Historical Figures in Art

Artistic representations of notable historical figures including kings and artists, showcasing classical styles and rich storytelling elements.

Vier kunstreproducties, Goupil & Cie., after Auguste Charles Mengin, after Jean Baptiste Paul Lazerges, after Hugo Salmson, after Amable Louis Schneider, c. 1872 - in or before 1879 photomechanical print paper (story of) Sappho, the poetess. taking a bath - AA - in the open air (+ alone). baptism, christening ceremony ~ the first of the seven sacraments - QQ - baptism in the open air

Dugazon, Jean Baptiste Henri.

Photo production of a painting of the unveiling of a sculpture, Anonymous, 1860 - 1900 photograph This photo is part of an album. photographic support albumen print painting, drawing and the graphic arts. adult woman. adult man. monument, statue

The King has fun Francis I

Titian, his last work painting, Adolphe Mouilleron, After Joseph Nicolas Robert-Fleury, 1844 print Paris paper. historical persons

Copper engraving by an unknown engraver, created between 1620 and 1656, depicting Salome holding the head of John the Baptist.

Horace en Arnolphe, Jean-Antoine-Valentin Foulquier, 1878-1879 print AKTE IV, VIE "Van Molière's school of women". paper etching / drypoint adult man. theatre, theatrical performance

Orgon caught Tartuffe for seducing Elmire, Jean-Antoine-Valentin Foulquier, 1878-1879 print Deed IV, scene VI from "Le Tartuffe" from Molière. Orgon discovers the true nature of Tartuffe when he listens under a table on the advice of his wife Elmire. paper etching / drypoint hiding, hiding oneself. organization, functionaries and dignitaries in Roman Catholic church; clergy in general. amorousness, desire. theatre, theatrical performance

Interior with a knight and a monk with a string instrument, Friedrich Wilhelm Bollinger, After Catel, After Franz Ludwig Catel, 1787 - 1825 print Next to the interior scene the face of a knight with bound hands. Berlin paper etching knight. cithern, mandolin, guitar, balalaika. monk(s), friar(s)

Vier kunstreproducties, Goupil & Cie., after Auguste Charles Mengin, after Jean Baptiste Paul Lazerges, after Hugo Salmson, after Amable Louis Schneider, c. 1872 - in or before 1879 photomechanical print paper (story of) Sappho, the poetess. taking a bath - AA - in the open air (+ alone). baptism, christening ceremony ~ the first of the seven sacraments - QQ - baptism in the open air

Face on bay with fortification, possibly on korfoe, anonymous, 1870 - 1875 photograph This photo is part of an album. Korfoe paper albumen print gulf, bay Korfoe

Etching and engraving depicting a host with three seated figures, showing furniture, figures, interior elements, and interaction. Produced between 1640 and 1677, emphasizing social and domestic activity and composition.

Grace Lee Rinehart. Artist: Unknown. Dimensions: Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Reproduction of Paris's judgment by Oreste Cortazzo, Goupil & Cie., After Oreste Cortazzo, c. 1873 - In or Before 1878 photomechanical print paper vestibule, hall. house personnel, servants

Pl. 483 / The caricature (newspaper) No. 232 / Leave, my dear, and that we take this broth, eleven o'clock at noon. (IT)

The presentation in the temple in the dark manner. Bisson Frères (French, active 1840 - 1864)

Bliżej Kultury Hanfstaengl, Fr.

Briggs, Henry Perronet, Reproduction of Visit of George III to Howe's Flagship, the Queen Charlotte, on 26 June 1794 by Henry Perronet Briggs, photomechanical print, reproduction, page, photos, photographically illustrated books, height 164 mm, width 230 mm, maker, manufacturer, 1876 - 1881, paper, collotype, photoprint

(La Cantonnade) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Engraving by Martin Dichtl showing two genre scenes, created between 1654 and 1710 in Be Read, illustrating everyday life.

Poot and Van Effen, ca. 1720, 1865 - 1870 The poets Hubert Kornelisz. Poot and Justus van Effen, ca. 1720. Part of the steel engraving group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving The poets Hubert Kornelisz. Poot and Justus van Effen, ca. 1720. Part of the steel engraving group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving

Robert Smirke, 1752-1845, British, Twelfth Night. Engraving.

