Historical Figures in Eccentric Dress

A collection of prints depicting historical figures in elaborate costumes, showcasing unique styles and accessories, primarily focusing on military and noble themes.

Marshal, 1761 - 1804 print Marshal with marshal staff. A verse under the show. Numbered below: No. 122. Amsterdam paper letterpress printing commander-in-chief, general, marshal

Marshal, 1761 - 1804 print Marshal with marshal staff. A verse under the show. Numbered below: No. 122. Amsterdam paper letterpress printing commander-in-chief, general, marshal

The Degree Emperor, up to the kidneys ... (IT)

Haagse Schutter, Daniël Marot (I), 1573 - 1752 print paper etching / engraving firearms

Iffland, August Wilhelm .

A character dressed eccentrically, holding an umbrella and walking on raised shoes. Etching.

Quick, John .

A Blood. Artist: George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: sheet: 13 3/16 x 8 11/16 in. (33.5 x 22.1 cm). Publisher: Published London by William Holland (British, 1757-1815). Date: December 1, 1790. Museum: Metropolitan Museum of Art, New York, USA.

Jean Huber, Voltaire, 1778 Voltaire

Iffland, August Wilhelm .

Young man with beret and stick; Figure studies; Etudes The Figures Drapées. Standing man, seen from the front, with beret and stick in the right hand. Print from a series of seven.

Seller of Zeven, Carlo Lasinio, After Monogram Filer Jo, 1769 - 1838 print A seven seller on the Piazza Santa Maria Novella in Florence. He walks with seven under his arm and on the back and a bundle of sticks under his arm. Italian text in the lower margin. paper etching street-trader. merchant, salesman. kitchen-utensils: sieve Florence. Santa Maria Novella. Piazza Santa Maria Novella

Standing man with right hand tucked into his waistcoat, shown in frontal view with his head turned toward the left, from "Figures of Fashion" (Figures de Modes) Antoine Watteau French Julius Model German ca. 1710

John Dunstall in the character of the Syracusan Dromio in William Shakespeare's The Comedy of Errors, Covent Garden Theatre, 24 April, 1762. In hat, slashed doublet, breeches, holding a rope. John Dunstal was an English comic actor, 1717-1778. Copperplate engraving by Charles Grignion after a portrait by Thomas Parkinson from John Bell's Edition of Shakespeare, London, Feb. 19th, 1776.

David Garrick as Macbeth.. Macbeth in 18th century clothes, breeches, stockings and wig, holding a dagger in each hand. Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1776.

Thomas Laugher, known as Old Tommy, aged 107. Etching, 1807.

Portrait of Prince Henry of Prussia. Artist: Jean-Baptiste-François Bosio (French, Monaco 1764-1827 Paris). Dimensions: 6 3/4 x 4 5/8in. (17.2 x 11.7cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Lord seen from the front, leaning on a walking stick, 1685 print numbered 16 paper etching

Thomas Hull as Pisanio in "Cymbeline". Hull debuted in 1759 in London, and performed more than 225 characters on stage until 1807. Francis Gentleman described him as a performer of "tender sensibility" fit for the "graver parts of comedy.". Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1775. Drawn by Parkinson.

Dresden, Rittner, Heinrich, Gränicher, Samuel, Saxon costumes, Bergmann, Costume of a minor, verso - stamped, print, prints, height 248 mm, width 139 mm, German, 1758-12-18 - 1813-12-14, print maker, printmaker, 1803 - 1808, paper, aquatint, etching, hand-colouring, Publication (Event), Publication, 1765, publisher, uitgever" Dresden, verso colours

France, Carmontelle, Louis de, Portrait of Pierre Victor baron de Besenval de Brünstatt, verso - stamped, The Baron de Besenval, standing in a landscape, facing left. He is dressed in an overcoat, breeches with long stockings and buckled shoes. On his head he wears a pigtail wig., print, engraving, prints, engravings, Carmontelle Delin. et Sculp., lower left - etched, height 278 mm, width 190 mm, French, 1717 - 1806-12-26, print maker, printmaker, 1759 - 1806, paper, papier, etching, etchings, intermediary draughtsman

John Bigg, the Dinton hermit, 1629-1696. He lived in a cave and wore a patchwork coat of leather scraps. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Adings of Lodewijk XIV with his Harem, ca. 1701-1713, 1701 - 1713 print King Louis XIV leads as a drummer the retreat of his harem through a landscape. In the plate two verses in Dutch and French. Part of a group of individual cartoons on Louis XIV during the Spanish Succession War, ca. 1701-1713. Northern Netherlands paper etching political caricatures and satires. military music

The Small Bagpiper, 1781, Jean-Pierre Norblin de la Gourdaine, Polish, (born France), 1745-1830, 1 5/8 x 1 3/16 in. (4.2 x 3 cm) (image)2 1/2 x 1 15/16 in. (6.3 x 5 cm) (sheet), Etching on woven Japan, Poland, 18th century, Jean-Pierre Norblin de la Gourdaine was a French painter and printmaker active in Poland in the late 18th century. Norblin's charming miniature etchings, representing mostly male heads, street sellers, and vagabonds, reflect both in subject and technique the profound influence of Rembrandt's prints. Norblin was also drawn to Polish subjects, capturing the unfamiliar, exotic world around him in his depictions of men with colossal fur hats and curled moustaches, Cossacks, and Polish historical figures.

