Historical Figures and Scenes

A collection of prints showcasing various historical and symbolic scenes, including figures in gardens, dreams, and religious narratives, rendered in detailed engravings.

Copper engraving by Albrecht Dürer after 1501 depicting Ecce Homo and The Caution from the Copperplate Passion series, showing figures, gestures, and religious narrative.

Head studies of Saskia and others. Head studies of Saskia and others. Print No. 29 on leaf 15 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

This etching series presents head and figure studies by Martin Johann Schmidt, showing human anatomy, facial features, and figure composition, created between 1749 and 1786.

This etching from 1717-1726 by diverse artists depicts multiple human figures, illustrating everyday activities, social interaction, and a range of clothing styles.

Etching by Gérard Audran produced between 1680 and 1703, showing a detailed composition typical of his late 17th-century French engraving work.

Sitting naked; Paintings in the Sixtin Chapel. Sitting naked man, turned to the left. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 15. The print is part of an album.

Copper engraving and etching by Pierre Alexandre Aveline from 1722-1760 depicting a Spanish musician, showing figure, attire, instrument, and posture.

An etching by Georg Friedrich Schmidt from 1753 depicting Rembrandt Harmensz. van Rijn, highlighting the artist's features, attire, and expression.

Copper engraving and etching by Pierre Alexandre Tardieu depicting a portrait of the Arundel family member, created between 1772 and 1844, illustrating noble portraiture and 18th-century technique.

Copper engraving and etching by Jacques Bouillard from 1796 illustrating Love (Cupid) teaching in a classical allegorical scene.

The Magician, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 7/16 x 3 1/16 in. (11.27 x 7.78 cm) (image)4 5/8 x 3 1/4 in. (11.75 x 8.26 cm) (plate)6 5/8 x 4 3/4 in. (16.83 x 12.07 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century

A copper engraving and etching by Antonie van der Does from 1630-1791 depicting Leonaert Bramer and the scene of Pyramus and Thisbe.

Etching by Bernard Picart from 1734 depicting a seated male figure studied for anatomy and human posture.

Etching by Daniel Nikolaus Chodowiecki for the 1787 Göttingen pocket calendar, illustrating Shakespeare's play 'Funny Women of Windsor', showing figures, costumes, expressions, and stage arrangement, created in 1786.

Copper engraving and etching by Giovanni Battista Leonetti depicting Cain striking Abel, produced in 1791.

Etching by Pierre Chenu depicting a portrait of Henry IV, created in the second half of the 18th century, representing French royal portraiture.

Etching by Claudine Bouzonnet-Stella from 1657 showing children playing, depicting movement, gestures, and interactions in an outdoor or domestic setting.

'Salomon's Judgment' is a copper engraving and etching by Jacques Bouillard, created between 1764 and 1806, representing the biblical story with precise figures and detailed composition.

A copper engraving and etching by Louis Michel Halbou around 1801 depicting an angel appearing to the captured Paul, highlighting the divine figure and biblical narrative.

A 1632 etching by Jan Georg van Vliet depicting various figures including an old woman with a basket, a mother with child, a soldier, a seller, and a man urinating, representing seventeenth-century daily life and occupations.

Copper engraving by Giacomo Valegio showing the interior of a stately kitchen, created between 1574 and 1587, highlighting architectural and domestic details.

Copper engraving by Pieter de Jode II depicting portraits of Octavio Piccolomini and Maximilian von Trautmansdorff, produced between 1648 and 1660.

Copper engraving by Cornelis Galle the Elder from 1596-1650 titled 'The Painting,' showing a detailed composition of a figure engaged in painting with symbolic and artistic attributes.

Etching by Daniel Nikolaus Chodowiecki from 1791 depicting events from older, medium, and recent history for book illustrations, focusing on precise engraving techniques and composition.

This etching from 1717-1726 by multiple engravers depicts diverse human figures, showing gestures, attire, and social interactions in a detailed compositional study.

Etching series by Daniel Nikolaus Chodowiecki from mid-18th to mid-19th century depicting various literary scenes with figures in period attire and domestic or narrative settings.

Etching by Gabriel Huquier from 1739 depicting Klio, muse of history, presented in classical allegorical style.

