Historical Figures in Portraits

This cluster features detailed illustrations of historical figures dressed in period attire, showcasing various artistic styles and techniques, including etching and watercolor.

Friedrich Hecker, a sheet with the inscription The , Provisional , Government , Hecker, hold in the hand, Wolf, Etcher

Friedrich Hecker, a sheet with the inscription The , Provisional , Government , Hecker, hold in the hand, Wolf, Etcher

Cigar Store Indian. Dated: c. 1937. Dimensions: overall: 29 x 22.9 cm (11 7/16 x 9 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Bernard Westmacott.

Knave (Hyder Ali from Mysore) from Court Game of Geography 1838-55 William and Henry Rock. Knave (Hyder Ali from Mysore) from Court Game of Geography. 1838-55. Engraving, etching and hand coloring (watercolor). William and Henry Rock

Woodward, Henry .

- 1400. GENS DE LA SUITE DUN SEIGNEUR.. Artist: Paul Gavarni, French, 1804-1866

Glossy.

Nestroy, Johann.

Général Étranger ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Man in tricorn hat and overcoat, shown in frontal view and holding a staff with a winding vine, landscape with trees beyond ca. 1710-39 Louis Desplaces French. Man in tricorn hat and overcoat, shown in frontal view and holding a staff with a winding vine, landscape with trees beyond. Louis Desplaces (French, Paris 1682-1739 Paris). ca. 1710-39. Etching with engraving. Prints

Porte-Enseigne, plate three from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 195 × 131 mm (image); 204 × 136 mm (plate); 265 × 206 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

Copy of La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from La Noblesse (The Nobility) 17th century Anonymous. Copy of La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from La Noblesse (The Nobility). La Noblesse. Anonymous. 17th century. Etching. Prints

Go-ten so imbecile / I am thirty three million times stronger than you (IT)

The Persian, Anonymous, After Rembrandt van Rijn, After 1632 print paper etching head-gear: cap (+ men's clothes). Asiatic races and peoples: Persians

Wood engraving of Patrick Henry from the statue in Richmond, issued in 1880, measuring 24 x 16 cm

FRANCONIENNE. Artist: Paul Gavarni, French, 1804-1866

Bivouac

Wurmbrand, Heinrich Graf.

Philipp IV., King of Spain.

Standing girl who lifted her skirt, Anthonie Willem Hendrik Nolthenius de Man, 1803 - 1842 print Nijmegen paper etching skirt (+ girls' clothes). girl (child between toddler and youth)

Notorious Indian thug poisoner Date: 1858

Portrait of Robrecht I de Fries, Count of Flanders and Holland, Hendrik Spilman, after Tako Hajo Jelgersma, After Anonymous, 1745 print Portrait of Robrecht I de Fries, count of Flanders and Holland, standing to the left in a harness and a cloak. On his shoulder the weapon of Holland and Flanders and a sword in his hand. In the middle: VIII. Haarlem paper etching nobility and patriciate; chivalry, knighthood

. Print middle numbered: 29.

Aminadab November 2, 1771 Matthew Darly British This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. his man's dress suggests that he is a dissenting preacher.. Aminadab 395520

Axel Theodor Kittendorff (1821-1868); Constantin Hansen (1804-1880), Thor, 1813 - 1872

(CONTREBANDIER ESPAGNOL.). Artist: Paul Gavarni, French, 1804-1866

Watch with a litter; Dupendant, Alexandre (1833-1884); around 1860 (1855-00-00-1865-00-00);Karwowski, Konstanty (1834-1918), Karwowski, Konstanty (1834-1918) - collection, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, French drawings, guardians, human types

Print (France)

Valer, F..

Albret, César-Phoebus Count of Miossens.

Aga des Janissaires, plate one from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 195 × 131 mm (image); 205 × 136 mm (plate); 265 × 203 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

Portrait of Floris V, Count of Holland and Zeeland; Graves and gravingen from Holland. Portrait of Floris V, Count of Holland and Zeeland, standing to the left in a harness with the weapon of Holland and in his hand a sword on his shoulder. Print from a series of 36 prints with portraits feet from graves and gravingen of Holland.

Portrait of Henry VIII, King of England, United Kingdom, engraving by Lemaitre from Angleterre, volume II, by Leon Galibert and Clement Pelle, L'Univers pittoresque, published by Firmin Didot Freres, Paris, 1842.

Suite of disguises: refined of the time of Louis XIII (Roger de Bully said Roger de Beauvoir) Achille Deveraia (1800-1857), French engraver. Suite of disguises: refined of the time of Louis XIII (Roger de Bully said Roger de Beauvoir). Lithograph on paper, 1830.

