Historical Fencing Illustrations

Vintage drawings of fencing techniques and dance, showcasing figures in historical costumes, with graceful movements and intricate details.

Three harlequins, one of them does a handstand Tightrope walkers and acrobats (series title) Nice combination of tightrope walkers, jumpers and posturalists (series title), print maker: anonymous, intermediary draughtsman: Gerardus Josephus Xavery, (mentioned on object), publisher: Pieter Schenk (II), Amsterdam, 1728, paper, etching, engraving, h 156 mm × w 230 mm

Du Coupé sur Pointe de Quarte en Quarte sur les Armes, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm) and Sheet: 9 15/16 × 14 15/16 inches (25.2 × 37.9 cm)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Indians dance and the parrots fly away. Eighteenth issue of a suite of 18 pieces. Sixth number of 6 pieces constituting the third entry (A. de Vesme 1135. Dutuit 103) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Sees here two vagabonds, / land runners, Liberaarts, with four dogs (...), 1715 - 1813 print Leaf with a large representation of two men with four dogs. The dogs do tricks and wear clothes. Under the image an eight -line verse in two columns. Numbered at the top right: No. 24. publisher: Amsterdamprint maker: Netherlands paper letterpress printing training of performing dog. dog (+ exercising, performing animal)

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Memorial Scene; Woman Reclining against Tomb, undated. Engraving.

De la Risposte en Quinte de Pied forme sur le Coup de Seconde, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm) and Sheet: 9 × 16 1/8 inches (22.9 × 41 cm)

Etching by François Perrier from 1638 depicting Roman statues, illustrating classical sculpture forms, drapery, and proportions in a detailed composition.

James Gillray, 1757-1815, British, Evacuation of Malta, 1803. Engraving.

De la Parade du Demi-Cercle sur le Coup, de Quarte Basse, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm) and Sheet: 9 11/16 × 16 3/4 inches (24.6 × 42.5 cm)

Three harlequins, one of them does a handstand Tightrope walkers and acrobats (series title) Nice combination of tightrope walkers, jumpers and posturalists (series title), print maker: anonymous, intermediary draughtsman: Gerardus Josephus Xavery, (mentioned on object), publisher: Pieter Schenk (II), Amsterdam, 1728, paper, etching, engraving, h 156 mm × w 230 mm

James Gwin, 1700-1769, De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper.

Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica94. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Warring old and young schoolboy, Lawrence Alma Tadema, 1846 - 1912

A Chinese prisoner being subjected to a flogging: the prisoner is shown being held in a kneeling position by one man, while another administers lashes to his back. Gouache painting on rice-paper, 18--

Roman Empire. From left to right: gladiator with helmet and shield, gladiator carrying helmet, shield and dagger. Chromolithography. "Historia Universal", by César Cantú. Volume II, 1881.

Primitive dancing, 1827., n.p. Folk dancing. Aquatints., Aquatint, colored, line border; dimensions 18 x 29 cm

Joseph Heicke's 1850 watercolor and pencil drawing depicts Austrian field hunters, showing human figures, hunting attire, and hunting landscape.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Forty-second board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm) and Sheet: 9 1/8 × 14 15/16 inches (23.2 × 37.9 cm)

Winged putti or amorini: a putto playing two flutes while the other is dancing (top); a putto dancing and playing cithara, the other one holding a long stick on his shoulders (bottom), Herculaneum, Campania, Italy, engravings by Rocco Pozzi from drawings by la Vega, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume I, plate 31, 1757-1787, Naples.

Foot Combat with Halberds, c.1512-1515, Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Foot (Volume III), pen and black ink with watercolor on laid paper, sheet: 32.9 × 26.3 cm (12 15/16 × 10 3/8 in.), German 16th Century (artist)

Hymen and Cupid. Steel engraving by E. Chavane after W. Hogarth.

Henry III and his masons. From The Island Race, a 20th century book that covers the history of the British Isles from the pre-Roman times to the Victorian era. Written by Sir Winston Churchill and abridged by Timothy Baker.

Sees here three wakled boys, / so fluks, so fresh from members (...), 1715 - 1813 print Sheet with 4 performances of children's games. A four -line verse above or below each image. Numbered at the top right: No. 21. print maker: Netherlandspublisher: Amsterdam paper letterpress printing children's games and plays. games using special objects (marbles, top, hoop, etc.)

Dancers of the cortege of Aphrodite dance in her honour, while she watches with her son Eros.

