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Historical French Fashion Plates

A collection of elegant historical women's fashion illustrations from the late 18th to early 19th centuries featuring dresses, hats, and accessories, showcasing intricate designs and colors.

Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
587 assets in this story
Standing woman in Italian traditional costume, right ..Gabrielle d'Estrees, mistress of Henry IV of France, 1595. Costume from a staging of James Robinson Planche's operetta "The Fair Gabrielle," 1822. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Fashionable woman in pouf hairstyle, drape skirt over petticoat, era of Marie Antoinette. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Pierre Thomas Le Clerc from the Gallerie des Modes et Costumes Francais, 1778-1787.Fashion Plate, 'Evening Dress' for 'Lady's Monthly Museum'. England, London, 1813. Prints; engravings. Hand-colored engraving on paperFrançoise d'Aubigné, 1635-1719, Madame Scarron and later Madame de Maintenon, French noblewoman who secretly married King Louis XIV. Velvet gown with lace tucker, embroidered bodice, lace frills, ribbons. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Fashion Plate, Evening Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, December 1, 1825. Prints; engravings. Hand-colored engraving on paperTrading Female Vrouw van Hindeloopen, Anonymous, 1790 - 1792 print Traditional clothing from a woman from Hindeloopen. Plate II in a series of four illustrations of traditional costumes in the Netherlands in 1792. Netherlands paper etching folk costume, regional costume HindeloopenCuriosity. La Curiosité.. Ripa, Cesare, 1560-1645. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Personification in art, Curiosity , Clothing & dressFashionable woman promenading on the Seine in front of the Pont Alexandre III, Paris, 1900. The ornate Beaux Arts-style bridge with sculptures by Emmanuel Fremiet. In the background, the dome of Les Invalides. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.Mrs A. Shaw, in the new opera of "The Brides of Venice", at Drury-Lane Theatre, 1844. Opera singer Mary Shaw, in blackface, 'in the part of the disguised Arabian girl'. From "Illustrated London News", 1844, Vol I.Mrs Jane Lessingham in the character of Orlando in George Farquhars The Inconstant, Covent Garden Theatre, 1768. Died 1783. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.Bonne of Bourbon, Countess of Savoy, Bonne de Bourbon, comtesse de Savoie, daughter of Pierre, 1341-1402. She wears a hennin with a very long drapery. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio V 7 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Journal des Ladies et des Modes, Costume Parisien, 27 Octobre 1798, AN 7 (70): Turban à Longue Point (...). Turban with a long dependent point. Jap with trail and a long scarf, both trimmed with striped mousseline tires and gold thread. Accessories: earring in the right ear, bracelet around the right upper arm, flat shoe with pointed nose. According to the caption, this costume is drawn to life at 'Thétre Français de la Répub.'. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.Gallery des Modes et Costumes Français, 1787, TTT 387: Jeune Lady Guettant L'instant ..... Sitting young woman dressed in a blue morning juke. A dotted small shoulder shoulder and a decorative apron with a wrinkled strip of fabric. FICHU. Haircut with chignon and curls 'à la conseilliere', adorned with a 'Chapeau à la Dorvilliers'. Shoe with rosette. From series ttt. 60th Cahier de Costumes Français, Habillemens à la Mode, Gallery des Modes et Costumes Français.Alexandra Lisowska, Roxelana (1506-1558), esposa de Solimán II el Magnífico, siglo XVI. Grabado de 1870.Cabinet of fashion and taste 1791, pl. VI: friezin.frieszin with straw cap. From: Patriotic Dragets (p. 143)Woman wearing a ballroom or dinner dress for middle aged women, Princess model, in Liberty silk fabric, with Guipure lace inserts, creation by Mademoiselle Louise Piret, engraving from La Mode Illustree, No 50, December 10, 1905.Costume of a noble woman at the court of King Louis XV, mid-18th century. Formal gown, bodice with ribbons and lace, pannier hoopskirt decorated with flowers. Dame de la Cour de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Elegantia, or magazine of fashion, luxury and taste for women, July 1807, no. 17: Chapeau de Paille ..., 1807 According to the accompanying text (p. 232): dress of 'petite toile'. Apron of mousseline mesh. Silk fichu with cotton embroidered. 