Historical Figures and Soldiers

Engravings depicting historical figures, soldiers, and beggars in various attire and poses, showcasing detailed clothing and expressions.

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roer Muskets and Spires, Soldier, seen from the front, holding his spear upright in front of him with both hands, slightly above the ground, A soldier, full-length, holding a spear (lance) upright in front of him with both hands, slightly above the ground. This is the first action for raising the spear upright. This print is part of a series of 32 numbered prints of spearmen from the Wapenhandelinghe., print, prent, prints, prenten, height 266 mm, width 193 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Conduct, Jonas Friedrich.

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roer Muskets and Spires, Soldier, seen from the front, holding his spear upright in front of him with both hands, slightly above the ground, A soldier, full-length, holding a spear (lance) upright in front of him with both hands, slightly above the ground. This is the first action for raising the spear upright. This print is part of a series of 32 numbered prints of spearmen from the Wapenhandelinghe., print, prent, prints, prenten, height 266 mm, width 193 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Standing man with pipe and jug, Pieter de Mare, after Christina Chalon, 1777 - 1779 print Leiden paper etching pipe ~ tobacco. container of ceramics: jar, jug, pot, vase. standing figure

Ross, David .

Johann I, Count of Holland.

The Beggars: Obese Beggar with Lowered Eyes, c. 1623. Jacques Callot (French, 1592-1635). Etching; paper: 15.5 x 10.4 cm (6 1/8 x 4 1/8 in.); plate: 13.8 x 8.8 cm (5 7/16 x 3 7/16 in.).

Man with hat under arm, Adolf van der Laan, c. 1710 - 1755 Man in a landscape, dressed according to Dutch fashion from 1710-1720. Take off and with a hat turned under the arm to the left. A sailing ship sails in the water in the background. The print is part of a sixteen -part series of prints with performances of Dutch costumes. paper etching clothes, costume (+ men's clothes). Europeans (with NAME) (+ costume)

The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse. Jacques Callot; French, 1592-1635. Date: 1620-1623. Dimensions: 142 × 92 mm (image); 168 × 116 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Young man with basket and a few birds, to the left. Draughtsman: Harmen ter Borch (mentioned on object). Dating: Dec-1652. Place: Zwolle. Measurements: h 99 mm × w 76 mm. Museum: Rijksmuseum, Amsterdam.

Young man with hat and cloak, Jan Gillisz. van Vliet, 1635 print Leiden paper etching coat (+ men's clothes). head-gear: hat (+ men's clothes)

Gentleman Seen from the Back Pointing towards a Chateau 1629 Abraham Bosse French. Gentleman Seen from the Back Pointing towards a Chateau 387236

Matthew Clarke as Henry VIII in the play of the same name.. Clarke was a mainstay at Covent Garden for over 30 years. "If he never mounted to a great height, he never sank below a proper level" said a Bristol critic.. Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, 1776. Drawn by James Roberts.

Bourbon, COME The Toulouse, Louis Alexandre the Radiers: Danciecers, Cornelis (DRUBLE: DANCEEDS, CORTELIS (2) Datenation: 1690/1710

Drawing by Pier Leone Ghezzi of Giovan Andrea Garni striding to the right with hands visible, executed in chalk with feather.

Johann II, Count of Holland.

A man, possibly William Conolly, wearing a frock coat and a wig, holding a tricorn hat under his left arm. Etching by Arthur Pond after P.L. Ghezzi.

Percy, 10. Earl of Northumberland, Algernon .

He dottore Scatalon, Anonymous, After Jean Antoine Watteau, 1694 - 1725 print print maker: Germanypublisher: Neurenberg paper etching group of actors, troupe; actors on the stage. types in 'commedia dell'arte'

Man with a basket on his head and a bucket in his hand, from the front, c. 1650 drawing Zwolle paper. ink. chalk

Mr. William Thomas Lewis as the Prince of Wales in "Henry IV, Part 1". Lewis performed at Covent Garden for over 20 years, and was called "an eminently attractive actor of fashionable and flippant characters.". Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1775. Drawn by Parkinson.

Swedish (IT)

Sagittarius; Standing figures. A man in oriental clothing with arrow and bow. The print is part of a series of twelve prints with standing figures.

