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Historical French Fashion Plates

A collection of elegant historical women's fashion illustrations from the late 18th to early 19th centuries featuring dresses, hats, and accessories, showcasing intricate designs and colors.

Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
587 assets in this story
Elegantia, or magazine of fashion, luxury and taste for women, February 1809, no. 69: Costume de Bal, Anonymous, 1809 According to the accompanying text (p. 64): Balkostume. Baljapon of cotton batist (percale) with silver. 'Caëffure assortment'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 64): Balkostume. Baljapon of cotton batist (percale) with silver. 'Caëffure assortment'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingLady with impeller, 1874, no. 486. Woman dressed with queue and a jacket with lapel and long sleeves with cuffs. The costume is made from a brown fabric with a diamond design that has been used in different directions. She also wears a hat decorated with flowers and she has a folded range.Journal des Ladies et des Modes, Costume Parisien, 5 Avril 1800, AN 8 (207): Négigé. 'Négigé'. Japon with short pleated sleeves and drag. Fichu and apron, which is stitched on the back. Accessories: Dotted hat that a cloth is knotted, impeller, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Standing woman with hands in the side, Anonymous, 1700 - 1799 drawing Netherlands paper. ink penJournal of the ladies and fashions, Parisian costume, July 9, 1803, year 11, (483): Capote d'Oganie, Piqué, 1803 Woman with a 'capote' on the head of stitched orland. She is wearing a tunic (), Said with wrinkled fabric strips, on a dress with long sleeves. Flat shoes with pointed noses. Open book in the hands. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). clothing for the upper part of the body (TUNIC) (+ women's clothes). head-gear (CAPOTE) (+ women's clothes). shoes, sandals (+ women's clothes). book - MM - book openSmall mail of the ladies, April 25, 1828, no. 549: bridal costume ..., 1828 Standing woman in bridal clothing. She wears a wedding gown from tulle decorated with volants and foliage, made of mesh ribbons. Short puffed sleeves on which transparent mamelukes sleeves. Coiffure with veil performed by Croizat. Seen the same dress on the back. Print from the fashion magazine Petit Courrier des Dames (1821-1868). Bound (with a few pp. Le Journal des Dames et des Modes). January 15, 1827 to March 20, 1830. Incomplete. paper engraving fashion plates. styles of hairdress - AA - ~ women. veil (+ women's clothes). necklace (+ women's clothes). bracelet, wristlet (+ women's clothes). bride (in wedding-dress).Journal of the ladies and fashions, Parisian costume, August 27, 1798, year 6, (58): Natted hood (...), 1798 'Capote' with braid garnished with a 'papillon' (). Klapon with short sleeves with a lash closure in the middle. Long scarf, slanted over the left shoulder. A necklace consisting of two cords around the neck. Stockings and flat shoes with pointed noses. According to the caption, this performance is drawn to life in 'Frascati'. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear (CAPOTE) (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). necklace (+ women's clothes). border, ribbon, braid (+ women's clothes). shoes, sandals (+ women's clothes). stockings, socks (+ women's clothes)Fashion News, 1791 Woman, seen from the side, according to the accompanying text dressed in a dress of green satin. Around the agent a red/white striped belt with fringes at the ends. The cuffs fell off with a 'parement à la houssarde'. A striped fichu covers the neck. Coiffure 'à la Cavallière' on which a 'Bonnet à la Paysanne' from Witte Gaze, with red piping and black cooked. The print is the left half of the 3rd Cahier, 2nd Année, of the fashion magazine Journal de la Mode et du Goût ou Amusemens du Salon et de la Toilette, Paris, 25 February 1790-1 April 1793. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear (BONNET í LA PAYSANNE) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). belt, girdle, waistband (+ women's clothes). styles of hairdress - AA - ~ women.Gallerie of French modes and costumes, 1782, RR. 238: morning dress to English (...), 1782 Morning Japon (Robe à l'Anglaise) from Mousseline with wide pleated strip on the lower edge. Fichu with double pleated edge. Simple flat hat with ribbon around the ball. Mof around the left poles. Chain with cross. Print from series rr. 34th Cahier de Costumes Français, 31st Suite d'Habillemens à la Mode and 1782, Gallerie des Modes et Costumes Français. paper. printing ink. watercolor (paint) etching fashion plates. dress, gown: robe à l'anglaise (+ women's clothes). dress, gown: morning dress (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). head-gear: hat (+ women's clothes). muff (+ women's clothes). necklace (+ women's clothes). pendant, trinket, 'breloque' (+ women's clothes). shoes, sandals (+ women's clothes)Journal of the ladies and fashions, Parisian costume, August 3, 1804, year 12, (572): Mameluck bordered (...), 1804 Sitting woman in a tunic 'Mameluck' trimmed with a border of 'Mousseline Turque'. Scarf around the neck, knotted on the back. Further accessories: hair comb in the hair, earrings, flat shoes with tires and bows. Hat next to her in the grass. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). dress, gown (TUNIC) (+ women's clothes). head-gear: hat (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). ear-rings (+ women's clothes). border, ribbon, braid (+ women's clothes). comb, brush and other tools (care of the hair) - AA - ~ womenCottage dress. Illustrations, Fashion design drawings, Prints. 1820. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Women , Clothing & dress , 1820-1829Journal des Luxus und der Moden 1786, Band I, T. 12.Woman to the left, dressed according to English fashion. She is wearing a "robe à l'anglaise" with sleek sleeves and a wide falbala from white mouseline, about which a white apron. White Fichu. Wide scarf, crossed over the chest, knotted on the back. On the head a natural hat with feathers. A closed impeller in hand. High heels and buckles shoes. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Madame de Chateaubriand, vintage engraved illustration. 12th to 18th century Fashion By ImageJournal of the ladies and modes 1824, Parisian costume (2276), 1824 Print from the journal Journal des Dames et des Modes, 1824. paper etching Print from the journal Journal des Dames et des Modes, 1824. paper etchingLittle mail of the ladies, 1825, no. 274: satin dress filled with fourur (...), 1825 Standing woman dressed in a dress of satin, trimmed with fur. The body 'à la François 1er.', Decorated with an agrafe with precious stones. On the head a hat of blue velvet, decorated with aigrette of gold -colored 'filagrame' () And ribbons of gold -colored fabric, 'des Magasins de Mure'. Further accessories: Two bracelets around the left tubs, gloves, belt with buckle, flat shoe with pointed nose. On the right a sitting woman, seen on the back, dressed in the same dress. Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving fashion plates. dress, gown (+ women's clothes). gloves, mittens, etc. (+ women's clothes). head-gear: hat (+ women's clothes). border, ribbon, braid (+ women's clothes). buckle (+ women's clothes). bracelet, wristlet (+ women's clothes). clothing for the upper part of the body (+ women's clothes)Gallerie des Modes. In 1778 two young publishers tapped a previously undiscovered market with the launch of a series entitled Gallerie des Modes, which responded to the growing demand among Parisians for fashion news. Initially featuring only hairstyles, the series illustrations were later extended to include complete outfits to cater to its audience. These showed figures from head to toe. All ranks of French society were represented in a wide variety of fashionable clothes, from the simple negligée 1 to the robe à la polonaise 2 3, the robe à langlaise 4 and the occasional smart gentlemans suit.Journal of the ladies and fashions, Parisian costume, 1805, year 13 (591) belt in the scarf, anonymous, 1805 Woman to the right, in dress of white crepe, with puffed sleeves on which a small bow. Long yellow gloves and as a jewelry a necklace and earrings. On the head a bonnet with tuilds of flowers and a bow. In the right hand a long white scarf, trimmed with an edge of flowers. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839 paper engraving Woman to the right, in dress of white crepe, with puffed sleeves on which a small bow. Long yellow gloves and as a jewelry a necklace and earrings. On the head a bonnet with tuilds of flowers and a bow. In the right hand a long white scarf, trimmed with an edge of flowers. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839 paper engravingAnne d'Alencon, Lady of La Guerche, Marquise de Montserrat 1492-1562. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Journal of the ladies and fashions, Parisian costume, 1819, (1808): Gros de Naples hat (...), Anonymous, 1819 Woman, standing with the arms over each other, dressed in a 'Redingote de Lévantine' trimmed with a double 'gance' (Bies). On the head a canopy hat of 'Gros de Naples' decorated with satin tires. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. Paris paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown: redingote (+ women's clothes). border, ribbon, braid (+ women's clothes). head-gear: hat (+ women's clothes). shoes, sandals (+ women's clothes)Journal of the ladies and fashions, Parisian costume, May 29, 1799, year 7 (109): co -deffure at the antiqu (...), 1799 Standing woman, seen on the back, looking through binoculars. 'Coeffure à l'Antique', consisting of crepe and her. She wears a spencer with loop pattern on a skirt with tow. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). clothing for the upper part of the body (SPENCER) (+ women's clothes). cut flowers; nosegay, bunch of flowers. monocle, single lorgnetteJournal of luxury and fashions, 1795, T 21, 1795 Standing woman dressed in a dotted dress with long sleeves and drag. Fichu. Around a scarf with fringes, decorated with aigrette. Further accessories: earring in the left ear, fan. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). ear-rings (+ women's clothes). fan (+ women's clothes). fashion platesFashionable woman in short haircut a la Victime, Paris, 1803. Her head is shaved in back, and she wears a gown with folded-back ruffle collar. Tête Tondue par derrière. Colerette Rabattue. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1803. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Journal des Ladies et des Modes, Costume Parisien, 5 MAI 1802, AN 10, (382): Chapeau Retroussé (...). Modiste with a hat whose edge on the side has been stopped with a knot and lis. She is wearing a pockets on a short-sleeved dress and trail. Further accessories: long gloves, flat shoes with pointed noses. Among the right arm a strip of fabric () And a hat box in the right hand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Bonne of Berry, countess of Savoy, Bonne de Berry, comtesse de Savoie, daughter of Jean de France, d. 1434. Handcoloured lithograph by Leopold Massard after a painting in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Laure de Noves, la Belle Laure, Laure de Sade, wife of Count Hugues de Sade, and muse of Francesco Petrarch, 1308-1348. She wears a shell hat called a coquille or cale, and a green dress decorated with violets, crakows or poulaines, and a pearl necklace. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.Petit Courrier des Ladies, 1823, No. 180: Redingotte de Gros the Tours (...). Standing woman dressed in a 'redingote' of 'Gros de Tours', deposited with a rouleaux and bows of satin. On the head a hat: 'Chapeau à la Mazurier' of velvet and satin. A woman behind her helps her a pelisse from 'COTING', lined with checkered barège to do. The woman is wearing the same rescueote. Print from the fashion magazine Petit Courier des Ladies (1821-1868).Fashionable woman's costume, reign of King George III/Louis XVI, 1780. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Augustus 1807, No. 18: Ceinture en Conset échaneré.According to the accompanying text (p. 264): Jap of mousseline. 'Ceinture corset'. Necklace and earrings 'and corail'. Cashmere scarf with embroidery in the corners. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).Cabinet des Modes Ou Les Modes Nouvelles, 1 Septembre 1786, Pl.iii. Woman in a court juke, consisting of a bodice of pink taffeta and skirt from apple green taff. On this a transparent small shoulder made of tulle, deposited with wrinkled strips. Accessories: Cap of tulle with feathers and pearls, earrings, long gloves, folding rag. The print is part of the 20th Cahier from Cabinet des Modes Ou Les Modes Nouvelles. The series consists of 72 fashion prints, issued by Buisson, Paris, November 15, 1785 - November 1, 1786.Magasin des Modes Nouvelles Françaises et Anglaises, kopie naar Pl.1, 10 mars 1787, F. 1.Standing woman dressed in a jacket with raised collar and lap, on a skirt with trail, both of sheet. Wrinkled Jabot () And Cuffs. The hair in a long tail. Accessories: Hat with feathers and trimmed with fur (), Earring, gloves, walking stick with button, handkerchief, shoe with pointed nose and heel. The print is a copy to PL.1 of the 12th Cahier, 2nd Année, from the Magasin des Modes Nouvelles Françaises et anglaises series. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789.Fashion Plate, Promenade Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, November 1, 1826. Prints; engravings. Hand-colored engraving on paperJournal of luxury and fashion 1790, band v, t.4.print from the fashion magazine Journal of luxury and fashion, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Woman in half-formal wear reading a book. She wears a pink bonnet, low-cut dress trimmed with lace. Demi Parure. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, 1803. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Woman in couronne civique or civic crown in oak leaves with tricolor ribbon, hair in ringlets, grey silk gown, sky blue fichu, white silk petticoat with frills and ruffles, holding an almanac. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 24me Cahier, 15 October 1790.Fashion Plate, 'Full Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, June 1, 1814. Prints; engravings. Hand-colored engraving on paperGallerie of French modes and costumes, 1785, nr. 2, nr. 3, Kopie Naar GG 181: Polonoise dress of Satin (...), c. 1785 Woman dressed in a 'Robe à la polonaise' of 'Satin Army', trimmed with tires in a different color and recommended strips of tulle. Hals and Sabot. On the head a 'bonet à tuyaux' with flowers and a rosette of brilliant, which is attached with a twisted ribbon. Accessories: bracelet, stockings and shoes with heels and buckles. Copy to GG 181 from series GG. 31st Cahier des Costumes Français, 24th Suite d'Habillemens à la Mode and 1780, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à la polonaise. skirt (+ women's clothes). head-gear (+ women's clothes). shoes, sandals (+ women's clothes)Journal of the ladies and fashions, Parisian costume, June 29, 1800, year 8 (226): Cornette to the peasant (...), 1800 'Cornette à la Paysane'. Fichu trimmed with fringes and beads: 'grains de muguet'. Klapon with drag and geometric Zig-Zag pattern. Folder. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. head-gear (CORNETTE) (+ women's clothes). dress, gown (+ women's clothes). fan (+ women's clothes). gloves, mittens, etc. (+ women's clothes). shoes, sandals (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). tableFashion Plate, 'Walking Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, February 1, 1816. Prints; engravings. Hand-colored engraving on paperGallery des Modes et Costumes Français, 1785, No. 26, no. 52, Copy to N 77: Jeune Dame de Lyon (...). Young woman from Lyon dressed in a joke of the side, "Costume à la Piémontoise" called, decorated with wrinkled strips of the same fabric. The hairstyle is à l'Asirienne and is also called "L'HERISSON". It is decorated with a ribbon, intertwined with a bead collier (pearl necklace) and awarded a spring with diamonds agrafe (pin). To the neck a fichu, at the waist chatlaines, one with pocket watch. Further accessories: bracelet, bow at the cleavage, shoes with buckles and contrasting heels. According to the caption, this fashion was created in 1775 in the Theater of Lyon during the stay of Madame Clotilde of France, Princess of Piedmont, to whom the costume owes its name. Copy to N 77 from Series N. 13th Cahier De Modes Françaises, 7th Suite d'Habillemens à la Mode, Gallery des Modes et Costumes Français.Ladies' diary and modes, Parisian costume, January 25, 1801, year 9 (275): Cap with spikes (...). Cap with the name 'spikers'. APRON WITH BODICE ON DRESS WITH TRAIL. Flat Shoe. The Print Is Part Of The Fashion Magazine Laden Journal and Moldes, Published By Pierre de la Mesanger, Paris, 1797-1839.Woman in cornette cap in embroidered tulle, Paris, 1803.. She holds a bolt of cloth under her arm, indicating that she is a shop girl at a fabric shop or dressmakers. Cornette de Tulle Brodée. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1803. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Journal of the ladies and fashions, Parisian costume, February 4, 1798, (21.): Capot in satin (...), 1798 Standing woman with a 'capote' of satin on the head, decorated with clovers and two ostriches. GUIRLANDE on the side. Velvet tires are crossed and form the belt. Japon with long sleeves and tow. Further accessories: earring in the right ear, dotted neck cloth around the neck, gloves, flat shoe with pointed nose and bow. Next to her a chair opened book in hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving dress, gown (+ women's clothes). head-gear (CAPOTE) (+ women's clothes). fashion plates. belt, girdle, waistband (+ women's clothes). book - MM - book open. chair. shoes, sandals (+ women's clothes). neck-gear ~ clothing (+ women's clothes). ear-rings (+ women's clothes)Observer des Modes, 1822, No. 293: Parisian modes: Ornée white straw (...), 1822 Standing woman dressed in a mousseline dress. On the head a hat of white straw decorated with satin and 'rubans simulés'. Print from the fashion magazine Observateur des Modes (Août 1818 - 30 Novembre 1823). paper engraving / etching dress, gown (+ women's clothes). fashion plates. head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). fan (+ women's clothes). shoes, sandals (+ women's clothes). border, ribbon, braid (+ women's clothes)Dress of the reign of George IV, 1820~1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.Hand-colored lithograph from "Fashions and Customs of Marie Antoinette and her Times," by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.N ° 104 / His Imperial Highness / Princess LouiseCatherine of Braganza, wife of King Charles II, 1666. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Ladies' diary and modes 1823, Parisian costume (2170). Prant uit Het Tijdschrift Journal des Dames and Modes, 1823.Journal des Dames et des Modes, Costume Parisien, 15 avril 1824, (2229): Chapeau de gaz (...).Standing woman dressed in a Jap of 'Gros de Naples' decorated with foliage of satin. On the head a tulle hat. Further accessories: gloves, handkerchief, shoes with square noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.French women with parrot-like bird. Date: 1788Petit Courrier des Ladies, Novembre 1827, No. 516: Robe the Satin Ornée de Dessins .... standing woman in a joke of satin decorated with hand-painted motifs and with strips, deposited with feathers of the toucan. Short puff sleeves on which transparent sheep bolt sleeves. Coiffure performed by Croizat. Seen the same Jap on the back. Print from the fashion magazine Petit Courier des Ladies (1821-1868). Bound (with a few pp. Le Journal des Laden et des modes). January 15, 1827 to March 20, 1830. Incomplete.Marguerite, Duchesse de Joyeuse, wife of Anne de Joyeuse, sister to Louise de Lorraine, Queen of France, 1564-1625. Handcoloured copperplate engraving by Edward Hargrave from The Lady's Magazine and Museum of the Belles Lettres, Fine Arts, Drama, Fashions, etc., Vol. IX, Dobbs, London, 1836.Small mail of the ladies, 1826, no. 393: Cotepalie dress filled with Voans (...), 1826 Standing woman dressed in a dress of 'cotepalie' () Killed with wrinkled fabric with scalloped hem. Pelerine van Tulle. On the head a hat of 'Paille d'Italie'. A walking stick in the right hand, which can also be used as a parasol. Further accessories: gloves, bracelets around both wrists, handkerchief. On the right a sitting woman, seen on the back, dressed in the same dress. Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving fashion plates. dress, gown (+ women's clothes). clothing for the upper part of the body (PELERINE) (+ women's clothes). gloves, mittens, etc. (+ women's clothes). head-gear: hat (+ women's clothes). handkerchief (+ women's clothes). parasol, sunshade (+ women's clothes). bracelet, wristlet (+ women's clothes)Little mail of the ladies, June 5, 1829, no. 643: hats of straw of Italy ..., 1829 Standing woman dressed in a dress of 'Batiste d'Ecosse' (batist) embroidered with cashmere. On the head a hat of 'Paille d'Italie' decorated with a willow branch, from the shops of Notré. Sitting figure, seen on the back, in the same dress. Print from the fashion magazine Petit Courrier des Dames (1821-1868). Bound (with a few pages. Le Journal des Dames et des Modes). January 15, 1827 to March 20, 1830. Incomplete. paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). handkerchief (+ women's clothes). embroidery (ornamentation) (+ women's clothes)Fashion News.The Cabinet des Modes offered readers highly detailed information about the illustrated clothes and accessories. It reported, for instance, on new clothing styles, such as the English redingote’ 1; on accessories and embellishments, such as oversized muffs, buttons, ribbons and clasps; and finally, on the latest interior furnishings. For its male audience there was the fitted jacket 2 and the popular Androsmane, a hat with an upturned brim 3.Journal of luxury and fashion 1790, band v, t.17.print from the fashion magazine Journal of luxury and fashion, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Small mail of the ladies, 1827, nr. 464: long-champs modes, 1827 Pali Pali Pali Cost Dress of St. Anne stores, rix straw hat decorated with phanes, Mme. Larochelle stores Paris paper engraving Pali Pali Pali Cost Dress of St. Anne stores, rix straw hat decorated with phanes, Mme. Larochelle stores Paris paper engravingCabinet des Modes ou les Modes Nouvelles, 1 Septembre 1786, pl. III.Hofjapon. According to the accompanying text, the woman bears a court juke, consisting of a bodice of pink taft and a skirt from apple green taff. On this a transparent small shoulder made of tulle, deposited with wrinkled strips. On the high hairstyle with curls on the side a 'pouf' of white gaze, decorated with a large bow, pearls and three feathers 'à la folette'. Accessories: earrings, long gloves, pink shoes, folding fan. The print is part of the 20th Cahier from Cabinet des Modes