Etching by Rembrandt Harmensz. van Rijn titled 'The Goldsmith', created in 1655, depicting a goldsmith at work with tools and a detailed interior.

A copper engraving and etching by Edmé Jeaurat, created in 1732, depicting allegorical figures representing love and madness, showing human emotions and narrative composition.

A 1648 etching by Rembrandt Harmensz. van Rijn of 'The Hundred Guest Leaf (Neckline),' showing detailed figures and pinnate patterns.

Etching by Charles Le Brun depicting Peter observing a cloth with impure animals, created in the 17th century.

Etching by Jan Lievens showing a portrait of an old woman, created between 1630 and 1640.

An etching by William Unger from 1886 depicting the three philosophers, showing seated figures, posture, and gestures, with clothing details.

Etching by Jean Pesne from 1643-1700 titled 'But al Cimon,' showing a scene with figures and detailed composition.

Photo production of a painting, representing a company that crosses a river, Anonymous, After Nicolaes Pietersz Berchem, c. 1859 - in or before 1869 photomechanical print paper crossing a river

Copper engraving and etching by Jean Baptiste Wicar, circa 1800, depicting classical cameos with relief details and intricate line work.

Early 19th-century lithograph reproducing Albrecht Dürer's Christian and mythological hand drawings with decorative elements removed, showing figure details and composition.

Etching by Bernard Picart depicting vignettes, created between 1693 and 1733.

The Praalgraf of Prince Willem in Delft, ca. 1625, 1865 - 1870 The prale grave of Prince William of Orange in the Nieuwe Kerk in Delft, completed in 1623. Part of the Steel engravings group to the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving new church The prale grave of Prince William of Orange in the Nieuwe Kerk in Delft, completed in 1623. Part of the Steel engravings group to the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving new church

Etching by Jacobus Buys depicting a portrait of an old man, created between 1740 and 1801, showing facial features, expression, and attire.

Two portraits of Kristine Johansdatter Edirnoma and Kristine Different; Kristine Johansdatter Edirnoma , D 'Anni 40, di Karasuando; Kristine Different , D 'Anni 40, Di Karasuando. On the left a front view of Kristine Johansdatter Edirnoma, on the right a front view of Kristine dender.

Etching by Daniel Nikolaus Chodowiecki from 1795 illustrating Richardsons Clarissa, depicting literary scenes with figures in narrative and period attire.

Photo production of a painting by an angel by Paul Delaroche, Robert Jefferson Bingham, after Paul Delaroche, c. 1853 - in or before 1858 photograph Paris paper. albumen print / engraving angels

The Cart, 1769, Jean-Baptiste Le Prince, French, 1734 - 1781, 2 5/8 x 3 15/16 in. (6.67 x 10 cm) (image)3 3/8 x 4 11/16 in. (8.57 x 11.91 cm) (plate)5 x 6 1/4 in. (12.7 x 15.88 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century

Copper engraving and etching by François Godefroy depicting the Poulles to Guinees, created in 1776.

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 Sitting naked man, turned to the left, with a cloth in hand. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 17. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting naked man, turned to the left, with a cloth in hand. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 17. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching by Daniel Nikolaus Chodowiecki from 1778 illustrating Johann Bunkel's life, showing narrative scenes, figures, and compositional layout for a book.

Painting of Venus and Cupido in an arc, anonymous, c. 1863 - In or Before 1873 photograph Rome photographic support albumen print Cupid shooting a dart at Venus' order

This 1783 etching by Daniel Nikolaus Chodowiecki illustrates Adelheid von Veltheim for the Lauenburg Genealogical Calendar of 1784, depicting a portrait within a book illustration context.

Pierre Louis Surugue the Younger produced a copper engraving and etching in 1743 depicting a painter at work, representing 18th-century European artistic practice and figural study.

Etchings by Jan Georg van Vliet (1628-1637) showing Rembrandt as a falconer and a self-portrait wearing a hat, created using etching technique.

Etching by Maria Anna Angelika Catharina Kauffmann from 1786 depicting brotherly affection, showing two figures in a gesture of care and connection.

Shakespeare's courtship, Alfred Brewer, after anonymous, c. 1866 - in or before 1876 photograph photographic support albumen print writer, poet, author. interior ~ representation of a building. adult woman

Etching and copper engraving by Leopold Flameng titled 'L'Innocence,' created between 1851 and 1911. The artwork portrays innocence through the depiction of children or youthful figures.