Jacques Callot (1592-1635). "The beggars, the blind and his companion. Ninth number of a series of 25 pieces" (Lieure 487, Meaume 693). Etching. 1622-1623. Museum of Fine Arts of the City of Paris, Petit Palais. 99603-1 Etching, engraving

Rijn, Rembrandt van, Vivares, François, De kwakzalver, The quacksalver, verso - stamped, print, prints, height 73 mm, width 50 mm, French, English, 1709-07-11 - 1780-11-26, print maker, printmaker, 1719 - 1780, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Montjoye Saint-Denis, king of arms (A. de Vesme 38. Dutuit 99) (title main), 1645. Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Louis William, Margrave of Baden-Baden (1655-1707). Reduced facsimile after the engraving of Peter Schenk (1645-1715). Universal History, 1881.

Jacques Callot, The Gentleman in the Fur-Trimmed Coat Holding His Hands Behind His Back (Le gentilhomme au manteau bordé de fourrures tenant ses mains derrière le dos), 1620-23, etching on paper.

Boufflers, Louis Francois Duc .

Standing man with gun, seen on the back, Gillis van Scheyndel (I) (attributed to), 1632 - 1679 drawing paper. chalk brush

Soldier pours into the pan of his helm; Arms handhe van Roers Musquettes and the Splies. A soldier, for feet, which powder from a powder bottle into the pan (the powder container) of a stir (a certain type of firearm). In his left hand, except the stir also a burning wick. This print is part of the series of 42 numbered prints of stirrers from the arms.

Edelman with hat, the hands folded, to the right, 1624 print paper etching

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roers Musquettes and Spies, Soldier on Guard Taking His Musket from His Shoulder, A soldier on guard, full-length, facing right, taking a musket (a type of firearm) from his left shoulder with his right hand. In his left hand, besides the butt of the musket, he also holds a furket (musket fork) and a burning fuse. This is therefore the same position as the one shown in the third print in the series. This print is part of a series of 43 numbered prints of musketeers from the Wapenhandelinghe., print, prent, prints, prenten, height 258 mm, width 183 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Clyardby p alenda at the dairy to Guillard and Sacchini and Sacchini-Lyrique and Sacchini (Titling Facence) | Culasses and Annunciations Des Grandeste de Paris. (IFF 69) (Title Of L'Ensemble)

Forgoter (registered title)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Montjoye Saint-Denis, king of arms (A. de Vesme 38. Dutuit 99) (title main), 1645. Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Standing boy dressed in rags, Anthonie van den Bos, 1778 - 1838 print Top right: p. 18. paper etching standing figure (canon, proportions)

Costumes de Différents Pays, 'Femme Kamtschadale'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

The exercise with the Targe and Rapier: The soldier brings the Targe of the back over the left shoulder (no. 2), 1618, 1616 - 1618 The exercise with the Targe and Rapier: The Soldier brings the Targe of the back over the left shoulder, 1618. Part of the illustrations in: Adam van Breen, the Nassausche Wapenegende: Korte Educational on the Figuerlijcke Af-Imaginative 'funghruyck Of Al 'Tghene a Soldaet Noodigh is in the actions of the Targes with the Rapper, 1618, plate no. 2. War was around 1600. after design by: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving The exercise with the Targe and Rapier: The Soldier brings the Targe of the back over the left shoulder, 1618. Part of the illustrations in: Adam van Breen, the Nassausche Wapenegende: Korte Educational on the Figuerlijcke Af-Imaginative 'funghruyck Of Al 'Tghene a Soldaet Noodigh is in the actions of the Targes with the Rapper, 1618, plate no. 2. War was around 1600. after design by: Nor

Brasiliani ex America armati habitus, Pl. 182 Ein Mann auß Brasilien in America. Amman, Jost, 1539-1591. text. Illustrations, Prints. 1577. Spencer Collection. Costumes

Violin player in the king Nicolas Arnoult (around 1650- to 1722). "Violin player with the king, 1688". Engraving.

Mr. Thomas Weston as Costard in "Love's Labour's Lost.". Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, 1776. Drawn by R. Dighton.

Almonde, Philippe of.

