Historical Figures in Art

Illustrations depicting key historical scenes featuring figures like David and Saul, with a somber mood and intricate detailing in black and white prints.

The Judgement of Solomon, from The Book of Kings, Old Testament. From a 19th century engraving after a work by Peter Paul Rubens.

Image of the painting Visioen of St. Bernardus made by a master of Delft (working from ca. 1490 - 1520) from the H. Bernardus from the collection of the Archbishop's museum, in the Centraal Museum (Agnietenstraat 1) in Utrecht.n.b. The collection of the Archbishop's museum was housed in 1979 at the Nieuwe Rijksmuseum Het Catharijneconvent (Nieuwegracht 63). In 1995 the museum became an independent foundation and changed the name to Museum Catharijneconvent.

Amsterdam, Scheltema & Holkema's Boekhandel, Tresling & Comp., Rijn, Rembrandt van, Netherlands, Bauer, Marius, The Bredius Case, Cartoon on the disagreement between Abraham Bredius and Victor de Stuers concerning the appointment of Waller in the Mauritshuis. The body of the dead Bredius mourned by the press, on the left FG Waller with his hat in his hand, on the right De Stuers and Minister van Houten look on. Published in the supplement of 'De Kroniek' of February 21, 1897., print, prent, cartoon, prints, prenten, height 405 mm, width 305 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1897-02-21 - 1897-02-21, fourth quarter 19th century, paper, lithography (technique), Northern Netherlands, 1606-07-15 - 1669-10-08, after, after painting by, printer, Publication (Event), Publication, publisher

ANNE ASKEW - brought before a Catholic bishop for examination. Date: 1546

David plays the harp for Saul, Reinier Vinkeles (I), after Jacobus Buys, 1797 print In an army camp, David plays his harp for King Saul and two other kings. Amsterdam paper etching / engraving harp. ruler, sovereign. (military) camp with tents. (other) specific aspects ~ David. David playing his harp before Saul

Thomas Kirk, 1765-1797, Irish, Titus Andromicus, Act IV, Scene I, Titus' House, 1803. Engraving.

The Judgement of Solomon, from The Book of Kings, Old Testament. From a 19th century engraving after a work by Peter Paul Rubens.

A nocturnal scene in a bedchamber: a maid is about to stab her master. Etching by E.K. after F. Boitard.

Elia arouses the dead son of the widow of Sarefat, Caspar Luyken, 1708 print Nuremberg paper etching Elijah lays the child of the widow of Zarephath on his bed and three times stretches himself out on the boy

Ecce Homo. Dated: 1509. Dimensions: sheet (diameter (trimmed to plate mark)): 29.6 cm (11 5/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Iphigenia pleading with Agamemnon still image. 1882. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Homer. Iliad, Fathers and daughters, Agamemnon (Greek mythology), Iphigenia (Greek mythology)

Mephisto receives the scholar Meph: Ce que vous avex de mieux à faire (...) Faust (series title) Faust, tragédie de M. de Goethe (series title), print maker: anonymous, Eugène Delacroix, (mentioned on object), printer: Charles Etienne Pierre Motte, Paris, 1828, paper, h 488 mm × w 323 mm

Historical scene with interior with three people. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1782 - 1837. Measurements: h 216 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Bellange, Jacques, France, Christ and the Apostles, Apostle James Major, verso bottom center - stamped, The apostle James Major seen from the back, wearing a pilgrim's hat and holding a staff in his hand., print, prints, height 289 mm, width 169 mm, 1575 - 1616, print maker, printmaker, 1602 - 1616, first quarter 17th century, paper, papier, etching, Work conception, after own design by

Daniël in the Leeuwenkuil, Reinier Vinkeles (I), after Jacques Kuyper, 1771 - 1816 print An angel appears to Daniël who sits in the Leeuwenkuil with folded hands and lifted head. Amsterdam paper etching / engraving additions to the story of Daniel

Bliżej Kultury Holewiński, Józef (1848 1917)

The Invalid Doll Made 1870-1879 Unknown Place. Photocollage . Unknown

Hamlet: The Chant of Ophelia, 1834. Eugène Delacroix (French, 1798-1863). Lithograph;

Page, fl. 1784-1803, Merchant...Act V, Scene 1, 1790. Engraving.

