Historical Fashion Illustrations

19th-century fashion prints depicting women in traditional attire, highlighting intricate designs and cultural styles from history.

French aristocrat in formal 'costume de Cour' Date: circa 1800

Fashion Plate, 'Bridal Dress'. England, early 19th century. Prints; engravings. Hand-colored engraving on paper

Soprano singer Madame Valere as Anna in the Romantic opera Robin des Bois by Carl Maria von Weber, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

London merchants wife, 1640. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era," written by Leopold Ziegelhauser, Vienna, 1837.

Utrecht, Houtman, Johannes Paulus, Netherlands, Verhoesen, Albertus, Dutch military uniforms in the years 1830-1832, Marketentster, verso - stamped, A marketentster, on foot. Part of a series of 157 loose sheets with Dutch military uniforms in the years 1830-1832., print, picture, costume print, books, height 170 mm, width 110 mm, Dutch, 1806-06-16 - 1881-02-24, print maker, printmaker, 1835 - 1850, paper, papier, lithografie (technique), handkleuring, 1803-05-01 - 1841, printer, drukker

Style fashion, XXII (1897), no 1 Unknown, Henry Petit (Director)

Regency woman seated on a chair reading a letter in in-door morning dress. Petticoat and tunic of jaconot muslin, Spanish night-cap, pink silk handkerchief tied at the throat. Plate 18, Vol. 7, 1, 1812. Handcoloured copperplate engraving by William Hopwood from Rudolph Ackermann's Repository of Arts, London.

Georgian woman wearing headdress with veil, necklace of pearls, long dress with embroidered sash belt, holding a miniature book. Handcoloured woodcut by L. Lisbet from Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples du Monde," Librairie Historique-Artistique, Brussels, 1845. Wahlen was the pseudonym of Jean-Francois-Nicolas Loumyer (1801-1875), a writer and archivist with the Heraldic Department of Belgium.

Moskovsky Telegraph, 1830, Nr. 8, 1830 Standing woman dressed in an Amazon costume (Rijkostuum). On the head a top hat with veil. Getsrikte neck cloth. Whip in hand. In the background a figure, seen on the back, in the same suit. Print from the Moskovsky Telegraph (Russia, Moscow 1825-1830) fashion magazine paper engraving fashion plates. ensembles of pieces of clothing (RIDING COSTUME) (+ women's clothes). veil (+ women's clothes). whip. neck-gear ~ clothing (TIE) (+ women's clothes)

Cabinet of fashion and taste 1791, pl. II: The Zuidbevesche Boerin.boerin from South Beveland, Dressed in a Summery Sunday Costume. Hat With A Wide Border.

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (606) Toque de Velours. Robe de Grande Parure.Woman from the front, in a "Robe de Grande Parure". On the head a toque of velvet, decorated with feathers. Tuil flowers in the left, small landscaped range in the right hand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

North Holland girl.

Journal of ladies and fashions, Parisian costume, January 30, 1800, year 8, (190): Ball costume, 1800 Woman, seen on the back, in a costuum for a ball. Baljapon with contrasting body, short sleeves and drag trimmed with black piping. Accessories: hat decorated with flowers, fur stola (palatin), fan, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown: ball gown (+ women's clothes). fan (+ women's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (+ women's clothes). shoes, sandals (+ women's clothes)

Pepita de Olivá facsimile signature Portrait. Kaiser, Eduard, 1820-1895. Prints. 1853. Jerome Robbins Dance Division. Durán y Ortega, Josefa, 1830-1871, Ballet , Austria , 19th century

Prince de Moldavie in ceremonial attire., 1808 - 1826 ., Istanbul

Girl of the Canton of Solothurn, Switzerland, 19th century. The dress has a very high waist, the chemise has puff sleeves, and the flat straw hat decorated with ribbons and bows is worn above a black velvet toquet. Her long pigtails reveal her to be unmarried. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Ladies and Modes 1821, Parisian costume (2010). Prant UIT Het Tijdschrift Journal des Dames and Modes, 1821.

