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Historical French Fashion Plates

A collection of elegant historical women's fashion illustrations from the late 18th to early 19th centuries featuring dresses, hats, and accessories, showcasing intricate designs and colors.

Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
587 assets in this story
Costume Français, Puise Nouveau Costume Parisien 1799-1810, No. 117: Chapeau de Satin (...). Woman walking to the left, with a hat of satin with a dependent slip, deposited with golden fringes. She is wearing a short sleeves and high waist. Further accessories: bracelet around the left arm, long gloves, flat shoes. A loose glove in the right hand. The print is part of a series of 142 fashion prints, 115 of which have been identified, issued by J. Chéreau, Paris, 1799-1810.Fashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, early 19th century. Prints; engravings. Hand-colored engraving on paperOpera singer Celestine Darcier as Griselda in L'Esclave de Camoens by Friedrich von Flotow, Theatre de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.Historical costumes : Fronde time hunting costume Achille Deveraia (1800-1857), French engraver. Historical costumes: shot suit of the frond time. Lithograph colored and gummed on paper, 1831.Journal des Dames et des Modes, Costume Parisien, 2 septembre 1801, An 9, (326) : Voile drapé (...).Woman walking to the right, with a draped veil with the head. She is wearing a 'fichu chemise'. Japon with short sleeves, trimmed with decorative tire. White stockings. Further accessories: Brooch (), Long gloves, impeller, flat shoes with bows. She holds her Gon with the right hand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Gallerie of French modes and costumes, 1785, nr. 17, nr. 33, Kopie Naar y 134: Polonoise dress Blanch (...), c. 1785 Woman dressed in a 'Robe à la polonaise' of white 'Toille' (linen or cotton) with an edge of painted 'Toille' (linen or cotton) with floral pattern. Small shoulder mantle with hood. Decorative apron from Tulle. On the head, a hat told to the latest fashion. Further accessories: long gloves, fan, walking stick with gold button, shoes with heels. Copy to Y 134 from series Y. 23rd Cahier de Costumes Français, 17th Suite d'Habillemens à la Mode and 1779, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à la polonaise. head-gear: hat (+ women's clothes). clothing for the upper part of the body (MANTELET) (+ women's clothes). skirt (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). apron (+ women's clothes). shoes, sandals (+ women's clothes). walking-stick, staff, cane (+ women's clothes). fan (+ women's clothesGallery of Fashion. Standing young woman with blue veil.A woman in wine-coloured redingote, from the English "riding coat," holding a cane and admiring a rose. Hand-colored lithograph from "Fashions and Customs of Marie Antoinette and her Times," by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.Elegantia, or magazine of fashion, luxury and taste for women, August 1809, no. 86: Chapeau de Paille ..., Anonymous, 1809 According to the accompanying text (p. 256): dress of cotton bastist (percale) with twisted long sleeves. Straw hat in the form of a 'cornette' (hat). Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 256): dress of cotton bastist (percale) with twisted long sleeves. Straw hat in the form of a 'cornette' (hat). Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingFashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, May 1, 1817. Prints; engravings. Hand-colored engraving on paperMlle. Clarisse as a Savoyard organ girl in Gaetano Donizetti's opera "Linda of Chamouni" (Linda di Chamounix), 1843. Clarisse was a famous French ballet dancer. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Journal of the ladies and fashions, Parisian costume, February 24, 1800, year 8, (196): half-parish, 1800 Woman, walking to the right, on the ice, dressed in a 'Demi parure'. She is wearing a spencer, trimmed with fur. Japon with drag. Accessories: hat with feathers, 'palatin' of fur, gloves, flat shoes with pointed noses. Three skaters on the ice can be seen in the background. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). skates (winter sports). clothing for the upper part of the body (SPENCER) (+ women's clothes). neck-gear ~ clothing (PALATINE) (+ women's clothes). shoes, sandals (+ women's clothes). gloves, mittens, etc. (+ women's clothes). border, ribbon, braid (+ fur used for clothes)Miss Fanny Kemble as Juliet (in Romeo & Juliet), 1837. Additional, Fairburn's Portraits., London. Publisher, J. Fairburn. Fanny Kemble (1809-1893). Shakespeare William (1564-1616). Romeo and Juliet., 23.5 x 19 cmGallerie des Modes, c. 1784 Woman, seen on the back, dressed in a dotted Robe à l'Anglaise with pleated collar with three layers; The tow with a wrinkled strip of fabric. On the head a dotted hat with spring and hanging slips: Chapeau à la caravanne. Further accessories: striped sash trimmed with fringes, long gloves, walking stick with ribbon, shoes. According to the caption, she waves her lover. Print from the series &&. 44th Cahier de Costumes Français, 39th Suite Habillements à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown: robe à l'anglaise (+ women's clothes). neck-gear ~ clothing (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). skirt (+ women's clothes). walking-stick, staff, cane (+ women's clothes)Collection Consacrée Aux Modes d'Hommes et de Femmes, 1783-1813, no. 102: L'Agréable Alzir (...). Woman, seen on the back, dressed in a 'robe à la romaine' or a dress at the zoom decorated with a motif of olive branches. The hair 'à la Bérenice'. About the left shoulder a dotted scarf, decorated with embroidery on the edges. Further accessories: folding impaired, long gloves, shoe with straps and pointed shoe. The print is part of a series of at least 82 fashion prints, Collection Consacrée Aux Modes d'Hommes et de Femmes, published by Basset, Paris, between 1783 and 1813Fashionable woman leaning on a mantlepiece, 1800. She wears a velvet hat tied under the chin, checkered shawl over a simple white dress tied with tassles. Chapeau de Velours. Fichu quadrille. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1800. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.Journal des Dames et des Modes, Costume Parisien, 15 avril 1810, (1053): Coeffure en nattes (...).Woman, seen on the back, walking to the left, with a 'coeffure' with braids and a ribbon. Corset from 'Tissu de Fil', crossed on the back as an 'x'. She is wearing a "chemise" with short sleeves. Accessories: Earring in the left ear, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Journal of the ladies and fashions, Parisian costume, 1805, year 13 (640) Coles and sleeves in La Médicis, Horace Vernet, 1805 Woman to the right, in a pink dress with long sleeves ('heats à la mecy') and a pleated colerette. Hat decorated with flowers. Long scarf on one side over the hat. Folded small fan in hand. paper engraving Woman to the right, in a pink dress with long sleeves ('heats à la mecy') and a pleated colerette. Hat decorated with flowers. Long scarf on one side over the hat. Folded small fan in hand. paper engravingWoman of Rome in full attire 1581. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.Petit Courrier des Dames, 1827, No. 493 : Peignoir d'Organdi (...).'Peignoir' of Organize; Blonde hat (dump edge). Further accessories: gloves, handkerchief, flat shoes with pointed noses and bows. Print from the fashion magazine Petit Courier des Ladies (1821-1868). The print has been copied in ECHO 1827, La Belle Assemblée Octobre 1827.Journal of luxury and fashions, 1797, T 14, 1797 Standing woman dressed in a dress with transhipment, high waist and tow. Transshipment trimmed with a wrinkled strip of fabric. Opened parasol with flower and leaf motif in the hands. Further accessories: cloth and flour in the hair, earring in the left ear, coeintuur, long gloves. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear (+ women's clothes). fashion plates. ear-rings (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). parasol, sunshade (+ women's clothes). skirt (+ women's clothes)Journal of the ladies and modes 1821, Parisian costume, (2007): Gaze hat ..., 1821 Standing woman with a tulle hat on the head, decorated with a rainbow ribbon and a matching flower. Pelerine with a front point, embroidered and trimmed with mousseline. Kapon of cotton batist (percale) garnished with pleated strips of fabric between which smoked mousseline. Mamelukken sleeves. Further accessories: belt, scarf trimmed with fringes, flat shoes with tires and bows. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. Paris paper engraving Standing woman with a tulle hat on the head, decorated with a rainbow ribbon and a matching flower. Pelerine with a front point, embroidered and trimmed with mousseline. Kapon of cotton batist (percale) garnished with pleated strips of fabric between which smoked mousseline. Mamelukken sleeves. Further accessories: belt, scarf trimmed with fringes, flat shoes with tires and bows. Magasin des Modes Nouvelles Françaises et Anglaises, 10 Septembre 1787, 30th Cahier, 2nd Année, PL. 1. Woman to the right, in caraco of mousseline on a skirt, decorated with a wrinkled strip of fabric. FICHU and small shoulder sheath () Trimmed with a wrinkled strip. Wrinkled double cuffs. Accessories: Large hat with ribbon and dependent slip, long gloves, impeller, shoes with heels. The print is part of the 30th Cahier, 2nd Année, from the Magasin des Modes Nouvelles Françaises et anglaises series. The series consists of 172 fashion prints, published by BuisSon, Paris, 20 Novembre 1786 - 21 Décembre 1789.Fashion Plate (Parisian Ball Dress). John Bell (England, 1745 - 1831). England, London, February 1821. Prints; engravings. Hand-colored engraving on paperLa Belle du Matin and Caracot et Jupe á la Suzanne; Collection d'habillements Modernes et Galants. Woman in a caraco and skirt 'à la suzanne'. 'Chapeau au Cherubin'. She walks to the Palais Royal in the morning; For distraction she gets a pastille from her candy box. Accessories: earrings, flower corsage, bracelets, chatelaine, shoes. Print G 45 from the Collection D'Habillements series Modernes et Galants, avec Les Habillements des Princes et seigneurs.Margaret of Bar, wife of Henry V, Count of Luxembourg, 12201275. She wears a a chaperon bonnet in gold with large bows over the ears, an ermine surcoat, and a yellow robe. The dress combines the coats of arms of her husband (argent, with red lion rampant) and her family (two gold bars). Handcoloured copperplate drawn and engraved by Leopold Massard from "French Costumes from King Clovis to Our Days," Massard, Mifliez, Paris, 1834.Gallerie of French modes and costumes, 1777, Kopie K 60: young Polish lady with Circassian sleeves (...), c. 1777 Young woman in a 'Robe à la polonaise' with sleeves 'à la Circassienne'. On the head a 'baigneuse' with two slips of filet. Further accessories: around the neck a cord with two brushes, bracelets, shoes with heels and ruffles (). Copy number 5 to K 60 from series K. 10th Cosier de Costumes Français, 4th Suite d'Habillements à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. head-gear (BAIGNEUSE) (+ women's clothes). dress, gown: robe à la polonaise. styles of hairdress - AA - ~ women. skirt (+ women's clothes). sleeves (+ women's clothes). bracelet, wristlet (+ women's clothes). necklace (+ women's clothes)Journal des Luxus und der Moden, 1795, T 15.Woman in a key with long sleeves and trail, at the zoom decorated with contrasting tape. Belt or ribbon around the waist. Further accessories: hair band with feathers, earrings, FICHU, necklace with medallion, range. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Mrs Ann Barry in the character of Sophonisba in James Thomsons Sophonisba. However, she did not play the role in London. Ann Street, 1734-1801, was a leading actress of the 18th century appearing as Mrs Dancer, Mrs. Barry and Mrs. Crawford. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1778.Historical Costumes: Louis XVI's Time Ball Costume Achille Deveraia (1800-1857), French engraver. Historical costumes: Louis XVI's time costume. Lithograph colored and gummed on paper, 1831.Fashion Plate, Carriage Costume’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, September 1, 1826. Prints; engravings. Hand-colored engraving on paperMiss Frances Copeland as Fanny in "Maid or Wife" the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's "British Theatrical Gallery," London, Henry Berthoud Jr., 1825.Woman in short hairstyle known as the Victim or Titus, 1798. Woman in Titus-style hair, small checked kerchief. Her seethrough gauze mantle is edged with lace. Girl in red tunic dress and bonnet. From models seen on the Boulevard de la Madeleine. Cheveux à la Titus, petit fichu quadrille mantelet gaze, garni en dentelle. Dessiné sur le Blvd de la Magdeleine. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.Recueil des modes de la cour de France, 'Fille de qualité, en d'eshabillé D'esté'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paperWoman in bonnet a la Jardiniere, white follettes, gauze fichu, sky blue gown, pleated white front, linen petticoat with pink ribbons. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 15me Cahier, 15 July 1790.Woman in wig and bonnet, long crimson coat over white skirts, with both hands in a huge fur muff.. Francois-Claudius Compte-Calix (1813-1880) was a French painter and illustrator. A regular exhibitor at the Salons, he illustrated numerous books and several romantic books of poetry, and for many years contributed to the fashion magazine "Modes Parisiennes".. Handcolored lithograph of an illustration by Francois-Claudius Compte-Calix from "Les Modes Parisiennes sous le Directoire" (Paris Fashions under the Directory 1795-1799) 1865.Fashionable woman in hairstyle a l'enfant: herisson or hedgehog crown with roses, rows of ringlets tied behind with a violet ribbon. In white linen gown, fourreau, violet ribbon belt and hem, gauze fichu, holding a fan. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 9me Cahier, 15 May 1790.Miss C. Boden as Lady Effie in the Outlaw's Oath, 1828., 1828. Publisher, Dyer. Actors, Great Britain. Boden, C., Miss., 24 x 19.5 cmGallerie des Modes, c. 1778 A fashionable 'petite mistress' in a 'robe à la polonaise' of painted fabric, garded with mousseline, reading a letter. High hairstyle with pouf and aigrette. Accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Print from series G. 7th Cosier des Costumes Français, 1re Suite d'Habillemens de Femmes à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à la polonaise. head-gear (POUF) (+ women's clothes). skirt (+ women's clothes). shoes, sandals (+ women's clothes). bracelet, wristlet (+ women's clothes). reading. fashionable woman, 'belle'Newspaper of Ladies and Modes, Paris Costume, August 22, 1798, An 6, (57): Hair with Titus (...).Haircut 'à la Titus'. Long scarf attached to the left shoulder. Cloak over the left arm. Long gloves, clocked. Jap with short sleeves and drag, deposited with decorative tire (). Flat shoe with pointed nose. According to the caption, this performance is drawn to life in 'Tivoli'. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.Miss Ann Catley in the character of Rachel in Richard Bromes The Jovial Crew, Covent Garden Theatre, 1762. Ann Catley, or Ann Lascelles, was an English singer and actress 17451789. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1781.Journal of ladies and fashions, 1804 - 1805 paper. printing ink. watercolor (paint) etching fashion platesPetit Courrier des Ladies, 20 Septembre 1834, No.1095: Chapeau and Pou de Soi (...). "Pou de Soie" hat from Thomas. Jap of embroidered silk mousseline. Pelerine of embroidered muslin from Mme Payan. Print from the fashion magazine Petit Courier des Ladies (1821-1868).Petit Courrier des Ladies, 1828, No. 580: Robe d'Organdi (...). Japon of Organize. Long transparent sleeves over short puff sleeves. Blond hat (dock edge) decorated with flowers. Further accessories: gloves, box (), Boots. Print from the fashion magazine Petit Courier des Ladies (1821-1868).Woman in the fashions of 1798. She wears a Primerose-style hat tied with a checkered fichu. Her dress has laced sleeves, and her pocket-less apron is in check taffeta. She holds a fan and kerchief. The hat may be inspired by costume of a Provencale peasant played by Madame St. Aubin in Nicolas Dalayracs opera Primerose which debuted in 1798. Chapeau a la primerose. Manches lassees. Tablier sans poches de taffetas quadrille. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.Lady Jane Grey, 1553. She wears a crimson velvet cape lined with ermine, brocade dress, necklace, girdle and headdress. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Gallery des Modes et Costumes Français, 1785, no. 1, no. 2, copy to FF 175: Robe a La Turqu (...). Standing woman dressed in a "robe à laturque". Jap with short sleeves and contouring long sleeves, underskirt in the same color as the under-sleeves. Around the agent a knotted scarf. Accessories: Hat decorated with flowers, knotted neckerchief, folding fan. Copy to FF 175 from series ff. 30th Cahier de Costumes Français, 23rd Suite d'Habillements à la Mode and 1780, Gallery des Modes et Costumes Français.Journal des Ladies et des Modes, Costume Parisien, 4 Mai 1799, AN 7 (105): Chapeau de Paill (...). Straw hat, decorated with a wide ribbon. Japon with long sleeves and trail. Under the bust a stretched ribbon. To the right arm a long scarf with a loop pattern. Further accessories: brooch (), Reticule with decorative letters, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Fashionable woman running in a silk bonnet and percale cotton gown. Chapeau de gros de Naples, robe de perkale. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1817.Merveilleuse or fashionable woman doing embroidery with a hoop, 1800. She wears a velvet hat with a feather called a weeping plume. Decollete dress cut under the nipples and Spencer jacket. Chapeau de velours. Plume dite Pleureuse. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1800. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.Fashion Plate (Walking Dress). Rudolph Ackermann (England, London, 1764-1834). England, London, July 1, 1826. Prints; engravings. Hand-colored engraving on paperGeneral table of the taste, 1797, year 5 (11) (5 aug. 1797): young person coiled and dressed in Turkish., 1797 Young woman, walking to the right, with a turban 'à la Turque' on the head. She wears a dress with short sleeves and drag. Further accessories: earring in the right ear, necklace with a pendant in the shape of a crescent, belt (), Bracelet, fan (), Long scarf, flat shoes with pointed noses. The print is part of a series of 12 fashion prints, An V, July-August 1797. paper etching fashion plates. head-gear: turban (+ women's clothes). dress, gown (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). ear-rings (+ women's clothes). pendant, trinket, 'breloque' (+ women's clothes). bracelet, wristlet (+ women's clothes)Miss Victoire Saulnier Role of Madame de la ... in Paul and Virginie Ballet Academy Impal. of music. (Dummy title) | The small dramatic gallery, nº? (Dummy title)Journal of Luxury and Fashion 1786, Volume I, T. 35, Friedrich Justin Bertuch, 1786 Young woman in a ball dress for the coming carnival. Skirt of white taf side with wide Falbala, on which a second skirt of white crepe that is built on two sides with pink tires from the front. Body and sleeves also from white crepe;. A corselet over the body. On the head a big hat and a wreath of flowers. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Young woman in a ball dress for the coming carnival. Skirt of white taf side with wide Falbala, on which a second skirt of white crepe that is built on two sides with pink tires from the front. Body and sleeves also from white crepe;. A corselet over the body. On the head a big hat and a wreath of flowers. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, WeMaria Theresa, Infanta of Spain, 1660. Illustration copied from Laumosnier's painting "Meeting between Louis XIV of France and Philippe IV of Spain." Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era," written by Leopold Ziegelhauser, Vienna, 1837.Journal des Luxus und der Moden 1788, Band III, T.1.Elegant woman from Rome, in a dress with which she appears on the Corso in the evening or goes to the theater. Fichu with bow on the chest. Corselet with buckles around the agent. On the head a Turkish turban, decorated with pearls, springs, an egret and a veil. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Gallerie des Modes. In 1778 two young publishers tapped a previously undiscovered market with the launch of a series entitled Gallerie des Modes, which responded to the growing demand among Parisians for fashion news. Initially featuring only hairstyles, the series illustrations were later extended to include complete outfits to cater to its audience. These showed figures from head to toe. All ranks of French society were represented in a wide variety of fashionable clothes, from the simple negligée 1 to the robe à la polonaise 2 3, the robe à langlaise 4 and the occasional smart gentlemans suit.Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (628) Robe Brodée .......Lady in a junior with embroidery, in the style of a court juke. Large scarf with embroidered edges. Turban with egret; Necklace and earrings.Katharina Sperling's ink drawing depicts the city of Augsburg with 36 costume studies, featuring women and workers, using gray ink and blue washes for background and detailing.Dress. Dated: 1935/1942. Dimensions: overall: 29 x 22.8 cm (11 7/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ruggiero Pierotti.Journal of luxury and fashions, 1796, T 32, 1796 Woman in a wrap with transhipment, trimmed with ruffles. Accessories: hat with ostrich, collerette, necklace, belt, fan. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). fashion plates. belt, girdle, waistband (+ women's clothes). necklace (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes)Geese merchant. / No. 3. (title registered) | Cree of Paris. (Ts)Fashion Plate, Cottage Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, September 1, 1820. Prints; engravings. Hand-colored engraving on paperGallerie des Modes, c. 1778 Young woman with bare bosom, sitting on a chaise longue, with a round hat of brochureed linen on the head. She is wearing a satin pelisse with fur over her 'deshabillé'. A fichu with bow around the neck. Shoes with heels and buckles. A book in the left hand. Print from series Q. 16th Cahier de Costumes Français, 10th Suite d'Habillemens à la Mode, Gallerie des Modes et Costumes Français. paper engraving head-gear: cap (+ women's clothes). dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). couch, sofa, settee. fashion plates. piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). cape (PELISSE) (+ women's clothes)Historical Costumes: English Lady of the Court of Henry VIII Achille Deveraia (1800-1857), French engraver, and Rose Joseph Lemercier (1803-1887), French lithographer printer. Historical costumes: English Lady of the Court of Henry VIII. Lithograph colored and gummed on paper, 1831.Journal of the ladies and modes 1823, Parisian costume (2169), 1823 Print from the journal Journal des Dames et des Modes, 1823. paper etching Print from the journal Journal des Dames et des Modes, 1823. paper etchingWoman in costume of Bolbec, reading a book while resting against a chair. This bavolet bonnet is the most beautiful we have seen, because the veil falls from such a great height with great playfulness. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Woman of Siena, 1581. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.Magasin des Modes Nouvelles Françaises et Anglaises, 30 Octobre 1787, 35th Cahier, 2nd Année, Pl. 3. Young unmarried woman dressed in a red 'Fourreau' with a wide blue ribbon around the waist. Around the neck a fichu. The hair in a long tail. Accessories: hat with ribbon and slips, earring, long gloves, impeller. The print is part of the 35th Cahier from the Magasin des Modes Nouvelles Françaises et Anglaises series. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789.Dress of the reign of James II, 1685~1688. She wears her hair in ringlets, a low-cut check dress with bodice and puff sleeves over an embroidered petticoat. Based on Hollars "Ornatus Muliebris Anglicanus," Heaths "Chronicle," de Grammont, portraits, prints. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria,” London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.Journal of the ladies and fashions, Parisian costume, April 10, 1798, year 6 (30): damn Sowed turban (...), 1798 Fichu turban, strewn with sequins. Dress with smoked sleeves. Ceintuur of black velvet. Further accessories: earring in the left ear, long gloves, fan, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: turban (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). fan (+ women's clothes). border, ribbon, braid (+ women's clothes). shoes, sandals (+ women's clothes). belt, girdle, waistband (+ women's clothes). sleeves (+ women's clothes)Journal des Luxus und der Moden, 1798, T 27.Standing woman dressed in a clot with half-length sleeves, high waist and drag. To head a scarf with ostrich. Further accessories: earrings, impeller, flat shoes with crossed tires and pointed noses. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Gallery des Modes et Costumes Français, 1785, No. 19, no. 37, copy to G 40: Femme de Qualité and Deshabillé (...). Leading woman in a 'deshabillé', walking in the morning in the countryside. The white suit is decorated with tires of painted fabric, and consists of a bodice and skirt with a draping (queue) at the back. Small shoulder jacket with hood. On the head a hat decorated with ribbons and flowers. Further accessories: collette, long gloves, bracelet, impeller, walking stick, shoes with heels and rosettes. Copy to G 40 from Series G. 7E Cahier de Costumes Français, 1st Suite d'Habillemens de Femmes à la Mode, Gallery des Modes et Costumes Français.Puppet - "Mrs. Shelby". Dated: c. 1937. Dimensions: overall: 35.6 x 26 cm (14 x 10 1/4 in.) Original IAD Object: 24" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Bertha Semple.Fashion, Italy, 19th century - Gala dress of a Milanese woman, 1807. Fashion plate by Gian Battista Bosio.Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (639) Bonnet de Lingère....Woman to the right, in white dress with white apron and Fichu (tablier and fichu). Long gloves. Hat with ribbon and bow.Journal of the ladies and fashions, Editie Frankfurt 1809, Parisian costume, (31): in front of drapée (...), 1809 Woman in dress that is draped at the front of the body. Fichu garnished with ruffles (), Which also forms the belt. Accessories: Collier consisting of two cords with cross -shaped pendant, long gloves. Bouquet flowers in hand. Print from the fashion magazine Journal des Dames et des Modes, Frankfurt-Am-Main, 1798-1848. The print is a copy to pl. 988, 10 Juillet 1809, from Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving gloves, mittens (LONG GLOVES) (+ women's clothes). dress, gown (+ women's clothes). fashion plates. shoes, sandals (+ women's clothes). pendant, trinket, 'breloque' (+ women's clothes). cut flowers; nosegay, bunch of flowers. piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). fan (+ women's clothes).Journal of the ladies and fashions, Parisian costume, December 12, 1803, year 12, (518): hat of feltr (...), 1803 Woman, seen on the back, with a hat from felt. Men's shoes at the feet. She wears an Amazon costume (Rijkostuum): Spencer and skirt with sleep. With the left hand she holds her skirt. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). clothing for the upper part of the body (SPENCER) (+ women's clothes). head-gear: hat (+ textile fabrics used for clothes). head-gear: hat (+ women's clothes). shoes, sandals (+ woman dressed as man (travesty)). gloves, mittens, etc. (+ women's clothes). riding a horse, ass, or mule; rider, horseman (+ sitting on animal with both legs on one side, riding side-saddle). ensembles of pieces of clothing (RIDING COSTUME) (+ women's clothes)Fashion Plate, 'London Fashionable Full Dress' for 'Lady's Magazine'. England, London, September 1812. Prints; engravings. Hand-colored engraving on paperLouis Philippe Boitard, active 1734-1760, A Young Woman in a Blue Dress, undated. Watercolor and pen and black ink on medium, slightly textured, cream laid paper.Girl with hat depicted by Vincenz Georg Kininger using ink and feather with laved technique, showing figure, pose, and hat details.Journal of the ladies and fashions, Parisian costume, April 10, 1798, year 6, (14): damn Sowed turban (...), 1798 Standing woman with an oblique head of a fichu turban band, strewn with sequins. She wears a dress with smoked sleeves. Ceintuur of black velvet. Further accessories: earring in the left ear, long gloves, fan, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving dress, gown (+ women's clothes). head-gear: turban (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). fashion plates. gloves, mittens (LONG GLOVES) (+ women's clothes). fan (+ women's clothes). shoes, sandals (+ women's clothes). belt, girdle, waistband (+ women's clothes). sleeves (+ women's clothes). border, ribbon, braid (+ women's clothes)Edith Towner, Doll Betsey Paine, 1935 1942 Doll: Betsey PaineFashion Plate, 'Morning Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, May 1, 1813. Prints; engravings. Hand-colored engraving on paperElegantia, or magazine of fashion, luxury and taste for women, February 1807, no. 5: Coeffure et Robe Parées ..., 1807 According to the description in the magazine (p. 64): Dressed white satin dress, 'drained' from the front and closed down to the bottom. Fichu van Zwanendons. 'Coiffure parée' with pearls. Collier of large pearls. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving fashion plates. styles of hairdress - AA - ~ women. dress, gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ feathers used for clothes). pearl; pearl necklace (+ women's clothes). bow (ornamental part of clothing) (+ women's clothes)French woman in court costume called la Circassienne, 1788. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Fashion image, Parisian with hat, coat dress, bag, umbrella and belt, UnknownGallery des Modes et Costumes Français, 1785, No. 23, no. 45, copy to M 72: Demoiselle and Caracot (...). Unmarried woman dressed in a caraco from the side on a matching skirt. On the head a 'Demi Bonnet' (hat). In hand a walking stick with golden button and ribbon. According to the caption, the clothes have their origins in Nantes in Brittany, where the citizenship of the city brought it to M. Le Duc d'Aiguillon in 1768. Copy to M 72 from Series K. 10th Cahier des Costumes Français, 4th Suite D ' Habillemens à la Mode, Gallery des Modes et Costumes Français.Fashionable dressing: Kopie naar the annoying finett (...), c. 1784 - C. 1785 Sitting woman in the countryside, a rose in hand. She wears a 'Juste à la Suzanne' with sheep leg sleeves on a skirt with (decorative) apron. On the head a 'Figaro' decorated with feathers. Fichu around the neck. The print is a mirrored and reduced copy to && 278, from Series &&. 44th Cahier des Costumes Français, 39th Suite d'Habillemens à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. calendar, almanac. skirt (+ women's clothes). clothing for the upper part of the body (CARACO) (+ women's clothes). head-gear: cap (+ women's clothes). head-gear (BONNET À LA FIGARO) (+ women's clothes). apron (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). flowers: roseLe Follet Courrier des Salons, Lady's magazine, 1833, No. 272: Robe AVEC Pelerine (...). Woman standing at a staircase, with a hat from the shops of hocquet. Jap with pelerine of muslin from the Larcher studios, "Couturière de SM La Reine." Stretched neckerchief, bag and parasol from 'Gros de naples' covered with black lace. Sitting figure in the same dress, seen on the back. Print from the fashion magazine Le Follet Courriet des Salons (Novembre 1829- octobre 1882).Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (630) Costume Paré..Woman in white evening gown with short puff sleeves and trail with an edge of embroidered flowers. Flower wreath in the hair. Long gloves. Necklace with hanger.Journal of ladies and modes 1822, Parisian costume (2058), 1822 Print from the journal Journal des Dames et des Modes, 1822. paper etching Print from the journal Journal des Dames et des Modes, 1822. paper etchingJournal of the ladies and fashions, editis Frankfurt November 13, 1808, Parisian costume (46): Berlin knitting cornette, striped in ribbons and decorated with a bouquet, 1808 According to the accompanying text (p. 182): Kornet van Tricot from Berlin, striped with ribbons and decorated with a bouquet. Clap of Perkale, embroidered on the lower edge. White gloves. Blue shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848). Frankfurt am Main paper engraving According to the accompanying text (p. 182): Kornet van Tricot from Berlin, striped with ribbons and decorated with a bouquet. Clap of Perkale, embroidered on the lower edge. White gloves. Blue shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848). Frankfurt am Main paper engravingSnake collar. Voile to the nun, 1801 Woman with a necklace around the neck in the form of a snake that bites in his own tail. On the head a 'voile à la religieuse'. She wears a dress with short sleeves, low cleavage and drag. Further accessories: long gloves, flat shoes with pointed noses. An open book in the left hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839 paper engraving fashion plates. dress, gown (+ women's clothes). book - MM - book open. head-gear (+ women's clothes). necklace (+ women's clothes). veil (+ women's clothes)Fashion image, Lady in a promenade suit with a long, Turkish scarf, UnknownWoman in historical costume. "Watercolor by Fritz von Dardel NordicGallerie of French modes and costumes, 1785, nr. 15, nr. 30, Kopie Naar H 44: Young lady in a circus garnished with blond (...), c. 1785 Standing young woman, seen on the back, with a dog on the line. She wears a circasienne, consisting of a dress and skirt trimmed with blonde (bobbin) and decorated with dotted ribbon. On the dressed her an elegant hat with flowers, feathers and a raised edge at the rear. Cord around the neck. Shoes with heels. Copy to H 44 from series H. 8th Cahier des Costumes Français, 2nd Suite d'Habillemens de Femmes à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à la circassienne (+ women's clothes). head-gear (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). dogFashion Plate, 'Les Modes Parisiennes' for 'Peterson's Magazine'. United States, 1870. Prints; lithographs. Colored lithograph on paperMarie Elisabeth, sister of King Louis XVI of France, 1764-1794. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Dress. Dated: c. 1942. Dimensions: overall: 58.4 x 44.3 cm (23 x 17 7/16 in.) Original IAD Object: 52" long; sleeve: 10" long (inseam). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Marie Alain.