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Historical Fashion Sketches

Artistic sketches of historical clothing designs, illustrating details of garments from varying eras, including outerwear and accessories.

Max Max Furs. "Model drawing". Ink on paper. 1911. Galliera, fashion museum of the city of Paris. 146136-31 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin
Max Max Furs. "Model drawing". Ink on paper. 1911. Galliera, fashion museum of the city of Paris. 146136-31 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin
246 assets in this story
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Max Max Furs. "Model drawing". pencil on paper. 1911. Galliera, fashion museum of the city of Paris. 146138-18 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin
6145-59021659
Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. H 1922. Galliera, fashion museum of the city of Paris. 146135-11 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin
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Sketches of the Salome costume; Ruszczyc, Ferdynand (1870-1936); 1900-1902; 1909-1910 (1900-00-00-1910-00-00);Partage Plus, Salome, costumes, costume designs, sketches, purchase (provenance)
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Leopold Stolba illustrated a man wearing a monocle in pencil, focusing on facial features and accessory.
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Description: Wind costume. Location: Japan japan, asia, asiathroughalens
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Fashion two murder gigers, Hans Johann Schließmann Schliessmann -, artist
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Evelyn Bailey, Embroidered Night Gown, 1935 1942 Embroidered Night Gown
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Maja von Heijne , Fur garments
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Elegantia, of tijdschrift van mode, luxe en smaak voor dames, December 1807, No. 29: 1. Cache-folie vu sous trois aspects....Thirteen different headwear, numbered one to six. According to the accompanying text (p. 392): "Thirteen distinguished all new coeffures, such as dressed as" and négigé, to the newest paruschen taste. " According to the caption: 'Cache film' (wig) from three points of view. 2. Capote and hat of velvet. 3. Capotes and hat of satin. 4. Cap of 'Marcelline' and tulle. 5. 'Bonnet de Lingères'. 6. Toques velvet. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).
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Portrait of an unknown woman in Eveningwear, advertising for A. Claeys & Vanden Bussche, Anonymous, 1895 - 1910 photograph photographic support gelatin silver print historical persons - BB - woman. dress, gown
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Edith Miller, Embroidered Linen Collar, c 1938 Embroidered Linen Collar
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Reproduction of a design of a female nude on the back seen by Cornelia Paczka, Anonymous, After Cornelia Paczka, c. 1894 - in or before 1899 photomechanical print München paper the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure
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Boy's Suit. Dated: c. 1936. Dimensions: overall: 29.7 x 22.9 cm (11 11/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nancy Crimi.
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Little mail of the ladies, June 30, 1849: Bonnets, Caneous (...), 1849 Five hats, two 'Canezous' and a 'Casaveke' of embroidered muslin 'de la Lingerie Payan'. Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving fashion plates. clothing for the upper part of the body: blouse (+ women's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (+ women's clothes). embroidery (ornamentation) (+ women's clothes)
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Arelia Arbo, Blue Velvet Dolman, c 1937 Blue Velvet Dolman
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Clothing from Dutch men and women in the seventeenth century, plate XXXII, 1855 - 1857 print Clothing from Dutch men and women in the seventeenth century. Clothing from: Signal / Bed. Numbered at the top right: XXXII. Netherlands paper clothes, costume (+ men's clothes)
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Accessories. Fans, parasols, opera gloves, fashionable hats, small toques garnished with feathers, wristwatches, compact bracelets, and luxuriously crafted lighters: there was a dazzling variety of accessories in the 1920s. Small bags could be suspended from a belt, or a glove. Walking sticks and the shafts of umbrellas and parasols were often embellished with carving clearly inspired by African and Indian art. And Russian influence was evident when it came to combs made of mother-of-pearl and ivory.
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Women in dresses made from flowers and fruit : raspberries, pineapple, cherries and grapes.. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Grapes, Fruit, Women , Clothing & dress
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Jane Iverson, Knitted Doll, c 1936 Knitted Doll
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Newspaper of Ladies and Modes, Paris Costume, December 6, 1801, An 9, (263): Velvet Chapeaux (...). Eleven Different Women's Hats of Six Species in One Frame, Numbered One To Six: 1. 'Velvet hats', 2.' Satin hat ', 3.' toquets embroidery ', 4.' spikes', 5. 'cornet. Round on one side ', 6.' Capotes and Satin and Crepe '. The Print Is Part Of The Fashion Magazine Laden Journal and Moldes, Published By Pierre de la Mesanger, Paris, 1797-1839.
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Dancer in the Moulin Rouge, 1891 The woman has curled one leg in the air. She probably dances the canan. Page 29 from a sketchbook with 35 sheets. Paris paper. chalk female dancer. head-gear: hat red Mill
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Fashionable hats of 1800. Hood 1, Braided hat 2, Cap 3, Straw hat 4, peasant hat 5. Capotes 1, Chapeau Natté 2, Toquets 3, Chapeau de Paille 4, Paysanne 5. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1800. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.
