Historical Figure Studies

A collection of figure studies and costume sketches featuring boys and historical figures in various artistic styles, using techniques like pen, charcoal, and watercolor.

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Study of a Boy, Charles West Cope, 1811-1890, British, undated, Pen, brown ink, gouache and red chalk on medium, slightly textured, brown wove paper, Sheet: 9 3/4 × 3 5/8 inches (24.8 × 9.2 cm), boy, figure study, hatching

Portrait of Worp from Ropta, Chief Magistrate or East Dongeradeel, Frisian School 1542, 1542 painting Portrait of Worp van Ropta (1504-51). Grietman van Oost-Dongeradeel. Standing, back. panel. oil paint (paint) historical persons East Dongeradeel

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study for The Reconciliation, one of a series of paintings executed for the Royal Exchange, London,1896, Graphite, colored chalks, Composition board, covered in wove, 45.4 × 36.6 cm (17 7/8 × 14 7/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Berkeley, costume sketch for Henry Irvings Planned Production of Richard II, Watercolor, charcoal, and graphite, White wove, 35.5 × 16.8 cm (14 × 6 5/8 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Edelfelt, Albert, work, Sketch book, drawing, 8 cm x 12 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

DA-SC-86-06503. Country: Unknown

In Scandinavian (Norse) mythology, Skrymir is a very tall giant, and Skrymir is the strongest and most cunning of the giants. Skrymir lives in Utgard, in Jotumheim. This illustration dates to 1913.

Study for the figure of a Civil War General, in The Apotheosis of Pennsylvania,” mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Ruth Abrams, The Doctor Marionette, c 1937 The Doctor Marionette

Costume design for the ballet Sleeping Beauty by P. Tchaikovsky by Benois, Alexander Nikolayevich (1870-1960)/ Private Collection/ 1957/ Russia/ Watercolour, gouache, ink and pen on paper/ Theatrical scenic painting/ 22,5x13/ Opera, Ballet, Theatre

Figurehead: Woman. Dated: 1935/1942. Dimensions: overall: 51.9 x 33.2 cm (20 7/16 x 13 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Moutal.

RAMON CASAS 1866/1932- PINTOR CATALAN. Author: ISIDRO NONELL. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Lazio Viterbo Bagnaia Villa Lante00. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pencil study by Rudolf Weyr of a man in armor, showing figure, posture, armor detail, and proportions of the human body.

Biblical King Leslie Xuereb (b.1959/French)

Study of a Youth, Sir John Everett Millais, 1829-1896, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 x 3 3/4 inches (17.1 x 9.5 cm), figure study, genre subject, youth

Henri de Toulouse Lautrec, Yvette Guilbert, 1894 Yvette Guilbert

Figure study for Measure for Measure” (oil painting). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Valencian farmer, Comunidad Valenciana. Journey to Spain, 1862 by Jean Charles Davillier (1823-1883) Drawing by Gustave Dore (1832-1883) Le Tour du Monde 1862

Berndtson, Gunnar, work, Sketch book, drawing, 9.5 cm x 13 cm, Berndtson, Gunnar

Young Moroccan, Standing. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 7 5/8 x 2 5/8 in. (19.4 x 6.7 cm). Date: 1832. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo Aquila Rocca di Botte S. Maria del Pianto1. Hutzel, Max 1960-1990 Two exterior views, one of facade and one of apse. One interior view of altar. Remaining views of 15th c. frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Standing Dignitary, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm), figure study, man, standing, sword, turban

Bakst, Leon (1866-1924) State Russian Museum, St. Petersburg 1903 37,1x29,3 Watercolour on paper

'Drawing in Sanguine', c1900 (1903-1904). Artist: Jules Cheret.