Polish Nobleman Standing (Balthasar Bathory de Somlyo at Age 22). Dated: 1583. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Jacques de Gheyn II after Hendrik Goltzius, Drummer, 1587 Drummer

Leiden, Vliet, Jan Georg van, Standing figures, small size, Man with cape and hat, verso lower left - stamped, An elegantly dressed man wears a short coat lined with fur and on his head a hat with a brim., print, prints, height 62 mm, width 50 mm, Northern Netherlands, 1610 - 1668, print maker, printmaker, 1632 - 1632, paper, papier, etching, etchings

Man with a lance, Gillis van Scheyndel (I), 1649 - 1653 print A man in Eastern clothing with a turban on the head and a lance in hand. The print is part of a series of twelve prints with standing figures. Amsterdam paper etching / engraving Asiatic races and peoples. head-gear: turban (+ men's clothes). casting weapons: spear

Soldier sliding his ramrod into the holder under the barrel of his musket, Jacob de Gheyn (II), 1596 - 1606, Design for a print., draughtsman: Jacob de Gheyn (II), 1596 - 1606, paper, pen, brush, h 288 mm × w 197 mm

Landscape with man dressed in fashion from Corsica, Italy. The man is shown front and full-length, behind him is a dog. On his shoulder rests a rifle from which hangs a shot animal, his head is adorned with a plumed hat. The print is part of a twelve-part series of prints depicting Italian costumes, Man dressed according to the Corsican fashion Il Corso (title on object) Costumes from Italy (series title), Pieter Lastman, print maker: anonymous, publisher: Covens & Mortier, Amsterdam, 1720 - 1772, paper, etching, h 168 mm × w 115 mm

The Cree of Paris: the Wood Merchant. (Title Title) | Cotrais FAICS. (Registered Title)

Itinerant seller of Marking Stones, early 17th century. In cap, doublet, hose and shoes, with satchel. Marking stones, black lead or ruddle red, were used to identify possessions, such as linen sheets or flocks of sheep, with indelible marks. From Henry Overton's trades and callings, era of King James I. Copperplate engraving drawn and engraved by John Thomas Smith from his own The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839.

Heinrich, Count of Tirol.

Smoking Boer, Aert van Waes, 1639 - 1684 print A farmer is sitting on a basket and smokes a pipe. Gouda paper etching pipe ~ tobacco. container made of plant material other than wood: basket

Recueil des modes de la cour de France, 'le Fendeur de Bois'. Jean Baptiste Bonnart (France, 1654-1726)Nicolas Bonnart (France, 1637-1717). France, Paris, after 1674. Prints. Hand-colored engraving on paper

Standing announcer with Nieuwsblad in his hand, Anthonie van den Bos, 1778 - 1838 print Top right: p. 52. paper etching standing figure (canon, proportions)

Soldier who protrudes his skewer by transferring his right hand from the tip to the foot of the weapon (no. 23), ca. 1600. a soldier, for the right, to the right, who forwards his skewer (lance) by transferring its right hand to the point to the foot of the weapon (no. 23), approx. 1600. Plate 23 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant recte brush, of all T'Ghene a Soldaet Int acting vandie is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Beggar woman. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

PortraT van Damian Hugo Philipp, Graaf van Schönborn en Reichelsberg, Georg Daniel Heumann, 1701 - 1759 print Nuremberg paper engraving historical persons

Mr. Marshal de Tallard (dummy title) | Mr. The Marshal of Tallard (registered title)

Northumberland, John Duke of .

Copper engraving and etching by Comte Anne Claude Philippe de Caylus titled 'Old Macon', created in 1738.