Preparation for the Crucifixion (Schr. 662a) 15th century Anonymous, German, 15th century German. Preparation for the Crucifixion (Schr. 662a) 382407 Artist: Anonymous, German, 15th century, Preparation for the Crucifixion (Schr. 662a), 15th century, Woodcut, hand-colored, sheet: 3 9/16 x 2 1/4 in. (9.1 x 5.7 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.155)

Mock Joust of War in Reinforced Field Armor, c.1512-1515, Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Volume II), pen and brown ink with watercolor and corrected with white gouache on laid paper, sheet: 33.6 × 26.2 cm (13 1/4 × 10 5/16 in.), German 16th Century (artist)

James Gwin, 1700-1769, Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper.

Gentlemen fencers in position of the inside Carte and the thrust given on the outside flank called Flanconade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

An offender undergoing the bastinade, The punishments of China, Dadley, J., Mason, George Henry, Stipple engraving, hand-colored, 1801

Albrecht Dürer's 'The Ring and Fencing Book' (1512) shows fencing positions and sequences using ink with subtle watercolor accents.

Skeletons dancing. Etching by R. Stamper after C. Sharp.

A brown pen drawing with red washes by Sébastien Le Clerc depicting an African Indian figure, mounted on a leaf with a pierced decorative strip, dated between 1650 and 1664.

Combat with Dagger. Date/Period: Ca. 1410. Folio. Tempera colors, gold leaf, silver leaf, and ink on parchment. Height: 279 mm (10.98 in); Width: 206 mm (8.11 in). Author: Fiore Furlan dei Liberi da Premariacco.

Col. Topham Endeavoring with his Squirt to Extinguish the Genius of Holman October 5, 1785, reissued 1793 Thomas Rowlandson Topham points a syringe at the sun, which is inscribed "Genius of Holman." Mrs. Wells and John Henderson stand behind him holding strings that are attached to his regiments. An owl flies overhead.. Col. Topham Endeavoring with his Squirt to Extinguish the Genius of Holman. Thomas Rowlandson (British, London 1757-1827 London). October 5, 1785, reissued 1793. Etching. W. George (British, active London 1784-85). Edward Topham (British, York 1751-1820 Doncaster). Prints

Hunting company, design for a glass engraving, anonymous, c. 1690 - c. 1725 Design, washed pen drawing in brown and gray, for a glass decoration. On the fan -shaped leaf you can see a yacht with hunters and dogs and the text: Long live the bulbs/that bacon with tubers. Netherlands paper. ink drawing Design, washed pen drawing in brown and gray, for a glass decoration. On the fan -shaped leaf you can see a yacht with hunters and dogs and the text: Long live the bulbs/that bacon with tubers. Netherlands paper. ink drawing

A slightly watercolored pen drawing by Albrecht Dürer from 1512 depicting fencing figures and leader instructions from the Ring and Fencing Book.

Etruscan soldiers, the traditional rivals and enemies of the Romans Date: BC

The Poetic Edda is a collection of Old Norse poems primarily preserved in the Icelandic mediaeval manuscript Codex Regius. Together with Snorri Sturluson's Prose Edda, the Poetic Edda is the most important extant source on Norse mythology and Germanic heroic legends.

Combat with Dagger. Date/Period: Ca. 1410. Folio. Tempera colors, gold leaf, silver leaf, and ink on parchment. Height: 279 mm (10.98 in); Width: 206 mm (8.11 in). Author: Fiore Furlan dei Liberi da Premariacco.

Bambooing his breeches. 1801 - 1900. Paintings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting, Chinese, Clothing & dress , China, Punishment & torture , China

Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1847.

Execution of Jesus Bruno Martinez 1892 José Guadalupe Posada. Execution of Jesus Bruno Martinez. José Guadalupe Posada (Mexican, 1851-1913). 1892. Etching on zinc. Prints

CIVITATES ORBIS TERRARUM - VEGEL (VEJER DE LA FRONTERA) - DETALLE - VIAJERO PREGUNTANDO A UN PASTOR - GRABADO - SIGLO XVI - (CONJUNTO NUMERO 3032). Author: GEORG BRAUN 1541-1622 / FRANS HOGENBERG. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

John Bull and a archers, Maarten Bos Jz., 1861 - 1862 print John Bull holds his stomach laughing and looks at a man who tightens an arc, just a few meters in front of the rose. Behind the man is a woman, probably Marianne symbol for France, with her hands in front of the face. Below the image is a short text. print maker: Netherlandsprinter: Arnhem paper shooting with bow and arrow, archery (~ games of skill). political caricatures and satires. laughing. personifications of countries, nations, states, districts, etc.

Children playing blind man's buff, 17th century. After an engraving by Claudine Bouzonnet Stella in Les Jeux et Plaisirs de l'Enfance, (top) and by Errar (bottom). Le jeu de Colin Maillard au XVIIe siecle. Lithograph from Henry Rene dAllemagnes Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906.

