Historical Fashion Illustrations

19th-century fashion prints depicting women in traditional attire, highlighting intricate designs and cultural styles from history.

French aristocrat in formal 'costume de Cour' Date: circa 1800

Woman in promenade dress with straw hat and stick, era of Marie Antoinette. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Francois Louis Joseph Watteau from the Gallerie des Modes et Costumes Francais, 1778-1787.

Marie-Caroline of Bourbon-Two Sicilies, Duchess of Berry, 1798-1870, Italian princess of the House of Bourbon. In bonnet with black plumes, blue coat with military frogging. Caroline Ferdinande Louise, Duchesse de Berry. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (617), Frisé de Batiste ......Woman to the left, in white dress with 'Jabot tournament', yellow long gloves and a red scarf in the hands. On the head a 'Frisé' of Battist under a velvet capote, which is bound with a pink ribbon. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Tradeswoman of Rouen wearing a bonnet called a bavolet. She wears a dusty pink dress with blue shawl trimmed with flowers. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Journal des Ladies et des Modes, Costumes Parisiens, 1914, No. 165: Robe à Danser (...). Young woman in a dance juke for someone from 16 to 18 years. Print from the Mode magazine Journal des Laden et des Modes (1912-1914).

Lady of rank, Holland, 1380. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Dress early in the reign of King George III, 1760~1770. Woman with greengrocer's barrow headdress, bouffant hair, tight silk bodice with lace collar, silk muff and white petticoats. "The long side curls are imitated by carrots similarly disposed." Based on prints "The Maiden Aunt" 1776, "The Green Stall," "The Macaroni Courtship," and Bunbury. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Dress early in the reign of King George III, 1760~1770. Woman with greengrocer's barrow headdress, bouffant hair, tight silk bodice with lace collar, silk muff and white petticoats. "The long side curls are imitated by carrots similarly disposed." Based on prints "The Maiden Aunt" 1776, "The Green Stall," "The Macaroni Courtship," and Bunbury. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria,î London, Dickinson & Son, 1840

Lady Going About Town Incognito, by Franz Ertinger, 1689, French print, engraving. Fashion prints that incorporated short stories about the model to promote new styles. In this case, an anonymous woman departs for the city wearing a new style of over-garment called a manteau (BSLOC_2016_2_118)

Woman in Costume from Bern, Eugène Guérard, 1844 print Paris paper folk costume, regional costume

Journal of luxury and fashions, 1797, T 34, 1797 Standing woman dressed in a dress with transhipment, trimmed with decorative edge. Long sleeves and tow. Accessories: High hat with upright edge decorated with ribbon and feathers, Fichu, Ceintuur, Waaier. On the right a detail of the driving closure, at the rear of the dress. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear (+ women's clothes). fashion plates. piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). fan (+ women's clothes). shoes, sandals (+ women's clothes). belt, girdle, waistband (+ women's clothes)

Journal of ladies and fashions, Parisian costume, February 25, 1798, (24): pear bun ..., 1798 Standing woman with the hair in a pear -shaped bun. Double headband with white gitten. A long scarf of wool around the left shoulder, trimmed with fringes. She wears a dress with short sleeves. Further accessories: earrings, long gloves, shoes with pointed noses. Open book in hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving dress, gown (+ women's clothes). head-gear (+ women's clothes). fashion plates. gloves, mittens (LONG GLOVES) (+ women's clothes). shoes, sandals (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). ear-rings (+ women's clothes). styles of hairdress - AA - ~ women. ornamental parts of clothing (+ women's clothes). book - MM - book open

A costume design by Katharina Sperling for Augsburg showing a girl of a powderer going to a wedding, executed in gray pen and wash.

Journal des Dames et des Modes, Costume Parisien, 25 février 1804, An 12, (535): Turban fait avec un fichu (...).Woman with a turban on the head with a fichu from bornoned muslin. She is wearing a key with long sleeves and drag. Further accessories: Earring in the right ear, necklace, scarf with a flower and leaf motif, gloves, impeller, flat shoes with bows. Flower in the left hand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Maria Theresa of Austria, vintage engraved illustration. 12th to 18th century Fashion By Image.

A gray pen and wash costume design by Katharina Sperling for Augsburg depicting a young woman titled 'Demoiselle Sorb'.

