Historical Fashion Studies

Artistic studies of men and women in historical clothing, featuring playful scenes and humorous performances in an 18th-century context.

Two comic couples, 1792, James Gillray, 1820 - 1899 print Leaf on which two plates from 1792 are printed. Two performances of comic couples of men and women. The right plate numbered 395 shows the actor Charles James Fox opposite a small fat woman. The left plate numbered 396 shows a man who grabs a woman at her rear. print maker: Englandafter own design by: Englandpublisher: London paper etching couple of lovers. one pair dancing; man and woman dancing as a couple. theatre, theatrical performance. political caricatures and satires

Leaf with way in which women are resting and a way in which men make music; Study leaves with fashion phenomena. Two performances on one leaf. Above: a woman rests on a sun bed with her dog. The other leans against it. They wear contemporary clothing. Below: two French nobles in contemporary clothing. One of them plays the cello, which he supports a tabouret, and looks at the sheet music on his standard. The other has a hat in hand.

Two comic couples, 1792, James Gillray, 1820 - 1899 print Leaf on which two plates from 1792 are printed. Two performances of comic couples of men and women. The right plate numbered 395 shows the actor Charles James Fox opposite a small fat woman. The left plate numbered 396 shows a man who grabs a woman at her rear. print maker: Englandafter own design by: Englandpublisher: London paper etching couple of lovers. one pair dancing; man and woman dancing as a couple. theatre, theatrical performance. political caricatures and satires

Zamboula-Polka Original 1900 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

Le Dernier des Romantiques. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1891. Prints; lithographs. Heliogravure after a lithograph and etching on Japan toned paper

Hugo, François-Victor (Victor Hugo, dit) (n.1828-10-22-D.1873-12-26), humanized animal in ancient costume (dummy title), 1842. pen and brown ink wash on paper . Houses of Victor Hugo Paris - Guernsey.

8th upward echelon. Hymen! O Hymenée! (Title registered (letter)) | Conjugal scale (title of all)

Memories of the Champ-de-Mars / Statue of Abundance / Statue of Liberty. (IT)

Parade forms on the right , Walking, Parks. George Bellows (1882-1925). Prints and Drawings

Seated Child, unknown artist, after Thomas Barker, 1769-1847, British, undated, Graphite on very thick, slightly textured, cream wove paper, Sheet: 9 × 6 1/2 inches (22.9 × 16.5 cm), child, figure, figure study, genre subject, rustic

Rest / Circus / Fairytale world II Wojtkiewicz, Witold (1879 1909)

Etching and aquatint by Francisco José de Goya, created in 1799 as part of the Los Caprichos series, depicting a scene illustrating inescapable fate or consequences.

Guillaume named Badingue / N ° 1

Caricature, Awakening of German Michel from a series of the artist to , Alexandre, Drawer

Ex-libris Florence Taylor Rupprecht; Bayros, Franz von (1866-1924), Verlag Dr. Rudolf Ludwig (Vienna; Publisher; Ca 1908-1914); 1911 (1911-00-00-1911-00-00);Jerzy (Saint - -A 303), Krzysztof (Saint - -A 250), Partage Plus, Rupprecht, Florence Taylor (Fl. Ca 1910), Rupprecht, Florence Taylor (Fl. Ca 1910) - Exlibris, Witke -Jeżewski, Dominik (1862-1944) -collection, figures, garland (ornament), riders, horses, quarrels, flowers, modernism (style), ornaments, plant ornaments, putta (iconogr.), Rococo (style), sculptures, secession (style), arrows (weapons), saints

Den Haag, Nijhoff, Martinus, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Eene gemistde invoer op de Antwerpsche Wereldtentoonstelling, Cartoon about the State School, 1885, The Hague, Cartoon with the Dutch Virgin with a model from the State School. Plate published in the weekly De Nederlandsche Spectator, no. 20, 1885., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1885 - 1885, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

Fauddle.