Otto II van Bavaria on his deathbed, Daniel Nikolaus Chodowiecki, 1795 print In the margin, a men's head is etched in a sketchy way. Berlin paper etching History. father and son(s) (family group). ruler, sovereign. deathbed

Man points two women to a star, Dirk Sluyter, After Haatje Pieters Oosterhuis, 1800 - 1852 print paper etching / engraving stars and constellations. index finger forwards, pointing, indicating. weeping

Hamlet Attempts to Kill the King 1834-43 Eugène Delacroix French In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, in act 3, scene 3, the prince pulls back from revenging himself upon his uncle. He reasons that since his potential target is at prayer, killing him would send his soul straightl to heaven, whereas his own murdered father was dispatched "unshriven"-without confessing his sins. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.. Hamlet Attempts to Kill the King. Hamlet, Treize Sujets Dessinés par Eug. De

Presentation of the head of Johannes de Boper to Salome, Hendrick Goudt, After Adam Elsheimer, 1591 - 1648 print In an oval list: De Beul presents the head of John the Baptist to Salome, who holds a dish. To a painting by Adam Elsheimer. Rome paper engraving Salome is given the head of John the Baptist by the executioner

Amsterdam, Luyken, Jan, Daniël kneeling at a window being spied on, verso - stamped, print, prints, height 132 mm, width 68 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Amsterdam, Lescailje and Dirk Rank, heirs Jacob, Wandelaar, Jan, Title page for: Gilbert de Flines, and Alain René Lesage, The Unfaithful Nurse, Bly-spel, 1719, Man kneels before woman in bedroom, verso - stamped, In a bedroom a man kneels before a woman, he holds his hands before his heart. On the left stands a servant who looks on. In the background a bed., print, engraving, title page, prints, engravings, height 139 mm, width 85 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1719 - 1719, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Rubens, Peter Paul, Descent from the Cross. Rubens. At Antwerp Cathedral., Photographic reproduction of a print after a painting by Peter Paul Rubens in the cathedral of Antwerp, Part of an English family album with photographs of people, travels, cricket and works of art., photograph, photo, reproduction, photos, height 164 mm, width 123 mm, photographer, 1860 - 1870, paper, papier, photographic paper, fotopapier, cardboard, albumen print, albumine print, Work conception, after a print by, Zuid-Nederlands, 1577-06-28 - 1640-05-30

Ceres and Stellio, Karel van Mander (III), After Adam Elsheimer, 1620 - 1670 print Night scene with Ceres and Stellio. Ceres drinks from a bowl and is laughed at by the boy Stellio because she is doing this too eagerly. Behind them is an old woman with a torch and in the doorway a man who takes his hat. unknown paper etching a little boy (Abas, Ascalabus, or Stellio) laughs at Ceres, because she drinks too avidly while she is resting at an old woman's house

During an evening walk with his sisters, Lazarus is given a rose by the son of his gardener. When he smells it, he develops a fever and dies. Lazarus receives a rose from his gardener's son, print maker: Reinier Vinkeles (I), (mentioned on object), intermediary draughtsman: Reinier Vinkeles (I), (mentioned on object), publisher: Adriaan Pietersz. Loosjes, Amsterdam, 1795, paper, etching, engraving, h 245 mm × w 186 mm

A freethinker, next to his bed are books by Voltaire and 'Systeme de la Nature' by Thiry, is converted by his maid on his deathbed, Conversion of the freethinking man The vrygeest , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 253 mm × w 155 mm

Shocking looking woman, Jan Wandelaar, 1722 - 1723 print A man puts a curtain aside. The woman behind him looks shocked and the first name dressed next to her sticks out an object. A company can be seen behind them. At the top left state: I. part. At the top right state: Page: 258. North Netherlands paper etching / engraving Horror, Abhorrence. visiting; receiving guests; elegant company

GRABADO-HªESPAÑA-ENTRADA FELIPE III EN LISBOA -. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. PHILIPP III. VON SPANIEN.

This 1831 etching in punctuation manner by Carl Spindler, designed by Moritz von Schwind, illustrates 'Nenuphar I', focusing on botanical or narrative book illustration techniques of the Austrian 19th century.

Le Present du Ciel auRoy. Artist: Unknown

Print made by James Heath, 1757-1834, British, Tempest. Act III. Sc. I, 1787.

Dussard, L., Goupil & Cie, Une victime, Reproduction of a painting of a victim by L. Dussard, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, Musée pour tous 1877, height 207 mm, width 154 mm, French, maker, manufacturer, 1872 - 1879, paper, papier, Woodbury engraving, Work conception

Beatrix and Le Basque, dressed as a Swiss, are spied by Monsieur de Coutre-ville as they embrace each other Title page for the play 'Le Gentilhomme de Beauce' by A.J. Montfleury, 1698, print maker: Caspar Luyken, publisher: Adriaan Braakman, Amsterdam, 1698, paper, etching, h 117 mm × w 66 mm

Bliżej Kultury Czechowicz, Szymon (1689 1775)

Judiciary by Karel de Stoute about the Governor of Zeeland, ca. 1474. Case law of Karel de Stoute about the Governor of Zeeland. Karel De Stoute grants case law to the wife of the commander of Vlissingen, approx. 1474.