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Journal of luxury and fashions 1786, Volume I, T. 21.A New "English Wisky" Model. Print from the Fashion Magazine Journal of Luxury and Moden, Published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.
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Brassiere and head covering of a young woman. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist
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David Allan, 1744-1796, British, born in Scotland, Costume Study, undated. Graphite and pen and brown ink on medium, slightly textured, cream laid paper.
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Embroidery, Germany 19th century. Hem pattern with roses; Model for hem with peonies.
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Costume design for the opera Eugene Onegin by P. Tchaikovsky by Rabinovich, Isaak Moiseyevich (1894-1961) A. Pushkin Memorial Museum, St. Petersburg 1932 Pencil, watercolour on paper 43,5x63,7 Russia Theatrical scenic painting Opera, Ballet, Theat
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Caprilya.. Illustrations, Fashion design drawings, Textiles. 1931. Science, Industry and Business Library: General Collection. Clothing & dress, Textile fabrics
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Designs for the rectors and deans togas for the University in Vilnius; verso: designs for togas and standard, sketches. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist
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Journal of ladies and fashions, Parisian costumes, 1914, No. 147, 1914 Costumes du Matin. Three children dressed in costumes for the morning. They are at a fence, one of them has a dog on the line. Proef pressure of a print from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. head-gear (+ children's clothes). coat (+ children's clothes). walking the dog. stockings, socks (+ children's clothes). arm in arm (friends)
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Men's fashion studies from the Renaissance era, drawers from graphics according to portraits; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);
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Netherlands, 1900-09 part 4. 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, Netherlands
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Costume design by Leon Bakst (1866-1924) for Carabosse, the wicked fairy godmother in The Sleeping Beauty. Music by Tchaikovsky. Choreography by Marius Petipa. Produced in 1921 by Sergei Diaghilevs Ballets Russes.
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Woman with a hat design, Karl Wiener -, artist
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Journal of the ladies and fashions, Parisian costume, December 15, 1811, (1193): hat filled with blond (...), 1811 Woman, seen on the back, with a hat decorated on the head with 'blonde (bobbin). She is wearing a Merinowol redingote. Overshoes or patines with high stand rings. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown: redingote (+ women's clothes). head-gear: hat (+ women's clothes). shoes, sandals (+ women's clothes). lace (+ women's clothes). neck-gear ~ clothing (+ women's clothes)
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Dress, 1854 - 1914 Leaf 33 Recto from a sketchbook with 53 sheets. paper. dress, gown (+ women's clothes)
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Ladies' wardrobe.. Nicholson, Michael Angelo, -1842. Prints, Drawings, Design drawings. 1826. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Cabinets (Case furniture)
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Coloniensis Wenceslas Hollar, 1643 Woman from Cologne, seen on her back, dressed in a huik, which is attached to a flat hat with a stick with plume. The edge of the overclock can be seen under the hood. paper etching cape (HUIK) (+ women's clothes) Cologne
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Color embroidery project for a dress Gray, Zofia
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Costume sample, late 18th century, 8 1/4 x 4 1/2 in. (20.96 x 11.43 cm), Black silk, embroidered in color, France, 18th century
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Egyptian clothing; Gerson, Wojciech (1831-1901); 1860-1872 (1831-00-00-1901-00-00);
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The month, historical, literary and critical newspaper, with figures, volume IV, No. 12 / year.8: Taffeta de Florence. Staaltjes Met Stoffen Uit Florence: Taffeta de Florence, Penetés / Taffeta of Florence Paperback, and vests. Prant UIT Het Tijdschrift The month: historical, literary and critical newspaper with figures, Volume IV, 1800.
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Showcase with distended tissues, Spring Store, Boulevard Haussmann, 9th arrondissement, Paris. Showcase with distended fabrics, store "Spring", Boulevard Haussmann. Paris (ixème arr.). Anonymous photography. Draw at gelatin bromide of silver. Around 1932.
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Cadrelya.. Illustrations, Fashion design drawings, Textiles. 1931. Science, Industry and Business Library: General Collection. Clothing & dress, Textile fabrics
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Fur hats, collars, and muffs. Fashion plates. 1872-01-13. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Muffs , 1870-1879, Women , Clothing & dress , 1870-1879, Fur garments , 1870-1879, Collars , 1870-1879
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Waistcoat, Medium: silk Technique: chain stitch embroidery on satin weave, Gentleman's waistcoat of white satin with a small standing collar is cut straight across the bottom with straight pocket flaps and ten buttons. Embroidered in multicolored silks with a detached linear motif across the front. Flower border extends down the center front. Both pockets have a yellow butterfly. Under one pocket, two sheep worked in chenille thread, and the other side has two birds, one in a nest., France, late 18th century, costume & accessories, Waistcoat