A desire for a stolen apple; Andrieux, Clément-Auguste (1829-1881); 2. PO. 19th century (1801-00-00-1900-00-00);Andrieux, Auguste Clément (1829-1880) - legacy, Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, boys, trees, apples, French drawings, genre scenes

'The Blessing of Sleep,' Study for a Poster for Paine's Celery Compound, Kenyon Cox, American, 1856-1919, Graphite, brush and black and gray wash on tan laid paper, Draped woman at left with attributes of Hypnos (winged head and poppy) hovers at left in front of a window that opens out on to blackness. Her arm is outstreched over a reclining man, recumbent on a low divan at right. He is half nude, propped on one elbow with his other arm behind his head. At right, an oil lamp burns atop a columnar pillar., USA, 1899, graphic design, Drawing, Drawing

News. / 286 // The marches of the new throne of Germany.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Luyken, Jan, Saint, Guillaume, Women spinning, verso - stamped, Two women are spinning under a tree in a village street. In the foreground two chickens are scratching around, and in the background buildings can be seen., print, prent, prenttekening, drawings, tekeningen, height 89 mm, width 75 mm, 1730 - 1780-05-05, print maker, prentmaker, 1740 - 1780, paper, papier, Noord-Nederlands, 1649-04-16 - 1712-04-05, intermediary draughtsman

Portrait of Rembrandt and Saskia. Portrait of Rembrandt with feathered hat and sword, with raised glass in left hand, and saskia, sitting on his lap, seen on the back, looking over her left shoulder. Print to Rembrandt painting from approximately 1635.

Guillaume - Sire! I still have a tip to give you; It's not to unmask we could recognize you. ...

Epilog, Epilogue for the Serbian-Turkish War, Milan Obrenovic, Prince of Serbia, sits in the Scheffel, a Turk with Rod from Kikeriki , Unknown

Folding leaf with figure studies, Ludolf Bakhuysen, 1695 - 1705 drawing Folding leaf with a standing woman with a bird on the hand and the upper and lower body of a skating man on the reverse side. paper. graphite (mineral). chalk. ink pen / brush standing figure. standing figure - AA - female human figure

"Sketch by August Xaver Karl von Pettenkofen of Monsignor L. Brunner's travel adventure, executed in dark brown feder, pencil, and laved washes, showing figures, movement, and landscape in 1846."

Cartoon print the opening of the tenth Dutch Language and Literary Congress in The Hague, 1868, 1867 print Bartlepent NAV The opening of the tenth Dutch Language and Literary Congress in The Hague. The Dutch Virgin is the Belgian welcome at the congress. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 35, 29 August 1868. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper personifications of countries, nations, states, districts, etc.. personifications of countries, nations, states, districts, etc. The Hague

Fashion / June 5, 1835 / N ° 450 / deep thought. (IT)

22./mr labelass begs a derprouter to give him a brush shot on his head. (Registered title (letter)) | History of Mr. Lamelasse. (Title of all)

Man with a plumy hat for a curtain, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper curtains

Boerendans; The dance; The waiter in the XIX century. Dancing men and women (farmers) in an inn. Seventh print from a series of eight with the aim of delivering the contrasts of the actual life around 1800 with the civilized world (Beau-Monde).

Letter to medal offered to H.J. Caan, 1856, 1856 print Diploma or letter belonging to the silver medal in 1856 offered to Jhr. Mr. Hendrik Johan Caan, as proof of gratitude for the work by him performed by him as president of the 's-Gravenhaagsche Sub-Commission for the World Exhibition in Paris of 1855. Centrally the medal and the text. Entirely within a ornamental frame with an allegorical female figure with the weapon of The Hague and all kinds of attributes of the arts and sciences at the top. Furthermore leaf vines, the weapons of the Netherlands and France and a medal with bust of Emperor Napoleon III. print maker: Netherlandsprinter: The Hague paper medal (considered as a piece of sculpture, regardless of its specific function) Paris. The Hague

FREDERICK I, 1657-1713, King of Prussia from 1701, engraving from drawing by A Bachelin

England, 20th century. Aubrey Beardsley (1872-1898), D'Albert searching for his ideals.

Etching by Rembrandt Harmensz. van Rijn depicting two beggars walking with a stick to the left, created in 1631, showing figures, gestures, and composition.

Old couple views their initials, Honoré Daumier, 1842 in a tree bark Paris paper letterpress printing caricatures (human types). happy marriage. trees. the ages of man

Three girls dance for a post office, Anny Leusink, in Or Before 1925 drawing Three girls dance arm in arm in the round for the counter of a post office. One of them is waving with a letter in the air. A fourth girl watches in her handkerchief already. The counter clerk looks irritated by the counter at the girls. paper. India ink (ink). deck paint. pencil pen / brush dancing. post-office. letter, envelope

They are plucked there; Ya of Desplumados; Los Caprichos. Two women chase away with a broom the picked men with chicken body. Behind them are two monks. Twentieth print from the Los Caprichos series.

5 / Jules Favre.

