Small ladies' mail 1826 (372); Small ladies' mail, or new newspaper of modes, theater, literature and arts.print from the Fashion Magazine Small Ladies Courier (1821-1868).

Louise, Duchesse de la Valliere, mistress of King Louis XIV, 1670. She wears her hair in ringlets, pearl necklace, velvet dress, lace sleeves tied with ribbons, brocade petticoats and gloves. Taken from the Lady's Magazine and Museum, 1835. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Fashion Plate, 'The Russian & Prussian Bonnet & Pelisse' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, July 1, 1814. Prints; engravings. Hand-colored engraving on paper

Newspaper of Ladies and Modes, Paris Costume, August 27, 1798, Year 6, (58): Natched Capote (...).'Capote' with braid garnished with a 'papillon' (). Short sleeves with short sleeves with a row closure. Long scarf, sloped slipped over the left shoulder. To neck a necklace consisting of two cords. Stockings and flat shoes with pointed noses. According to the caption, this performance is drawn to life in 'Frascati'. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

La Mode Pratique, 1907, No. 754: Toilette Montante Pour Le Soir (...). Woman in a 'Toilette Montante' for the evening. Evening juice of silk mousseline decorated with 'velor breaking' and embroidery. Necklace. Long gloves. Some roses in hand. Verso: Text sheet with a photo of an afternoon or evening gown. Print from the La Mode Pratique mode magazine (1891-1938).

Journal des Ladies et des Modes, Costume Parisien, 18 Juin 1799, AN 7 (112a) Bonnet Négligé (...). 'Bonnet Négligé': Cap with veil. Tunic of linen on a 'transparent' (underskirt). Further accessories: belt (), Long gloves, dotted pouch, flat shoe with pointed nose. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Mrs Elizabeth Hartley in the character of Mary Queen of Scots in John Banks The Albion Queen, Covent Garden Theatre, 1779. Elizabeth Hartley was a famous actor on the London stage and scandalous figure, 17501824. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Revue des Modes de Paris, July 1834, No. 28: Mousseline dress from Ind (...), Montaut d'Oleron. Gabriel Xavier, 1834 Klapon of embroidered 'Mousseline de l'ronte' and Mantille without ends from the Mes Melliers et Grignon stores. Japon from Foulard. Gros de Naples hat. Jewelry from M. Dekouw. Print from the fashion magazine Revue des Modes de Paris (1833-1834). paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). clothing for the upper part of the body (MANTELET) (+ women's clothes). walking-stick, staff, cane (+ women's clothes).

Cabinet des Modes Ou Les Modes Nouvelles, 1 Mars 1786, pl. II.Robe à l'Anglaise. According to the accompanying text, the shapon of light pink satin and the underskirt of light white satin. Here about a very large scarf of white taffeto decorated with a large falbala from black tulle, instead of a cloak. The scarf is draped over the breast, stoned at the rear (over the dress) and thus forms a belt. The two ends are decorated with the same falbala or frills. The hair hangs 'à la Conseillère' and has two large curls that fall over the shoulders. On the hairstyle a 'Casque à la romaine' of yellow satin with three large feathers. The Casque is decorated with a tulel, which hangs from behind to the belt from behind. The print is part of the 8th Cahier from the Cabinet des Modes Ou Les Modes Nouvelles. The series consists of 72 fashion prints, issued by Buisson, Paris, November 15, 1785 - November 1, 1786.

Journal of the ladies and fashions, Parisian costume, November 6, 1799, year 8 (169): Hat - Capote, 1799 'Chapeau-Capote'. Canezou on a striped dress with short sleeves. In the left hand a reticule with a decoration of a harp and leaves. Further accessories: long gloves, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. head-gear (CAPOTE) (+ women's clothes). head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). bag (RETICULE) (+ women's clothes). clothing for the upper part of the body: blouse (+ women's clothes).

Journal des Ladies et des Modes, Costume Parisien, 27 Octobre 1799, AN 8 (167): Négligé Boiteux. Close-fitting dress with short sleeves and under the bust a bow with brushes. Cap and impeller. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Petit Courrier des Dames, 1825, No. 274 : Robe de Satin garnie de fourur (...).Standing woman dressed in a junior of satin, trimmed with fur. The bodice 'à la François 1er.', Decorated with an agree with precious stones. On the head a hat of blue velvet, decorated with aigrette of gold-colored 'philangaris' () And ribbons of gold-colored fabric, 'des Magasins de Mure'. Further accessories: two bracelets around the left wrist, gloves, belt with buckle, flat shoe with pointed nose. On the right a seated woman, seen on the back, dressed in the same dress. Print from the fashion magazine Petit Courier des Ladies (1821-1868).

Fashion Plate, 'Walking Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, April 1, 1817. Prints; engravings. Hand-colored engraving on paper

Elegantia, or magazine of fashion, luxury and taste for women, January 1809, no. 68: Robe de Satin ..., Anonymous, 1809 According to the accompanying text (p. 32): white satin dress with fur from 'Moskovian rabbit'. Toque and fichu of the same. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 32): white satin dress with fur from 'Moskovian rabbit'. Toque and fichu of the same. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving

Depiction of a farm girl near Dresden by Samuel Gränicher, executed in black-gray feather and watercolor over pencil in 1806-07, showing figure, posture, and rural attire.

Suite consacrée aux élégantes et petits maîtres, 1778-1785, (13): M.Lle des Favors aux Thuilleries (...). According to the caption, this voluptuous woman walks, or Mlle des Favors, with a dog on the arm in the tuilies. She is wearing a "robe à la polonaise" topped with tires with floral pattern and wrinkled strips. Mantelet (small shoulder jacket) with hood. On the high hairstyle a hat decorated with ribbon, pearls, flowers and peacock feathers. Further accessories: bracelet, walking stick with ribbon, shoes with heels and bows. The print is part of a series of approx. 12 prints issued by Le Dru, Paris, 1778-1785.