Amsterdam, Savery, Salomon, Netherlands, Scheyndel, Gillis van (I), Genre scenes, Huygje Dueger not included, Man with stick and basket, verso - stamped, A man with a hat on his head and a basket and a stick in his hands. The print is part of a series of 32 prints with genre scenes., print, prints, height 54 mm, width 44 mm, Northern Netherlands, 1595 - 1660-12-24, print maker, printmaker, 1638 - 1638, paper, etching, etchings, Publication (Event), Publication, 1594 - 1683-10-16, publisher

Louis XIII (king of France), Saint-Igny, Jean de, Bosse, Abraham, Costumes of the French nobility in church, La Noblesse Francoise à l'Eglise, French nobleman with hat in hand, in church interior, dressed according to the fashion of ca. 1630, verso - stamped, A nobleman with hat in hand walks in a Gothic church interior. He wears a short cloak draped over his left shoulder over a doublet with wide balloon sleeves and a very wide-spreading collar trimmed with reticella (exclusive lace). Tight-fitting breeches and boots with spurs, over which are patinas. The long hair down to the shoulders., costume print, prints, height 154 mm, width 96 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1628 - 1629, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1600 - 1647-11-09, after a design by, Publication (Event), Publication, publisher, uitgever, 1601-09-27 - 1643-05-14, granter of privilege

Peasant with a flail. Orłowski, Aleksander (1777-1832), draughtsman, cartoonist

The Persian, Anonymous, Rembrandt van Rijn, 1658 - 1693 print paper etching Asiatic races and peoples: Persians

Laan, Adolf van der, Dutch costumes, Man with hat and stick, recto - stamped, Man in a landscape, dressed as a Savoyard. Full-length, seen from the front. Dressed in a half-length overcoat and breeches, with leg wraps around his stockings. On his head a hat with a fur edge, in his right hand a stick. The print is part of a sixteen-part series of prints with representations of Dutch costumes., costume print, prints, verso - stamped, height 146 mm, width 98 mm, 1690 - 1742-05-09, print maker, printmaker, 1710 - 1755, first quarter 18th century, second quarter 18th century, paper, etching, etchings, Work conception

Edelman with plumed hat and degen, to the left; La Noblesse de Lorraine. Late copy, numbered 12.

Caricature of a man with headscarves, ange laurent de, marquis de rémoville lalive de jully, after jacques francois joseph saly, 1745 - 1779 print France paper etching caricatures (human types)

The Spinner. Jean François Millet; French, 1814-1875. Date: 1868-1869. Dimensions: 199 × 130 mm (image/plate); 239 × 183 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

Soldier who carries his skewers with both hands on his right side, the point tilted up (no. 15), ca. 1600, 1597 - 1607 A soldier, who carries out a skewer (lance) with both hands on his right side, the point tilted up (no. 15), ca. 1600. This is the first act for placing the skew . Plate 15 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image, interested t'recht ghebruyck, Van Al t'ghene is a Soldaet int acting of the Spies Emergency. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, who carries out a skewer (lance) with both hands on his right side, the point tilted up (no. 15), ca. 1600. This is the first act for placing the skew . Plate 15 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image, interested t'recht ghe

Le Vielleur (Bartsch 8) Adriaen Van Ostade (1610-1685). The Veeller (Bartsch 8). Forte, in 1647

Black man without legs (Swarte Klaas), Pieter Langendijk (II), after Pieter Barbiers (I), c. 1770 print A black man without legs, known in Amsterdam as Swarte Klaas, sits on a wooden stool and moves with crutches. In the margin a four -line verse in Dutch. Part of a series of prints of Amsterdam street figures around 1770. paper engraving person with a physical disability. pipe ~ tobacco

Black man without legs (Swarte Klaas); Amsterdam street figures around 1770. A black man without legs, known in Amsterdam as Swarte Klaas, is stuck on a wooden stool and moves with stools. In the margin a four-line verse in Dutch. Part of a series of prints of Amsterdam street figures around 1770.

Seated man. Draughtsman: Abraham Delfos. Dating: 1741 - 1820. Measurements: h 85 mm × w 50 mm. Museum: Rijksmuseum, Amsterdam.

Portret van Jan I van Holland, anonymous, in or before 1725 print Portrait of Jan I van Holland, with coat of arms on the left shoulder. Around a ornamental frame with weapon trophies and two medallions with Minerva and Hercules. paper engraving / etching historical person (...) - historical person (...) portrayed alone

Soldier, seen from the front, which holds his skewer with his right hand upright (no. 17), ca. 1600. A soldier, for feet, which holds a skewer (lance) with his right hand upright (no. 17), CA. 1600. Plate 17 in the instructions for handling the skewer: and a signal letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Quast, Pieter Jansz., Savery, Salomon, Rotterdam, Voskens, Reinhard, Life of the farmer, Crippled man leaning on stick, recto bottom right - stamped, hat in hand. Top: Cap. alverbruijt., print, prints, verso - stamped, height 123 mm, width 80 mm, Dutch, 1623 - 1685, print maker, printmaker, 1633 - 1665, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1594 - 1683-10-16, after print by, 1606 - 1647-06

Osman I., Prince.