Line in Front of the Butcher Shop Made 1870-1871 France. As a member of the National Guard during the Prussian siege of 1870, Edouard Manet witnessed the misery of wartime Paris. He wrote, ìThe butcher shops open only three times a week, and there are queues in front of their doors from four in the morning, and the last in line get nothing.î The abstract patterns of arrayed umbrellas in this print recall the work of the Japanese printmaker Utagawa Hiroshige. The bayonet rising above the umbrellas, however, reveals the military presence required to control the hungry crowd.. Etching in warm black on ivory laid paper . Édouard Manet

Plate 26 from ' Los Caprichos':They've already got a seat (Ya tienen asiento.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 26 from ' Los Caprichos':They've already got a seat (Ya tienen asiento.) 380475 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 26 from ' Los Caprichos':They've already got a seat (Ya tienen asiento.), 1799, Etching and burnished aquatint, Plate: 8 3/8 5 7/8 in. (21.2 15 cm) Sheet: 11 5/8 8 1/4 in. (29.5 21 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(26))

Pencil and black pen drawing by Hans Schließmann depicting an interior scene in a restaurant, showing figures and furniture.

Running and standing man, Johannes Josephus Aarts, 1881 - 1934 print Two men, one of whom runs and the other is. The first carries a staff, the second touches the gap in the left sleeve of his coat. paper etching walking-stick, staff. walking. standing figure

(Air, Larifla!...) - Nos femm' sont - cou-cou! - Nos femm' sont - ché's-ché's - Nos femm' sont - cou - ché's! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

POLICHINELLE. Artist: Paul Gavarni, French, 1804-1866

Zaanlandsche Zeil & RoeiVeeniging. 24 Julij 1852, 1852 print Sailing competition on the Zaan, with the finish of the winner at the public gallery for the town hall. Competition organized by the Zaanlandsche Zeil & RoeiVeeniging, July 24, 1852. In a frame with faces and important buildings of Zaandam. The print includes a program of the competition. print maker: Netherlandsafter drawing by: Netherlandsprinter: Amsterdampublisher: Amsterdam . sailing (sport) Zaan. Zaandam. Tsar Peterhuisje. Old town hall

Les Propos de Thomas Vireloque: Brains cracked-but bottles. Paul Gavarni; French, 1804-1866. Date: 1853. Dimensions: 193 × 162 mm (image); 356 × 265 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Cartoon on the problems around the placement of the statue of tollens in Rotterdam, 1860; Where should it be with tollens now. Cartoon on the problems surrounding the creation of the statue of the poet Hendrik Tollens in Rotterdam, 1860. Officials argue while workers lift the image, in the background looks at the statue of Erasmus. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 16, 21 April 1860.

The balloon and elephant of Egypt. Anonymous. "The balloon and elephant of Egypt". Brown and wash ink.

A 1799 etching and aquatint by Francisco Goya from Los Caprichos series titled 'What a Tailor Can - Was Ein Schneider Vermag', showing a satirical scene involving a tailor.

News // It's for the child ...

Cartoon on the upcoming November parties, 1863, 1863 print Cartoon at the upcoming November parties. The Dutch Virgin sitting behind her desk sorts her papers. The Dutch Lion plays with the hate of freedom on the floor. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 15, 11 April 1863. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper personifications of countries, nations, states, districts, etc.. office (~ administration)

I have not seen any reaction to his time, Caricature on Johann Gottfried Eisenmann, MP of the National Assembly in Frankfurt , Samuel Stern, publisher

Beggar with a stick. Beggar with a hat and walking with a stick.

The Minister of Minister, Caricature for the desired foundation of a German fleet by the Minister of the Reich trade and navy of the provisional central violence in Arnold Duckwitz, Unknown

Gosso Ludigman Gosso Lvdigman potestatvm VI Frisian rulers , print maker: Simon Frisius, publisher: Jan Lamrinck, print maker: Northern Netherlands, publisher: Franeker, 1622, paper, etching, letterpress printing, w 164 mm × h 92 mm

Grandes Eaux à Versailles Honoré Daumier (French, 1808-1879). , July 28, 1844. Lithograph on newsprint, Sheet: 13 3/8 x 10 1/8 in. (33.9 x 25.7 cm). European Art July 28, 1844

Tour from the eighty people from Liège to Tervuren, Abraham Vinkeles, 1832 print After the defeat for reinforcement, the leader of the group of Liège will get a glass of water with some spirit. Cartoon as an illustration in a hero singing about the journey from the Eighty Liège residents to Tervuren on September 6, 1830. Up to the top right numbered pl. 2. Rotterdam paper distilled spirits Tervuren. Cork

Portrait of Claire Duvar: Hermine's role in the husband removed (dummy title)