Mr. Vernon in the character of Thurio in William Shakespeare's Two Gentlemen of Verona, a revival at Drury Lane Theatre, 1762. In cloak, waistcoat, Van Dyke collar, breeches, playing a lute. Joseph Vernon, was an English actor and singer who performed in London and Dublin, c. 1731-1782. Copperplate engraving after a portrait by James Roberts from John Bell's Edition of Shakespeare, London, March 7, 1776.

S�dergren (1900-1900); Constantin Hansen (1804-1880), Heimdal, 1800's

Pier Leone Ghezzi, Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter), 1734 1755 Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter)

Moldrup, Peder Nielsen.

Rock, Edward Anthony .

Recueil des modes de la cour de France, 'Le ramoneur'. Jean Baptiste Bonnart (France, 1654-1726)Henri Bonnart (France, 1642-1711). France, Paris, 1675-1685. Prints. Hand-colored engraving on paper

The Beggars: The Hurdy-Gurdy Player, c. 1623. Jacques Callot (French, 1592-1635). Etching;

Glossy.

Jacques Callot, Officer, Front View, 1617 and 1621 Officer, Front View

London Cries: A Man Swaggering. Genre subject. Brown and gray wash and graphite on medium, cream, slightly textured laid paper. Height: 197 mm (7.75 in); Width: 146 mm (5.74 in). Author: Paul Sandby.

Portrait of Carlo Luigi di Lorena standing by a cannon In the background troops, Portrait of Carlo Luigi di Lorena, print maker: Giovanni Battista Bosio, (mentioned on object), Giovanni Battista Bosio, (mentioned on object), Italy, 1700 - 1799, paper, etching, h 216 mm × w 157 mm

Napoleon I, Emperor of France, King of Italy, 1806. Friedrich Wilhelm Reuter (German, 1768-1834). Lithograph;

Artist: Jacques Callot, French, 1592-1635, Beggar with a wooden leg, from The Beggars (Le mendiant a la jambe debois), ca.1622, Etching, sheet: 13.7 × 8.7 cm (5 3/8 × 3 7/16in.), French, 17thcentury, Works on Paper -Prints

A foppish fumigator holding illustrations of furniture. Etching, 1772.

Lord standing with his hands in his side, 1660 - 1669 drawing Zwolle paper. chalk

Jean Sylvain Bailly

Simon Lord Lovat, convicted rapist and traitor, beheaded in 1747. Copperplate engraving by William Maddocks from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

The first committee ... (IT)

. PRENT Middle under numbered: 14.

Moreau, Jean Victor.

King Louis XIII of France and Navarre, in his youth. Handcoloured lithograph after a contemporary print from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Colas, seul scène I, 1770, François Nicolas Martinet, Antoine Jean Duclos. Published in Paris by F.N. Martinet. Features illustrations related to operas, depicting two hunters and a milkmaid. The etching measures 20.7 x 12.2 cm on a sheet of 24 x 16.5 cm

Wine farmer with raised glass on a vineyard, Jean Charles Le Vasseur, After David Teniers (II), 1744 - 1797 print Paris paper etching / engraving wine production. vineyard. farmers. glass of wine

Vincent, Charles.

Portrait of Gaspar de Hollander, Pieter de Jode (II), After Joannes Meyssens, 1628 - 1670 print BostePortret of the publisher Gaspar de Hollander, in Mantel. Various ships in the background. In the margin the name of the person portrayed and a two -way caption in French. Antwerp paper etching / engraving

Een koetsier. Costumes van het hof van Willem V (series title). Draughtsman: Isaac Lodewijk la Fargue van Nieuwland. Dating: 1766. Measurements: h 392 mm × w 263 mm. Museum: Rijksmuseum, Amsterdam.

Buy my Cotrets. / 5. (Title registered (letter)) | Cree of Paris. (Title of all)

Hubert von Herkomer, Bavarian Peasant, 1891, etching on laid paper.