Mr. Matthew Clarke in the character of Procles in David Mallets Eurydice. However, he did not play this role in London. Copperplate engraving by R. Pollard after an illustration drawn from life by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Portret van Armand Benoît Roussel Als Henri V in De Komedie The Youth of Henri V, Alexandre Marie Colin, 1823 print Paris paper portrait of actor, actress. stage costume

Caricature of Auguste Hilarion, count of Kératry, Honoré Daumier, 1833 print Paris paper caricatures (human types). historical persons. political caricatures and satires

John Hamilton Mortimer, 1740-1779, British, Edgar, from King Lear, Act III, Scene iii. Etching, published state.

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Esterházy de Galántha, Thomas Baron.

Saint-Bonnet, Marquis de Tooras, Jean de.

Brooke, Gustavus Vaughan .

Egressy, Gabor.

Portrait of Marshal François de Neufville, Duke of Villeroy commanding the French army in Flanders full-length with commander's staff in his hand. The siege of a town can be seen in the background. Below the portrait a four-line mockery of the marshal in Dutch, Portrait of Marshal François de Neufville, Duke of Villeroy, print maker: Pieter van den Berge, (possibly), unknown, (mentioned on object), Pieter van den Berge, (possibly), print maker: Amsterdam, Thétre des Folies-Marigny, Amsterdam, publisher: Amsterdam, 1695 - 1737, paper, etching, h 260 mm × w 173 mm

The seiz of the pasha, Erzurum, Turkey, drawing from Travels in Lazistan and in Armenia, 1869, by Theophile-Louis Deyrolle (1844-1923), from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume IV, Issue 6, July 6, 1876.

Rijn, Rembrandt van, Het Little Persian, Old man in Persian clothing, The Persian, verso - stamped, print, prints, height 110 mm, width 71 mm, print maker, printmaker, 1632 - 1632, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Standing man with hat and innocence and lance. Draughtsman: anonymous. Dating: c. 1650 - c. 1699. Place: Netherlands. Measurements: h 279 mm × w 183 mm. Museum: Rijksmuseum, Amsterdam.

Valck, Gerard, France, Saint Jean, Dieu de, Dame en deshabillé du matin, bottom center - engraved, Standing lady, dressed in a morning gown in the fashion of ca. 1675, veil over her head, dog on her right arm., costume print, prints, costume and fashion prints, G. Valk exc., lower right - engraved, height 270 mm, width 194 mm, Work conception, French, 1654 - 1695, after a design by, 1676 - 1683, fourth quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1652 - 1726-10-21, publisher

Elisha Kent Kane, 1880, New York, 1820-1857, Lithographs

Le petit cartonnier ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Demetrius Mavromichalis, Greek Prince, 1819, after L. Dupre. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Pöck, Josef.

Le Financier (The Financier) by Goez, Joseph Franz, von (1754-1815)/ Private Collection/ 1784/ Germany/ Copper engraving/ Satire/ 23,5x16,2/ Genre

Venetian galley slave, 16th century. Both legs chained to his belt, red hat, robe of coarse fabric. He holds a barrel of water. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Abdul Hameed E. .

Coppersmith from Auvergne 1737 Anne Claude Philippe de Tubières, comte de Caylus French. Coppersmith from Auvergne 399096

Französischer Adel von 1617, mit Ruff-Kleidung, Modegeschichte, Kostümgeschichte, Historisch, digital restaurierte Reproduktion einer Originalvorlage ...

Figure of King Casimir the Great from his tombstone in the Wawel cathedral in Krakow; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Wawel Cathedral (Kraków), Kazimierz Wielki (Polish King - 1310-1370), Kazimierz the Great (Polish King - 1310-1370) - Iconography, Kraków (Lesser Poland Voivodeship), Lesser, Aleksander (1814-1884), Lesser, Aleksander (Aleksander ( 1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, tombstone of Kazimierz Wielki (Kraków - Wawel), Wawel (Kraków), XIV v., gift (provenance), figures, tombstones, gothic (style), tombs, kings, tombstones, personalities, Polish personalities, sculpture (artist), rulers

Iffland, August Wilhelm .

Hermann, Markgrave of Baden.

Lithuanian throne knob (Chart 8 in the publication: Notable ancient costumes). Oziębłowski, Józef (Wilno ; zakład litograficzny ; 1833-1863), lithography atelier, Raczyński, Karol (1799 aut 1801-post 1860), graphic artist

Hold on ! Wait !! (TI)

Heinrich of the Lion, Duke of Bavaria.

The State Watchman. Robert Dighton (British, 1752-1814). Etching with watercolor added by hand ;

Seated Man with Hat and Basket, unknown artist, after Thomas Barker, 1769-1847, British, undated, Graphite on very thick, slightly textured, cream wove paper, Sheet: 9 × 6 1/2 inches (22.9 × 16.5 cm), basket, figure, figure study, genre subject, hat

The English Jesuit, Print made by Matthew Darly, active 1754-1778, 1771, Etching on medium, slightly textured, cream laid paper

Portret Van de Romeinse Struikrover Mazzocchi, François Bellay, After Achille Etna Michallon, 1824 print Paris paper. robber. firearms: rifle. historical persons

Twice the same soldier with a small plumeed hat and hand in the side, from the front; Varie Figure di Jacopo Callot; Various figures. A soldier with a plumed hat on the head, the right hand in the side, the left hand on the hilt of his sword, seen from the front, twice pictured: right as a line figure, left more worked out with shadows. This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various attitudes. These prints may have been meant as drawing examples.