Sketch of An Art Reform”, Pen and black ink, graphite on paper, Various figures scrambling and fighting, some are climbing ladders, others are using framed pieces of work to hit one another, two lay defeated on the ground., USA, ca. 1877, figures, Ephemera, Ephemera

Rest; Wojtkiewicz, Witold (1879-1909), Pruszcz Ski, Aureliusz (Kraków; artistic inn; 1873-Post 1930); 1905 (1905-00-00-1905-00-00);Young Poland (Styl), Partage Plus, Wellisz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, circus (entertainment), Polish graphics, clown, Polish (culture), satire, symbolism (style) , purchase (provenance)

Pacicarians fantasies; 1880-1900 (1880-00-00-1900-00-00);

Radirte Skizzen. Stuck, Franz von (1863-1928), graphic artist

Tu te plains toujours, tu n'es jamais content. Honoré Daumier (1808-1879). Lithographs

The Hammock 1880 James Tissot French. The Hammock. James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). 1880. Etching and drypoint on laid paper; trial proof. Prints

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), Saoulard (title given by the author). Black stone on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Canoestones and Canoese Planche # 13 (registered title (letter)) | 2nd suite of 1862-1863 (dummy title)

23./ME. Lamélaice having heard ringing will open the door and jumps to the neck of her husband she hoped to no longer review. (Registered title (letter)) | History of Mr. Lamelasse. (Title of all)

Guizot / Louis Philippe. (Ti)

Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album 'B' 1795-97 Goya (Francisco de Goya y Lucientes) Spanish The drawing here captures the joy of outdoor activity. A smiling girl swings freely, while a man raises his hands and cries outpresumably encouraging her. It would not be surprising if Goya sought to imply sexual tension between the pair; other sheets from the album have similar overtones. The expression on the girl’s face suggests coyness or flirtation. There are undeniable sexual overtones in the drawing on the other side of the page (35.103.3). The smiling young maja (a fashionable, confident, and carefree young Spanish woman from the lower classes), eyes wide open, stands demurely in shadow, while a soldier cranes his neck before making his next move.. Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album 'B'. Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1795-97. Brush and point

HENRI IV ET LE MANNEQUIN.. Artist: Paul Gavarni, French, 1804-1866

Pourvu que ce diable de Mars n'ote pas sa muselière!!. Honoré Daumier (1808-1879). Lithographs

Francisco de Goya (Spanish, 1746-1828). Ya tienen asiento. (They've already got a seat.), 1796-1797. From Los Caprichos, no. 26. Etching and burnished aquatint. Plate: 213 mm x 150 mm (8.39 in. x 5.91 in.).

Washed -up bones, Anthonie van den Bos, after Hendrik Hoogers, 1809 - 1810 print Bones that were washed up to a dyke breach near Loenen during the flood of 1809 in which large parts of the central Netherlands flooded. paper etching bones in general (human body) South-Holland. Gelderland

Standing Couple seen from the side, Esaias van de Velde, 1612 - 1617, Standing couple from the side, facing left, dressed according to the Dutch fashion of circa 1610-1620., draughtsman: Esaias van de Velde, 1612 - 1617, paper, h 235 mm × w 165 mm

Etude de femme , Nudes. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Peter Schlemihl Chasing His Shadow. Dated: 1836. Dimensions: plate: 18.2 x 12.6 cm (7 3/16 x 4 15/16 in.) sheet: 35.7 x 27.2 cm (14 1/16 x 10 11/16 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: Adolf Schrödter.

Drawing - Death at the Cemetary Gates

Unwelcome bills , Debt, Cats. Thomas Rowlandson (1756-1827). Prints and Drawings

Gallen-Kallela, Akseli, work, Sketches for a color picture Youth and impi pierced, marker, watercolor and crayon, drawing, 21 cm x 12.2 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

Donation entre vifs ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Company picks plums, anonymous, c. 1880 - c. 1910 drawing A woman stands on a ladder against a plum tree and shakes with a branch so that the plums fall down on a woman and two children. paper. India ink (ink). watercolor (paint) pen / brush tree: plum-tree. reaping, picking, mowing ~ harvest. ladder

Portrait of artist Job Adriaensz Berckheyde, Giovanni Paolo Lasinio, After Vincenzo Gozzini, After Job Adriaensz Berckheyde, 1799 - 1855 print Artist Job Berckheyde, sitting behind his easel, with the palette and brush in hand. Left front a table on which a recorder, passer, book, plaster bust and glass are located. There are a violin and a portrait on the wall. Numbered in the top left: III. Numbered at the top right: 215. Italy paper etching portrait, self-portrait of painter. recorder (musical instrument). violin, fiddle

