Historical Fashion Illustrations

19th-century fashion prints depicting women in traditional attire, highlighting intricate designs and cultural styles from history.

French aristocrat in formal 'costume de Cour' Date: circa 1800

Costume de Leonore, jouee par Melle Falcon.…. Artist: Paul Gavarni, French, 1804-1866

Maria Karolina Zofia Felicja Leszczyska, 1703-1768, Queen of France as the wife of King Louis XV. In bejeweled ceremonial robes and rich ermine-lined cape, with crown. Marie Leczinska de Pologne, Reine de France. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Woman in English fashion in blue bonnet, taffeta gown, gauze fichu, linen skirts with ruffles, nakara slippers. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 12me Cahier, 15 June 1790.

Psyche Journal de Modes, 1871: Froufrou dress of (...), 1871 Woman, seen on the back, in a dress with queue in the style 'Froufrou'. Print from the fashion magazine Psyché (1834-1878). paper fashion plates. head-gear (+ women's clothes). dress, gown (+ women's clothes). gloves, mittens, etc. (+ women's clothes). eyeglasses, spectacles - AA - female human figure. ear-rings (+ women's clothes)

Costume de Mademoiselle Dejazet. - Rôle de L'annonce dans L'Isle (sic) de la folie. - Thétre du Palais-Royal ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Costume of a French lady, early in the reign of Louis XIV, circa 1650. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Journal of the ladies and modes 1824, Parisian costume (2229), 1824 Print from the journal Journal des Dames et des Modes, 1824. paper etching Print from the journal Journal des Dames et des Modes, 1824. paper etching

Haliguer, Marie Julie .

FashionBild, Women my Rose An Der Cancer, Unknown

Elegantia, or magazine of fashion, luxury and taste for women, June 1808, no. 48: Chapeau de Paille Cousue ..., Anonymous, 1808 According to the accompanying text (p. 192): dress with pélerine from cotton batist (percale). Sewn straw hat with a single flower. Blue cashmere scarf. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 192): dress with pélerine from cotton batist (percale). Sewn straw hat with a single flower. Blue cashmere scarf. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving

Watercolor and gray ink drawing by Francesco Ponte depicting Tusnelda (Mrs. Albuzzi) in 1753, showing figure, clothing, pose, and facial features.

Fancy dress costume for the element Air, with dress embroidered with windmill, bodice with zephyr brooch, girdle with horn and bellows, headdress of weather vane. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Lady of Greece, leaf from 'A Collection of Dresses by David Allan Mostly from Nature', David Allan (Alloa, Scotland, 1744 - 1796) 1776

Costume écossais ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Doll - "Retta Hervey". Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 13 1/2" high. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner.

Fancy dress costume of a hummingbird, with winged dress, bodice decorated with flowers. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Journal of the ladies and fashions, Parisian costume, July 28, 1798, year 6, (52): Capote in Crêp (...), 1798 'Capote' from yellow crepe, trimmed with black tire. Triangular bag: 'SAC Falbalassé'. Small shoulder mantle with long slip on a dress with long sleeves and drag. According to the caption, this performance is drawn to life on the 'Champs Élysées'. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). bag (HANDBAG) (+ women's clothes). head-gear (CAPOTE) (+ women's clothes). coat (+ women's clothes). shoes, sandals (+ women's clothes). gloves, mittens, etc. (+ women's clothes)

Fashionable Regency woman drinking tea next to a screen. In a jaconot muslin gown, Rochelle spencer jacket, double fan-frill collar, Bourdeaux mob cap, gold and pearl necklace. Designed by Mrs Elizabeth Gill of Cork Street, Burlington Gardens. Vol. 11, Plate 25, April 1, 1814. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Standing woman with headscarf ..

Journal des Dames et des Modes, Costume Parisien, 25 août 1810, (1083): Chapeau de paill (...).Standing woman with a straw hat on the head, decorated with a row of feathers. She is wearing a dress with short puff sleeves, garnished with pleated strips of fabric. Further accessories: earring in the right ear, parasol with tilted deck, belt, long gloves, scarf trimmed with fringes, flat shoes with bows. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Shepherdess, fancy dress costume, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

La Mode, 5 Avril 1834, PL. 366: Chapeau de Crépe Doublé robes (...). Hat from 'crepe doublé'. Jagons from 'Satin de Laine'; The one with coats of satin and the other with a pelerine deposited with blonde (dick edge). Further accessories: earring, lorgnet, necklace, belt, bracelets to both wrists, gloves, flat shoes with square noses. Print from the La Mode mode magazine (1829-1855).