Ou Les Modes Nouvelles. The series consists of 72 fashion prints, issued by Buisson, Paris, November 15, 1785 - November 1, 1786.Costume sheet by Katharina Sperling depicting 36 figures in historical city attire, executed in gray feather with lavated technique on a blue background.Fashion Plate, 'Walking Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, May 1, 1820. Prints; engravings. Hand-colored engraving on paperJournal of the ladies and fashions, editis Frankfurt November 11, 1821, German costumes and François (46), Anonymous, 1821 The accompanying text (p. 543) mentions: Fig. 1: French costume. Gaze turban, decorated with gold olives and a bird of paradise. Cashmere dress with sleeves made of mousseline. Ceintuur of satin. White gloves. White shoes. Fig. 2: German fashion: hairstyle (front and back shown) with three-part braid, intermediary with pink ribbon. Model by Mr Philip van der Heyden, women's hairdresser on the Grote Korenmarkt in Frankfurt am Main. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. head-gear: turban (+ women's clothes). dress, gown (+ women's clothes). belt, girdle, waistband (+ women's clothes). gloves, mittens, etc. (+ women's clothes). shoes, sandals (+ women's clothes). fan (+ women's clothes). handkerchief French woman in straw hat with plumes and ribbons, lace ruff, tunic and dress with capelets in percale cotton. Chapeau de paille, par-dessus et robe de perkale. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1815.Elegantia, or magazine of fashion, luxury and taste for women, August 1807, No. 18: Ceinture and Corset échancré .. according to the description in the magazine (p. 264): Jap of mousseline. 'Ceinture corset'. Necklace and earrings 'and corail'. Cashmere scarf with embroidery in the corners. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).Elegantia, of tijdschrift van mode, luxe en smaak voor dames, November 1807, No. 27: Fichu-Guimpebrodé....According to the accompanying text (p. 360): Cotton Batist dress. "Fichu and Guimpe Brodé" (embroidered Fichu). 'Ceinture and écharpe Nouée' (knotted belt). Yellow silk 'Capote à Boords Fronsés'. According to the caption: 'REMPLIS' by Cotton Batist (percale). Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).Journal of the ladies and fashions, Parisian costume, 1805, year 13 (635) White straw hat ..., Horace Vernet, 1805 Woman seen on the back, in a purple dress with striped puffed sleeves and a white ribbon tie around the high waist. On the head a white straw hat, with a purple ribbon bound under chin and decorated with Hyacinthen. White long gloves and a long green scarf around the neck. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving Woman seen on the back, in a purple dress with striped puffed sleeves and a white ribbon tie around the high waist. On the head a white straw hat, with a purple ribbon bound under chin and decorated with Hyacinthen. White long gloves and a long green scarf around the neck. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engravingFashion Plate, 'Diana Walking Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, February 1815. Prints; engravings. Hand-colored engraving on paperJournal of ladies and fashions, Parisian costume, 1805, year 13 (634) tufts of violets. Round dress., Horace Vernet, 1805 White dress with short puffed sleeves, with ankle -length skirt. Yellow long embroidered scarf. Long gloves and white flat shoes. Hat on the head, about which a white headscarf. paper engraving White dress with short puffed sleeves, with ankle -length skirt. Yellow long embroidered scarf. Long gloves and white flat shoes. Hat on the head, about which a white headscarf. paper engravingFashionable woman in organdy headdress, 1801. She wears a lace tunic over a pink, short-sleeved dress. Coeffure en Organdie. Tunique de Dentelle. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1801. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.Dress. Dated: c. 1936. Dimensions: overall: 30.6 x 23 cm (12 1/16 x 9 1/16 in.). Medium: graphite, colored pencil, pen and ink, and gouacheon paper. Museum: National Gallery of Art, Washington DC. Author: Jessie M. Benge.Fashionable woman in silk hooded bonnet, cape-like frock coat. Capote de gros de Naples, redingote a pelerine. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1814.COSTUME DE MADEMOISELLE DEJAZET. Role de LAnnonce dans LIsle (sic) de la folie. …. Artist: Paul Gavarni, French, 1804-1866Madame Ronzi-Debegnis in the role of Isabella in I Fuoruscit di Firenze (The exiles of Florence) by Ferdinando Paer, Theatre Italien, Paris, 1819. Giuseppina Ronzi de Begnis, Italian soprano opera singer, 1800-1853. Handcoloured copperplate engraving from Le Musee des Theatres dedie aux dames, Premiere Annee, Firmin Didot, Paris, 1819.Little mail of the ladies, 1829, no. 622: tulle dress filled with a Guirland (...), 1829 Standing woman dressed in a dress of tulle decorated with garland of flowers, including a skirt of satin trimmed with tulle. 