Allegory of France attacked by insects with heads of politicians of the period 1870-1871

CAPERUCITA ROJA - EL LOBO ATACANDO A CAPERUCITA - DIBUJO PARA EL CUENTO DE PERRAULT. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Muse of Félicien Rops. Félicien Rops; Belgian, 1833-1898. Date: 1895. Dimensions: 177 × 135 mm (image); 235 × 154 mm (plate); 294 × 201 mm (sheet). Heliogravure on cream wove paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Honoré Daumier (French, 1808 - 1879), Comment Bismarck comprend l'unité allemande, 1870, gillotype on newsprint

Romeo and Juliet , Courtship, Romeo Fictitious character, Juliet Fictitious character. Thomas Rowlandson (1756-1827). Prints and Drawings

Goddess flanked by two praying figures, Michel Aubert, After Jean Antoine Watteau, 1731 print print maker: Franceafter painting by: Francepublisher: Parispublisher: ParisParis paper etching / engraving kneeling figure. representations ~ goddesses, demi-goddesses, heroines, etc. (non-Christian religions). parasol, sunshade Laos

Drunken Lovers. Artist: After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 11/16 × 7 3/4 in. (27.2 × 19.7 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: Henry Wigstead (British, 1745-1800 Margate); Samuel Hooper (British, active London, 1771-88). Date: March 15, 1798. Museum: Metropolitan Museum of Art, New York, USA.

N ° 19 / This is called the ass between two chairs / Oh this ass !!! (IT)

Reproduction of a painted work of the hostel, 30 avenue trudaine: the cherry.

The birth of Erichthonius. still image. 1844 - 1861. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Athena (Greek deity), Minerva (Roman deity), Vulcan (Roman deity), Birth, Greeks , Clothing & dress , To 499, Triton (Greek deity), Hephaestus (Greek deity), Erichthonius (Greek mythology), Gaia (Greek deity)

A woman in an opera box is using her opera glasses to peer across the theatre to see who is there. Etching after G. Cruikshank.

Henri de Toulouse-Lautrec (French, 1864 - 1901), Rosmersholm; Le Gage, 1897, lithograph in black on wove paper

You will not escape, plate 72 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 194 × 137 mm (image); 214 × 150 mm (plate); 301 × 205 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

The Spanish dwarf Don Miguel Zorrero Tuerto, ca. 1710; Don Miguel Zorrero Tuerto Cavallero de las Trencedas de Capatos, Padre del Gran Capn. Covielllo, Pariete de Don Quixote, Governors and Las Tierras Australes Desconocidas; Il Callotto Resurcitato Oder Neu Eingerichtes Zwerchen Cabinet. The one-eyed Spanish dwarf Don Miguel Zorrero Tuerto. In the caption under the title a four-line verse in German. Numbered at the top right: 11. Part of a loose-leaf edition from approx. 1710 of a series of caricatures with dwarfs, known as the dworten tone.

"Who Got it from the Fruit-woman": Peeriwinkie the Puddock, from "Topsy-Turvy Tales". Artist: William Heath Robinson (British, London 1872-1944 Highgate, London). Dimensions: sheet: 14 1/2 x 9 3/8 in. (36.8 x 23.8 cm). Date: ca. 1923.Heath Robinson made this drawing for the publisher John Lane at the Bodley Head to illustrate a set of twelve children's stores by Elsie Smeaton Munro. A reviewer wrote in "The Bookman" (December 1923) of the just published book, "...children will take these tales just as they are and enjoy them because they are funny and ridiculous things happen just as little people like them to happen. But older folk will realize their cleverness and perhaps writhe when they see their own caricatures. The author takes our time worn phrases and plots and conceits weaving them brilliantly into her twelve highly original stories. To say that the illustrations are by Heath Robinson is enough bush for the good wine in this book.". Museum: Metropolitan Museum of Art, New York

Lunette with Allegory of Architecture, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush with brown and gray wash over black chalk and traces of graphite on off white laid paper, Woman seated beside table raises architectural plan. Minerva speaks to her pointing opened drawing book leaning, together with other books and plans, against wall. Young man leans upon table in right rear. Written in pencil on top: 'Archittetura'., Italy, 1812-13, figures, Drawing, Drawing

Cartoon over the Lower House, 1884, 1884 print Cartoon with the Lower House as Marcus Curtius. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 39, 1884. print maker: Netherlandsprinter: Netherlandspublisher: The Hague paper death, i.e. the self-sacrifice of Marcus (Manlius) Curtius: he leaps on horseback into a chasm with lethal fumes

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