Costumes de Différents Pays, 'Groenlandaise'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Peasant woman of Portugal, 16th century, based on a contemporary print. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

HOLLANDAIS. Pardessus de laine. Culotte develours.. Artist: Paul Gavarni, French, 1804-1866

Heinrich von Maltzan on the trip from home, Roth, Xylographer

Burton, William Evans .

Well, Josef.

Un Forgeron. Eugène Delacroix (France, Charenton-Saint-Maurice, 1798-1863). France, 1833. Prints. Aquatint

A theatrical portrait of Mr. Wallack portraying Falconbridge, issued as part of West's Theatrical Portraits in London by W. West. The artwork, dating from 1799 to 1824, features James William Wallack (1791-1864) and is related to William Shakespeare's King John. The dimensions of the portrait are 26.5 x 20 cm

Gerogian Prince of Imericia, Georgia. Eastern Europe. Drawing by Achille Sirouy (1834 - 1904) Excursions in the Caucasus. From the Black Sea to the Caspian Sea 1875-1876 by Madame Clara Serena (1820 - 1884) Le Tour du Monde 1880

Measures.

American puzzle cards. Fair spirits and foul. , Monkeys, Animals in human situations, Dry goods stores, 19th Century American Trade Cards

Louis Boulanger (1806-1867). "Costume model for Monsieur de Cossé, in the creation of" King has fun "at the Comédie Française on November 22, 1832". Watercolor. Paris, house of Victor Hugo. 38945-6 Comedy Francaise, Scene costume, in the foot, model, novel character, portrait, king has fun, 19th 19th 19th 19th 19th 19th century, watercolor

Title card III Suite de Divers Cris de Marchands de Russie. Le Marchand de Beurre Finland; Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Le Prince, Jean-Baptiste (1734-1781). III Suite de Divers Cris de Marchands de Russie - illustrations, Russia, Witke -Jeżewski, Dominik (1862-1944) - collection, gift (provenance), French (culture), genre scenes, title cards

Molay, Jacques de.

Invidia in a medallion, Frederik Ottens (Possibly), c. 1700 - c. 1749 drawing Design for a print. paper. ink. pencil pen / brush Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins

The Poet, 'A Midsummer Night's Dream', Act V, Scene I, John Hamilton Mortimer, 1740-1779, British, after John Hamilton Mortimer, 1740-1779, British, 1775, Engraving, Sheet: 15 1/2 x 12 7/16in. (39.4 x 31.6cm)

PORTRET VAN FILIPS DE GOEDE, Jacques Louis Pérée, After E.H. LANGLOIS, c. 1815 - C. 1830 print paper etching historical persons. ruler, sovereign. knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order)

Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4) 1855 Martin & Johnson, New York. Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4). 1855. Stipple and line engraving. Martin & Johnson, New York. James Bennett (American, died 1885). Prints

Karikatuur Van Giovanni Battista Scarabelli ..

Portrait of Johann Adolph II from Saxony Weissenfels. Johann Adolph II, Duke of Saxony Weissenfels, at a young age. He wears a wig and has a stick in hand.

Tambour de Village ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Danakil Braves. Illustrations. 1845. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division. Ethiopia

Ekman, Robert Wilhelm, work, Taalaaistalonpoika national costume; Faintly visible landscape (two-sided work), 1831 and 1847, drawing, 31 cm x 23 cm

Costumes de Différents Pays, 'Indous'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

PETRIN.. Artist: Paul Gavarni, French, 1804-1866

Patrician of Nuremburg, 16th century, in colorful plumed hat, lemon yellow shirt and skirt, wearing a sword and dagger.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

Pastry Seller. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 5/16 x 6 3/4 in. (23.6 x 17.1 cm)Image: 8 7/8 x 6 5/8 in. (22.5 x 16.9 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Third Set(Études Prises dans le Bas Peuple où les Cris de Paris: Troisième Suite). Date: 1738. Museum: Metropolitan Museum of Art, New York, USA.

Kosciego, Tadeusz.

This illustration dates to around 1846 and shows Christopher Columbus in chains. Columbus had presented his proposal to King Ferdinand and Queen Isabella at Alcazar Castle in Cordoba in January 1492.In 1500, Francisco de Bobadilla was appointed by the Spanish crown to succeed Columbus as second govenror of the Indies. When he arrived there, Bobadilla had Columbus arrested on charges of mismanagement, put in chains, and sent back to Spain.

Traveler with stitch on the head. Draughtsman: Jordanus Hoorn. Dating: 1763 - 1833. Measurements: h 208 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

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