'Shawl de Bagnères' (scarf) of yellow side. Straw hat with white satin ribbons. Gloves of light brown 'Cabret'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 232): dress of 'petite toile'. Apron of mousseline mesh. Silk fichu with cotton embroidered. 'Shawl de Bagnères' (scarf) of yellow side. Straw hat with white satin ribbons. Gloves of light brown 'Cabret'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingWoman of Polet, Dieppe, dressed for a festival. The simple headdress is difficult to reconcile with the decoration of the clothes - the silk casaquin (waistcoat), the day mitaines (mittens) and bracelets. These clothes are worn for the grandest occasions by the sailors of Polet, and date back to the 14th century. On the beach can be seen a bathing hut and a bather. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Woman reading a letter wearing a dress and toque hat of sea-green silk velvet edged with ermine. Ermine shawl and muff. Robe et toque de velours de soie vert de mer bordees dhermine. Handcoloured pochoir (stencil) etching after an illustration by Roger Broders from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1912.French and English News Modes Store, December 10, 1786, 2nd year, 3rd notebook, pl. 3.Standing woman dressed in a pelisse of blue satin, trimmed with fur. Below is she wearing a FICHU (), Fapon with trail and a skirt. Hands in a muff from fox fur, decorated with bow. Further accessories: Cap decorated with wide striped ribbon, earrings, shoes with heels. The print is part of the 2nd Année, 3rd Cahier, from the Magasin des Modes Nouvelles Françaises et anglaises series. The series consists of 172 fashion prints, published by BuisSon, Paris, 20 Novembre 1786 - 21 Décembre 1789.Costume of a lady at the court of King Henry III of France, 1586. In square-cut bodice with standing lace collar, embroidered sleeves, with fan and masquerade mask. Dame de la Cour de Henri III. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Journal des Ladies et des Modes, edition Frankfurt 25 Septembre 1808, Costume Parisien (39): Marmotte Nouée sur Le Côté, Robe de Crepe, Garnie and Rubans .. The accompanying text (p. 342) mentions: 'Marmotte' (determined species Headscapes), on the side knotted and decorated with an edge of flowers. Jap of crepe with ribbons. Sleeves deposited with ribbons. White Mitaines. Blue shoes. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848).Fashonable woman or Merveilleuse reading a letter on a chaise longue, Directoire era. She wears her hair in a classical Greek style, spencer jacket, low-cut muslin dress. Jeune femme en neglige. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.French actress Mlle. Guerin as Amelie in the tragedy Vepres Siciliennes by Casimir Delavigne at the Odeon, 1819.Woman in the traditional costume of Noord-Brabant; Province of Noord-Brabant. Part of album with photos and lithographs of sights in North and South Holland cities, paintings and costumes.Cabinet of fashion and taste 1791, pl. X, Anonymous, 1791 From "Fatherlandsche Dragten": Woman from Zaandam ... p. 282 Haarlem paper etching From "Fatherlandsche Dragten": Woman from Zaandam ... p. 282 Haarlem paper etchingJournal of the ladies and fashions, Editie Frankfurt October 21, 1821, Parisian costume (43): hat of Satin Moiré (...), Anonymous, 1821 State the caption and the accompanying text (p. 464): hat of satin moiré, decorated with a sash of gaze in the form of a chef. Spencer from Velours. Kapon of cotton batist, garnished with embroidered mousseline and openwork tulle. White gloves. Black shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. clothing for the upper part of the body (SHAWL) (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). clothing for the upper part of the body (SPENCER) (+ women's clothes). dress, gown (+ women's clothes). embroidery (ornamentation) (+ women's clothes). head-gear: hat (+ women's clothes).French costume, then new Parisian costume 1799-1810, No. 117: Satin hat (...), 1799 - 1810 Woman, walking to the left, with a satin hat on the head with a hanging slip, trimmed with golden fringes. She wears a dress with short sleeves and high waist. Further accessories: Bracelet around the top left arm, long gloves, flat shoes. A separate glove in the right hand. The print is part of a series of 142 fashion prints, of which 115 have been identified, published by J. Chéreau, Paris, 1799-1810. paper engraving / etching fashion plates. head-gear (+ women's clothes). dress, gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). shoes, sandals (+ women's clothes). ornamental parts of clothing (+ women's clothes). bracelet, wristlet (+ women's clothes)Lady of rank, reign of Henry VII/Charles VIII, 1515. She wears a gold cap with ear muffs, gold chains and pendant, slashed puff sleeves, fur oversleeves, velvet dress and petticoat. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Woman wearing a flower-patterned muslin dress with puffed sleeves while watering a plant, Gradoz-Angenault design, engraving from La Mode Illustree, No 15, April 11, 1897.Woman wearing a red silk muslin dress, corset with lace inserts and a hat with feathers, creation by Desbuissons and Hudelist, colored engraving from La Mode Illustree, No 50, December 16, 1906.Polyhymnia. Polyhymnie.. Ripa, Cesare, 1560-1645. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Muses (Greek deities) , Clothing & dressFashion Plate, 'Morning Dress for Febr. 1799' for 'Lady's Monthly Museum'. England, London, 1799. Prints; etchings. Hand-colored etching on paperCollection of English Original Watercolour Drawings: Morning Dress, December 1800. Ann Frankland Lewis (England, mid-17th to mid-18th century). England, 1800. Drawings; watercolors. Watercolor on paperLady in a hat with a wide roundabout and in the crisis, slightly turned to the left, shoulders along silhouettes; Hollar, Wenceslaus (1607-1677); 1640 (1640-00-00-1640-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, 17th century (costume.Costume Français, Puise Nouveau Costume Parisien 1799-1810, No. 115: Grande Parure. Woman walking to the right, in 'Grand Parure': Jap with trail, center front and at the zoom decorated with garland. Accessories: Hat with flowers, earring in the right ear, long gloves, scarf decorated with floral pattern, shoes. The print is part of a series of 142 fashion prints, 115 of which have been identified, issued by J. Chéreau, Paris, 1799-1810.Costume of St. Valery en Caux. The decoration of the bonnet is unlike anything we've seen at Rolleville or Bolbec. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Agnes Sorel, vintage engraved illustration. 12th to 18th century Fashion By ImageSmall ladies' mail 1824 (226); Little courier of the ladies.Prient uit Het modetijdschrift Small ladies' mail (1821-1868).Noord-Hollands Girl, Paulus Constantijn La Fargue, 1775 drawing parchment (animal material). ink. watercolor (paint) brush / pen folk costume, regional costume North HollandVaried alphabet: Letter X - Nymph costume to the opera of the time of Louis XV. Achille Deveria (1800-1857) and Antoine Adolphe Catherine Fondia (1828-1855). Varied alphabet: Letter X - Nymph costume to the opera of the time of Louis XV. Lithography.Woman of Paris, 16th century, wearing a square headdress, dark grey dress, upright lace collar, scarlet underdress.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard Galla mulier, in or before 1558 A married woman from France, seen from the front, turned slightly to the left. Glove in the left hand. Print from album 'Diversarum Gentium Nostrae Aetatis Habitus'. Venice paper engraving A married woman from France, seen from the front, turned slightly to the left. Glove in the left hand. Print from album 'Diversarum Gentium Nostrae Aetatis Habitus'. Venice paper engravingLeslie Matthew 'Spy' Ward, 1851-1922, British, Vanity Fair: Ladies; 'Women's Suffrage', Miss Christabel Pankhurst, 1910. Chromolithograph.Negro Woman Doll. Dated: c. 1938. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: 11 5/8" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Bertha Semple.Costume of a Polish woman during the reign of Jagiełło (Chart 14 in the publication: Notable ancient costumes). Oziębłowski, Józef (Wilno ; zakład litograficzny ; 1833-1863), lithography atelier, Raczyński, Karol (1799 aut 1801-post 1860), graphic artistHabit of the sultaness of Transilvania in 1749. Sultane de Transilvanie.. Vien, Joseph-Marie, 1716-1809. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Romania , Transylvania , 1700-1799, Queens , Romania , Transylvania , 1700-1799Elisabeth de France (1545-1568), daughter of King Henri II. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' gallery (portfolio VIII) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Drawing, Costume Design: Poetry for a Ballet; Italy; lead pencil, pen and ink on paperTradeswoman of Rouen wearing a bonnet called a bavolet. She wears a chocolate brown dress and carries an umbrella. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Journal des Ladies et des Modes, edition Frankfurt 13 Novembre 1808, Costume Parisien (46): Cornette de Tricot de Berlin, Rayée and Rubans et ornée d'un bouquet. According to the accompanying text (p. 182): Cornet of Tricot from Berlin, striped with ribbons and decorated with a bouquet. Jap of Perkale, embroidered on the bottom edge. White gloves. Blue shoes. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848).Coiffures, Poufs, Hats and Bonnets: Eleven Coiffures and Headdresses, 1781 Vrouwenbust in oval with a 'coeffure and toque'. Cup, four curls on the front, in the middle behind a chignon with two loose curls on either side. A fichu around the neck. Print from the OO series. 38th Cahier des Costumes Français, 9th Suite des Coeffures à la Mode and 1781, Gallerie des Modes et Costumes Français. paper engraving fashion plates. styles of hairdress - AA - ~ women. clothing for the upper part of the body (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes)Small ladies' mail 1823 (168); Little courier of the ladies.print from the Fashion Magazine Small Courier des ladies (1821-1868).A woman from the middle class Lima Table XI Woman of Lima, of the Middle Class, in the album: Voyages Au Peru, Made in the Years 1790 to 1794. Collection of Boards. Paris, J. G. Dent, 1809 Dentu j.g. ParisCostume of a young French woman, 1380. Hair in ringlets coiled at the sides, green gown with red petticoat. Costume d'une jeune fille. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Le Mois, Journal Historique, Littéraire et Critique, Avec figures, Tome IV, no. 10 / AN.8 (1800). Standing woman in white wet with low neckline and high waist Why an orange ribbon (Doliman). Long white gloves off with also an orange ribbon. Pink reticle in the left hand. Haircut 'à l'Egyptienne', without headdress. At the bottom of an example of a 'capotte' and 'negligé du matin'. Print from the magazine Le Mois: Journal Historique, Littéraire et Critique Avec Figures, Tome IV, 1800.Costume of Saint Lo. Hand-coloured fashion plate illustration by Pecheux engraved by Gatine from Louis-Marie Lante's 105 Costumes of the Departments along the Seine, Durand Aine, Paris, 1827.Journal des Dames et des Modes, Costume Parisien, 10 septembre 1812, (1254): Chapeau de Paill (...).Reading woman sitting on a chair, with handrail a hat of straw, decorated with flowers. She is wearing a gown with muslin. High waist and long sleeves. Further accessories: hair comb or hairpin, earring in the left ear, flat shoe with crossed tires. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Journal des Dames et des Modes, editie Frankfurt 1 janvier 1822, Costumes Parisiens (1).The accompanying text (p. 31) mentions: Fig. 1: Turban of velvet, strewn with ears. Jap of satin, garnished with feathers. White gloves and white shoes. FIG. 2: Top hat with narrow edge. Velvet cardigan about a vest of Piqué. Jacket from Laeken. Long pants from cashmere. Clothing of sheet, garnished with velvet and golden troubles. Black openwork stockings. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, Paris, 1797-1839.Journal of the ladies and fashions, Parisian costume, 1805, year 13 (668) Costume Paré., Horace Vernet, 1805 Woman to the left, in a "costume paré": white dress with yellow striped puffed sleeves and a yellow ribbon as a belt tied to the high waist. The bottom edge of the skirt is embroidered with flowers. A pink long scarf around the neck. Kpsel ..... small fan in the right hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving Woman to the left, in a "costume paré": white dress with yellow striped puffed sleeves and a yellow ribbon as a belt tied to the high waist. The bottom edge of the skirt is embroidered with flowers. A pink long scarf around the neck. Kpsel ..... small fan in the right hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engravingRebecca (La Juive) / 15th Siècle. Woman in historic costume of the Jewish rebecca, 15th century. Presentation added to the sheet metal over the costumed ball held at the Palace of the Prince of Orange (the later king Willem III) in The Hague on 26 February 1845.Fashion Plate, 'Ball Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, February 1, 1814. Prints; engravings. Hand-colored engraving on paperBourgeoise woman of Paris, 16th century. She wears a square variant of the attifet or widow's hood headdress, black robe with white collar. She carries gloves and a square mirror hanging from her belt on a cord. France, Bourgeoise de Paris. After a handcoloured print in the collection of M. Emile. Handcolored lithograph after an illustration by Edmond Lechevallier-Chevignard from Georges Duplessis's Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris, 1867. Edmond Lechevallier-Chevignard was an artist, book illustrator, and interior designer.Fashion News.The Cabinet des Modes offered readers highly detailed information about the illustrated clothes and accessories. It reported, for instance, on new clothing styles, such as the English redingote’ 1; on accessories and embellishments, such as oversized muffs, buttons, ribbons and clasps; and finally, on the latest interior furnishings. For its male audience there was the fitted jacket 2 and the popular Androsmane, a hat with an upturned brim 3.Journal des Dames et des Modes: Ladies Fashion. After the turbulent years of the French Revolution, in 1797 a fashion magazine was finally published again: the Journal des Dames et des Modes. Under the direction of Pierre de La Mésangère, it developed a cosmopolitan flair. The very best draughtsmen were recruited to produce the fashion illustrations, called Costumes Parisiens. They visited spots all over Paris to ensure they saw the latest styles. These included high-waisted gowns with low necklines, ‘Greek slippers with cross-laces 1, genuine Kashmiri shawls 2, reticules 3 (small stylish handbags), poke bonnets 4 and full-length English coats knowns as redingotes 5.Journal of ladies and fashions, Parisian costume, December 1, 1800, year 9, (262): velvet hat (...), 1800 Standing woman, leaning against a pedestal, with a velvet hat on the head with ostrich spring. Around the shoulders a checkered fichu, trimmed with fringes. She wears a dress with overpass, closed with cords with brushes. flat shoe. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). clothing for the upper part of the body (+ women's clothes). head-gear (+ women's clothes). shoes, sandals (+ women's clothes)Costume of a Swiss noble woman, first half of the 16th century. She wears a large bonnet decorated with feathers, a low-cut bodice, puffed, slashed sleeves, full skirt over petticoat. Her neck is ornamented with a choker and necklace with cross. From a wall painting by Hans Holbein in Basle town hall. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.fashion ladie's fashion 16th century German costume image after contemporary lithograph by Deveria and Lemercier,Miss Fanny Kemble as Portia in the Merchant of Venice, 1830 - 1840. Published by Dyer in London. The extent of the image is 24 x 19 cmFashion, 19th century. Women's fashion plate, 1813.Cabinet of fashion and taste 1791, pl. VI: Friezin, Anonymous, 1791 Friezin with straw cap. From: Patriotic Dragten (p. 143) Haarlem paper etching Friezin with straw cap. From: Patriotic Dragten (p. 143) Haarlem paper etchingNewspaper of Ladies and Modes, Paris Costume, May 24, 1799, An 7 (108): Neglected.A woman feeding her baby. Morning juke with long sleeves. Accessories: Cap off with wrinkled strip of fabric, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.Lillian Causey, Woman's Dress, 1935 1942 Woman's DressModes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; The torn dress Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. Engraving (Floor). The ripped dress .Habit of a noble virgin of Bologne in 1581. Demoiselle de Bologne.. Boissard, Jean Jacques, 1528-1602. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Italy , Bologna , 1500-1599Young woman with Turkish turban and earrings of coral, 1802 - 1803 Young woman with Mammelukse or Turkish turban and earrings of coral, sitting. Print taken from the fashion magazine Journal des Dames et des Modes, Costume Parisien, An 11 1802-1803, no. 422. paper. printing ink etching fashion plates. drawing. ear-ringsJournal des Ladies et des Modes, edition Frankfurt 22 Septemre 1806, Costume Parisien (39): FICHU-CANEZOU. Robe du Matin .. According to the caption, the woman wears a 'Fichu-Canzou'en a morning juke. The accompanying text (p. 347) mentions: Hat of yellow straw, decorated with flowers. Thick curls on the forehead. Pearls earrings. Jap of pink silk with fine embroidery at the Skirt Zoom. Short, half puffing sleeves. Fichu Cane. Chain to which a lorgnet. White gloves and white shoes. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848).Habit of the wife of a Russian boor in 1768. Femme d'un paysan de Russe.. Le Prince, Jean-Baptiste, 1734-1781. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Peasants , Russia, Women , Clothing & dress , Russia , 1700-1799Woman wearing a huge hat called the Happiness of the Century, Chapeau au Bonheur du Siecle. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.Doll - "Annie Sampson". Dated: c. 1940. Dimensions: overall: 35.7 x 26.5 cm (14 1/16 x 10 7/16 in.) Original IAD Object: 22 1/2" high. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner.Marie Federowna impe., veuve du czar Paul 1er costume de Deuil. 1802-05. Tableau de l'epoque. Dessin inedit.. Jacquemin, Raphaël, 1821-1881. Deltre, Auguste, 1822-1907. Prints, Illustrations. 1869. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , France, Costume , France, Women , Clothing & dress , 1800-1809Journal of ladies and fashions, editis Frankfurt December 15, 1806, Parisian costume (51), 1806 According to the accompanying text (p. 318): Fig. 1: Hat of velvet with a garnish from Nacarat. Earrings and necklace of blood coral. Redingote of Lakense fabric with a 'roundabout' and lapel and medical removal. Scarf of yellow side. Yellow shoes. Fig. 2: White canopy hat with velvet. Douillette or quilted mantle from Marceline, with sleeves and garniture à l'Espagnole '. The buildings are closed on the side with ribbons. Shoes in the Chamois color. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848). Frankfurt am Main paper engraving According to the accompanying text (p. 318): Fig. 1: Hat of velvet with a garnish from Nacarat. Earrings and necklace of blood coral. Redingote of Lakense fabric with a 'roundabout' and lapel and medical removal. Scarf of yellow side. Yellow shoeCostumes de Différents Pays, 'Femme de l'Arabie Heureuse'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paperFashion Plate, 'Fashionable Walking Dresses in Dec. 1807' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, January 1, 1808. Prints; engravings. Hand-colored engraving on paperIllustration showin a black muslin frock, with white lining, trimmed with bands of lace between the frills of muslin. 1906Gallerie of French modes and costumes, 1785, nr. 11, nr. 22, Kopie Naar Ee 170 (bis): Novelle Circassienn (...), c. 1785 Woman, seen on the back, in a circassienne of 'Gaze d'Italie' (mesh), lined with 'Taffetas des Indes' (Tafzijde). The dress is decorated with a loaded tulle decorated with knath spois, the whole shot with a 'Ruban Anglais'. 