Historical Figures in Urban Contexts

A collection of classic drawings depicting groups of historical figures in urban scenes. The works explore themes of loyalty, movement, and social dynamics.

Umbria Terni Terni S. Maria dell'Oro, Convent church0. Hutzel, Max 1960-1990 One exterior view of this 15th-century convent church rebuilt in the 17th century. Interior views focus on the coffered ceiling; a saint or friar is painted on each coffer. Also views of paintings and a crucifix. Negatives show immured relief sculpture, perhaps Roman spolia. Object Notes: Hutzel photo campaign date: 9/29/82 General Notes: This monument is discussed in Hutzel's notes "Terni - Konvent di S. Maria dell'Oro" but does not appear in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then

Lucrezia Cenci and Beatrice Cenci are beheaded in Rome: an executioner holds up the head of Beatrice, whose brother faints at the sight. Etching, ca. 1850.

Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534, After: Raphael, Italian, 1483-1520, Il Morbetto (ThePlague), Engraving with hand additions in watercolor, platemark: 19.5 × 24.8 cm (7 11/16 × 9 3/4 in.), Italian, 16thcentury, Works on Paper -Prints

Jean-Baptiste Girard is aging Marie-Catherine Cadière, Jacques Gabriel Huquier (attributed to), c. 1735 print Jean-Baptiste Girard is aging for the fainted Marie-Catherine Cadière. Part of the series of 32, often erotic tinted, prints dedicated to the scandal around Marie-Catherine Cadière and the Jesuit Jean-Baptiste Girard in 1730-1731. paper etching sexual abuses of monks. witch, sorcerer with the devil and/or demons. coitus, cohabiting, sexual intercourse

Umbria Perugia Montesanto S. Maria, Parish church6. Hutzel, Max 1960-1990 coverage includes views of the church facade, interior views of the nave and altar, and views of paintings by Virgilio Nucci, Camillo Angelucci, and others. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Telemachus and mentor for King Sesostris. .

Flight from Egypt 1833 Célestin Nanteuil. Flight from Egypt. Célestin Nanteuil (French (born Italy), Rome 1813-1873 Bourron-Marlotte). 1833. Etching. Prints

The Slaughterhouse, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, pen and black and gray-brown ink, over graphite on medium, moderately textured, blued white laid paper, Sheet: 6 x 7 9/16 inches (15.2 x 19.2 cm), barn, cows, genre subject, hooks, knives, men, skinning, slaughterhouse

Umbria Terni Porano Torre S. Severo6. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Scene in the House of Parliament, March 2, 1629, Frederick Coffay Yohn, American, 1875-1933, Brush and grey and white oil on canvas, Numerous figures are shown in various states of agitation in the House of Lords., USA, 1899, figures, Drawing, Drawing

Priam and his Family Mourning the Death of Hector. Artist: Étienne Barthélemy Garnier (French, Paris 1759-1849 Paris). Dimensions: 9 1/8 x 11 1/8 in. (23.2 x 28.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Interior of a Sheepfold 1866 Charles Jacque. Interior of a Sheepfold. Charles Jacque (French, Paris 1813-1894 Paris). 1866. Drypoint. Prints

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Tancerka na linie Dancer on the Rope; from a German-language magazine. Bong, Richard (1853-1935), publisher

Christ Presented to the People 1655 Rembrandt (Rembrandt van Rijn) Dutch The Roman governor Pontius Pilate on the dais points to Christ at his side as he asks the people whether he should release Barrabas or Christ (Matthew 27:21-23). Just as fascinating as the riveting central subject of this powerful print are the varied characters, attitudes, and poses to be found within the crowd of spectators witnessing the event from the street below and the surrounding windows. Rembrandt composed this print entirely in drypoint, which accounts for the velvety quality of many of the lines. With drypoint, Rembrandt could combine the immediacy of drawing with the ability to print many impressions of a single image. This impression was printed on Japan paper, whose yellow tone bathes the scene in a warm light. The standard-size Japan sheet was smaller than Rembrandt's printing plate, but the printmaker solved this dilemma by adding an extra strip of paper to the top of the sheet.. Christ Presented t

Coffee meeting in an interior. Draughtsman: Alexander Ver Huell. Dating: c. 1854 - c. 1887. Measurements: h 200 mm × w 294 mm. Museum: Rijksmuseum, Amsterdam.