Apollo a muzzen Dansen, Raphael URBain Massard, After Giulio Romano, After Andrée Duter Dutied, 1821 - 1831 print Paris paper steel engraving (story of) Apollo (Phoebus). the Muses acting together (as group)

Emun and Shake Trônes Despotes / Notice to Obsurd Kings (IT)

Theseus, king of Athens, killing the Amazon queen Hippolyta with a spear. Hippolyta wears Anassiridi pantalons, Scythian shoes and a tunic decorated with stars. The Amazon warrior Deinomache, wearing an old Scythian style tunic, defends her queen with Scythian bow and quiver of arrows. Combattimento di Teseo con Ippolita. From a Roman vase. Handcoloured copperplate engraving by B. Andrei from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1847.

Unarmed Combat; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340,1350 - before 1450); Padua (or), Italy; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1,8 in.)

Combat with Sword; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340,1350 - before 1450); Venice, Italy; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1,8 in.)

The origins of bandit land. Illustration for the journal "Bezbozhnik u stanka" (Atheist at the workbench), Deineka, Alexander Alexandrovich (1899-1969)

Four English bowmen: 1) Brigandine archer 1554 2) Brigandine archer 1590 3) Archer of Charles I 1625 4) Archer of 1780

Combat with Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1/8 in.)

Thief Czigilds - Diebische ZigeunerThief czigas. Diebische Zigeuner

MARTêNEZ COMPAîN Y BUJANDA, Baltasar Jaime (1735-1797). Trujillo del Perœ en el siglo XVIII. 1782 - 1785. Vol 2. Plate 144. 'Danza de los doce pares de Francia' (Dance of the twelve couples of France). Watercolour. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Palacio Real Library.

Gray and brown pen and brush drawing by Albert Flamen depicting twelve carpenters working with piles and wooden planks, minor damage and dirt in the upper left corner.

Painted panels The Dutch Parlour, Littlecote House Hotel, Hungerford, Berkshire, England, UK painted panels by Dutch prisoners of war 1660s

Combat with Dagger. Date/Period: Ca. 1410. Folio. Tempera colors, gold leaf, silver leaf, and ink on parchment. Height: 279 mm (10.98 in); Width: 206 mm (8.11 in). Author: Fiore Furlan dei Liberi da Premariacco.

A colored pen drawing from 1420-1430 depicting the scene of Töktung Urias, showing figures, gestures, and setting.

Vestigia delle Terme di Tito. Procession. Quadro from the decoration of the room of the room 14; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, illustration, purchase (provenance)

Blackwork Design for Goldsmithwork with a Bee-Keeper, a Farmer and a Boar 1612 Mathais Beitler German Ornamental panel, divided into three registers. The top register shows a kneeling figure collecting bee-hives from a tree at center. In the middle register, a farmer tills his land. At bottom, a boar chased by two dogs. From a series of six plates.. Blackwork Design for Goldsmithwork with a Bee-Keeper, a Farmer and a Boar 423447

Cod. 11093, fol. 40r: Book on Swordsmanship and Wrestling Full page: wrestling scene; pen and brush drawing, Southwestern Germany, mid-15th c.

Page from Albrecht Dürer's 'The Ring and Fencing Book' (1512), illustrated with ink and light watercolor, showing fencing techniques and figure movements.

Pyrrhic Dance, ancient Greek war dance. From a Greek vase in the collection of Sir William Hamilton. Danza Pirrica. Handcoloured copperplate engraving by Giovanni Paglianti from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1842.

Cartoon on the French losses in 1711, 1711 print Cartoon on the French losses in 1711. A French knight is driven away by an Allied knight, the columns with Non Plus Ultra fall to be broken. With inscriptions and verses in Dutch and French. Part of the plates about 1711, a group of 5 unnumbered cartoons on the French in 1711 of the Spanish Succession War. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish War of Succession. Amsterdam paper etching political caricatures and satires

A man grabbing a woman by her sleeve and stabbing her, from a broadside entitled 'The murder of Leandra Martinez by her brother, Manuel'. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 5 5/8 × 7 7/8 in. (14.3 × 20 cm). Date: 1891. Museum: Metropolitan Museum of Art, New York, USA.

Dansurs de Corte et Sauteurs. Leaf with 4 horizontal rows with representations of cord dancers and acrobats. Numbered at the top right: No 33.

Hussenot, Joseph (n.1827-08-18-D.1896-02-27), Study for the Cross Stations of Notre-Dame-de-la-Croix church: Station III: Jesus falls under the weight of His cross (main title), 1876. Black pen and ink, watercolor, gold on cardboard. Curved paper frame glued to the cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Foot Combat with Halberds, c.1512-1515, Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Foot (Volume III), pen and black ink with watercolor on laid paper, sheet: 33.1 × 26.2 cm (13 1/16 × 10 5/16 in.), German 16th Century (artist)

Foma da Erema.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Above, red-figured Greek drinking cup (skyphos); below, detail of the decoration showing a woman holding a rabbit and a naked man with a walking stick. Watercolour by A. Dahlstein, 1760/1780 ().