An etching and aquatint by Francisco José de Goya y Lucientes from 1810, first published in 1863, depicting victims being taken to the cemetery during the disasters of war.

Photo production of a panel of a multi -part with the seven works of mercy: Het travelers, by the master of Alkmaar, Anonymous, After Master of Alkmaar, Before 1906 photograph baryta paper. cardboard gelatin silver print picture, painting. sheltering strangers, 'hospes colligitur' ~ one of the (seven) Acts of Mercy

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Studies of Painting of Guido Reni, Charles Nicolas Lemercier, After Guido Reni, 1850 print Paris paper historical persons. painting (including book-illumination, miniature-painting)

(La Cantonnade) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Etching by Wallerand Vaillant depicting a music society in a garden and a woman examining pears, produced between 1640 and 1677.

The Little Baby 1830 Alexandre-Gabriel Decamps French. The Little Baby. Published in L'Album lyrique. Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). 1830. Lithograph. Prints

The goldsmiths Adam van Vianen I and II, ca. 1616; Goldsmith workplace. The goldsmiths Adam of Vianen I and II in their workplace, ca. 1616. In the background a leather boy works by the fireplace. Part of the Steel enruges group to the paintings of the historic gallery of the Company Arti et Amicitiae.

A 1763 etching by Bernhard Rode illustrating fables and stories with narrative scenes and characters.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Mały Argonauta Little Argonaut; from: `Tygodnik Ilustrowany` 1897, no. 22 (May 29th), p. 431. Hanfstaengl, Franz Kunstverlag (Monachium ; firma wydawniczo-fotograficzna ; 1852-1980), photo studio, Brend`amour, Richard (1831-1915), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1) 1829 Samuel William Reynolds, the elder British This print reproduces a painting that Bonington made around 1825 and shows one of the Merry Wives of Windsor, Anne Page, gesturing towards the foolish Slender who mistakenly believes that the lady welcome his advances. One of the artist's earliest figure subjects in oil, the poses and costumes echo Joseph Strutt's "Complete Book of English Costumes and Vestments" (1797).. Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1). Samuel William Reynolds, the elder (British, London 1773-1835 London). 1829. Mezzotint and etching; before first state. Moon, Boys & Graves (London). Prints

Photograph by Victor Angerer showing a still life with pieces from the Ambras collection and a model of the Danube female by Hans Gasser, printed as a technical collotype in 1882.

Peasants with oxen and wagon. Jean-Gabriel Eynard (Swiss, 1775 - 1863)

Kaulbach, Wilhelm von, Jager, Andries, Goethe in Weimar, Photo reproduction of Goethe in Weimar by Wilhelm von Kaulbach, verso - printed, This photo is part of an album., photograph, foto, carte-de-visite, reproduction, album sheet, photos, A. Jager, Water 110, Amsterdam, height 105 mm, width 60 mm, 1825 - 1905, photographer, 1865 - 1890, photographic paper, fotopapier, cardboard, kaart, albumen print, albuminedruk, German, 1805-10-15 - 1874-04-07

Fresco on a facade of the former home of Hans Jakob Fugger in Augsburg, c. 1865 photograph Part of photo album of a trip through Switzerland, Austria and Germany by the Dutch Derkinderen family. Augsburg paper. photographic support albumen print travelling; tourism. painting (including book-illumination, miniature-painting) (+ plaster ~ arts) Augsburg

Nistombe and Wurvombe; 35th Cahier LL Cahier de Vases, Fontaines et Tombeaux; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). On the left a tomb in a niche with sphinxes, a medallion with crowned portrait and profil, branches, a trumpet and wreaths. On the right a wall cone with an animal sheet, a medallion with a portrait, a raised skull, a torch and an hourglass.

Engraving by William Pether depicting two Gasthaus scenes, one with a musician and one with smokers, produced around 1764 to 1780, showing figures, interior, musical instrument, smoke, and architecture.