French noble woman in court costume, era of King Louis XVIII. In plumed headdress, puff-sleeved, high-waisted gown with embroidered panel. Costume de Cour, 1820. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Costume design for Imoinda in the tragedy 'Oroonoko,' dated 1757-1772. Issued in London by T. Jefferys, the engraving is hand-colored and illustrates the historical costume associated with the character from the play by Thomas Southerne (1660-1746)

BODIN. "Augustine Brohan costume in the role of hazelnut (comedy French 1851)". Watercolor. Paris, Carnavalet museum. Actress, French French, Comedian, costume, French, watercolor

Historical costumes : Lady wearing a hunting costume (1779), n 101 Achille Deveraia (1800-1857), French engraver, and Cattier. Historical costumes: lady wearing a hunting costume (1779), n 101. Lithograph on paper, 1831.

Journal des Ladies et des Modes, Costumes Parisiens, 1823, (2159): Chapeau de Sparteri (...). Standing woman in a 'blouse' of fine linen embroidered with wool. On the head a hat of 'sparers' (braided plant fibers) decorated with a snare of satin deposited with idem 'SPARTERY'. Blue scarf around the arm. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Ballet dancer Celestine Emarot as Addison in Lady Henriette by Mazilier, Academie Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Fashion Plate, 'Promenade Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, August 1, 1826. Prints; engravings. Hand-colored engraving on paper

Journal of the ladies and fashions, Parisian costume, April 15, 1810, (1053): co -dent in mats (...), 1810 Woman, seen on the back, walking to the left, with a 'coeffure' with braids and a ribbon. Corset of 'Tissu de Fil', crossed on the back like an 'x'. She wears a 'chemise' with short sleeves. Accessories: earring in the left ear, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. underclothes for the whole body (CHEMISE) (+ women's clothes). underclothes for the upper part of the body: corset (+ women's clothes). styles of hairdress - AA - ~ women. ear-rings (+ women's clothes). necklace (+ women's clothes). shoes, sandals (+ women's clothes)

Fashion image, a figure, theater cape, Unknown

Journal des Luxus und der Moden 1786, Band I, T. 26.Large black straw hat, the edge of which is trimmed with black ostriches. Around the sphere a triangular 'soubise of black side, which depends on the back in a veil; Decorated with ostriching. Fichu 'à la Ceinture de Didon', consisting of a neckerchief and an antique belt as it was worn among the breasts through the Greek and Roman women. English dress from blue taff. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Marie-Caroline de Bourbon-Sicile, Duchess of Berry, Caroline Ferdinande Louise, Duchesse de Berri 1798-1870. Handcoloured lithograph by Madame Calon from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Woman in pansy-coloured dress, chiffon apron, cornette a la paysanne hat, long gloves and lace shawl. Handcoloured lithograph by A. Lacourriere after an illustration by Francois-Claudius Compte-Calix from Les Modes Parisienne sous le Directoire Aux Bureaux des Modes Parisiennes, Paris, 1871.

Mlle. Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Costume of St. Valery en Caux. The bonnet is larger but not as tall as that of Bolbec, and the chignon is shorter. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Fashion Plate, 'English Evening Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, January 1, 1820. Prints; engravings. Hand-colored engraving on paper

Queen Elizabeth I of England, 1583. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Haberdasher of sewing items, Paris, early 19th century, in orange dress, black apron, white bonnet, and green shawl, holding a box of ribbons and threads. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from "Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823.

Habit of the princess of Walachia in 1700, illustrated by Charles Ferriol, Marquis d'Argental. The engraving is hand-colored and was published in London by T. Jefferys between 1757 and 1772. The work focuses on the costume, clothing, and dress of women in Romania during the period of 1700-1799

Journal des Luxus und der Moden 1788, Band III, T.11.Parisian woman in "Demi-Négligé", according to the latest fashion. She is wearing a "Robe Demi Négigée" consisting of a white skirt with falbala and a body with sleeves, which together form one whole and also attracted as a whole. The bodice is closed from the front. There over a blue 'robe à la turque'. On the head a corresponding white 'bonnet à la paysanne' about which a hat 'à la provence' with large bows of orange band and an egret of field flowers. Fichu and two breloques. Closed impeller in hand. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Fashion Plate 'Morning Promenade Costume' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, August 1, 1822. Prints; engravings. Hand-colored engraving on paper

