Historical Figures in Landscapes

This cluster features artworks depicting travelers and pastoral scenes, characterized by serene landscapes and historical aesthetics, with hints of vibrant colors.

Gypsy Encampment; about 1790-1804; Oil on canvas George Morland; English; 1763-1804

Travellers and countrymen in a landscape of ancient ruins, draughtsman: anonymous, France, after 1700 - before 1799, paper, h 154 mm × w 200 mm

PAISAJE CON PASTORES. Author: JAN WILDENS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Spring 18th C. Nicolas Lancret (1690-1743/French) Musee du Louvre, Paris

'Mirtillo's Sacrifice'. Holland, 1631. Dimensions: 36,5x55 cm. Museum: State Hermitage, St. Petersburg. Author: BARTHOLOMEUS BREENBERGH.

Nicolas Lancret (1690-1743). French painter. Gallant Party (Fete Galante), ca. 1730. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.

'Landscape with a Cavalry Group'. Flanders, 1650s. Dimensions: 47x66,5 cm. Museum: State Hermitage, St. Petersburg. Author: Isaac van Oosten.

A Wooded Italianate Landscape with Dancing Nymphs Hendrik Frans van Lint (1684-1763 Flemish)

Henri MAUPERCHE. "Landscape". Museum of Fine Arts of the City of Paris, Petit Palais. 26978-1 Landscape, ruins ruin

Jan Miel / 'Cabaña con sus habitantes', 17th century, Flemish School, Oil on canvas, 49 cm x 49 cm, P01571. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Gypsy Encampment; about 1790-1804; Oil on canvas George Morland; English; 1763-1804

Pastoral Idyll - Dance of the Nymphs c. 1725 Donato Creti (1671-1749/Italian) Museo di Palazzo Venezia, Rome

After Jean Baptiste Joseph Pater, The Gift of the Fishermen, 18th or 19th century The Gift of the Fishermen

The Swing Jean-Baptiste Pater; French (1695 Valenciennes -1736 Paris)

Jean Baptiste Joseph Pater, Fête Champêtre, c 1730 Fête Champêtre

Landscape with the Rest on the Flight into Egypt, by Procaccini Carlo Antonio, 1610 - 1615, 17th Century, . Private collection. Whole artwork. Holy Family angels donkey house ruins arch rabbits trees birds farmstead well

'Les Baigneuses (Women Bathing)'. France, First half of the 18th century. Dimensions: 75x60,5sm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE PATER.

Jean-Baptiste Joseph Pater, French (1695-1736), Fête Champêtre, c. 1730, oil on canvas

Landscape with peasants. Brueghel, Jan, I (1568-1625), painter, unknown, painter

Haycart Passing a Ruined Abbey, John Wootton, 1682-1764, British, ca. 1745, Oil on canvas, Support (PTG): 22 x 22 inches (55.9 x 55.9 cm), abbey, architectural subject, cart, cattle, cows, dogs (animals), genre subject, grazing, hats, hay, men, oxen, ruins, sheep, sky, trees, walking, wheels, yokes (animal equipment)

Sermon John; Molenaer, Cornelis (Ca 1540-1589), Mostaert, Gillis I (1528-1598); 1565-1570 (1565-00-00-1570-00-00);Jan Baptist (Saint), Popławski, Jan (1860-1935), Popławski, Jan (1860-1935)-collections, trees, sermon, Flemish painting, Dutch painting, landscapes, sea landscapes, characters, message (provenance), scenes biblical

fine arts, Watteau, Jean Antoine (1684 - 1721), painting ""Pilgrimage to Cythera"", circa 1720, oil on canvas, 129 x 194 cm,

Huet, Jean-Baptiste (known as the old) (n.1745-10-15-D.1811-01-27), Landscape at the swans, 1765. Oil on canvas. Carnavalet museum, history of Paris. Decorative scene. Landscape. Two swans frolic on the water; Hungry, peacock and pigeon. Household roses. Carnavalet, museum, work, painting, reproduction, meero, reprography