Reproduction of a painting by children by Peter Paul Rubens, Joseph Maes, after Peter Paul Rubens, c. 1878 - in or before 1883 photomechanical print paper collotype painting, drawing and the graphic arts. infant, baby

Sitting woman with child and old man; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 46. The print is part of an album.

Two farmers in a yard, Anonymous, c. 1895 - in or before c. 1900 photomechanical print JapaneseTOKYO paper collotype farmers Japan

An etching by Johann Adam Klein from 1817 depicting an old man sitting on a barrel while a little girl tears a calendar.

L'Homme est en Mer. Louveau-Rouveyre, Marie (fl. 1873-1889), graphic artist, Société Française des Amis des Arts (Paryż ; stowarzyszenie ; 1885- ), publisher, Demont-Breton, Virginie Elodie (1859-1935), painter

Title card of the Reisbüchlein series, portrait of a young man from Bródk in the spitz, Saskia with perceived, a bust to the left, a portite of a woman in a black black toaches with a pompon on a long time; Hollar, Wenceslaus (1607-1677), Hogenberg, Abraham (Fl. 1608-1659), Rijn, Rembrandt Van (1606-1669); 1636 (1636-00-00-1636-00-00);Rehdigeran (collection), Rembrandt van Rijn (1606-1669) - iconography, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, 17th century (costume Travels, portraits, women's portraits, men's portraits, costumes, human types, title cards

Photo production of a drawing of the Duke of Burgundy by Paul Delaroche, Robert Jefferson Bingham, after Paul Delaroche, c. 1853 - in or before 1858 photograph Paris paper. albumen print / engraving court ceremonial, court etiquette

Copper engraving by Anselmus von Hulle depicting Franciscus de Moura et Real Cut and Franciscus de Andrada Leitao, produced between 1648 and 1660, showing European historical figures in portrait format.

Sculpture of a young Giotto by Joseph Tuerlinckx, exhibited at the Great Exhibition of the Works of Industry of All Nations from 1851 in London, Anonymous, 1851 photograph London photographic support salted paper print piece of sculpture, reproduction of a piece of sculpture London

Sarcophagus with a harness and weapons, anonymous, c. 1880 - in or before 1881 photomechanical print Barcelona paper collotype sarcophagus. harness. weapons

Copper engraving by Claude Mellan created between 1630 and 1688 showing Psyche observing the sleeping Amor in a mythological setting.

An etching by Johann Andreas Benjamin Nothnagel from 1750-1804 depicting men's portraits, landscapes, and other representations, showing facial features, attire, terrain, and natural scenery.

Copper engraving by Jean Daullé depicting Nicolas Boileau, created between 1723 and 1763.

Photo production of a print of a scene from Faust, representing Gretchen en route to the church ..

Three photor productions from a publication by the Arundel Society with paintings by Jan van Eyck and Masaccio. .

Lithography by Adriaen Brouwer showing a village bathhouse interior, including figures bathing, furniture, and architectural details.

Daniel Nikolaus Chodowieckis 1786 etching illustrates a scene from Ifflands The Hunters, showing figures, hunting activity, landscape elements, and narrative composition in 18th-century book illustration.

Daniel Nikolaus Chodowiecki's 1798 etching illustrates scenes from Franz Karl Hiemer's 'Hellmuth Family'. The work captures intimate family moments and social interactions of the period.

Etching by Maria Anna Angelika Catharina Kauffmann depicting Sappho with muses crowning a bust of the Pope, showing figures, gestures, and attire, created 1783-1793.

Photo production of a print to a painting by Jan Gossaert and his child by G. Stever ..