James Abbott McNeill Whistler. Artist: William Merritt Chase (American, Williamsburg, Indiana 1849-1916 New York). Dimensions: 74 1/8 x 36 1/4 in. (188.3 x 92.1 cm). Date: 1885.On his way to Spain in 1885 by way of London, Chase decided to introduce himself to James McNeill Whistler (1834-1903), whose works he had long admired. Whistler urged him to stay longer so they could paint portraits of one another. In depicting Whistler, Chase echoed traits that appear in his subject's recent portraits, such as that of Théodore Duret (13.20): an elongated figure, a low-keyed palette, free brushwork, and ambiguous space. Although Chase must have intended to honor Whistler and his style with these echoes, Whistler was offended, calling the work a "monstrous lampoon" and possibly destroying his portrait of Chase. Museum: Metropolitan Museum of Art, New York, USA.

Fränkische Frauen, 9. -10. Jahrhundert, Modegeschichte, Kostümgeschichte, Historisch, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhund...

Man in jacket with yellow braid trim. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 16 x 8 7/16 in. (40.7 x 21.4 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Old man in a green military coat. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 15 9/16 x 7 7/8 in. (39.6 x 20 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Peter Watson. Pavel Tchelitchev (1898-1957). Gouache and sand on paper. 64 x 49.5cm.

The Target. Richard Lindner; American, born Germany, 1901-1978. Date: 1964. Dimensions: 657 x 394 mm. Watercolor with brush and black ink, graphite, and colored pencils on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Eduard Llorens i Masdeu / Pinturas decorativas del Palauet Casades, actual Col·legi d'Advocats de Barcelona, siglo XIX.

Man in a black suit, smoking. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 164 3/16 x 8 1/8 in. (417 x 20.6 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Knight in armor; Thoma, Hans (1839-1924); 1889 (1889-00-00-1889-00-00);Munich (Germany), Pringsheim, Alfred (mathematician - 1850-1941), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Willa Pringsheim (Munich), FRZE (archite.), Music, images, knights, knights, knights, Salons (interiors)

Allegorical Figure, John Phillip (Aberdeen, Scotland, 1817 - 1867)

Edelfelt, Albert, work, 'Fieandt takes a cigarette, whips to the heel of the boot', 1897 - 1900, drawing, 28.6 cm x 15 .5 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Seated peddler, Pieter Marinus van de Laar (attributed to), 1834 - 1862, draughtsman: Pieter Marinus van de Laar, (attributed to), 1834 - 1862, paper, brush, h 228 mm × w 180 mm

Gold and brown, self-portrait, 1895-1900, by James McNeill Whistler (1834-1903), oil on canvas, 96x51 cm.

Bürgertrachten in Paris am Ende des 17. Jahrhundert, 1699, Frankreich, Historisch, authentisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4904038

Kurile Man ca. 1780-1800 Imperial Porcelain Manufactory, St. Petersburg Russian About 1780 the Imperial factory began the production of a large series of figures depicting Russian national types, of which fourteen are represented in the Linsky Collection. Like most of the figures, this figure is modeled from engravings published by Johann Gottlieb Georghi in his Description if All the Peoples Inhabiting the Russian State (editions of 1774, 1776, and later). The authorship of the models themselves is not established, but some may be attributable to Jean-Dominique Rachette (1744-1809), chief modeler at the factory from 1779 to 1804.. Kurile Man 207068

Decorative object, anonymous, 1760 - 1785 Men's figure of Faience, representing Christ with the Rijksappel in hand. Multicolored painted. Delft . Men's figure of Faience, representing Christ with the Rijksappel in hand. Multicolored painted. Delft .

Vase with animal and human figures and architectural facades, Khafajah, Sin Temple IX, Early Dynastic period, 2650-2550 BC; Iraq; Assyrian

Abruzzo, Pescara, Penne, Palazzo Vescovile, Museo, Italy, 20th century, photo, photography, Europe

MAESTRE DE CAMPO DE LOS TERCIOS ESPAÑOLES - SIGLO XVII - LIENZO - 2,23x1,11 - Nº INVENTARIO 112 -. Author: BARTOLOMEO MANFREDI. Location: SENADO-PINTURA. MADRID. SPAIN.

Slave Advertising Figure. Dated: c. 1941. Dimensions: overall: 51.3 x 25.5 cm (20 3/16 x 10 1/16 in.). Medium: watercolor, graphite, colored pencil, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Chris Makrenos.