Landscape from Rebek and Eleazar; Nieulandt, Guilliam Van II (1584-1635); 1632 (1632-00-00-1632-00-00);Eleazar (Bible), Fiorentini, Piotr (1791-1858), Fiorentini, Piotr (1791-1858) - collections, Rebeka (Bible), School of Fine Arts (Warsaw - 1844-1864) - collections, cattle, gift (provenance), landscapes, biblical scenes

Galant scene of shepherds in an imaginary landscape, by Giuseppe Bernardino Bison (1762-1844).

Fête Champêtre. Dated: c. 1730. Dimensions: overall: 74.5 x 92.5 cm (29 5/16 x 36 7/16 in.) framed: 98.1 x 117.5 x 11.4 cm (38 5/8 x 46 1/4 x 4 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Joseph Pater.

'Cacería del Cardenal-Infante', 17th century, Oil on canvas, 195 cm x 302 cm, P01733. Author: PEETER SNAYERS (1592/1667). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. FELIPE III HIJO. AUSTRIA FERNANDO CARDENAL INFANTE. FERNANDO DE AUSTRIA CARDENAL INFANTE. CARDENAL INFANTE DON FERNANDO.

fine arts, Poussin, Nicolas, (1594 - 1665), painting, ""landscape with Three Men"", circa 1650, oil on canvas, Museo Nacional del Prado, Madrid,

The Card Players. Henry Andrews (active 1830-1860). Oil on canvas. 96.5 x 127cm.

Blind Orion Searching for the Rising Sun. Artist: Nicolas Poussin (French, Les Andelys 1594-1665 Rome). Dimensions: 46 7/8 x 72 in. (119.1 x 182.9 cm). Date: 1658.For his depiction of the gigantic hunter, painted for Michel Passart, Poussin drew on the Greek writer Lucian: "Orion who is blind, is carrying Cedalion, and the latter, riding on his back, is showing him the way to the sunlight. The rising sun is healing his blindness." Poussin also studied the sixteenth-century commentary on the tale by Natalis Comes that affords a meteorological interpretation. He therefore added Diana, standing upon the clouds that wreathe Orion's face, symbol of the power of the moon to gather the earth's vapors and turn them into rain. Museum: Metropolitan Museum of Art, New York, USA.

Jean-Baptiste Pater (Valenciennes, 1695-Paris, 1736). Concert Champetre (1734). Oil on canvas. 53 x 68.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

A herdsman's hut. Dating: 1645. Measurements: h 24.7 cm × w 32 cm × h 23.4 cm × w 29.2 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Paulus Potter.

The Skylark, 1849. Artist: David Cox

DAMA CONVERSANDO CON CAMPESINOS - SIGLO XVII - OLEO/TABLA - 54x64 cm - BARROCO FLAMENCO. Author: ANONIMO FLAMENCO. Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

The Den Or Charmes Of Rural Life Le Nid Ou Charmes De La Vie Champetre Francois Boucher (1703-1770 French) Musee du Louvre, Paris, France

'Walk in the Park'. Germany, 18th century. Dimensions: 75x101 cm. Museum: State Hermitage, St. Petersburg. Author: Daniel Chodowiecki (attributed).

An Overshot Mill. Date/Period: Between 1802 and 1807. Painting. Oil on panel. Height: 276 mm (10.86 in); Width: 333 mm (13.11 in). Author: James Ward.

'Travellers by a Tavern (copy)'. Holland. Dimensions: 41,5x32 cm. Museum: State Hermitage, St. Petersburg. Author: Philips Wouwerman (after).

Midday Rest. Date/Period: 1854. Painting. Oil on canvas. Width: 53.7 cm. Height: 35.9 cm (overall). Author: CORNELIUS KRIEGHOFF.