Worship devoted to a statue with two faces (man and woman) Fischer, H. (1730 1785)

Le Couché de la Mariée / The wife goes to sleep. A young woman in night juke and night cap on, writing in her eyes, is helped by two kameniers in her four-poster bed. Her young husband is sitting on his knees next to her. Left fires and candles are extinguished.

Selling women in Turkey. Szumacher, I. (Petersburg ; zakład graficzny ; ca 1860-1870), printing house, Pokorny, Józef (fl. 1865-1872), graphic artist, Dewede (fl. ca 1860-1870), painter

The arrest of Paulus Buis, Pensioner van Utrecht, 19 July 1586.Paulus Tube, Utrecht Guesthery, at Night on the Count of Leicester's Count in His Bedroom, Imprisoned, July 19, 1586. Design for a print.

An apartment in a mandarin's house, near Nanking Date: 1840

Salomon Gessner, Fountain in a Summerhouse, 1764 Fountain in a Summerhouse

Jeanne d'Albret with the child Henry de Bourbon, Philippus Velijn, 1821 print Jeanne d'Albret with the child Henry de Bourbon, at the tomb of her husband Antoine de Bourbon, King of Navarra. Bottom right: bl. 39. Netherlands paper etching grave, tomb. mother and son(s) (family group). prince - BB - female ruler

Chronicles of France: The Children of Clodomir, 1829. Eugène François Marie Joseph Devéria (French, 1805-1865). Lithograph;

The Chapel of the Enfants-Trouvés in Paris: Le Roi mage Balthazar et sa suite 1752 Etienne Fessard From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoires scenes were set into trompe loeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessards suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin 59.570.49. The print depicting the ceiling (Caviglia-Brunel, 2012, under *P.195, p.360) is missing from the Mets set.. The Chapel of the Enfants-Trouvés in Paris: Le Roi mage Balthazar et sa suite. Etienne Fessard (French, Paris 1714-1777 Paris

Virtumnus in Pomona, François Boucher, After Jean Antoine Watteau, c. 1727 print Paris paper etching Vertumnus, in the guise of an old woman, wooing Pomona

Bundele, Ecce Homo, 1491-1900, engraving on paper.

Reproductions of three engravings: Daniel Mikołaj Chodowiecki (1726-1801), queen, pope, fisherman, from the series "Dance of Death"; Z: "Wędrowiec", 1903, No. 25, p. 491; Wierzbicki B. and S-ka (Warsaw; Zakłady Graphicczne; 1897-1944), Wędrowiec (Warsaw; magazine; 1863-1906); 1903 (1903-00-00-1903-00-00);

A veiled woman, kneeling, begs a young man for alms; her three sick children at her feet. Etching by B. Pinelli, 1809.

Wygnanie Hagar / The violation of the hagar Hohe, Friedrich (1802 1870), Werff, Adriaen van der (1659 1722), Hanfstaengl, Franz (1804 1877)

Diogenes does not ask Alexander to stand in its light.Design for a Painting.

Etching with pinion by Rembrandt Harmensz. van Rijn showing the presentation in the temple, created around 1654, depicting figures, gestures, and compositional elements.

Willem, Duke of Gulik and Kleef, subject to Charles V and state Zutphen and Gelre to him, 1543. Willem, Duke of Gulik and Kleef, subject to Charles V and state Zutphen and Gelre to him, 1543. Design for A print.

Asia Minor. The Trojan War. Troy Destroyed. Engraving, "Los Héroes y las Grandezas de la Tierra". Volume I. 1854.

Illustration No. 5 (from 12) to the Older, Newer and Latest History, Posted in: Gothaischer Hof Calender for the benefit and pleasure of 1791. Gotha, Bey C. W. Ettinger Chodowiecki, Daniel Nikolaus (1726 1801)

Lazio Roma Rome S. Maria degli Angeli6. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Depicts the Madonna holding a fish, created as a copper engraving by Marco Dente between 1517 and 1520, showing the figure, gesture, and symbolic elements.

Honoré Daumier, Empedocle recevant les honneurs divins, 1866 Empedocle recevant... les honneurs divins...

Lazio Latina Valvisciolo SS. Pietro e Paolo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ALFRED IN ADVERSITY. THE BURNING OF THE CAKES.