Woman wearing a blue Drap dress, skirt with a marten border, overcoat with trimmings, fur collar and a hat with feather, creation by Buzenet, colored engraving from La Mode Illustree, No 49, December 6, 1908.

Dress of the reign of William IV, 1830~1837. Woman in tiara with low-cut gown with puff sleeves and lace cuffs, holding a garland of flowers. Jewelry copied from actual pieces. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Dama z limy w komomplement biżurerii tablica x lady of Lima, in large part, w albumie: voyages au peru, facts in the annes 1790 to 1794. Collection of plates. Paris, J. G. Dentu, 1809 Dentu j.g. Paris

Catherine-Henriette de Balzac d'Etragues, Marquise de Verneuil, mistress of King Henry IV of France, 1579-1633. She wears her hair tied up with a ribbon of roses, a velvet dress with corset and French vertugadin or clamshell farthingale, slashed sleeves, high lace collar, skirts decorated with gold bands. After a miniature in oils in the editor's collection.

(INDIENNE. Tunique et pantalon de merinos imprime,…). Artist: Paul Gavarni, French, 1804-1866

Journal of ladies and fashions, Kopie, year 5, no. 1, 1806 paper etching fashion plates. dress, gown (+ women's clothes). gloves, mittens, etc. (+ women's clothes). head-gear (+ women's clothes)

Théâtre de la Opera Porte St. Martin. Mme. Honoré dans le ballet de la Moresque Lithograph by Alexandre Lacauchie, 1856. Additional, Moresque., 1856., Paris. Publisher, Martinet. single unit. Moresques (Choreographic work), Prints (Graphic arts), Ballet, 19th century. Hand-colored lithograph on tinted background., 18.7 x 14.6 cm

Katharina Sperling pen and lavated drawing depicting a woman of condition in summer going to church in Augsburg, showing costume, posture, and activity.

Trading Female Vrouw van Zaandam, Anonymous, 1790 - 1792 print Traditional clothing from a woman from Zaandam. Plate IV in a series of four illustrations of traditional costumes in the Netherlands in 1792. Netherlands paper etching folk costume, regional costume Zaandam

Anne-Louise-Benedicte de Bourbon, Duchess of Maine, 1676-1753. She wears a tall lace Fontanges headdress, beauty spots, pearl choker, lace collar, mantua trimmed with fur, and petticoat with band of fur. She holds a fur muff with bow. After a miniature on vellum in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.

Japon 'Don Quixote' from Douilet, 1910, no. 106. Japon from 1910 from the fashion house Dooillet with the name 'Don Quicte'.

Portret van Rose Dupuis Als Madame Dorval in La Mère Rivale, Alexandre Marie Colin, 1823 - 1824 print Paris paper portrait of actor, actress. stage costume

Cabinet des Modes Ou Les Modes Nouvelles, 15 Avril 1786, pl. I. Robe and Chemise. According to the accompanying text, the young woman is dressed in a "robe and chemise" of transparent muslin with a double pleated collar, over a bodice (corset) and skirt from pink taff. Around the neck a fichu. On the head a simple but gracious bonnet decorated with a pearl necklace and three feathers. A tulle tuled fall as a veil on the back. Accessories: Gold earrings, black velvet ribbon around the waist, shoes with bows. Haircut with high bared hair at the front, a flat chignon in the neck and three curls on either side of the face. A rose in the right hand. The print is part of the 11th Cahier from the Cabinet des Modes Ou Les Modes Nouvelles series. The series consists of 72 fashion prints, issued by Buisson, Paris, November 15, 1785 - November 1, 1786.

Lady-in-waiting, costume design for Shakespeare's play, Henry VIII, 19th century. Artist: Unknown

Fashion Plate, 'Evening Dress' for 'Lady's Monthly Museum'. England, London, 1813. Prints; engravings. Hand-colored engraving on paper

Fashion Plate, 'Morning Dress for June 1800' for 'Lady's Monthly Museum'. England, London, 1800. Prints; etchings. Hand-colored etching on paper

Signora Tadolini as Adina in the opera LElisire damore costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Matthäus Kern -, artist

Doll representing Miss Arnold in poke bonnet, muslin frock, long fichu. Wooden doll dressed by the young Princess Victoria. Color plate after an illustration by Alan Wright from Frances H. Lows Queen Victorias Dolls, George Newness, London, 1894.