Demoiselle Sophie Löwe as Princess Isabella in the opera Robert the Teufel costume picture No, for the theater newspaper, Andreas Geiger -, Steel Engraver

Gallery des Modes et Costumes Français, 1780, GG 181: Robe à la Polonois (...). Woman in 'Robe à la polonaise' from satin, trimmed with tires in a different color and garments of tulle. 'Manches and Sabot'. Bonnet decorated with flowers and in the middle of a rosette of brilliant, which is fastened with a ribbon ribbon. Further accessories: bracelet, red shoes with heels and buckles. Print from the GG series. 31st Cahier de Costumes Français, 24th Suite d'Habillements à la Mode and 1780, Gallery des Modes et Costumes Français.

Joven mujer del Cantón de Friburgo (Suiza), en la Edad Moderna. Grabado en color de 1870.

Anne of Denmark, 1574-1619. She wears a ceremonial hooped dress with high lace collar, embroidered with precious jewels, pearl necklace, holds a book and feather fan. Ann of Denmark, Queen to King James I of England, James VI of Scotland. After a rare print by Renold Elstrack of her with the king in the British Museum. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.

Costume stamps, 1744, pl. 2 (505), 1744 According to Act of Parliament 1744. paper etching dress, gown (+ women's clothes). fashion plates. fan

Standing girl in traditional costume, Pieter van Loon, 1811 - 1873 drawing paper. pencil. watercolor (paint) brush folk costume, regional costume

Fashion image, a figure, outline, Unknown

Doll. Dated: c. 1936. Dimensions: overall: 29.3 x 22.8 cm (11 9/16 x 9 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Costume Plate, 'Dame Belgede la Fin du Xve. Siecle'. France, circa 1850. Prints; lithographs. Hand-colored lithograph on paper

Pierre Thomas Leclerc (1740-APR. 1799). "Large dress with sultana". Drawing for the engraving of Vossinik under the direction of Janinet, "Galerie des modes et costumes français", 34th notebook (bis) of French costumes, 31st suite of fashionable clothing in 1782. Black ink pen, gray wash, white paper . 1782. Galliera, fashion museum of the city of Paris. 37826-14 Drawing, black ink, woman, large sultanum dress, gray wash, feather

Costume of Bolbec. The women of Bolbec only wear this costume to baptisms, weddings, family reunions or festivals at church. The rest of the time they wear the fashions of Paris. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Fashion Study (designed for Worth), 1870. France, 19th century. Brush gray ink and watercolor heightened with white paint; sheet: 28.8 x 22.5 cm (11 5/16 x 8 7/8 in.).

CATHERINE PARR Sixth wife of Henry VIII of England, married in 1543 Date: 1512 - 1548

Collection of English Original Watercolour Drawings: Morning Dress, January 1786. Ann Frankland Lewis (England, mid-17th to mid-18th century). England, 1786. Drawings; watercolors. Watercolor on paper

The Gallery of Fashion. In 1794 The Gallery of Fashion first appeared in England. Clearly inspired by the French Gallerie des Modes, the series was intended, according to the publisher, to demonstrate the superiority of English taste. English fashions were more decorous, and sometimes exceptionally voluminous. The three ostrich plumes in the young ladies turbans were required for introductions at court, being an emblem of the Prince of Wales.

Mlle. Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Lady in waiting to Isabelle of Bavaria, wife of King Charles VI, 1389. She wears a tall bonnet with brocade tail, necklace, and red velvet dress with high waist and ermine hem. After a miniature in Roger Gaignieres' portfolio. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.

Journal of the ladies and fashions, Parisian costume, 1805, year 13 (629) Toilet for walking., Horace Vernet, 1805 Woman to the left, dressed in hiking costume, consisting of a white dress with short puffed sleeves, an edge of embroidered grape vines on the hem of the skirt. Pink ribbon with bow as a belt. Green long shap, pink toque, earrings. paper engraving Woman to the left, dressed in hiking costume, consisting of a white dress with short puffed sleeves, an edge of embroidered grape vines on the hem of the skirt. Pink ribbon with bow as a belt. Green long shap, pink toque, earrings. paper engraving

Lady of honor at the court of Francis I, 16th century. Grey robe with large sleeves, lined with fur, over a blue dress edged with lace.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