'Coëffure' consists of high -fitting hair on which a 'toque à l'Espagnole', decorated with herons and aigrettes. Accessories: fan, shoe with heel. Copy to Ee 170 (BIS) from series Ee. 29th Cahier des Costumes Français, 7th Suite d'Habillemens à la Mode and 1780, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à la circassienne (+ women's clothes). skirt (+ women's clothes). styles of hairdress - AA - ~ women. fan (+ women's clothes). sleeves (+ women's clothes). border, ribbon, braid (+ women's clothes). head-gear: toque (+ women's clothes). flowersWoman in the traditional costume of Scheveningen, Anonymous, c. 1865 - c. 1875 print Part of album with photos and lithographs of sights in North and South Holland cities, paintings and traditional costumes. paper folk costume, regional costume (+ women's clothes). head-gear: capFemale costume in the reign of Henry VIII after Holbein. She wears a long dress with embroidered front and large full sleeves over red shoes. Handcolored engraving from "Civil Costume of England from the Conquest to the Present Period" drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854).Elegantia, or magazine of fashion, luxury and taste for women, March 1807, no. 6: Coeffure and Diamans ..., 1807 According to the accompanying text (p. 96): a very graceful winter costume; White satin dress whose sleeves and the edge are garnished with blue satin 'rouleaux'. Fichu van Zwanendons. Headdress of velvet, pearls and a spring of a bird of paradise. Cachemire scarf. White satin shoes. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 96): a very graceful winter costume; White satin dress whose sleeves and the edge are garnished with blue satin 'rouleaux'. Fichu van Zwanendons. Headdress of velvet, pearls and a spring of a bird of paradise. Cachemire scarf. White satin shoes. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). AmsJournal des Ladies et des Modes, Costumes Parisiens, 25 Novembre 1831, (2938): Coiffure de M. Jouenn (...). Bride in a wedding gown with strips and veil, from the Atelier of Lucie. She stands by a bridal estate. According to the caption, her 'coiffure' is from Jouenne and are the flowers in the Cartier's hairstyle. Print from the Modelijdschrift Journal des Laden et des Modes (1797-1839).Fashion, France, 20th century. Women's fashion plate depicting two piece Burgundy color Burella cloth suit with grey rabbit fur trimmings and turban (Robe en Burella, garnie de lapin gris). From L'art et la Mode, Paris, 1916.Woman in victim-style belt and jardiniere hat, 1797. Gardener-style bonnet decorated with ribbons and lilac. Belt crossed over the back, victim-style. Dress with narrow frill at the bottom. Bonnet a la jardiniere orne de Rubans et d'un branche de lilas. Ceinture a la victime, etroit Falbalas. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1797. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.MARIE JOSEPHE ROSE TASCHER French Empress in Imperial costume. Date: 1763 - 1814Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costumes Parisiens, 5 June 1819, (1820): Chapeau de paille d'Itali, bottom center in the margin - engraved, Standing woman in a dress of cotton batiste (percale) trimmed with pleated strips of muslin in a wave motif. On her head a hat of 'paille d'italie'. Parasol in her hands. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, costume- en modeprenten, Costume Parisien., top center in the margin - engraved, Chapeau de paille d'Italie. Robe de Perkale, garnie de volans de Mousseline plissés à plis ronds., height 176 mm, width 109 mm, print maker, printmaker, 1819 - 1819, first quarter 19th century, paper, engraving, engraving (printing process), hand colouring, Publication (Event), Publication, French, 1761 - 1831, publisherJournal des Ladies et des Modes, Costume Parisien, 1799, AN 7 (119): Bonnet Toquet (...). 'Bonnet-toquet' with pleated globe. Japon with long sleeves and high waist. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Anne Marie Louise d'ORLEANS, 1627-93 French, Duchess of Montpensier, known as La Grande Mademoiselle, 17th century engraving by A. TrouvainWoman in the traditional costumes of Scheveningen; Scheveningen Prov Zuid-Holland. Part of album with photos and lithographs of sights in North and South Holland cities, paintings and costumes.Petit Courrier des Dames, 1823, No. 173 : Redingote Blouse en Mérinos (...).Woman in a "rescueote blouse" of merino wool with double shoulder collar, belt with square buckle and mid front buttons. Solid velvet hat. She looks at loose prints or drawings in a folder. In addition to her a seated woman, seen on the back, dressed in the same dress. Print from the fashion magazine Petit Courier des Ladies (1821-1868).