Fashion image, a figure, outline, Unknown

Journal des Dames et des Modes, Costume Parisien, 22 novembre 1798, An 7, (75.) : Chapeau Jocke (...).Standing woman with a hat, called 'Chapeau jocke', decorated with red velvet. Belt on the back () Crossed. She is wearing a shapon with long sleeves and drag. Further accessories: necklace, folding fan, shoes. Bouquet of flowers in the right hand. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Tricoteuse, 1793, market women who knitted while attending public executions during the French revolution. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Fashion image, Parisian in a promenade suit with a sideways folded up parasol, Unknown

Gallery des Modes et Costumes Français, 1780, dated 167: Jeune Actress Bourgeois (...). Young actress who, standing in front of the mirror, embarking her role. She is dressed in a "Circassienne", whose skirt is decorated with a band in the color of the dress. All garments are trimmed with 'blonde' or dick side; A valance (wrinkled strip) of mesh under the band on the skirt. The sleeves are decorated with tulle. Accessories: hat with bow ribbon and ostrich, bead collier (pearl necklace) in the hair, necklace consisting of two cords around neck, to both wrists a bracelet. Print from the DD series. 28th Cahier de Costumes Français, 22th Suite d'Habillemens à la Mode and 1780, Gallery des Modes et Costumes Français.

Journal of luxury and fashions, 1787 - 1788, 1787 - 1788 Woman in a Redingote () And dotted skirt with serrated hem. Capote of black 'Atlas'. Pouch 'à la Gondole' largely made of taf side and decorated with floral pattern. Intended to include embroidery and frivolitéei. According to the accompanying text, the question is whether the pouch is a fashion item or whether she will really use it. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear (CAPOTE) (+ women's clothes). fashion plates. skirt (+ women's clothes). bag (POUCH) (+ women's clothes). veil (+ women's clothes). shoes, sandals (+ women's clothes)

Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Mei 1807, No. 11: Chapeau de Paille Blanche....According to the accompanying text (p. 160): Jap of white cotton breathing (percale). The sleeve edges and the zoom with network in relief of thick cotton. Belt 'and écharpe', stunned from the front. Scarf from Ponceau-red crepe. White straw hat with a bunch of rose buds; Ros-colored shoes. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).

French gentleman in English-style riding coat and Russian-style trousers, top hat and striped waistcoat. Redingote a l'Anglaise, Pantalon a la Russe. Handcoloured copperplate engraving by Pierre-Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1817.

French actress Mlle Naptal Arnauld in Echec et Mat by Octave Feuillet and Paul Bocage, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Usher at a lodge, Paris, early 19th century, in brown coat, black apron, white lace bonnet, holding a key and carrying a stool and a wooden case. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from "Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823.

Journal des Dames et des Modes, Costume Parisien, 25 mars 1799, An 7, (97.) : Cornette en Crêp (...).Woman walking to the right, with a 'cornette' on the head of crepe decorated with a 'Pointe de Fichu'. She is wearing a high-waist and cleavage clot. She holds her Gon with the right hand. A stick fan in the left hand. Flat shoe with pointed nose. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Woman in a Lisbeth hat in the fashion of 1798. Her white Lisbeth-style hat is worn above a cherry-red cap edged in black crepe. Her peasant-style cross on a velvet cord (a la Jeannette) was popular since 1782. The hat was inspired by the Swiss peasant character Lisbeth in the opera by Gretry and Edmond de Favieres performed by Madame Saint-Aubin at the Opera-Comique, 10 January 1797. Drawn at Longchamp racetrack. Chapeau blanc a la Lisbeth sur un toque cerise borde en crepe noir. Croix a la Jeannette. (Dess. à Longchamp) Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.

Journal des Luxus und der Moden, 1797, T 1.Standing woman in a cloak trimmed with fur on a dress with wrap and long sleeves. Zoom decorated with flower and leaf motif. Accessories: hat or turban with feathers, earring in the right ear, around the neck a fur (), Big mull of fur. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

The beautiful Paule, vintage engraved illustration. 12th to 18th century Fashion By Image.

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (655) Bonnet de Tule....White dress, mid front and along the hem embroidered with small flowers. Fichu crossing for the chest. Long gloves. Bonnet van tulle, decorated with rose knobs. Scarf in hand.