Fashion Plate, 'Morning Dress' for 'Lady's Monthly Museum'. England, London, October 1, 1812. Prints; engravings. Hand-colored engraving on paper

La manola, par Mlle Plumket sic, Académie royale de musique Favorite. Prints. 1848. Jerome Robbins Dance Division. Ballet , France , 19th century, Opera ballet, Plunkett, Adeline, 1824-1910

Small mail of the ladies, 1829 nr. 688, 1829 Print from the fashion magazine Petit Courrier des Dames (1821-1868). Paris paper engraving Print from the fashion magazine Petit Courrier des Dames (1821-1868). Paris paper engraving

Costume of a woman of Breton, France, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Fashion, France, 18th century. Women's fashion plate depicting ladies in Directory period negligee, 1798.

Collier en Serpent. Voile à la Religieuse.Between 1797 and 1820 the French Journal des Dames et des Modes was the leading magazine in the area of fashion, accessories, and jewellery. The latest trends were illustrated in hand-coloured prints. The veiled lady shown here wears a gold ouroboros (a serpent eating its own tail) necklace. This symbol of eternal life was already incorporated into jewellery by the ancient Egyptians.

Ladies' diary and modes 1826, Parisian costume (2375). Velvet béret plaus adorned with fringes and tassels of silk. Scottish silk dress. Casimir coat bordered by gancers.

Young French woman in town costume, 1784. With flowers in her hair, frilled shawl, hoopskirt with flounces, cane and fan. Jeune Dame, Costume de Ville. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Journal of the ladies and fashions, Parisian costume, September 21, 1798, year 6 (63): Capote in Crêp (...), 1798 'Capote' from CRêpe, decorated with pleated tire in a contrasting color. GUIRLANDE with pleated splits (). A almost square scarf around the shoulders. Klapon with drag, made of a fabric with honeycomb pattern. Shoe with pointed nose. According to the caption, the costume is drawn to life in 'Tivoli'. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. head-gear (CAPOTE) (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). dress, gown (+ women's clothes). shoes, sandals (+ women's clothes)

Blessed Margaret of Lorraine, Duchess of Alencon, Marguerite de Lorraine, Duchesse d'Alencon 1463-1521. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio VII 5 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Fashionable French woman of the Napoleonic era. She wears a tall hat made of an elaborately folded kerchief over a bonnet, puff-sleeved gown tied with a long ribbon. Costume de Dame. 1814. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Mlle. Marie Cico as Simonne in "Les Contes de Boccace" at the Theatre du Vaudeville. Mlle. Cico (1843-1875) was a French actress and singer famed for her performances in "Orphee aux Enfers," and "Daphnis et Chloe" and as the mistress to her mentor Jacques Offenbach. Handcoloured lithograph by Alexandre Lacauchie from "Galerie Dramatique: Costumes des Theatres de Paris" 1853.

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (605) Peigne et Aigrette en Diamans.Woman seen from the front, in a white dress with stimped puffy sleeves, high waist and trail. Blue shaw beat loosely. The hair is braided in a knot, a tight braid on the sides and an egret of diamonds () On the forehead. Long white gloves. Small impeller in hand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Journal of the ladies and fashions, Parisian costume, July 11, 1798, (48): Coquet hat (...), 1798 Woman with a 'Chapeau Coquet' on the head. Colored sleeves under a white dress. Fan in hand. She is sitting in an antique style armchair in an antique style. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). sleeves (+ women's clothes). chair. fan (+ women's clothes)

English modes, late eighteenth century, 1911: hair hammers (...). Kopie Uit Gallery of Fashion (1795). Scheffer collection 20th eeuw (1911) 2 boards. Lady Met Meisje Aan from Hand in Landschap.

Newspaper of Ladies and Modes, Paris Costume, September 21, 1798, An 6 (63): Crep Hood (...).'Capote' of crepe, decorated with pleated tire in a contrasting color. Garland with pleated splitting (). Around the shoulders an almost square scarf. Jap with trail made from a fabric with honeycomb pattern. Shoe with pointed nose. According to the caption, the costume is drawn to life in 'Tivoli'. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Fashionable woman or Merveilleuse, French Revolutionary era, 1795. She wears a jockey cap with huge peak, muslin dress, long shawl, and embroidered stockings. Jeune Dame. 1795.. After Carle Vernet. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Fashionable woman with short hair a la Victime. She wears a calico tunic over a long gown. Tunique Juive en Guinée. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1803. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.

The figure represented here is a lady of the French court between 1550 and 1600. The illustration dates to 1882.