'Coiffure' performed by Narcisse and decorated with flowers from the forest from the Cartier stores. Further accessories: earrings, long gloves, fan, flat shoes with crossed tires. Figure in the same dress, seen on the back, sitting on a tabouret. Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving fashion plates. dress, gown: evening dress (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). styles of hairdress - AA - ~ women. flowers. fan (+ women's clothes). skirt (+ women's clothes)Walking Dress, Rudolph Ackermann, English, b. Germany, 1764-1834, Engraving, brush and watercolor on paper, A woman sits on a low carved table. She wears a gray dress with white trim and a yellow hat with white feathers. She is holding a book. Title below., London, England, 1819, Print, PrintCostume of a village girl, Flanders, 1820. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (587) Mise d'une Jeune Personne.Young woman in pink dress with low, square neckline and trail. Accessories: Long white gloves, earrings and necklace. The hair is tightly turned to a bump. The print is part of the fashion magazine Journal des Laden et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839Gallery des Modes et Costumes français, pl. 172, copy to 1784, vv.254: Lady and Sincère et Fidèle Ami (...). Woman with dog, in Jap and Skirt 'à l'Anglo-americaine', off with a different fabric, custom sleeves, a bow of ribbons and a 'Tour-de-Gorge à la Gabrielle d'Etrées'. Hat with springs on the curled hairstyle. Shoe with heel and bow. The print is a reissation from 1911-1912 to VV. 39e Cahier (bis) des Costumes Français, 35th Suite d'Habillemens à la Mode and 1784, Gallery des Modes et Costumes Français.Lady of rank, England, reign of Edward III, 1350. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Incoyables et Merveilleuses, 1812, Merveilleuse, no. 13: Chapeau de Paille d'Itali (...). 'Merveilleuse', seen on the back, with a hat by 'Paille d'Italie'. Scottish checkered scarf knitted on the back. Japon decorated with embroidery 'à roues' (circles). Skid collar, consisting of four layers. Checkered stockings and flat shoes with crossed tires. The print is part of a series of 33 fashion prints, engraved by George Jacques Gatine, Paris, 1810-1818.Marie Antoinette: The Queen of Fashion: Gallerie des Modes et Costumes Français. French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour - lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.Fashion Plate, 'Dinner Dress and the Platoff Cap' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, April 1, 1814. Prints; engravings. Hand-colored engraving on paperGallerie of French modes and costumes, 1785, nr. 23, nr. 45, Kopie Naar M 72: Demoiselle in Caracot (...), c. 1785 Unmarried woman dressed in a caraco from a taf side on a matching skirt. On the head a 'Demi Bonnet' (hat). In the hand a walking stick with a gold button and ribbon. According to the caption, the clothes originated in Nantes in Brittany, where the city of the city transferred to M. le Duc d'Aiguillon in 1768. Copy to M 72 from series K. 10th Cahier des Costumes Français, 4th Suite D ' Habillemens à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). head-gear: cap (+ women's clothes). styles of hairdress - AA - ~ women. walking-stick, staff, cane (+ women's clothes).Empress Maria Theresa, Queen of Hungary and Bohemia, 1747. She wears a crimson cape lined with ermine over a green dress with lace sleeves. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.French costume, then new Parisian costume 1799-1810, No. 21: Dress to the slav (...), 1799 - 1810 Woman, walking to the right, dressed in a dress with long sleeves and tow: 'Robe à l'Esclave'. She lifts the skirt with the right hand. On the head a hat: 'Chapeau à la Caroline'. Further accessories: long scarf around the left shoulder, flat shoes with pointed noses and crossed tires. The print is part of a series of 142 fashion prints, of which 115 have been identified, published by J. Chéreau, Paris, 1799-1810. paper engraving / etching fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes)Gallerie des Modes, Pierre Thomas Le Clerc, c. 1778 drawing Young woman who reads a letter, dressed in a Robe à la polonaise, garnished with muslin. High hairstyle with 'Pouf and Aigrette'. Accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Setter for Gallerie des