Paris Louvr Kermesse Piotr Paweł Rubens unknown

Jean François Pierre Peyron brown ink and laved bister drawing with white highlights depicting the death of Socrates, dated 1786-1787.

Francisco de Goya (1746-1828), the farmhouse (she, who will marry, never miss the opportunity to forthcoming about this), 1815-1824

Adolphe Yvon - Francois I pose the first stone of the city hotel Fran�ois I pose the first stone of the City Hall . Chause on paper of Adolphe Yvon (1817-1893).

An Iron Forge, c.1743-1822 Artist (Mezzotint):Richard Earlom After: Joseph Wright, Social history, Industry, Women, Frame, Printing, Mezzotint, Child, Men, Work, Workshop, Foundry, Works on Paper

Exhibition Invitation, 20th century. Otto H. Bacher (American, 1856-1909). Lithograph;

A sketch by Erwin Puchinger using ink and feather depicting the Red Tsar, focusing on figure and compositional elements.

Scene from a medieval story: mourning at the body bearded in the house, draughtsman: Alexander Hugo Bakker Korff, 1834 - 1882, paper, h 371 mm × w 410 mm

Célestin Nanteuil, il tomo sus simples, c 1855 ...il tomo sus simples...

Chelsea Regatta 1888-1889 England. For many of his earliest etchings Roussel used small copper plates and focused on Chelsea scenes, conveying a clear sense of place while often presenting affectionate portraits of the neighborhoodís youngest residents. Roussel employed a shorthand drawing style, almost caricature, to portray the figures, and yet the girl and two boys in Chelsea Regatta can be identified by their sizes and relative ages as the artistís children, Jeanne, Raphael, and Paul.. Etching in black on cream laid paper . Theodore Roussel

Paulus is bitten by an adder in Malta, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Paul bitten by a viper (when throwing wood on the fire)

Farmer's family in an interior, 1846 - 1900 The farmer's wife takes care of a small child while a boy eats at the table. Another boy plays with a dog. On the left a dog for a cradle. This print is part of an album. Haarlem paper etching The farmer's wife takes care of a small child while a boy eats at the table. Another boy plays with a dog. On the left a dog for a cradle. This print is part of an album. Haarlem paper etching

Study for Vignette in Jean François Marmontel's Contes Moraux 1755-1773 France. Pen and black ink with brush and gray wash, over black chalk, on gray laid paper, laid down on ivory laid paper . Hubert François Gravelot

Boiler Music, Pieter van den Berge, 1692 - 1737.

Etching and aquatint by Francisco Goya from 1810-1815 titled 'Los Proverbios: Disparative Alegre', depicting a joyful scene with figures illustrating a proverb.

Der Markt-Bettler.. Dou, Gerard, 1613-1675. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Carts & wagons, Vegetables

Interior: Dancing Girls Entertaining Chieftains. Dated: probably c. 1870. Dimensions: overall (approximate): 24.2 x 32.6 cm (9 1/2 x 12 13/16 in.). Medium: graphite over red chalk on wove paper with commer cially prepared cream ground. Museum: National Gallery of Art, Washington DC. Author: Rodolphe Bresdin.