Evenings bonus of the Society of Friends of Fine Arts in the Kingdom of Poland for 1872 Redlich, Henryk (Ca 1840 1884), Gierymski, Maksymilian (1846 1874)

National Gallery, 1900-1926, England, by Samuel Hurst Seager. Gift of S. Hurst Seager, 1926.

Hagar and Ishmaël dismissed Abraham, Wilhelm Wörnle, after Philips Koninck, 1859 - 1916 print print maker: Austriaprinter: Viennapublisher: Vienna paper. etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Bazar. Moran, Thomas, 1837-1926. 1878. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Child as a young Bacchus playing with a wine barrel, Célestin François Nanteuil, 1823 - 1873 print paper child (at home). (story of) Bacchus (Dionysus), Liber. wooden container: barrel, cask, bucket. wine-cellar. bottle of wine

Meyerheim, Friedrich Eduard, Photo reproduction of Das gefahrdete Frühstuck, verso, This photo is part of an album., photograph, foto, carte-de-visite, reproduction, album sheet, photos, Das gefährdete Frühstück, recto - handwritten, 8, height 84 mm, width 51 mm, photographer, 1870 - 1890, cardboard, photographic paper, photo paper, albumen print, albumine print, 1808-01-07 - 1879-01-18

Picture photography: Artur Grottger (1837-1867), 1863 - Piegnanie, 1866, in the collections of the National Museum in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); around 1880 (1875-00-00-1885-00-00);Amalia (1846-1928) - collection, Krieger

Micha Elwiro Andriolli, "Ah, it is her! Z: "K Osy" 1885 No. 1053, p. 145; Pomianowski, Kazimierz (fl. 1876-1896); 1885 (1885-00-00-1885-00-00);Andriolli, Michał Elwiro (1836-1893) - reproduction, Kłosy (Warsaw - magazine - 1865-1890) - illustrations, Society for the Care of the Monuments of the Past (Warsaw - 1906-1944) - collection, from the life of a village court ("Kłosy" - Cycle ), gift (provenance), illustrations for literary works

Light-press print on painted paper from 1882 by Victor Angerer showing a still life with Ambras collection pieces and a Danube female model by Hans Gasser.

Les Medecines du Diable. Charles Dauvois (French, active 1860s)

Two men for a fence in the garden of Versailles ..

Canton de Zoug. Adolphe Braun (French, 1812 - 1877)

Copper engraving by Frederick Hendrick van Hoove from 1662-1698 depicting Charles II and Catherine of Great Britain. The print shows figures, attire, gestures, and compositional details in 17th-century European style.

Michał Elwiro Andriolli, `Ach, to ona! Z życia dworu wiejskiego` Oh, it’s her! From the life of the rural court; from: `Kłosy` 1885 no. 1053, p. 145. Pomianowski, Kazimierz (fl. 1876-1896), engraver

Group Taking Tea at Lacock Abbey. Artist: William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). Dimensions: Mount: 9 15/16 in. × 13 in. (25.3 × 33 cm)Sheet: 7 3/8 × 8 15/16 in. (18.7 × 22.7 cm)Image: 5 in. × 7 1/2 in. (12.7 × 19 cm). Date: August 17, 1843. Museum: Metropolitan Museum of Art, New York, USA.

Gide et J. Baudry, Paris, Lemercier, Rijn, Rembrandt van, Bisson Frères, Photographic reproduction of an etching of Joseph telling his dreams by Rembrandt van Rijn, photograph, photo, page, reproduction, photos, photographically illustrated books, height 113 mm, width 85 mm, French, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after a print by, printer, Publication (Event), Publication, publisher

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Copper engraving and etching by Jacob Houbraken depicting a family portrait including a gurdy player, created between 1757 and 1764, showing human figures, instruments, attire, and composition.

Lawyer in court, Arthur Puls, 1890 print paper etching / drypoint court-room. lawyer, attorney at law

When the devil became old he was hermit, the caricature, no 229, pl. 476 Daumier, Honoré (1808 1879), delaunois lithography, Aubert printing (Saly)

Mr. Erle Monteith.. Frances Monteith (Scottish, 1805 - 1898)

Robert Smirke, 1752-1845, British, Twelfth Night. Engraving.