Marie Eleonor d'Este. Princess of Moden (...)., After 1685 - c. 1700 print Marie Eleonor d'Este, dressed in a dress with loose (court) drag. High hairstyle of curled hair with three long curls over the shoulders. Accessories: Beading Collier (Pearl Collier), Gloves and a range. paper engraving fashion plates. clothing for the upper part of the body (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). skirt (+ women's clothes). fan (+ women's clothes). sleeves (+ women's clothes). pearl; pearl necklace (+ women's clothes)

Charles Pilatte for the Ghys house. Model-figure for seamstress. White evening dress with folds retained by knots, pink with bodice, rows of flywheels at the bottom, model of Madame Ghys. Watercolor on cardboard. 1860. Galliera, fashion museum of the city of Paris. 37794-8 Watercolor on Carton, album, Couturiere, young woman, Ghys house, model-digure, knot, white evening dress, pink, second empire, steering wheel

Journal des Dames, Costume Parisien, juillet 1797 (2) : Toquet en gaze Bouillonné (...).'TOUSET' from pleated tulle. Spencer on a dress. Around the neck a transparent long scarf decorated with a geometric pattern. Further accessories: impeller, handkerchief, flat shoes with pointed noses with a contrasting decoration. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839. The print was previously issued at the 'Journal des Modes et Nouvautés' as number 2, with the 'Costumes' caption.

Habit of the sultaness of Transilvania in 1749, by Joseph-Marie, 1757-1772, published by T. Jefferys in London. The work features engravings of women's clothing and dress in Romania, specifically Transylvania, during the 1700-1799 period, highlighting the attire of queens. The engravings are hand-colored

Nabob or Moghul ruler, 17th century, after Niccolao Manucci. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Swiss girl of Berne, regional costume, 19th century. She wears a straw hat, hair in long plaits, blouse, laced bodice, apron, and striped skirt. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Another following of Isabeau of Bavaria, vintage engraved illustration. 12th to 18th century Fashion By Image

Woman in tricolor outfit: red and white striped bonnet and dress, blue sash and petticoat, white fichu, ribbons and frills.. Era of Marie Antoinette. Handcolored engraving by A. Lacourriere after an illustration by Francois-Claudius Compte-Calix from Costume de lEpoque de Louis XVI. Paris, 1869.

Nouveau travestissement de Gavarni. - Exécuté par Babin, rue Richelieu, 21 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Collection of English Original Watercolour Drawings: The Windsor Uniform - Worn at the Ball at Windsor Given on the King's Recovery 1789. Ann Frankland Lewis (England, mid-17th to mid-18th century). England, 1789. Drawings; watercolors. Watercolor on paper

Young girl from the environs of Bamberg, Franconia, Germany, 19th century. In her Sunday clothes on her way to church, holding a prayer book, with her throat covered by a scarf, and her hair covered by a folded fichu, pleated petticoats and red stockings. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Fashionable woman in plumed bonnet, velvet Spencer jacket, dress with velvet bands, lace petticoats, holding a lorgnette. Par-dessus garni de bandes de velours, spencer de velours. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1814.

Woman and chair, France, 1883. Solar, Marie de. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Clothing & dress , France , 1880-1889, Women , Clothing & dress , France , 1880-1889, Dresses , France , 1880-1889, Chairs , 1880-1889

Woman's costume Louis XVI period Woman's costume Louis XVI period. Feather enhanced with watercolor and wash.

Journal of Luxury and Fashion 1786, Volume I, T. 2, Friedrich Justin Bertuch, 1786 Woman in a 'Robe Longue', trimmed with Violette Atlas. Mousseline skirt with Falbala. A large pelisse with fur about this. In the hand a large sleeve from Angorabont with pink bows. The hair bound in a cartogan, on which a straw hat 'à la Cherubin' with pink Bandschleife uber den Stirn. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Woman in a 'Robe Longue', trimmed with Violette Atlas. Mousseline skirt with Falbala. A large pelisse with fur about this. In the hand a large sleeve from Angorabont with pink bows. The hair bound in a cartogan, on which a straw hat 'à la Cherubin' with pink Bandschleife uber den Stirn. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching

Incoyables et Merveilleuses, 1817, Merveilleuse, No. 31: Toilette the spectacle .. 'Merveilleuse' in a 'Toilette de Spectacle'. She is wearing a dress with short puff sleeves, which is decorated with two tires and fringes. Accessories: Hat decorated with ostrich, scarf with pieces, long glove, flat shoes with bow and tie over the rubbed. The print is part of a series of 33 fashion prints, engraved by George Jacques Gatine, Paris, 1810-1818.