Fashion Plate, 'Morning Dress' for 'La Belle Assemblée'. England, London, October 1, 1812. Prints; engravings. Hand-colored engraving on paper

Little ladies' mail, 1824 Nr. 252: mourning costume .... Print from the Fashion Magazine Small Ladies Courier (1821-1868).

Costume of the area of Dieppe. Rear view of a bonnet with its papillon (butterfly) wings folded toward the front, giving it a very different air. A church can be seen in the background. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Habit of Rubens wife in 1620. La femme de Rubens.. Rubens, Peter Paul, 1577-1640. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , 1600-1699

Fashion Plate, 'A Lady in the Parade Dress in Hyde Park' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, February 1808. Prints; engravings. Hand-colored engraving on paper

French woman wearing the fashion of January 1792. She wears a straw hat with feathers, wig, fichu (neckerchief), fitted dress in yellow with blue cuffs and hem. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "Costumes of the French Revolution, 1790-1793," Bouton, New York, 1889. From the collection of contemporary costume prints of Victorien Sardou.

Costume of a French female servant, reign of King Henry IV. Handcoloured lithograph after a 1602 print from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Tulip flower fairy in turban and dress of leaves and petals, Tulipa gesnera. Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from "Les Fleurs Animees," Paris, Gabriel de Gonet, 1847.

French women's fashions of 1789: dress en Pierrot, bonnet en pouffe with roses, hair with ringlets a la conseillere. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Mlle. Angelina Grave as Fleur de Marie in Les Mysteres de Paris by Eugene Sue, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

French actress Minette or Jeanne-Marie-Francoise Menestrier (1789-1853) as Nina in Nina de la Rue Vivienne by Francis, Dartois and Gabriel at the Theatre du Vaudeville, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1822.

Woman in greek clothing; Klijdingen der Greek women in Alexandrie / Habillement des Femmes Grecques à Alexandrie. Seated woman for feet in Greek clothing. With her elbows, she leans on the richly decorated pillows behind and next to her. Print at the top right labeled: tab. XXIV.

Journal des Dames et des Modes, Costume Parisien, 25 octobre 1823, (2189): Chapeau de paille d'Itali (...).Woman dressed in a satin spencer and a "blouse" of cotton breathing (percale). On the head a hat of 'Paille d'Italie' decorated with satin ribbons and a ostrich. To the shoulders a striped scarf from 'barèges' with fringes at the ends. Further accessories: bracelet around the right wrists, gloves, lorgnet, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Jenny Lind Paper Doll Costume, Amine from the opera 'Die Nachtwandlerin' (The Somnanbule), Lithograph on white wove paper, Paper doll costume for the figure of Jenny Lind representing the character Amine from the opera Die Nachtwandlerin (The Somnanbule). Designed to be placed over the doll., Europe, ca. 1850, toys & games, Print, Print

Regency lady in black walking dress. Round dress of black bombazeen, skirt bottom with crape flounces, spencer jacket with epaulettes, ruff collar, with black crape bonnet. Vol. 6, Plate 35, December 1, 1818. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Paysanne galante. Martin, Jean-Baptiste, 17..-17... Prints. 1911. Jerome Robbins Dance Division. Ballet , France , 18th century, Costume design , 18th century

Fashionable woman with parasol, 1801. She wears a Greek-style hairdress decorated with wreath of pine, Greek tunic dress with an apron with tassles. Guirlandes de Pin. Tunique Grecque. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1801. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.

Renee de Rieux-Chateauneuf, La Belle Chateauneuf, mistress of King Henry III, 1550-158. She wears a chaperon with peak, black velvet dress with shoulderpads, lace ruff collar, green sleeves, scarlet petticoat and gold rope belt. After a miniature in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.

Fashion image, a figure, morning dress for bathing stays, Colored copper engraving, Unknown

Elisa Albert Bellon im Ballet Manon Lescaut, in der Titelrolle Manon Lescaut. Prints. 1852. Jerome Robbins Dance Division. Manon Lescaut (Choreographic work : Casati), Albert-Bellon, Elisa, -1892

Journal of the ladies and fashions, Parisian costume, 1805, year 13 (651) Promade costume., Horace Vernet, 1805 Woman in hiking stake, seen on the back. A yellow long scarf over the white dress. Long gloves. A canopy hat on the head. Small fan in the left hand. paper engraving Woman in hiking stake, seen on the back. A yellow long scarf over the white dress. Long gloves. A canopy hat on the head. Small fan in the left hand. paper engraving