Man from Kamchatka ca. 1780-1800 Imperial Porcelain Manufactory, St. Petersburg Russian The Imperial Porcelain Manufactory entered a period of prosperity under the patronage of Catherine the Great. The factory mainly served the needs of the court and, at the order of the empress, created unique pieces to be given as gifts to foreign dignitaries, favorites, and courtiers.Beginning in 1779, the chief modeler at the factory, Jean-Dominique Rochette (1744-1809), extended the scope of production by creating a series of figures in porcelain (see also 1982.60.175). Rochette's workshop was responsible for the first series of figures known as the People of Russia. The series was inspired by the book of the famous ethnographer and traveler Johann Gottlieb Georgi entitled A Description of All the Peoples Inhabiting the Russian State. Work on the series continued from 1780 until 1804.. Man from Kamchatka. Russian, St. Petersburg. ca. 1780-1800. Hard-paste porcelain. Ceramics-Porcelain

Cortez

Trieste, Lloyd, James, Piloty, Karl Theodor, Simon, A., Benvenuto Cellini's Flight from the Castel Sant'Angelo, verso - stamped, print, prints, height 316 mm, width 226 mm, print maker, printmaker, 1800 - 1899, paper, papier, steel engraving, German, 1826-10-01 - 1886-07-21, after, after painting by, Publication (Event), Publication, British, 1828 - 1913, publisher

Wiik, Maria, work, P. Hieronymus and P. Fransiskus, copy after Fra Angelico, copy 1895, oil on canvas, painting, 49 cm x 67 cm, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Japanese domed face kite. Old 19th century engraved illustration from La Nature 1886

Innkeeper's Daughter. Dated: c. 1938. Dimensions: overall: 45.5 x 34.2 cm (17 15/16 x 13 7/16 in.) Original IAD Object: 15 1/2" high. Medium: watercolor, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: George File.

Horseman; Cavaliere. Marino Marini (1901-1980). Drawn on buff paper. Signed and dated 1955. 83.3 x 61cm.

Iron. Witkowski, Romuald Kamil (1876-1950), painter

Bearded lady. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 16 5/16 x 9 1/4 in. (41.5 x 23.5 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA.

The Chef' painted by Niko Pirosmani (1862-1918), Georgian, primitivist painter, who posthumously rose to prominence.

Clown Playing the Accordion; Pierrot Jouant l'Accordeon. Floris Jespers (1889-1965). Oil on glass. 98.5 x 80cm.

Costume design for the opera Mazeppa by P. Tchaikovsky by Vasilyev, Alexander Pavlovich (1911-1990) A. Pushkin Memorial Museum, St. Petersburg 1966 Watercolour and white colour on cardboard Russia Theatrical scenic painting Opera, Ballet, Theatre

Costume design for the opera Mazeppa by P. Tchaikovsky by Vasilyev, Alexander Pavlovich (1911-1990) A. Pushkin Memorial Museum, St. Petersburg 1966 Watercolour and white colour on cardboard Russia Theatrical scenic painting Opera, Ballet, Theatre

Tahitian chief, by L.F. Lejeune from the Journey of Louis I. Duperrey (1822-1825), Polynesia 19th century. Watercolour.

Effigy of Sir Thomas Peyton (1418-1484), Isleham Church, Cambridgeshire. Black and White Illustration from the "Old England" published by James Sangster in 1860.

Man of the Samoyeds, Samoyed, Samoyed peoples, Ural Mountains, Russia, woodcut 1888, Europe

Korin, Pavel Dmitryevich (1892-1967) State Tretyakov Gallery, Moscow 1943 101x72,5 Oil on canvas Modern Russia History

The Man with the Dog. Édouard Manet; French, 1832-1883. Date: 1877-1883. Dimensions: 550 × 350 mm. Pastel on canvas, prepared with a gray gouache ground. Origin: France. Museum: The Chicago Art Institute, USA.

The author Leo Tolstoy barefooted by Repin, Ilya Yefimovich (1844-1930) State Russian Museum, St. Petersburg 1901 Oil on canvas 207x73 Russia Russian Painting, End of 19th - Early 20th cen. Portrait Painting

GRANADOS, ENRIQUE. COMPOSITOR ESPAÑOL. LERIDA 1867-1916. DIBUJO DE RAMON CASA. MUSEO ARTE MODERNO. BARCELONA.