Image reproduction: Henryk Siemiradzki (1843-1902), knowing the graves Z: "Tygodnik Ilustrowany" 1903, No. 1 (January 3), p. 10; L.J. (Fl. Ca 1903), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1903 (1903-00-00-1903-00-00);Siemiradzki, Henryk (1843-1902), Siemiradzki, Henryk (1843-1902) - reproduction, Illustrated weekly (Warsaw - magazine - 1859-1939) - fragment, painting, Polish painting, antique scenes, generic scenes, press clippings

Suzanna and the elders, Gerard ter Borch (I), 1620 - 1629, draughtsman: Gerard ter Borch (I), Zwolle, 1620 - 1629, paper, brush, h 269 mm × w 328 mm

Splinter beach , Beaches, Swimmers, Sunbathing, Waterfronts. George Bellows (1882-1925). Prints and Drawings

Wine Press 1754-1764 France. Red chalk on buff laid paper, laid down on cream laid card . Hubert Robert

Design for a room piece: making music in the garden. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 328 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

In the park, light , Parks, Picnics, Crowds. George Bellows (1882-1925). Prints and Drawings

An iron-founder's forge. Mezzotint by R. Earlom, 1773, after J. Wright, 1772.

Arts et métiers. 1. Le teinturier; 2. Le cordier.. Prints, Illustrations. 1817. Rare Book Division. Egypt, Artisans , Egypt, Dyeing, Ropemakers

DISCIPLINANTES. Author: EUGENIO LUCAS VELAZQUEZ. Location: PRIVATE COLLECTION. Palma. MALLORCA. SPAIN.

Francesc Pla (El Vigatà) / Mural painting inside the central hall of the Moja Palace, 1791, Barcelona, Catalonia, Spain. Author: FRANCESC PLA I DURAN.

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

ROME

Optocht in maskerade (plaat 5), 1829; Maskerade van Utrechtse studenten op de Dies Natalis, 1829.Procession in Masquerade of Utrecht students to celebrate the Dies Natalis of the University of Utrecht on March 26, 1829. Plate 5: procession with a group of riders dressed as Arabs with crooked cables followed by a float. Part of a group of seven plates that together form a long frieze.

Allegory of Love Scorn 1800-1820 Italy. Pen and black ink, with brush and watercolor and gouache, over graphite, on cream wove paper, laid down on ivory wove paper . Veronese (Paolo Caliari)

Woodcut depicting a group of young Gwalior men. Gwalior is a historical city in the Indian state of Madhya Pradesh. Dated 1857

Kitcheners Proclamation, Johan Braakensiek, 1901 Amsterdam paper political caricatures and satires

Print, Les Joueurs de Cartes; France; engraving on paper; 17.2 × 22.2 cm (6 3/4 × 8 3/4 in.); Bequest of George Campbell Cooper; 1896-3-407

Design for a mural in the Presbytery of the Moses and Aaron Church. Draughtsman: Jacob de Wit. Dating: 1716. Measurements: h 188 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Klatsch , Karl Wiener -, artist

Dance of the young men on the island of Ghozo, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, pen, h 185 mm × w 229 mm

THE PRINCE AND PRINCESS OF WALES AT CHATSWORTH

Winter view, after Rubens (Dutuit 26 (6) page 249) Winter view, according to Rubens (Dutuit 26 (6) page 249). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Plaza de Santa Ana, Barcelona, 1889.

Alphonse Legros, Spanish Singers (Les chantres espagnols), 1865 Spanish Singers (Les chantres espagnols)

The discovering of a skeleton in a house with thermal facilities, Pompeii, Campania, Italy, engraving by Angelo Testa from a drawing by Mazois, from Les Ruines de Pompei (The Ruins of Pompeii), by Francois Mazois, volume II, plate 34, 1812, Paris.