Allegorical Portrait of Pierre Buirette de Belloy, 1767, etching on laid paper proof, plate: 46.5 × 34.4 cm (18 5/16 × 13 9/16 in.), sheet: 54.7 × 38.6 cm (21 9/16 × 15 3/16 in.), Louis-Simon Lempereur (artist) French, 1728 - 1807, Nicolas-René Jollain (artist after) French, 1732 - 1804

Illustrations for 'Lang's Almanac for 1799'

The Holy Family. Dated: 1639. Dimensions: sheet (cut within platemark): 30.2 x 19.1 cm (11 7/8 x 7 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Laurent de La Hyre.

Copernicus at the astronomical observatory of Bologna. Picture made using live actors, arrangement by A. Lesser, presented at a Warsaw theatre on February 19th 1873 ; from: `Tygodnik Ilustrowany` 1873, no. 272, vol. XI, p. 133. Tegazzo, Franciszek (1829-1879), draughtsman, cartoonist, Gorazdowski, Edward (1843-1901), engraver, Lesser, Aleksander (1814-1884), painter

Johanna van Vlaanderen and Boudewijn IX, 1225, Johannes de Mare, after Herman Frederik Carel ten Kate, 1841 - 1843 print Boudewijn IX, Count of Flanders and Hainaut is not recognized by his daughter Johanna van Vlaanderen on his return to Flanders in Flanders. According to annotation on Verso from Aurora () 1843. Netherlands paper steel engraving

Design for the Letter L of a Pictoral Alphabet: The Reading Lesson, Victor Vincent Adam, 1801-1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A monk seated in a vestibule is seen teaching a boy how to read. Beyond, a view of the gates to a castle., France, ca. 1830, Drawing, Drawing

Wooden stick artwork by Leonhard Beck depicting Sancta Gudila, a saint related to Emperor Maximilian I's family, created in 1516.

Allegory of the official assumption of Archduchess Maria Anna of Austria as a Regent, 1744. Draughtsman: anonymous. Dating: 1744. Place: Brussels. Measurements: h 740 mm × w 417 mm. Museum: Rijksmuseum, Amsterdam.

Tableau de Paris, ou Explication de Differentes Figures, gravées a l'eau-forte, pour servir aux différentes Editions du Tableau de Paris... 1787 Written by Louis Sébastien Mercier French. Tableau de Paris, ou Explication de Differentes Figures, gravées a l'eau-forte, pour servir aux différentes Editions du Tableau de Paris... 353910

Allegory on the election of Leopold II as Roman -German Keizer, Gottlieb Friedrich Abel, after Victor Wilhelm Peter Heideloff, 1790 - 1792 print Stuttgart paper engraving Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). throne. offering ruler's position: presentation of crown or other symbols of authority (before coronation). insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Margarita dolorosa. Grabado de Liezen Mayer para la novela Fausto, de Johann Wolfgang Goethe (Frankfurt, 1749-Weimar, 1832). Año 1882.

De Hogegige Devil, Johannes Jacobsz van den Aveele, 1682 print A vain maid is preparing for the mirror. Behind her stands the howful devil with a fan of peacock springs in his hand. He holds the maid a crown over his head. Amsterdam paper etching / engraving Christian religion (+ devil(s)). maid ~ house personnel

Russia, 960-1694 part 2. 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, Russia

The Maids of Elfinmere by Dante Gabriel Rossetti from Allingham's Music Master, 1855 Date: The

De Begraving, Print made by Frederik Christiaan Bierweiler, active 1800-1831, Dutch, after Sir Peter Paul Rubens, 1577-1640, Flemish, Published by J. Groenewoud, active 1795-1815, Dutch, ca. 1820, Mezzotint and etching on moderately thick, slightly textured, cream laid paper, Sheet: 26 3/8 × 20 1/2 inches (67 × 52.1 cm), Plate: 24 1/4 × 17 inches (61.6 × 43.2 cm), and Image: 23 × 17 inches (58.4 × 43.2 cm), body, burial, Christianity, cloth, crown of thorns, death, graves, holding, kneeling, linen, men, mourning, nails, New Testament, religious and mythological subject, tomb, weeping, white, women, wounds

Dürer, Albrecht, Germany, Aldegrever, Heinrich, Madonna and Child on the Crescent Moon, Mary with a crown on her head and the Christ Child on her arm, standing on a crescent moon, surrounded by a halo., print, prent, prints, height 115 mm, width 73 mm, German, 1502 - 1561, print maker, printmaker, 1553 - 1553, third quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, 1471-05-24 - 1528-04-05

Wszyscy Święci w MNK Zajkowski, Andrzej (1851 1914), Wyczółkowski, Leon (1852 1936)

Helena reads a love letter from Paris. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 208 mm × w 160 mm. Museum: Rijksmuseum, Amsterdam.