Costume of the wife of a French artisan in the era of King Henry IV., 1589-1610. In cap, chemise with upright collar, gown with tight bodice, puff sleeves, full skirt with farthingale, long chains with keys and alms purse, holding a basket. Femme d'Artisan sous le Regne de Henry IV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Journal des Dames et des Modes, editie Frankfurt 6 janvier 1822, Costumes allemand et françois (2).The accompanying text (pp.55-56) mentions: fig.1: baljapon. Haircut decorated with florets from Lamé and scabios booms, to model of plaisir. Bodice of satin and bottom edge of the skirt decorated with florets, set with nestles. White long gloves and white shoes. FIG. 2: Viennese fashion. Cap of velvet decorated with mesh. REDINGOTE of Merino wool topped with 'Velor Frisé'. White gloves. Rose boots. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, Paris, 1797-1839. (no. 3 missing)

1849, Women's fashion in nineteenth-century Paris, Boutet, Henri (1851-1919), (Artist), 1902.

Woman wearing a satin hazelnut Liberty visiting dress, draped skirt and corset, hat with feathers, creation by Bernard, colored engraving from La Mode Illustree, No 48, November 28, 1909.

Japan 'Don Quixote' Van Doeuillet, 1910, No. 106, Anonymous, After George Doeuillet, c. 1910 drawing Klangon from 1910 from the Fashion House Doeuillet with the name 'Don Quichotte'. draughtsman: Franceafter design by: Paris paper. watercolor (paint). ink pen / brush fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes)

French woman in ballet costume, 17th century. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

Journal des Dames et des Modes, Costume Parisien, 4 juillet 1800, An 8 (227) : Robe à Carreaux (...).Checkered dress with short sleeves and drag. Fichu that forms one whole with the apron, deposited with a wrinkled strip of fabric. Accessories: striped hat, bracelet to the left upper arm, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Eleanor of Austria, Eleanor of Castile, Archduchess of Austria and Infanta of Castile, Queen consort of Portugal (15181521) and of France (15301547). In headdress, fir-lined gown with slashed sleeves, bejeweled bodice, skirt with leaf pattern. Eleonore d'Autriche. Seconde femme de Francois I. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Gerarde Cassinel, lady of honour to Queen Isabelle of Bavaria, daughter of Guillaume III Cassinel, chamberlain to King Charles VI, 15th century. Handcoloured lithograph by Leopold Massard after manuscript 6829 in the Bibliotheque Nationale from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Women's costume from the reigns of Edward I and II (1272-1327). From an illuminated manuscript of the time, Sloane No. 3983. Handcolored engraving from "Civil Costume of England from the Conquest to the Present Period" drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits by artists. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854).

Woman in long burgher dress from the 1st half 17th century. Lesser, Aleksander (1814-1884), painter

A costume study by Katharina Sperling illustrating urban fashion with detailed depiction of a figure named Fegum in gray ink and brush, part of 36 costume sheets.

Fashion, 1831, pl. 124, T.1: Stores satin hat (...), 1831 Woman in Mantel van Vuweel with Pelerine van Marterbont, the hands in a large sleeve from Marterbont. In the background an elegant pair, seen on the back. According to the caption, the hat of Satijn van Hocquet and the Ducharme dress. Print from the fashion magazine La Mode (1829-1855). paper steel engraving / etching fashion plates. clothes, costume (+ women's clothes). dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). head-gear: hat (+ men's clothes). neck-gear ~ clothing (+ men's clothes). monocle, single lorgnette (+ male human being (not to be used where -A- is prescribed)). coat (+ men's clothes). coat (+ women's clothes). neck-gear ~ clothing (+ women's clothes). muff (+ fur used for clothes). clothing for the upper part of the body (PELERINE) (+ fur used for clothes). clothing for the upper part of the body (PELERINE) (+ women's clothes)

French noble woman in formal dress at the court of King Louis XVI. Plumed headdress, pannier hoopskirt decorated with lace frills, swag sashes and gold tassels. Dame en Grand Habit de Cour. Regne de Louis XVI. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Ladies and modes 1830, Parisian costumes (2842). Satin hat. Velvet dress. BOA DE MARRE.