Anonymous, statue of Saint Francis of Assisi by Germain Pilon (sculpture). Comes from the Abbey of Montmartre Saint-Pierre de Montmartre) in the Saint-Jean-Saint-François church, 6 ter rue Charlot, 3rd arrondissement, Paris. (Dummy title), 1900. Draw on albumin paper. Carnavalet museum, history of Paris. atue of Saint Francis of Assisi by Germain Pilon (sculpture). Comes from the Abbey of Montmartre Saint-Pierre de Montmartre in the Saint-Jean-Saint-François church, 6 ter rue Charlot, 3rd arrondissement, Paris. (Dummy title)

Man with a hump, Adamo Scultori, After Michelangelo, c. 1585 Sitting man with bachel, turned to the right. On his back he carries a hat and in his hand he holds a stick with an animal head. Figure from Michelangelo's ceiling painting. Numbered below: 59. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting man with bachel, turned to the right. On his back he carries a hat and in his hand he holds a stick with an animal head. Figure from Michelangelo's ceiling painting. Numbered below: 59. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching by Daniel Nikolaus Chodowiecki from 1795 depicting book illustrations for Richardson's Clarissa, showing figures, narrative, and composition.

Daniel Nikolaus Chodowiecki's etching 'Life of a Lüderliche' (1772) illustrates scenes from a German satirical novel, depicting the moral decline of its protagonist.

Etching from the 16th century depicting various figures and scenes, highlighting composition, posture, and visual details.

Etching by Maria Anna Angelika Catharina Kauffmann from 1784 depicting a large vestal, showing a classical female figure in ceremonial attire and architectural background.

This etching by Simon Frisius, produced between 1600 and 1628, represents the Sibyls, showing classical figures and symbolic attributes in detailed composition.

Etching by Johann Adam Klein, depicting Johann Christoph Erhard sitting on a bench and a portrait of J. G. Mansfeld, showing individual postures and facial features.

Design for a fountain with a crocodile and a fish from André exhibited on the Great Exhibition of the Works of Industry of All Nations from 1851 in London, C.M. Ferrier & F. von Martens (attributed to), 1851 photograph London photographic support salted paper print ornamental fountain London

Sitting naked; Paintings in the Sixtin Chapel. Naked man sitting on a pillow, partially rotated to the right, with a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 8. The print is part of an album.

A copper engraving by Pieter de Jode II from 1648-1660 depicting portraits of Cornelius Gobel and Adam Adami, showing realistic 17th-century facial features, attire, and posture.

Old Montmartre - Debris found at the foot of the ladies' choir - February 1887 - N ° 29. Scull carved from the chorus of the ladies, 18th arrondissement, Paris Sculpted marquee of the choir of the ladies. Paris (18th arrest). Anonymous photography. Draw on albuminum paper, February 1887.

Copper engraving by Hendrick Goltzius, 1579-1586, showing oval portraits with detailed facial features and attire.

Etching by Wenzel Hollar from 1648 depicting Maria with child, showing figures, drapery, and architectural or interior elements in the scene.

Etching by Rembrandt Harmensz. van Rijn depicting various human heads, created between 1626 and 1669, using pinnate technique.

Etching and copper engraving by Jean Baptiste Wicar circa 1800 representing a selection of classical cameos.

An etching by Daniel Nikolaus Chodowiecki from 1794 illustrating a fragment of a marriage story for a book, showing figures, domestic interiors, and costumes.

Photo production of a drawing by presumably Émile bin, representing a naked woman with a stick, anonymous, after Émile bin, c. 1876 - In or Before 1879 photomechanical print paper drawing, sketch. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Pierrot; Siedlecki, Franciszek (1867-1934); around 1905 (1901-00-00-1910-00-00);Ministry of religious denominations and public enlightenment - collection, young Poland (style), Partage Plus, Pierrot (iconogr.), Commedia dell`arte (theater), gift (provenance), Polish graphics, Poland (culture), symbolic scenes, symbolism (symbolism ( style)

Etching by Daniel Nikolaus Chodowiecki from 1789 illustrating examples of good human properties, emphasizing moral and social themes.

This copper engraving and etching by Jean Baptiste Wicar, circa 1800, depicts cameos (kameen), showing carved figures or portraits in relief, characteristic of classical European art and engraving techniques of the period.

Frederick Christian Lewis the Older created an aquatint and etching landscape inspired by Claude Lorrain, 1837-1840, showing natural and built elements.

Etching by Benoît Louis Prévost from 1771 to 1804 depicting allegorical subjects in symbolic form.

This etching by Virgil Solis depicts a bear hunt, illustrating hunters and a bear in a 16th-century setting.

Bassorelievo istorico in un tempio vicino a Medynet-Abou a Tebe.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Bas-reliefs , Egypt

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