Fashion image, a figure, ball gown, Unknown

Fashion, April 5, 1834, pl. 366: Crép de Crépe Double-Robes (...), 1834 Hat of 'CRêpe Doublé'. Dresses of 'Satin de Laine'; One with bows of satin and the other with a pelerine trimmed with blonde (bobbin). Further accessories: earring, lorgnet, necklace, belt, bracelets around both wrists, gloves, flat shoes with square noses. Print from the fashion magazine La Mode (1829-1855). paper steel engraving fashion plates. dress, gown (+ women's clothes). head-gear (+ women's clothes). gloves, mittens, etc. (+ women's clothes). ear-rings (+ women's clothes). necklace (+ women's clothes). belt, girdle, waistband (+ women's clothes). eyeglasses, spectacles (+ female (human being) (not to be used where -AA- is prescribed)). book. clothing for the upper part of the body (PELERINE) (+ women's clothes). shoes, sandals (+ women's clothes). bow (ornamental part of clothing) (+ women's clothes)

Lady the Qualité and Echarpe. Lady with Fontange, closed impeller in the right hand, turned from the front, turns something to the right.

Catherine of Cleves, Countess of Eu, 1580. Wife of Henry, Duke of Guise, and matriarch of influential House of Guise, 1548-1633. In cap, lace collar, gown with puff sleeves, embroidered petticoats. Catherine de Cleves, Duchesse de Guise. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Woman wearing a blue Tokyo velvet visiting dress, embroidered tulle corset, silk muslin sleeves, fur stole, feather hat, creation by Desbuissons and Hudelist, colored engraving from La Mode Illustree, No 49, December 8, 1907.

Habit of a Thessalonian bride in 1581. Jeune mariée Thessalonique.. Boissard, Jean Jacques, 1528-1602. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Greece , Thessalonike , 1500-1599

Fashionable woman in satin bonnet and crepe dress, 1801. She wears a low-cut dress, long enamel necklace and long gloves. Capote de Satin. Robe de Crepe. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1801. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.

French actress Marie Julie Elizabeth Pitron as the grisette Fanchon in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Magasin des Modes Nouvelles Françaises et anglaises, 20 Décembre 1786, 2nd Année, 4th Cahier, PL. 1. English woman in a court juke. Bodice of green satin and 'mante' of pink satin. Cap decorated with flowers and feathers. Fichu and flower corsage. Range in hand. The print is part of the 4th Cahier from the Magasin des Modes Nouvelles Françaises et Anglaises series. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789.

Young girl from the congregation of Antwerp Jesuit before she gets married, Bernard Picart, 1704 print Figure in contemporary costume. In the margin a three -faced caption in French. Paris paper etching / engraving folk costume, regional costume. nun(s) Antwerp

Rex F Bush, Doll Emily, c 1938 Doll - Emily

Fashion Plate, 'The Polish Robe & Hat/Evening Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, March 1, 1807. Prints; engravings. Hand-colored engraving on paper

Figure Study of a Lady, James Miller, active 1773-1814, undated, Watercolor, graphite, gouache, pen and gray ink on medium, moderately te4xtured, blued white, laid paper, Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm) and Mount: 10 7/8 × 9 1/2 inches (27.6 × 24.1 cm), bodice, bonnet, bustles, corset, dress, fascinator, figure study, gown, hair, hat, lace, lady, leg of mutton sleeves, man, seated

Costume Francais Sous Francois 1st. (16th Siècle). Woman in historic costume of a chaman belt to the French court of French I, 16th century. Presentation added to the sheet metal over the costumed ball held at the Palace of the Prince of Orange (the later king Willem III) in The Hague on 26 February 1845.

Cabinet of fashion and taste 1791, pl. II: The Zuidbevelandsche Boerin, Anonymous, 1791 Farmer from Zuid-Beveland, dressed in a summer Sunday costume. Hat with a wide edge. Haarlem paper etching Farmer from Zuid-Beveland, dressed in a summer Sunday costume. Hat with a wide edge. Haarlem paper etching

Fashion Plate, 'Morning Dresses May 1803' for 'Lady's Monthly Magazine'. England, London, 1803. Prints; engravings. Hand-colored engraving on paper

Small mail of the ladies, 1827 (513), 1827 Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving

Raoul Du Bois, Doll, c 1936 Doll

PARIS FASHIONS FOR NOVEMBER, 1854

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