Jean-Baptiste-François Durey de Meinières. Dated: c. 1760. Dimensions: sheet: 30.2 x 18.3 cm (11 7/8 x 7 3/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Delafosse after Carmontelle.

Hongaarse man; ungaricae ; The habit of almost all the nations of our time , has never until now this aediti. Hongaarse man. Onderdeel van kostuumboek titled , " almost all the people of our age habit never had this aedis' , Venice, 1569, 1569 Heruitgave shipped van de Eerste editie shipped 1563.

Portrait of the Hussa Barra. Portrait of the Hussar Barra with a saber raised in his hand. Under the portrait a bass relief with Barra's hero dood. He risked his life to preserve the horses from his officer. He found death.

Drawing by Francesco Ponte depicting a boatman (Schiffer), executed in gray brush and pen with lavings, dated 1744.

Portrait of Peter the Great, Peter I or Pyotr Alexeyevich Romanov, 1672-1725, Emperor of the Russian Empire, digitally optimized Portrait of Peter the Great, Peter I or Pyotr Alexeyevich Romanov, 1672-1725, Emperor of the Russian Empire, digitally optimized Copyright: xZoonar.com/Heinz-DieterxFalkensteinx 21911497

Andrew Duncan. Etching by J. Kay, 1797.

Louis XIII (king of France), Paris, Leblond, Jean (I), Bosse, Abraham, Following the Edict of 1633, Le Courtisan Suivant l'Édict de l'annee 1633, French courtier following the edict of 1633, verso - stamped, This courtier is dressed according to the prescribed rules of the edict of 1633. He wears a simple plain collar, while he stands with one foot on his fashionable (forbidden) lace collar. In the margin there is a caption in French from which it is clear that the man does not feel comfortable in this clothing, but is obedient to the king of France., costume print, prints, Que ce m'est une chose estrange, De remarquer combien me change, Cet habillement reformé, Que i'ay de mal à m'en defendre, Et qu'il me fache de le prendre, Pour ne l'avoir accoustumé, Je violente ma nature, Me voyant en cette posture, Et demeure tout interdit, Mais de quoy me sert cette pleinte, Si par raison ou par contreinte, Il faut obeir à l'édit !, Il est juste qu'on s'accommode, Au temps, au païs, à la mode, S

Recueil des modes de la cour de France, 'Paisant des environs de Paris'. Jean Dieu de Saint-Jean (France, flourished 1675-1695). France, Paris, 1678-1693. Prints. Hand-colored engraving on paper

An Artist at the French Academy in Rome (), pl. V from "Recueil de caricatures" ca. 1754 Ange-Laurent de La Live de Jully This print is bound in an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman.. An Artist at the French Academy in Rome (), pl. V from "Recueil de caricatures". Ange-Laurent de La Live de Jully (1725-1779). ca. 1754. Etching

Jourdan, Jean Baptiste Comte.

PortraT van Christoph I Kreß von Kressenstein, Hans Troschel, 1595 - 1628 print Germany paper engraving historical persons. baton of general. armorial bearing, heraldry

Laval, Gilles de.

Mr. Macklin in the Character of Shylock, in Shakespeare's The Merchant of Venice 1775 John Lodge. Mr. Macklin in the Character of Shylock, in Shakespeare's The Merchant of Venice. John Lodge (British, active 1774-96). 1775. Etching and engraving. Thomas Wright (British, active 1766-98). Charles Macklin (Irish, 1690-1797). Prints

Een valkenier. Costumes van het hof van Willem V (series title). Draughtsman: Isaac Lodewijk la Fargue van Nieuwland. Dating: 1766. Measurements: h 390 mm × w 264 mm. Museum: Rijksmuseum, Amsterdam.

Perrault, Charles.

Weidmann, Josef.

France, 17th century. The Musketeer. Etching from the series La Noblesse by Jacques Callot (1592-1635).

The knight desseasau, vintage engraved illustration. Magasin Pittoresque 1852.

Costumes de Différents Pays, 'Groenlandais'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

MARTêNEZ COMPAîN Y BUJANDA, Baltasar Jaime (1735-1797). Trujillo del Perœ en el siglo XVIII. 1782 - 1785. Vol. 1. Series depicting civilian and military costumes. Quartermaster general. Watercolour. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Palacio Real Library.