By the wayside (1645), painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

Pietro Fabris (1740-1792), Nobles lunching in front of the cave.

Hay Reaping (July), by Wildens Jan, 17th Century, 1614, oil on canvas, cm 123 x 191

Imitator of Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), The Head of Lake Nemi, ca. 1800. Oil on canvas.

Landscape with the Finding of Moses by Claude Lorrain, oil on canvas, 1637-39, (1600-1682 French), Spain, Madrid, Museo Del Prado

fine arts, Potter, Paulus, (1625 - 1654), painting, ""farmer family with cattle outside the hut"", Alte Pinakothek, Munich,

The Cousin Hamlet at Greville (The Cousin hameau a Greville), by Jean-Francois Millet (1814-1875).

The Continence of Scipio, Karel van Mander (I), 1600 painting The greatness of Scipio. On the left, Scipio, surrounded by soldiers, reverses the two fiancés. On the right and in the middle, men and women see. In the background a landscape on the edge of a forest with antique ruins and fights. On the back there is an allegory on nature: a naked man is taught by the female personifications of nature (with town crown and many breasts) and law (with the leglines). copper (metal). oil paint (paint) the continence of Scipio: he restores a captive woman to her bridegroom Allucius, who kneels before him; the ransom offered by the bride's parents is given to Allucius as a wedding-gift. 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa). city-crown, mural crown

A Italian Verandah by Shchedrin, Sylvester Feodosiyevich (1791-1830) State Tretyakov Gallery, Moscow 1828 Oil on canvas 42,5x60,8 Russia Romanticism Landscape Painting

Painting titled 'The Rainbow Landscape' by Peter Paul Rubens (1577-1640) Flemish Baroque painter. Dated 17th Century

'Louis XIV by a Besieged Town'. France, 1660-1670. Dimensions: 85,5x64,5 cm. Museum: State Hermitage, St. Petersburg. Author: Adam-Franz van der Meulen (workshop).

The bowlers, Jan Havicksz. Steen (copy after), 1658 - 1700 painting The kegelaars. A few men are looking at a job outside of an inn. On the left are two men and a woman in the grass. Copy to the original in the National Gallery in London. panel. oil paint (paint) pavement, terrace in front of inn or restaurant. ninepins, skittles. ball games in which ball or bowl is rolled

Valle Crucis Abbey, Llangollen, 1840 Frederick Henry Henshaw, Landscape, Oil Painting, Wales, Catholic, Frame, Oil paint, Works on Paper

Assemblee in a park Watteau de Lille (Louis-Joseph Watteau, said). "Assembly in a park". Oil on canvas, around 1785. Paris, Cognacq-Jay Museum.

'Landscape with Shepherds', Second half 17th century - Early 18th century, Flemish School, Oil on panel, 25 cm x 35 cm, P01375. Author: ADRIAEN FRANSZ BOUDEWIJNS 1644-1711 / PEETER BOUT. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Fete Champetre - 1728 - 97x130 cm - oil on canvas - French Baroque. Author: BAR BONAVENTURE DE. Location: LOUVRE MUSEUM-PAINTINGS. France.

PAISAJE CON FIGURAS-ANONIMO S XIX. Author: ANONIMO SIGLO XIX. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Peasants conversing, painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

Arcadian Landscape, Johannes Glauber, 1680 - 1726 painting Arcadian landscape with two figures kneeling in worship at a statue of a man with a club on an altar in the forest. On the right a herd goats. canvas. oil paint (paint) Pastoral, Arcadian Scenes

Une matinée, la danse des nymphes / A Morning. The dance of the Nymphs. Date/Period: Ca. 1850. Painting. Oil on canvas. Height: 98 cm (38.5 in); Width: 131 cm (51.5 in). Author: Jean-Baptiste-Camille Corot.