Figure from a Crèche: Standing Man, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 26.9 cm (10 9/16 in.). The practice of creating scenes of the Nativity for the home dates from the early 1700s in Italy, where people began to set up doll-like figures of about a foot or less in height. The custom was particularly popular in Naples around 1800, where crèche scenes (crèche means cradle, or crib) included many figures, whose heads and hands of painted terracotta, stuffed cloth bodies, and clothing adapted from contemporary local costumes gave them an amazingly realistic character.

Armor ca. 1575; breastplate, later; lancerest and gilt decoration, probably 18th-19th century Italian, probably Milan The man's armor, dating from about 1575, is part of a small garniture that included exchange elements for the battlefield and reinforcing pieces for the tournament. The breastplate is a restoration.The associated horse armor also in the Metropolitan Museum's collection (acc. no. 21.139.2), dating from about 1560, is one of the few complete examples of its period to be preserved. It comes from the armory of the counts Collalto at the castle of San Salvatore, near Treviso, where it was presumably kept from the late sixteenth until the early twentieth century. The bands of etched ornament include classically inspired trophies of arms and armor and musical instruments. These were standard decorative motifs on Italian armor of the period, but here, they are depicted with much more precision, on a larger scale, and in far greater detail and variety than usual. The high qualit

Mitrokhin, Dimitri Isidorovich (1883-1973) Private Collection 1925 Ink on paper Modern Russia

Sisenand (ca. 605Ð636). Visigothic King of Hispania, Septimania and Galicia (631Ð636). Son of Suintila and his wife, Theodora. Colored engraving.

Bonnet. Dated: c. 1936. Dimensions: overall: 30.2 x 23.5 cm (11 7/8 x 9 1/4 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Margaret Concha.

Harmony in Yellow and Gold: The Gold GirlConnie Gilchrist ca. 1876-77 James McNeill Whistler American Constance Macdonald Gilchrist (1865-1946), popularly known as "the original Gaiety Girl," had a successful career on the London stage in light comedy and vaudeville. Whistler posed her in his studio as she appeared on the stage of the Gaiety Theatre in the skipping-rope dance. In addition to being a portrtait of the popular young dancer, the painting is an experiment in design and color, presenting a visual dialogue between solid forms and flat, decorative patterns.. Harmony in Yellow and Gold: The Gold GirlConnie Gilchrist. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). American. ca. 1876-77. Oil on canvas

Elmer G Anderson, Cigar Store Figure, c 1936 Cigar Store Figure

Man second half 18th century Lorenzo Mosca In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terra

Schnapps glass (one of twelve) 1750-75 German, Nuremberg The form of this piece is unprecedented in the seventeenth century either in silver (the usual prototype for new glass forms) or in glass. It is close to the idea of cruet frames with central handle which were common in the eighteenth century. The signs of the zodiac are contained in swiftly sketched rococo cartouches, and there is a mixture of periods of costume worn by the various figures, including one in the garb of the sixteenth century and others from the seventeenth century. For all these reasons, it seems probable that the glass was decorated in the third quarter of the eighteenth century.. Schnapps glass (one of twelve). German, Nuremberg. 1750-75. Glass, enamel. Glass

Doll. Dated: c. 1936. Dimensions: overall: 28 x 22.8 cm (11 x 9 in.) Original IAD Object: 9" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jane Iverson.

Arrangement in Black: Portrait of F. R. Leyland. oil on canvas. Origin: United States. Date: 1870-1873. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Frederick Richards Leyland.