Fashion Plate, 'Morning Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, November 1, 1815. Prints; engravings. Hand-colored engraving on paper

Young woman with dragging robe, Joseph Dujardin, after Hans Holbein (II), 1895 print paper etching / drypoint historical costume. standing figure - AA - female human figure

Fashion image, a figure, outline, Unknown

Woman in Full Dress 1630-1639 Bohemia. Pen and brown ink with brush and gray wash, on ivory laid paper, laid down on ivory laid paper . Wenceslaus Hollar

Store of new French and English modes, November 10, 1787, 36th notebook, 2nd year, pl. 2, 1787 Woman in a dress of light-purple 'pékin', 'coupée à l'Anglaise'. Apple -green body and apple -green long gloves. A fichu around the neck. Accessories: 'Demi-Bonnette' decorated with ribbons, feathers and rosette, walking stick, chatelaine. The print is part of the 36th Cahier, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). skirt (+ women's clothes). walking-stick, staff, cane (+ women's clothes). styles of hairdress - AA - ~ women

Marie Dorval or Madame Allan Dorval as Queen Elisabeth in Le Chateau de Kenilworth by Jean-Baptiste Blache and Henri Lemaire, Theatre de la Porte St. Martin, 1822. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

News French and English News Store, February 29, 1788, Grade 3, 11th notebook, pl. 2.young Woman Dressed in An Apple Green Vest and A Satin Caraco with Apple Green Lapel. She is Wearing at Fichu and a Skirt. On The Curled Her has Big Hat with Ribbon and Feathers. The Print is part of the 11th Cahier, 3rd year, from the new French and English new modes store. The Series consists of 172 Fashion Prints, published by Buisson, Paris, November 20, 1786 - 21 December 1789.

Dress of the reign of George II, 1727~1760. She wears a headdress in the shape of a carriage, beauty spots, necklaces and chokers, a dress with fitted bodice, short sleeves and long lace cuffs, a lace apron, and a watch hanging from her belt. Based on Hogarth, Grays Inn Journal, Thomas Jefferys Collection of Dresses, and "The Connoisseur." Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Woman of the court of King Henri III of France, 16th century. She wears lace ruff collar and cuffs, brocade dress, satin skirt, and fan of swan feathers. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Small mail of the ladies, 1826, No. 435: Crêp Redingotte (...), 1826 Standing woman with a letter in hand, dressed in a redingote of crepe, lined with satin and decorated with ribbons 'à la Talma'. On the head a hat of satin, decorated with blonde (bobbin) and half -checked ribbons, "des Magasins de Mure." Further accessories: belt, gloves, bracelets around both wrists, shoes with pointed noses. On the right a sitting woman, seen on the back, dressed in the same dress. Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving fashion plates. head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). dress, gown: redingote (+ women's clothes). border, ribbon, braid (+ women's clothes). lace (+ women's clothes). shoes, sandals (+ women's clothes). letter, envelope. bracelet, wristlet (+ women's clothes)

Woman in pouf hairstyle with tall hat, striped dress with low-cut decolletage bodice a la Peruvienne, era of Marie Antoinette. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Claude Louis Desrais from the Gallerie des Modes et Costumes Francais, 1778-1787.

Journal of Luxury and Modes 1786, Volume I, T. 8, Friedrich Justin Bertuch, 1786 Woman in a 'Robe à la Turque', with a hat on the head 'à la nouvelle omphale' with feathers and bows. Earrings 'anneaux unis'. Fichu with bow in the middle. The dress is from 'Nacarat-Atlas' or TAF side. Skirt, with falbala, and body of white taf side .. on the left arm a bracelet, a densely folded fan in the right hand. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Woman in a 'Robe à la Turque', with a hat on the head 'à la nouvelle omphale' with feathers and bows. Earrings 'anneaux unis'. Fichu with bow in the middle. The dress is from 'Nacarat-Atlas' or TAF side. Skirt, with falbala, and body of white taf side .. on the left arm a bracelet, a densely folded fan in the right hand. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch a

Fancy dress costume of the game of badminton, with dress of racquets, shuttlecocks and feathers. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Fashionable woman in felt hat with white aigrette, embroidered kerchief or manteau, striped-blue caraco jacket, white fichu and satin skirt. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, Premier Cahier, February 1790.