Fashion Plate, Walking Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, April 1, 1822. Prints; engravings. Hand-colored engraving on paper

Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Februari 1807, No. 5 : Coeffure et Robe Parées....According to the description in the magazine (p. 64): Dressed white satin crock, from the front "scolding" and closed down to the bottom. Fichu van Zwanendons. 'Coiffure Parée' with pearls. Necklace of large pearls. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).

Journal of the ladies and fashions, editis Frankfurt October 27, 1806, Parisian costume (44): Grande Parure, 1806 According to the accompanying text (p. 132) hairstyle with braids and pipe curls. Earrings with pearls. Scrap of white muslin with Canezou with strands ('torsades') and an edge with palm motif. Short puffed sleeves. Red side with fringes. White (long) gloves and white shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848). Frankfurt am Main paper engraving According to the accompanying text (p. 132) hairstyle with braids and pipe curls. Earrings with pearls. Scrap of white muslin with Canezou with strands ('torsades') and an edge with palm motif. Short puffed sleeves. Red side with fringes. White (long) gloves and white shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition of

Fashion, France, 19th century. Women's fashion plate depicting evening dress designed by Worth (Toilette de Soir. Modele de Worth). From La grande dame, 1894.

Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Journal of luxury and fashions, 1795, T 25, 1795 Woman in a dress with pleated three -quarters of sleeves, high waist and tow. On the head a striped hat decorated with ribbons and ostriches. Further accessories: earring in the right ear, necklace, long gloves, fan. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). necklace (+ women's clothes). ear-rings (+ women's clothes). fan (+ women's clothes). fashion plates

Journal des Dames et des Modes, Costume Parisien, 20 février 1816, (1544): Costume de Bal..Woman dressed in a suit for a ball. The balkjapon has short puff sleeves, square neck and high waist. The bodice and the zoom are decorated with red band and flowers. Under the transparent skirt, a underskirt is visible, with the zoom decorated with ruffles. Hair band and flowers in the hair. Further accessories: earring in the left ear, necklace, long gloves, flat shoes with crossed tires and bows. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

fashion 19th century ladies fashion Austria lithograph Vienna 1835,

Journal of the ladies and fashions, Parisian costume, April 10, 1807, (799): Marcellin hood (...), 1807 Woman, seen on the back, dressed in a dress with short puffed sleeves, high waist and serrated hem. On the head a 'Capote de Marcelline'. 'Bouffante' of wool. Further accessories: cord (belt) with brushes, long gloves, scarf trimmed with striped piping, shoe with bow. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). head-gear (CAPOTE) (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). belt, girdle, waistband (+ women's clothes)

Fashion, Austria, 18th century. Women's fashion plate depicting Vienna governess costume, 1787

Marguerite of Valois, vintage engraved illustration. 12th to 18th century Fashion By Image

Mrs Elizabeth Hopkins in the character of Lady Brumpton in Richard Steeles The Funeral, Drury Lane Theatre, 1770. Mrs Michael Sharp, 1756-1801, daughter of William Hopkins and actress Elizabeth Hopkins. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1776.

Kahn, Cécile. 1900 fashion drawing. Black ink and watercolor on a map. Palais Galliera, fashion museum of the city of Paris.

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; the reflection Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. Reflexion (lace band hairstyle). Engraving (color-water).

Lion, Sophie.

Servant at the baths, Paris, early 19th century, in lace bonnet and collar, pink dress and white apron, carrying a dish of soap and bath linen. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from "Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823.

Journal of the ladies and modes 1823, Parisian costume (2129), 1823 Print from the journal Journal des Dames et des Modes, 1823. paper etching Print from the journal Journal des Dames et des Modes, 1823. paper etching

Gallery of Fashion, vol. VIII (April 1, 1801 - March 1 1802) 1794-1802 Nicolaus Heideloff Volume of costume plates from the series "Gallery of Fashion", published monthly by Nicolaus Heideloff between 1794 and 1803. Heideloff was born in Stuttgart, and spent the early years of his career in Paris. He fled from there to London during the French Revolution, and spent the next 30 years there. During this time he contributed to the growing market in popular prints through various endeavors including the Gallery of Fashion. In 1815, he was appointed to the directorship of the national paintings gallery in The Hague, now commonly known as the Mauritshuis.. Gallery of Fashion, vol. VIII (April 1, 1801 - March 1 1802). 1794-1802. Illustrations: etching and engraving (hand colored). Nicolaus Heideloff (German, Stuttgart 1761-1837 The Hague)

Fashion Plate, 'Court Dress'. England, London, early 19th century. Prints; engravings. Hand-colored engraving on paper

Journal of the ladies and fashions, Parisian costume, November 2, 1803, year 12, (508): costume of an Ouvrièr (...), 1803 Fashionist or 'ouvrière and modes', with hat box in hand. She wears a dress with short sleeves and low cleavage. Long apron trimmed with ruffles .. Accessories: hat with ribbon, earring in the left ear, knotted neck cloth or fichu trimmed with fringes, long gloves, bracelet, flat shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). shoes, sandals (+ women's clothes). veil (+ women's clothes). ear-rings (+ women's clothes). apron (+ women's clothes). bracelet, wristlet (+ women's clothes). bag (+ variant). working class, labourers - AA - women. containers

Sister of Duchess Elisabeth / on horseback

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