Mechanical Walking Doll. Dated: c. 1938. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: 9 3/8" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Bertha Semple.

Fashionable woman sketching a nude model at an art class, 1800. She wears a kerchief hairdo, a black velvet Spencer jacket, and white high-necked dress with collar. She sits in a chair and rests her feet on a footstool. Coeffure en Fichu. Spencer de Velours. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1800. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.

Regency woman in walking dress reading a book in a park. Round robe of cambric or jaconot muslin, French needlework flounces, French grey sarsnet pelisse, French handkerchief at the neck, French hat of satin straw with feathers. Vol. 14, Plate 23, October 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Journal of the ladies and fashions, Parisian costume, September 22, 1799, year 7, (159.): View of Tivoli, 1799 Woman, half seen on the back, walking through the gardens of Tivoli, dressed in a dress with a checkered body. Stick ribbon on the back, zoom decorated with a geometric motif. Short sleeves and drag. Accessories: hat decorated with flowers, fan, flat shoes with pointed noses. With the right hand she holds her dress. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving dress, gown (+ women's clothes). head-gear (+ women's clothes). fashion plates. shoes, sandals (+ women's clothes). fan (+ women's clothes). park

Costume of Coutances. Woman in mourning habit. In the past, widows wore mourning for their husband all their lives, and widowers several years for their wives. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Modebild, Carriage Dress, Unknown

Journal des Dames et des Modes, Costume Parisien, 31 mars 1800, An 8 (204) : Chapeau de Paill (...).Straw hat decorated with ribbons and ostriching. "Spenser à Demi Schall" on a dress with trail. Further accessories: gloves, reticule with embroidery and tassels, flat shoe with pointed nose. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Gallerie des modes et costumes français, 1785, BBB 290: The young adolescent (...), 1785 According to the caption, the young woman is in love with the charming Lindor and seeks distraction to forget him. She wears a decorated 'robe à l'Anglaise'. Hairstyle 'à l'Enfant'. Accessories: earring in the right ear, bow at the cleavage, snuff box (), Shoes with heel and bow. From series BBB. 46th Cahier de Costumes Français, 41st Suite d'Habillemens à la Mode and 1785, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à l'anglaise (+ women's clothes). shoes, sandals (+ women's clothes). styles of hairdress - AA - ~ women. skirt (+ women's clothes). ear-rings (+ women's clothes). man and animal (+ animal cage). piece of clothing covering the breast or décolleté (STOMACHER) (+ women's clothes). bird-cage opened (loss of virginity symbolized). flowers

Lady in brown crash, ca. 1875, no. 1. Woman dressed in a brown dress with a jacket with lapel and raised collar with a matching skirt with queue and underskirt with trail. She also carries a hat with raised edge and ostrich.

CAROLINE OF BRUNSWICK Wife of George IV in her court dress on 4 June 1807. Date: 1768 - 1821

Fashion Plate, 'Walking Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, December 1, 1814. Prints; engravings. Hand-colored engraving on paper

Woman of Caux in striped dress. She has removed the tall bonnet but wears its ties like a beguin. The artist has copied a headdress worn by a landlady at Yvetot. Her chignon hairpiece is evident. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Journal of the ladies and fashions, Parisian costume, November 16, 1805, year 14, (681): Chenill network (...), 1805 Woman, standing by a desk with sheet music, with a chenille hair network in her hair. She wears a 'Douillette' from a taf side on a skirt with flower and leaf motif. Earring in the right ear. Flat shoes with bows. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. skirt (+ women's clothes). head-gear (+ women's clothes). ear-rings (+ women's clothes). shoes, sandals (+ women's clothes). notation of music