Boy with a Greyhound possibly 1570s Paolo Veronese (Paolo Caliari) Italian This portrait was purchased by the great American collectors Harry and Louisine Havemeyer from the noble Martinengo family of Brescia, who believed it to represent a young man related to them from the Colleoni family of neighboring Bergamo. The painting, probably dating to the 1570s, hung in the Martinengo villa and its conception recalls Veronese's illusionistic frescoes in other Veneto villas, in one of which members of the family are shown as though entering the space of the viewer through an open door.The sky, painted in a fugitive smalt blue, has lost most of its color.. Boy with a Greyhound. Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). possibly 1570s. Oil on canvas. Paintings

Figure study for Valley Forge” mural in the House Chamber of the Pennsylvania state capitol building, Harrisburg, 1902-1911. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

ARMADURA DEL PERIODO EDO - ARTE JAPONES. Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND.

Mode, Kleidung, Ritterrüstungen im Spätmittelalter, deutsche Rüstungen aus blankem Eisen mit beweglichen Körperbereifungen, digitale Reproduktion eine...

Portrait of Marten Soolmans, by Rembrandt, 1634, oil on canvas, Rijksmuseum, Amsterdam, Netherlands, Europe,

The school teachers, from Heart, by Edmondo De Amicis, drawing

Portrait of the Spanish outfit; Oku, Edward (1872-1945); 1911 (1911-00-00-1911-00-00);Young Poland (Styl), Okuń, Edward (1872-1945), Okuń, Edward (1872-1945)-iconography, Partage Plus, artists, self-portraits, painters, portraits, portraits of artists, male portraits, men's portraits, Spanish costumes, purchase (provenance)

Begging figure, Simon Troger (School of), After 1693 - Before 1768 ivory ivory

LA FAMILIA DE CARLOS IV VA DE VIAJE-DET CONDECORACIONES DE CARLOS IV. Author: CRISTOBAL TORAL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Costume design for the theatre play The gypsies by A. Pushkin by Tyshler, Alexander Grigoryevich (1898-1980) A. Pushkin Memorial Museum, St. Petersburg 1936 Watercolour on paper 34,4x25 Russia Theatrical scenic painting Opera, Ballet, Theatre Pa

A Knight with his Jousting Helmet (Count Faustino Avogardo ()) Il Cavaliere dal Piede Ferito (Conte Faustino Avogadro ()). Date/Period: 1554-58. Painting. Oil on canvas. Height: 202.3 cm (79.6 in); Width: 106.5 cm (41.9 in). Author: Giovanni Battista Moroni.

Klingholz Fritz (1861-1921): Female figure

A Troubadour. Engraving after a watercolour by the Spanish painter Casto Plasencia (1846-1890). Later colouration. La Ilustración Española y Americana (The Spanish and American Illustration), 1884.

Wall painting of Narsingha or the man lion, fourth incarnation of Lord Vishnu who killed the demon Hiranyashashipu at Ambalpadi, Udupi, Karnataka, India Copyright: xNitinxKelvalkar/DinodiaxPhotox

Spanish Sketch Mounted in Scrap Book Edward Penfield (American, 1866-1925). Spanish Sketch Mounted in Scrap Book, ca. 1911. Watercolor and graphite on paper mounted in scrap book, sheet: 9 1/4 x 7 in. (23.5 x 17.8 cm). American Art ca. 1911

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia21. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Figure of Saint Laurentius, Bavaria, Germany, Europe

Eugene III (Latin Eugenius, born around 1080 in Pisa, Republic of Pisa, Holy Roman Empire, died 8 July 1153 in Tivoli, Papal States), originally Bernardo Pignatelli, or possibly Paganelli, called Bernardo da Pisa, was pope from 1145 until his death in 1153. He was the first Cistercian Pope, Historical, authentic, digitally restored reproduction from a 19th century original, Record date not stated, subsequently coloured

Gian Lodovico Madruzzo. Giovanni Battista Moroni; Italian, 1520/24-1578. Date: 1551-1552. Dimensions: 199.8 × 116 cm (78 5/8 × 45 5/8 in.). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The Man with the Golden Helmet; 1650/55 Rembrandt; Dutch (1606 Leiden - 1669 Amsterdam)

SAN BENITO - S XVI - ESCULTURA POLICROMADA - MANIERISMO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

King's Moorish attendant second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulde

ARMADURA DE CARLOS V - SIGLO XVI. Location: PALACIO REAL-REAL ARMERIA DE MADRID. MADRID. SPAIN.

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