Study for Facing the Enemy (from McGuire Scrapbook) ca. 1845 Francis William Edmonds American The present work, inscribed by the artist Facing the Enemy,” is a study for the painting of the same title (Chrysler Museum, Norfolk, Virginia) that Edmonds exhibited in New York at the National Academy of Design in 1845. Both the drawing and the painting portray a carpenter in his shop, seated precariously tilted back on a side chair as he contemplates a decanter of spirits on the windowsill before him. The painting was engraved and distributed with a sermonizing circular by the Temperance Society in 1847, in the heat of the mid-nineteenth-century sobriety movement.. Study for Facing the Enemy (from McGuire Scrapbook) 10842

Group portrait of M. and Mme. Eynard with M. and Mme. Regny, Paris, France; Jean-Gabriel Eynard (Swiss, 1775 - 1863); 1841; Daguerreotype

Lithograph by Emil Orlik from 1898 depicting the Victoria Embankment in London, showing urban architecture and street activity.

Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, depicting additional scenes of war, including violence, suffering, and military activity.

Vom Tode I, (Opus II, 1889) No. 6. Max Klinger (German, 1857-1920). Etching and aquatint;

Etching by Jean-Baptiste Camille Corot titled 'Venus is Pushing the Wings,' created on Japan paper between 1869 and 1870.

Francisco de Goya, El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body), in or before 1816 El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)

Light printing on painted paper from 1882 by Victor Angerer depicting a still life with objects from the Ambras collection and a Danube female model by Hans Gasser.

L'Automne. Edmond Lecadre (French, active 1870s)

Still life by Victor Angerer depicting Ambras collection objects and a model of the Danube female by Hans Gasser, using light pressure on painted paper in 1882.

Bashibuzuk"-s kartiny Orasa Verne; Kromvel' u groba Karla I-skartiny Polia Delarosha.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Anonymous, former merchant fountain of Gentilly, 17 boulevard Auguste-Blanqui, 13th arrondissement, Paris. (Dummy title), 1900. Drawing with gelatino-silver bar. Carnavalet museum, history of Paris. Former merchant fountain of Gentilly, 17 boulevard Auguste-Blanqui, 13th arrondissement, Paris. (Dummy title)

Louis Philipp am Grabe Carls X, Caricature, from Düsseldorf monthly booklets, Andreas Achenbach -, Lithographer, Albert Arnz -, publisher

Denis, Mauritius (n.1870-11-25-D.1943-11-13), Visitation at Villa Montrouge (Cailler 94) (Main title), 1896. Color lithography on iced vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Music. Boucher, François (French, 1703-1770) (author of design, 1734-46) painter Besnier, Nicolas (French, b.1686-d.1754) (workshop) weaver Charron, André-Charlemagne (French, fl.1754-1780) (workshop) weaver c. 1736-1760 Tapestry Dimensions: H 8'4" x W 4'6" Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: French & Co. received from C. L. Blair 3/11/1922; returned 10/28/1924. Man with cello & raised bow faces 2 women, one with her back to the viewer, on L, couple seated on ground on R, in landscape setting Borders missing. This is one figural group from the more complete composition, which includes an additional figure on the R. The upper portion of the tapestry, seen in photo GCPA 0241432, is a modern addition. French & Co. stock sheet in archive, 11452 Standen, Tapestries in the Metropolitan 2 (1985), 507-533 Standen, MetMusJ 12 (1977), 107-130, fig. 16 & 17 Slatkin, MetMusJ 12 (1977), 137-138 Related Works: Pan

Lazio Viterbo Tuscania S. Maria del Riposo19. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Painting Laboratory Bronis Iva Maria Wiesio Owska (1867-1940) in Warsaw; 7.05.1907 (1907-00-00-1907-00-00);Warsaw (Masovian Voivodeship), Wiesiołowska, Bronisława Maria (1867-1940), Wiesiołowska, Bronisława Maria (1867-1940)-collection, Wiesiołowska, Bronisława Maria (1867-1940)-reproduction, Wiesiołowska-Sykutera, Jadwiga-collection, gift (provenance), painting, Polish painting, artists' studios, painting workshops, interiors