Theatrical costume Clairette Angot (Pauline Luigini in Charles Lecocq's comic opera La fille de Madame Angot). Straw hat, satin fichu, cashmere silk dress, apron with velvet ribbons. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

JEUNE GENTILHOMME. Robe et souliers de velours,... Artist: Paul Gavarni, French, 1804-1866

Female dancer of Seville, Spain, 19th century. She dances a fandango or bolero with her hair tied up in ribbons, a short bolero jacket, calf-length skirt, and castanets. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Fashion image, a figure, evening dress, Unknown

Habit of a lady of Paros, an island in the Archipelago, 1568. Fille de l'Isle de Paros.. Ferriol, Charles, marquis d'Argental, comte de, 1637-1722. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Greece , Paros Island , 1700-1799

Katharina Sperling gray pen and lavated drawings depicting 36 costume designs of women in Augsburg, showing posture, dress, and event context.

Gallery des Modes et Costumes Français, 1785, No. 14, no. 27, copy to J 53: Bourgeoise élégante se promenant (...). Elegant woman from the bourgeoisie walking in the countryside, dressed in a 'robe à la polonaise' for the morning. Mantelet (small shoulder jacket) with hood. On the head a hat to the last taste. Accessories: bracelets, ring, walking stick with ribbon and brushes, range, chatelaine, shoes with heels and rosettes. Copy to J 53 from Series J. 9th Cahier des Costumes Français, 3rd Suite d'Habillemens à la Mode, Gallery des Modes et Costumes Français.

Woman from Dragør in Sunday clothes, Anonymous, in or before 1812 print Denmark (possibly) paper etching folk costume, regional costume. going to church. cut flowers; nosegay, bunch of flowers Amager

Portrait of Maria Theresa of Spain, at her marriage to French King Louis XIV in 1660. In off-the-shoulder embroidered gown and underskirt decorated with ribbons. Marie Therese d'Autriche; Reine de France, mariee a Louis XIV en 1660. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Le Corset. A woman seen on the back is to do her corset out. According to the caption, the painting is from Mr Willet's collection.

Elegantia, of tijdschrift van mode, luxe en smaak voor dames, April 1807, No. 8: Demi Parure. Costume dessiné à Longchamp..The accompanying text (p. 128) mentions: Jap of Batist cotton, with serrated zoom with embroidered twigs green. Rounded necked neck, also serrated and turned. Short puff sleeves. Silk Fichu and yellow scarf. Roserode capote, from the front with tulle. Light green leather gloves. Yellow shoes of Turkish leather. According to it understands, the costume is signed in Longchamp. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).

Eude Juvenal des Ursins Daughter of the Prevost of Paris. Wearing a hat and a pink gown. Date: 1429

Danish lady, 1626. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era," written by Leopold Ziegelhauser, Vienna, 1837.

Susanne, Countess of Forez, Suzanne de Bourbon, 1491-1521. Only daughter of Pierre II de Beaujeu and Anne of France. Handcoloured lithograph after a stained-glass window in the Abbaye de Savigny from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Costume Plate, 'Dame Francaise du Temps de Henri III'. France, circa 1850. Prints; lithographs. Hand-colored lithograph on paper

DUPRE - George Sand in Berrichonne Costume J.B Dupr� "George Sand in Berrichonne Costume", Drawing. Paris, museum of romantic life.

Green bean seller. From 'Arts, Metiers et Cris de Paris' Paris, 1826. Coloured engraving.

Journal of the ladies and fashions, Parisian costume, 1805, year 13 (613) Hat of velvet ..., Horace Vernet, 1805 Woman seen from the front, dressed in a 'robe de florence' with a satin fichu. On the head a hat of velvet. Necklace and earrings. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving Woman seen from the front, dressed in a 'robe de florence' with a satin fichu. On the head a hat of velvet. Necklace and earrings. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving

Young girl from the Canton of Thurgau, Switzerland, 18th century, after Franz Hegi. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Parisian fashion, reign of Louis XVI, 1792. Handcoloured steel engraving by Hippolyte Pauquet after Philibert-Louis Debucourt from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stained-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Katharina Sperlings costume sheet from Augsburg shows a servant assisting at a funeral, executed in gray pen with washes on a blue background, emphasizing attire and posture.