River View, Joost Cornelisz Droochloot, 1650 painting River face. Village located on a river, some rowing boats on the water. In the foreground, a woman with a child has a chat with a sitting man, behind it a rod at the waterfront. Further back a horse by car. panel. oil paint (paint) canals, waters (in village) (+ city(-scape) with figures, staffage)

Walk Near the Great Pond of the Parque del Retiro. 1780. Oil on canvas (270 x 380). Madrid, public museum. Author: JOSE DEL CASTILLO. Location: MUSEO DE HISTORIA-PINTURAS.

'Scene in a Park'. Triptych: "Musical Entertainment", "Dance under Trees" and "Scene in a Park". France, Late 1720s - first half of the 1730s. Dimensions: 149x84 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE PATER.

Statue in Waterloo Place, London depicting Field Marshal Sir John Fox Burgoyne, (1782 ñ 1871) British Army officer.

Anonymous, shepherdess and her herd at the entrance to a cave (main title), 1675. Copper oil. Petit Palais, Museum of Fine Arts of the City of Paris. Shepherdess and her herd at the entrance to a cave (main title)

Painting by Thomas Gainsborough; "The Market Cart"; English School; Oil on canvas

A Castle in a Wood. Date/Period: 17th century. Painting. Oil on canvas Oil. Height: 470 mm (18.50 in); Width: 368 mm (14.48 in). Author: Gaspard Follower of Dughet.

Sheep-Shearing, c1776-1827, (1906). Artist: Thomas Rowlandson

Schoevaerdts, Mathys (n.1665 - D.1694), Le Market (main title), 1670. Wood oil. Petit Palais, Museum of Fine Arts of the City of Paris. The market (main title)

Autumn, detail of 18th century Gobelins tapestry depicting the Seasons. Rococo Room, Rosenholm Castle, Jutland, Denmark.

marina with figures, Peñota beach in Santurce, Luis Paret and Alcazar,. 1784-1786, oil on panel, Museo de Bellas Artes, Bilbao, Spain.

Fair in Flanders, by Cornelis Dusart (1660-1704).

Ferdinand IV with his family at the harvest at the Carditello estate, by Jacob Philipp Hackert (1737-1807). Detail.

The halt at the inn. Date/Period: 1644. Painting. Oil on canvas. Height: 106.60 mm (4.19 in); Width: 167 mm (6.57 in). Author: Salomon Van Ruysdael.

Cavalry Captain Hendrik de Sandra's Taking Leave from his Wife and Children, Pieter van Anraedt, 1661

Jan de Momper / 'A Dock', 17th century, Flemish School, Oil on canvas, 91 cm x 134 cm, P02077. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

John Linnell, 1792-1882, British, The Rest on the Flight into Egypt, ca. 1827. Oil on panel.

Manuel Rodríguez de Guzmán / 'A Fair in Santiponce'. 1855. Oil on canvas. Museum: Museo del Prado, Madrid, España.

'Blind Man's Buff', 1787, Oil on canvas, 41 x 44 cm, P02781. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. SPAIN.

Fishmongers in the port. Teniers, David, II (1610-1690), painter

Plaque (tableau) 1761 Sèvres Manufactory French In the late 1750s, the Sèvres factory began producing plaques to be mounted as decoration on pieces of furniture,1 and this novel use of porcelain must have given rise to the idea of creating plaques as independent works of art that could function as wall paintings. Producing a flat piece of soft-paste porcelain to serve as a “canvas” was more technically challenging than it might first appear, due to the significant possibility of warping during the kiln firing. The decision to create paintings on porcelain suggests that the factory’s administrators must have felt great confidence in its most skilled painters and with its kiln masters, for every aspect of the production of these painted plaques required enormous technical skill. The Sèvres factory archives make a distinction between the plaques produced to be applied to furniture and those intended to be sold as independent paintings.2 The latter are recorded as tableaux, the French