Permettez-moi de vous faire observer, ma'm'selle de Fallacieux, que tout ça - n'explique pas votre conduite à Rome ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Your Majesty Deigns To Kill Herself. Artist: Jules-Joseph-Guillaume Bourdet (French, Paris 1799-1869 Paris). Dimensions: Sheet: 8 3/4 × 10 1/2 in. (22.3 × 26.6 cm). Printer: L. de Benard. Published in: Paris. Publisher: Aubert et Cie. Date: 1849-69. Museum: Metropolitan Museum of Art, New York, USA.

Detail from "The Blinding of Elymas". Charles Thurston Thompson (English, 1816 - 1868)

Aquatint by Jean Pierre Marie Jazet depicting a slave bazaar in Algiers during the first half of the 19th century.

Mrs. Mary Ann Kruß, b. Gabory (1795-1858) in the garden on the Grindelhof. .

Wound of H. Root, Civil War victim. Reed Brockway Bontecau (American, 1824 - 1907)

Ex libris van György Bubics, Kornél Révész, 1935 Ex Libris is part of cover with 64 ex Libris on 34 separate set -up sheets, a catalog and a text sheet. Budapest paper etching / drypoint standing figure. man (showing himself) undressed, quasi-nude. book. lantern

Venantius Fortunatus reads his poems to Radegonda VI, Louis Lucas (1870-1893) (Attributed to), After Lourens Alma Tadema, 1846 - 1880 print France paper. etching / engraving / drypoint historical persons. historical persons - BB - woman. ruler, sovereign - BB - female ruler. writer, poet, author

Nautical Sketches. Crossing the Line.. J. Reynolds (British, active 1860s)

The map. Cassatt, Mary, 1844-1926. 1889. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Two men in Wellington Street let a man stumble who wears a picture of Napoleon, George J. Zobel, 1837 print The black man walks arm in arm with the white man in uniform. Posters on the Wall announce, in honor of the Battle of Waterloo, a gala in Vauxhall Gardens and a performance of 'The Unfortunate Italian' in the Theater Royal. London paper engraving falling. sculpture. adult man London. Vauxhall Gardens. Waterloo

The writing master Lieven Willemsz. Van Coppenol: small plate; The small coppenol.

Gypsum Models for Sculptures at the Louvre Palace: Links "cousin" by Theodore Joseph Napoleon Jacques and Right "Nôtre" by Jean-Auguste Bar. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

San. Serveo. Disinganno (Napoli). Sommer & Behles (Italian, founded 1867, dissolved 1874)

Experiment with airline globe.

Street shrine. Constant Puyo (French, 1857 - 1933)

Mlle Thouvenot ; Mlle Vallier André-Adolphe-Eugène Disdéri French 1865 View more. Mlle Thouvenot ; Mlle Vallier. André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). 1865. Albumen silver print from glass negative. Photographs

Attending Mass, Rome. Antonio Piccinni; Italian, 1846-1920. Date: 1875. Dimensions: 170 x 236 mm (image); 265 x 390 mm (sheet). Etching in black, with gray plate tone, on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Campania Caserta Caserta Palazzo Reale42. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Delicate Appetite.. Edward Anthony (American, 1818 - 1888)

Plaster model of part of a niche.. Photographs. New York Public Library Archives. New York Public Library, New York Public Library. Humanities and Social Sciences Library, Library architecture, Niches, Rosettes

Hamon, Jean-Louis, Goupil & Cie, La Boutique à quatre sous, Reproduction of La Boutique à quatre sous by Jean-Louis Hamon, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, Hamon, Galerie Contemporaine, Littéraire, Artistque, 126, boulevard de Magenta, Paris, height 234 mm, width 176 mm, photographer, 1872 - 1877, paper, Woodburytype, French, cliché maker, 1821-05-05 - 1874

Untitled, 1880s, maker unknown.

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