Les noces de Psyché. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Arthur Tooth & Sons (Londyn, Paryż, Nowy Jork ; wydawnictwo ; fl. 1868-1901), publisher, Salmon & Ardail, A. Porcaboeuf & Succeseurs (Paryż ; zakład graficzny ; fl. ca 1889-1901), publisher, Burne-Jones, Edward (1833-1898), painter

The Battle of the Pictures From The Works of Hogarth published London 1833

Netherlands, Kellen, David van der (1804-1879), The Flood Disaster of 1855. Sketched in 24 illustrations, drawn and etched from nature by members of the Society Arti et Amicitiae, Interior of the St. Geertekerk in Utrecht, with those rescued from the flood, March 24, Shelter in the Geertekerk in Utrecht, 1855, verso - stamped, Shelter for those affected by the floods in the Geertekerk in Utrecht, 1855. Part of the series of 24 prints about the flood of March 1855, by members of the Society Arti et Amicitiae. Publication for the benefit of the victims of the flood., print, prent, prints, Frederik Muller Historieplaten, height 300 mm, width 422 mm, 1804-09-25 - 1879-03-30, print maker, prentmaker, 1855 - 1855, paper, papier, etching, etchings, intermediary draughtsman

Burning the Freedom Tree in Breda after the departure of the French, April 1793, Jacobus Buys, 1793 - 1801 drawing paper. ink pen / brush historical events and situations. dancing around the tree of liberty. diplomacy, diplomat Breda

Robert Mabon, died 1798, British, Sketch of Mahaji Sindia in his Tent, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Rijn, Rembrandt van, Crucifixion: small plate, The crucifixion: small plate, stamped, print, prints, verso - stamped, height 92 mm, width 67 mm, print maker, printmaker, 1635 - 1635, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

The Great Pyramid of Khufu(Cheops)at Gizeh(Giza): chamber and sarcophagus. Date: 1801

The Happiness Factory, composition by Antonio Rizzi (1869-1940), from L'Illustrazione Italiana, Year XXVI, No 52, December 24, 1899.

Henryk Siemiradzki (1843-1902), Phriné a la fete de Posseydon a Olympie Fryne na święcie Posejdona w Eleusis Phryne at the Poseidonia in Eleusis, 1889, oil, canvas, in the collection of the National Museum of Russia in Petersburg. Imprimerie Lapina et Cie. (Paryż ; wydawnictwo ; fl. ca 1910-ca 1930), publishing house

Mothers with their children, Grand Magasins du Louvre design, engraving from La Mode Illustree, No 18, May 4, 1879.

La Porte de St Malo à Dinan, 1871, Première Suite de dix eaux-fortes (plate 9), etching on laid paper, plate: 15.7 x 22 cm (6 3/16 x 8 11/16 in.), sheet: 28.2 x 43.2 cm (11 1/8 x 17 in.), Beraldi, no. 4, François Bonvin (artist) French, 1817 - 1887

The Christmas fair in Rialto, Venice, Italy, drawing by Mainardo Pagani, from L'Illustrazione Italiana, Year XXXII, No 1, January 1, 1905.

In the Highlander Cottage; Witkiewicz, Stanis AW (1851-1915); after 1886 (1886-00-00-1908-00-00);Méyet, Leopold (1850-1912) - collection, wooden construction, highlanders, musicians, interiors

At Tolstoi's Jubilaeum, Johan Braakensiek, 1907 Amsterdam paper political caricatures and satires. historical persons. slavery; serfs and the enslaved Russia

Ward, William, Simpson, T., Morland, George, The First of September; Evening, print, prent, prints, prenten, height mm, width mm, English, 1766 - 1826-12-21, print maker, printmaker, 1776 - 1826, paper, papier, mezzotint, 1763-06-26 - 1804-10-29, after, after painting by, Publication (Event), Publicatie, Engels, publisher

Bliżej Kultury unknown

Le Diable a Paris.. Paris et Les Parisiens, Vol. II 1846 Andrew Best Leloir French. Le Diable a Paris.. Paris et Les Parisiens, Vol. II. Andrew Best Leloir (French). 1846. Wood engraving. Published by J. Hetzel et Compagnie , Paris. Books

Near the regional hospital. From a painting by the artist Zagorsky in 1886.

Experimenting by Valentine Green, copper engraving, 1769, 1739-1813, State Hermitage, St. Petersburg, 48, 3x58, 6

L'exécution des Maillotins by Jean-Paul Laurens (1838-1921) a French painter and sculptor. Dated 19th Century

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