Pedro de Orrente (Workshop of) / 'Jacob en el pozo', First half 17th century, Spanish School, Oil on canvas, 93 cm x 137 cm, P04044. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Landscape with a bridge (Paesaggio con Ponte), by Pieter Mulier known as Cavalier Tempesta, 1690-1696, 17th Century, oil on canvas, 42 x 30 cm

The Rape of Europa. David Teniers the Younger (Flemish, 1610-1690); After an unknown Venetian painter (Active about 1500/00). Date: 1654-1656. Dimensions: 21.5 × 31.3 cm (8 7/16 × 12 5/16 in.). Oil on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Juan Bautista Martínez del Mazo / 'La calle de la Reina en Aranjuez', 17th century, Spanish School, Oil on canvas, 245 cm x 202 cm, P01214. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

WATTEAU de LILLE, Louis-Joseph Watteau, called (1731-1798). The village festival. 18th c. Rococo. Oil on canvas. BELGIUM. WALLONIA. HAINAUT. Tournai. Fine Arts Museum.

Emperor Rudolf II during a drinking cure, Valckenborch, Lucas, van (1530-1597)

SALTEADORES DE CAMINOS-1861-OELO/LIENZO 64,7X48,7 CM. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

Acis and Galatea discovered by Polyphemus, manufacture Royale des Gobelins, c. 1680 - c. 1684 Wall carpet with Acis and Galatea discovered by Polyphemus (Ovidius, Metamorphoses, book XIII), from a series of tapestries with representations derived from Ovid 'Metamorphosen. Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with Acis and Galatea discovered by Polyphemus (Ovidius, Metamorphoses, book XIII), from a series of tapestries with representations derived from Ovid 'Metamorphosen. Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry

The rest on the flight into Egypt, Jan Brueghel de Oude, Hans Rottenhammer, c. 1595

The River Wensum, Norwich The Wensum at Thorpe: Boys Bathing Bathing Scene The Wensum, Norwich, John Crome, 1768-1821, British

Michel-Ange Houasse. PINTOR FRANCES . 1680 - 1730. " LA ERA " , OLEO. PATRIMONIO NACIONAL.

Sleeping Shepherds, 1663. Adriaen van de Velde (Dutch, 1636-1672). Oil on wood; framed: 38.5 x 43.5 x 5 cm (15 3/16 x 17 1/8 x 1 15/16 in.); unframed: 22.7 x 27.5 cm (8 15/16 x 10 13/16 in.).

Salisbury Cathedral from the Bishop's Grounds, 1822, by John Constable (1776-1837).

The Laundresses, Jean-Honoré Fragonard, French, 1732-1806, c.1756-61, Oil on canvas, Made in France, Europe, Paintings, 28 3/4 x 24 3/16 in. (73 x 61.5 cm)

Italian Peasants among Ruins; 1649-50; Oil on canvas Jan Baptist Weenix; Dutch; 1621-59

Carlo Maratta; Gaspard Dughet / 'Penitent Magdalen'. s XVII - XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

fine arts, painting, miniature, School of Jan Brueghel the Elder, ""Parable of the Good Samaritan"", oil on canvas, Flanders, circa 1600, Bavarian National Museum, Munich,

The Rape of Proserpine. Dated: 1839. Dimensions: overall: 92.6 x 123.7 cm (36 7/16 x 48 11/16 in.) framed: 124.1 x 154.9 x 10.1 cm (48 7/8 x 61 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

Giorgione / 'The Tempest', c. 1518, Oil on canvas, 82 x 73 cm. Museum: GALLERIA DELL'ACCADEMIA, BERLIN, ITALIA.

'Politicians in the Tuileries Gardens'. France, 1832. Dimensions: 50x60,5 cm. Museum: State Hermitage, St. Petersburg. Author: Louis-Leopold Boilly.

Picnic in groove by Alexander Yegorovich Baideman, oil on canvas, 1857, 1826-1869, Russia, St Petersburg, State Russian Museum, 161x107

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