Modes et Costumes Francais, 1778, 7th Cahier, G.39: Petite Maitresse and Robe à la polonaise de Toile Peinte Garnie de Mousseline, Lisant Une Lettre. paper. ink pen / brush fashion plates. dress, gown: robe à la polonaise. head-gear (POUF) (+ women's clothes). skirt. shoes, sandals (+ women's clothes). bracelet, wristlet (+ women's clothes). fashionable woman, 'belle'. readingJournal des Dames et des Modes, Costume Parisien, 10 octobre 1818, (1765): Chapeau de Gros de Naples (...).Standing woman dressed in a junior of 'gros the naples' with pelerine and garments of the same fabric. On the head a hat of 'Gros de Naples' decorated with tulle. A scarf is trimmed with fringes around the shoulders. Dotted stockings and flat shoes with bows. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Ladies' diary and modes 1824, Parisian costume (2231). Prant UIT Het Tijdschrift Journal des Dames and Modes, 1824.Woman of Rouen wearing a small, plain bavolet. She wears a simple white dress with striped shawl and blue belt. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Magasin des Modes Nouvelles Françaises et anglaises, 20 août 1787, 2nd Année, 28th Cahier, PL. 1. Woman, seen on the back, dressed in a "Fourrea" of white linen with falbalas. Around the neck a fichu. To make the agent a blue belt. Bouquet of roses in right hand. The print is part of the 28th Cahier from the Magasin des Modes Nouvelles Françaises et anglaises series. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789Beatrice of Burgundy, Lady of Bourbon, 1257-1310. 14th century. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de lys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from "French Costumes from King Clovis to Our Days," Massard, Mifliez, Paris, 1834.Woman dancing at a ball. She wears her hair up fixed with three combs, a fichu-canezou short jacket over a dress with lace trim. Chevelure Relevée avec trois peignes. Fichu Canezou. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1802. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Cook from Hamburg, Germany, 19th century. She wears a toquet trimmed in silver and carries a basket covered with a large shawl. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.Woman in canary-yellow taffeta hooded cape trimmed with roses and ribbons, with bar ear-rings and ball mask.. Hand-colored lithograph from "Fashions and Customs of Marie Antoinette and her Times," by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.Small mail of the ladies, May 20, 1827, no. 471: long-champs ..., 1827 Modes de Long-Champs." Standing woman dressed in a dress from Cotepali. On the head a hat of 'Gros d'été'. Mantille from Tulle. Parasol in hand. On the left a sitting woman, seen on the back, dressed in the same dress. Print from the fashion magazine Petit Courrier des Dames (1821-1868). Bound (with a few pp. Le Journal des Dames et des Modes). January 15, 1827 to March 20, 1830. Incomplete. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). clothing for the upper part of the body (MANTELET) (+ women's clothes). parasol, sunshade (+ women's clothes)Elegantia, or magazine of fashion, luxury and taste for women, October 1808, no. 59: Coeffure and Cheveux Lisses ..., Anonymous, 1808 According to the accompanying text (p. 320): dressed dressed with tulle. Haircut with flowers intervened. Collier and earrings of coral. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 320): dressed dressed with tulle. Haircut with flowers intervened. Collier and earrings of coral. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingFashionable woman with fan in huge hairstyle and hat, 1798. Velvet hat edged in white jet. Open dress decorated with chenille laces. Chapeau de velours borde en Jais blanc. Robe ouverte garnie d'une gance en chenille entrelace. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.Journal of Luxury and Moden 1788, Volume III, T.14.print from the Fashion Magazine Journal of Luxury and Moden, Published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Fashion, France, 18th century - Court dress worn by Marie Josephe Louise of Savoy, Louis XVI period. Engraving.Journal of luxury and fashions, 1797, T 1, 1797 Standing woman in a cloak with fur on a dress with wrap and long sleeves. Zoom decorated with flower and leaf motif. Accessories: hat or turban with feathers, earring in the right ear, around the neck a fur (), Big sleek of fur. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear: turban (+ women's clothes). fashion plates. coat (+ women's clothes). muff (+ fur used for clothes). neck-gear ~ clothing (+ women's clothes). ear-rings (+ women's clothes). shoes, sandals (+ women's clothes)