Drawing, Costume Design: A German for a Ballet; Italy; lead pencil, pen and ink, brush and bistre, rose water color on paper

Pier Leone Ghezzi drawing of the Monsignor Aldobrandini's brother holding an apple, executed in chalk and pen.

Soldier, seen from the front, which holds his skewer with his right hand upright (no. 1), ca. 1600. A soldier, for feet, which holds a skewer (lance) with his right hand stature (no. 1), CA. 1600. Plate 1 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant rope truck, from all T'Ghene a Soldaet Int acting from the Spies Noodich is. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Claude Deruet and his Son, Jean. Dated: 1632. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Standing Man Leaning on His Elbow. Jean Antoine Watteau (French, 1684-1721); finished by Henri-Simon Thomassin (French, 1687-1741). Date: 1704-1710. Dimensions: 126 × 79 mm (image); 1437 × 101 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of the painter Claude Deruet and his son. Portrait full of Claude Deruet and his son, standing on a kind of scenic framed with curtains. The former wears a sword on his hip, the latter a small musket and firm ket (support fork before the rifle). Above their heads a coat of arms. In the background the city walls of Nancy. Under the show a reigned French text.

Bliżej Kultury Norblin, Jan Piotr (1745 1830)

Portrait of a squire standing full-length, draughtsman: anonymous, Noord-Italië, (possibly), 1590 - 1599, paper, pen, brush, h 280 mm × w 172 mm

Jupiter, plate two from Der VII Planeten. Conrad Meyer; Swiss, 1618-1689. Date: 1643-1689. Dimensions: 69 x 49 mm (sheet). Etching in black on ivory laid paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Recueil des modes de la cour de France, 'Abbé de qualité en Sotanelle'. Nicolas Bonnart (France, 1637-1717). France, Paris, 1678-1693. Prints. Hand-colored engraving on paper

Standing Figure of a Warrior King 1536-1614 Cesare Nebbia Italian. Standing Figure of a Warrior King 340835

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

'Portrait of Dauphine Marie-Anne de Baviere in a Costume for Hunt'. France, 1683. Dimensions: 22,5x16,9 cm. Museum: State Hermitage, St. Petersburg. Author: Saint-Jean, Jean de, dit Jean de Dieu.

Recueil des modes de la cour de France, 'Homme de qualite en habit d'êpée'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1683-1688. Prints. Hand-colored engraving on paper

Leiden

Soldier wearing his skewer with both hands horizontally at shoulder height, his right hand at the foot of the weapon (no. 14), approx. 1600. a soldier, full of skewer, wearing a skewer (lance) with both hands horizontally at shoulder height , His right hand at the foot of the weapon (no. 14), ca. 1600. This is the third act for lowering the skewer to continue under a gathering. Plate 14 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant ranche Bruck, from all T'Ghene a Soldaet Int acting ventiest is emergency. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Soldier who carries his skewers with his left hand above his left shoulder, his right hand extended forward (no. 28), ca. 1600, 1597 - 1607 A soldier, after, to the right, who carries a skewer (lance) with his left hand above his left shoulder, his right hand extended forward (no. 28), ca. 1600. Plate 28 in the instructions for handling the skew : Corte Onderwysinghe on the Figuerliicke image, interested t'recht ghebruyck, from Al t'ghene a soldaet int acting of the Spies Noodich is. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, after, to the right, who carries a skewer (lance) with his left hand above his left shoulder, his right hand extended forward (no. 28), ca. 1600. Plate 28 in the instructions for handling the skew : Corte Onderwysinghe on the Figuerliicke image, interested t'recht g

Jean Louis Ernest Meissonier, Le Fumeur, 1848, etching on paper.

Recueil des modes de la cour de France, 'Homme de Qualité'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paper

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