Kaiserlich Franziskische Akademie, Augsburg, Nilson, Johann Esaias, The twelve months of the year, Februarius, February, verso - stamped, In a rocaille frame with torches a representation of a man and a woman in Chinese dress. They step out of a carriage and walk towards a ball. A servant lights their path with a torch. In the bottom margin a four-line French text., print, ornament print, prints, ornament prints, height 264 mm, width 193 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1766 - 1766, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Bliżej Kultury unknown, Bouasse Lebel (1845 1852)

King Sigurd the Crusader - A Norse Saga. Date/Period: 1862. Wood engraving, printed in black. Width: 125 mm. Height: 161 mm. Author: Edward Burne-Jones.

Bellflower, young lovers, ruin, romantic, nature, dreaming, salamander, folk, historical illustration 1895

Johann Christian Sambach's drawing depicts Solomon's idolatry, executed with leading handle and yellow-brown brush strokes.

Albrecht von Haller: his monument is visited by a grieving mythological figure. Engraving with etching by B.A. Dunker and M.G. Eichler.

Licht Light Max, Gabriel Cornelius von, 1840-1915. still image. Reproductive prints. 1873. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Feathers, Lamps, Blind persons, Catacombs, Young women, Light in art

Umbria Terni Amelia SS. Filippo e Giacomo4. Hutzel, Max 1960-1990 Medieval: Church dates from 1287, cloister 15th century. Post-medieval: Interior renovated 1767; views include architecture, architectural sculpture, altar, statues, organ, wall paintings, paintings on canvas, frescoes, panels, tombs, wood cabinets, marble holy water basin. All views of the exterior and several of the tombs are stored in the Medieval core colection. The Hutzel Collection coverage is of the interior, including painting, statues, and tombs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by p

Two men at a table, Jan van Somer, after Gerard ter Borch (II), 1655 - 1700 print Two men are drinking at a table. A third man stands next to the table and keeps a wine jug ready. paper drinking. inn, coffee-house, public house, etc.

unknown, Passe, Crispijn van de (I), Bloemaert, Abraham, Willem van de, King David playing the harp, verso lower left - stamped, King David kneels before a curtain and plays his harp. In the foreground lie his crown, scepter and chain. In the margin a three-line caption in Latin., print, prent, prints, prenten, height 284 mm, width 193 mm, Noord-Nederlands, 1598 - 1637-10-07, print maker, printmaker, 1607 - 1637, paper, papier, engraving, engraving (printing process), Work conception, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, 1564 - 1637, publisher, uitgever van privilege

Allegory. For the victims of the opera-comic.

A group of dancers dance the Fandango, a popular dance in 18th century Spain. A man plays a lute., Dancing Company The Fandango (title on object), print maker: Lambertus Antonius Claessens, (mentioned on object), intermediary draughtsman: Jacques Kuyper, (mentioned on object), 1800, paper, etching, h 114 mm × w 75 mm

Sibylle Cimmérienne. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 14 3/16 x 8 7/16 in. (36 x 21.4 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Douze Sibylles. Date: ca. 1635. Museum: Metropolitan Museum of Art, New York, USA.

Russian peasants. Engraving by Lemaitre, Vernier and Monnin. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Ericsson, Henry, work, Sketch book, civil war subjects, 39 leaves, 1931, drawing, civil war; prisoners of war; prison camps, 17.8 cm x 21.5 cm, Ericsson, Henry, part: Figures, civil war themes, woman meets a man imprisoned in a prison camp, 1931, civil war, prison camps; prisoners of war; red guards; white guards, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Woodcut showing a legation approaching the king who held the daughter, putting her forward, from the Weißkunig series of Emperor Maximilian I, by Hans Burgkmair, 1514-1516, wooden stick.

Arc, Jeanne d '.

Jacob Wilhelm Mechau depicts a Gothic theater scene with a lady holding a dagger and two boys at her feet, drawn with black pen and brown brush, lavated, from the second half of the 18th century.

Abruzzo Citta Sant'Angelo S. Francesco0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, cupola (18th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Daniel Nikolaus Chodowiecki, The Voyage to Paris, 1798 The Voyage to Paris

Fernando de la Costa (Lithographer) (After Poussin, Nicolas); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Noli me tangere'. 1826 - 1837. Lithographic aquatint, Crayon lithography, Scraper on wove paper; 1826 - 1837. Lithographic aquatint, Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

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