He turned just in time to escape an arrow while carrying Virginia Dare in a fictionalized account

Japanese Imperial Postal Service, Japan. Old 19th century engraved illustration Travel to Japan by Aime Humbert from El Mundo en La Mano 1879

Bierscheppen / fr.: Chronika 1553

Combat with Dagger; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340,1350 - before 1450); Padua (or), Italy; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1,8 in.)

Copper engraving by René Boyvin, created between 1540 and 1600, depicting dancing dryads alongside the three Parzen, illustrating mythological figures and classical themes.

Cartography, 17th century. Map of Panama, 1744. Detail: Native Indian with bow and arrow.

Aux3rows of liar. (Ti)

Spain. Barcelona. 1865. Third epidemic of the 19th century. Symbolic scene between women and cholera at their farewell. Engraving. "New Chronicle of Barcelona", number 18. 19th century.

Man kicks the door of a desk. .

A Chinese street trader. Painting by a Chinese artist, ca. 1850.

EL RAPTO - DOS HOMBRES LLEVANDOSE A UNA MUJER - 1800-1808 - AGUADA DE TINTA CHINA - 184x260 mm. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Etching and type print by Augustin Hirschvogel from 1548 depicting Adam eating the apple, showing figure detail and composition.

SOLDADOS ROMANOS. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Javanese ronging or dancers. Draughtsman: Jan Brandes. Dating: 23-Jan-1779 - 26-Aug-1785. Place: Jakarta. Measurements: h 195 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

After Jacques Callot, Taglia Cantoni and Fracasso Taglia Cantoni and Fracasso

Engraving depicting boxers in the Coliseum in Ancient Rome. Dated 19th century

Maffet Ledger: Drawing ca. 1874-81 Southern and Northern Cheyenne. Maffet Ledger: Drawing. Southern and Northern Cheyenne. ca. 1874-81. Graphite, watercolor, and crayon on paper. United States, Oklahoma. Paper-Drawings

Maximilian Lenz's watercolor depicts a craftsman, a farmer, and a herald in conversation, showing posture, gesture, and interaction.

Geronimo de Aguilar (1489-1531). Spanish conqueror. Aguilar is presented to Cortes after eight years of slavery among the Indians. Volume I. Drawing by J. Altarriba and engraved by J. Carrafa. 1825. Colored.

COMPARSA DE JARDINEROS QUE BAILARON DELANTE DE FERNANDO VII Y DE MARIA JOSEFA AMALIA DE SAJONIA EL 10 DE ABRIL DE 1828 - GRABADO SIGLO. Author: BRUSI. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

Roman mosaic of performers killing a leopard at a spectacle, 3rd century. Artist: Unknown

Warriros. Native American. Drawing by French artist Jacques le Moyne. Member of Jean Ribault's expedition to the New World (Florida). 16th century. Later colouration. Author: Jacques LeMoyne.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Ausonius, Decimus Magnus, The Great Figurine Bible, Twelve Roman Emperors, Of the Roman Emperors and their Consequences, 9. Vitellius 10. Vespasianus 11. Titus 12. Domitianus, Roman emperors Vitellius, Vespasianus, Titus and Domitianus, lower right - handwritten in brown ink, Four consoles with the ninth to twelfth emperors of the Roman Empire. Depicted full-length: Vitellius, Titus and Domitianus. The text in the cartouches below are lines of verse from the Monosticha de Ordine Imperatorum by the Latin poet Decimus Magnus Ausonius. The print is part of an album., print, prent, albumblad, prints, prenten, 215, height 203 mm, width 260 mm, print maker, prentmaker, 1646 - 1646, paper, papier, engraving, engraving (printing process), Roman, 310 - 395, writer, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

French wrestlers, 16th century. The champion at left in violet silk top, blue and white stockings, is being held back by the judge in scarlet and crimson.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

Mode, Kleidung in Spanien von 1810-1830, von links, ein Handwerker aus Katalonien, ein Wasserverkäufer aus dem ehemaligen Königreich Valencia, Bauer u...

Demolishers (Les démolisseurs) from the album L'Album de lithographies des Temps nouveaux. Dimensions: 57 cm x 45.6 cm, 49.8 cm x 31 cm. Museum: Van Gogh Museum, Amsterdam. Author: PAUL SIGNAC.

Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, Jeytie Lifting Weights, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Giovanni Battista Bracelli (Italian, active c. 1624-1649), From "Bizzarie di varie Figure", 1624, etching

The King of Cochin. Hans Burgkmair (German, 1473-1531). Woodcut;

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