'Figure', c1700-1720, (1924). Artist: Jean-Antoine Watteau

Charles made foolishness, he will not have any Nanan, and he will go in penance. (IT)

Mr. Duke of Vend�me (Title Title) | Mr. Duke of Vendosing. (Registered Title)

Soldier who protrudes his skewer by transferring his right hand from the tip to the foot of the weapon (no. 23), ca. 1600. a soldier, for the right, to the right, who forwards his skewer (lance) Brighten by transferring his right hand to the point to the foot of the weapon (no. 23), approx. 1600. Plate 23 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck , Van Al T'Ghene is a Soldaet Int acting ventiest Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Portrait of Jean-Baptiste Fontenay as Martin in Le Pauvre Diable Fontenay Portraits of actors of Parisian theaters , print maker: Alexandre Marie Colin, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Francisique Noël (et Cie.), (mentioned on object), Paris, 1823, paper, h 420 mm × w 290 mm

Montering van de Utrechtse scherpschutters, ca. 1787. Utrecht / Scherp-schutter (title on object). Monteringen van 32 patriotse schutterijen en vrijkorpsen, ca. 1787 (series title). Draughtsman: anonymous. Draughtsman: Jan Anthonie Langendijk Dzn (rejected attribution). Dating: 1787 - 1790. Place: Northern Netherlands. Measurements: h 205 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.

Edmond Geoffroy as the Regent in La Fille du Regent by Alexandre Dumas, Theatre Francais, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

November, Caspar Luyken, 1698 - 1702

Man with Crutches, 'Orlandini', 1787, Jean-Pierre Norblin de la Gourdaine, Polish, (born France), 1745-1830, 3 1/8 x 2 3/4 in. (8 x 7 cm) (image)3 7/8 x 3 1/16 in. (9.9 x 7.8 cm) (sheet), Etching on woven Japan, Poland, 18th century, Jean-Pierre Norblin de la Gourdaine was a French painter and printmaker active in Poland in the late 18th century. Norblin's charming miniature etchings, representing mostly male heads, street sellers, and vagabonds, reflect both in subject and technique the profound influence of Rembrandt's prints. Norblin was also drawn to Polish subjects, capturing the unfamiliar, exotic world around him in his depictions of men with colossal fur hats and curled moustaches, Cossacks, and Polish historical figures.

Mr Barthe. Honoré Daumier (1808-1879). Press cartoon. "Mr Barthe". Board published in "caricature" of July 18, 1833. Lithography. Paris, House of Balzac.

Fontenelle, Bernard de.

The author fallen

Jean Baptiste Isabey, 1854-1856. Paul Gavarni (French, 1804-1866). Lithograph;

Ochsenheimer, Ferdinand.

The seller of Cologne water and vulnerary, Switzerland, small trades of Paris, France, illustration from L'Illustration, Journal Universel, No 403, Volume XVI, November 15-22, 1850.

Gentleman fencer in first position to draw a sword. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

Laces Peddler. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm)Image: 8 7/8 × 7 1/16 in. (22.6 × 18 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Third Set(Études Prises dans le Bas Peuple où les Cris de Paris: Troisième Suite). Date: 1738. Museum: Metropolitan Museum of Art, New York, USA.

Twice the same soldier with a small plumeed hat and hand in the side, from the front; Varie Figure di Jacopo Callot; Various figures. A soldier with a plumed hat on the head, the left hand in the side, the right hand on the hilt of his sword, seen from the front, twice pictured: left as line figure, at the right more worked out with shadows. This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various attitudes. These prints may have been meant as drawing examples.

Recueil des modes de la cour de France, 'Scaramouche Entrant au Theatre'. Nicolas Bonnart (France, 1637-1717). France, Paris, circa 1678-1693. Prints. Hand-colored engraving on paper

An officer of the Cent Suisses, Isaac Lodewijk la Fargue of Nieuwland, 1766, Costume study of an officer of the Cent Suisses., draughtsman: Isaac Lodewijk la Fargue van Nieuwland, 1766, paper, pen, brush, h 391 mm × w 270 mm

Portrait of Prinz Eugen vonWurtemberg. Artist: Eduard Kretzschmar, German, 1807-1858

Cartigny, Claude Charles .

Hume, David .

Bernardo Millano, an Italian itinerant musician or Bladder man. The hurdy-gurdy like instrument has several strings over a bladder mounted on a long stick, played with a violin bow. In hat, tailcoat, waistcoat and trousers. Copperplate engraving drawn from life and engraved by John Thomas Smith from his own The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839.

Don Mariano Camprubi primer bailarin del teatro royal de Madrid (Don Mariano Camprubi first dancer of the Teatro Royal deMadrid). Artist: Édouard Manet, French, 1832-1883

Washington. 1750 - 1880. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington, George, 1732-1799

Henry II, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897

BODIN. "Adolphe costume nourishes, role of Gustave III in the masked ball (Opera 1829)". Watercolor. Paris, Carnavalet museum. Singer, costume, french, opera, tenor, watercolor

Louis William, Margrave of Baden-Baden (1655-1707). Reduced facsimile after the engraving of Peter Schenk (1645-1715). Universal History, 1881. Colored.

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