Mlle. Desiree as Gianina in Rebecca, Act I, by Eugene Scribe, Theatre du Gymnase Dramatique, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Doll--"Cornelia". Dated: c. 1937. Dimensions: overall: 50.9 x 38.5 cm (20 1/16 x 15 3/16 in.) Original IAD Object: 13" high. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Anne Colman.

Fashion Plate, 'Morning Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, July 1, 1816. Prints; engravings. Hand-colored engraving on paper

A country servant woman from Yvetot wearing tall hat, bodice, shawl and scarlet skirt. The people of the ancient province of Normandy eat well: bread, vegetable soup, eggs and cheese. Cider is the ordinary drink of all. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Costumes de Vienne , A citizens daughter of Vienna, Bourgeoise de la Ville de Vienne, Artaria , Co, Verlag, publishing house, Vinzenz Georg Kininger -, Artist, Josef Anton Kapeller -, Copper Engraver

Weekly Writing for Fruntimmer 1824 Nordic

Swiss lady, 16th century, from a painting on vellum in the collection of Hippolyte Destailleur. Black bodice bordered with gold, red silk dress, green silk underdress, and a large blue and gold almoner (aumoniere) hanging from a blue ribbon.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

A Lady on the Patio. Unknown mid-19th century Colored print of a woman wearing an off-the-shoulder gown standing in a garden.

Dolls representing courtier Alice, Countess of Rothesay, and twin babies. Wooden dolls dressed by the young Princess Victoria. Color plate after an illustration by Alan Wright from Frances H. Lows Queen Victorias Dolls, George Newness, London, 1894.

Gallery des Modes et Costumes Français, 1785, No. 12, no. 23, copy to H 46: Jeune Dame Coeffé (...). Young woman, seen on the back, dressed in a 'robe à la polonaise' and a white mantle set (small shoulder sheath) with hood. On the head a round hat with a 'Fichu and Marmotte' decorated with ribbon and rosette. Shoes with heels and bows (). Copy to H 46 from series H. 8E Cahier des Costumes Français, 2nd Suite d'Habillemens de Femmes à la Mode, Gallery des Modes et Costumes Français.

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (635) Chapeau de Paille blanche....Woman seen on the back, in a purple dress with striped puffy sleeves and a white ribbon stretched around the high waist. On the head a white straw hat, with a purple ribbon under chin tied and decorated with hyacinthen. White long gloves and a long green scarf around the neck. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Cabinet of Fashion and Taste 1791, PL. Xi.woman with bonnet-fichu from crib mesh .... p. 348

Le Miroir des Dames, 1836, No. 74: Capotte des stores .., 1836 'Capote' with veil from the Maurice-Bauvais stores. Klapon with flower pattern from the shops of Camille. Further accessories: belt with buckles, gloves, handkerchief, parasol. Print from the fashion magazine Le Miroir des Dames (Août 1835 -1e Février 1837). The print is printed in the newspaper 'Le Charivari' (Verso). paper engraving dress, gown (+ women's clothes). fashion plates. head-gear (CAPOTE) (+ women's clothes). gloves, mittens, etc. (+ women's clothes). handkerchief (+ women's clothes). parasol, sunshade (+ women's clothes). veil (+ women's clothes). belt, girdle, waistband (+ women's clothes). neck-gear ~ clothing (+ women's clothes)

Journal des Dames et des Modes, Costume Parisien, 11 juillet 1798, (48) :Chapeau coquet (...).Woman with a 'Chapeau Coquet' on the head. Colored sleeves under a white dress. Range in hand. She is in an armchair of mahogany in antique style. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Netherlands, Traditional costume of a woman from South Beveland, verso - stamped, Traditional costume of a woman from South Beveland. Plate III in a series of four illustrations of traditional costumes in the Netherlands in 1792., print, costume print, prints, Frederik Muller History plates, height 193 mm, width 121 mm, print maker, printmaker, 1790 - 1792, paper, papier, etching, etchings, hand coloring

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