Fashion Plate, 'Half Dress'. England, London, early 19th century. Prints; engravings. Hand-colored engraving on paper

Lecomte, Hippolyte (N.1781-12-28-D.1857-07-25), Mrs. Thénard costumes around 1830: two studies on a sheet (dummy title). Watercolor. Carnavalet museum, history of Paris.

Fashion Plate, Ball Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, May 1, 1826. Prints; engravings. Hand-colored engraving on paper

The brilliant nymph of the royal palace .. Nicolas Dupin. The brilliant nymph of the royal palace .... Engraving.

Mrs Bulkley in the character of Mrs Ford in William Shakespeare's The Merry Wives of Windsor. (Bulkely played Mrs Page at Covent Garden Theatre in 1789.) In full dress with apron, small hat with plume. Mary Bulkley, c.1747-1792, English dancer and comedy stage actress. Copperplate engraving after a portrait by James Roberts from John Bell's Edition of Shakespeare, London, Feb. 1, 1776.

Lady in city habit J. God of Saint-Jean (1654-1695). Lady in town habit. Colorful water.

Fashion Plate, 'Evening Full Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, March 1, 1812. Prints; engravings. Hand-colored engraving on paper

Mlle. Leontine as Christine in Stella, Theatre de la Gaite, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

MARSEILLAISE. Veste et chapeau de velours.…. Artist: Paul Gavarni, French, 1804-1866

'Woman with a fan', c1750-1850 Artist: Unknown

Fashion Plate, 'Dinner Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, May 1, 1822. Prints; engravings. Hand-colored engraving on paper

Journal des Luxus und der Moden, 1794, T 5.Woman dressed in a rescueote with transhipment. On the head a top hat with raised edges and mid-front a buckle. Further accessories: FICHU, Bamboo walking stick () With golden () Button. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Woman in the fashions of February 25, 1798. She wears her hair in a pear-shaped bun under a double headband in white jet. Her red wool fringed shawl is tied around the high waist. Simple white decollete dress. Chignon en poire. Double bandeau de jais blanc. Schall de laine, a franges. 25 février 1798. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.

Anne Budes, Mademoiselle de Guebriant, maid of honour to Queen Anne of Austria, niece of the Countess de Gebriand, Renee Crespin du Bec. In white capelet, gold embroidered gown, with Egyptian damask skirts. Mademoiselle de Guebriant, Regne de Louis XIII. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Gallerie of French modes and costumes, 1778, L 64: Pretty woman in deshabilled gallant (...)., 1778 Woman with dog, in Deshabillé, consisting of a caraco and skirt. On the hairstyle a 'chapeau à l'Angloise'. A walking stick in the right hand, which can also be used as a parasol. Accessories: Start neck cloth, bow on the cleavage, bracelet, shoes with heels. Print from series L. 11th Cosier des Costumes Français, 5th Suite d'Habillemens à la Mode and 1778, Gallerie des Modes et Costumes Français. paper engraving fashion plates. head-gear (+ women's clothes). head-gear (CHAPEAU À L'ANGLAISE) (+ women's clothes). neck-gear ~ clothing (+ women's clothes). clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). parasol, sunshade (+ women's clothes). dog. bracelet, wristlet (+ women's clothes). shoes, sandals (+ women's clothes). walking the dog

Journal of luxury and fashions, 1796, T 35, 1796 Woman in a dress with half -length sleeves, high waist and drag. Accessories: hat trimmed with a trim in contrasting color, long gloves, fan. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). fan (+ women's clothes). fashion plates. gloves, mittens (LONG GLOVES) (+ women's clothes). clothing for the upper part of the body (+ women's clothes)

LOUISE ADELAIDE D'ORLEANS mademoiselle de Chartres After she became a nun - as Abbess of Chelles - in 1717. Date: 1698 - 1743

Anne of Pisseleu, Duchess of Etampes, mistress of King Francis I, 1508-1580. She wears a chaperon headdress, velvet surtout with lace ruff collar, jeweled choker, slashed sleeves with high shoulderpads, damask petticoat, and chain belt. After a miniature on vellum in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.

Helene-Louise-Elisabeth de Mecklenburg-Schwerin, Duchess of Orleans, Duchesse d'Orleans 1814-1858 with her son Philippe, Count of Paris. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

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