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Historical French Fashion Plates

A collection of elegant historical women's fashion illustrations from the late 18th to early 19th centuries featuring dresses, hats, and accessories, showcasing intricate designs and colors.

Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
Journal of the ladies and fashions, Parisian costume, April 20, 1824, (2230): Gros de Naples hat (...), 1824 Standing woman with flowers in her hand, dressed in a dress garnished with Satin Remplis. On the head a hat of 'Gros de Naples' decorated with flowers: 'Giroflée de Mahon'. Further accessories: scarf trimmed with fringes, handkerchief, shoe with square nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens, etc. (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes). neck-gear ~ clothing (+ women's clothes). cut flowers; nosegay, bunch of flowers
587 assets in this story
Anonymous Journal des Dames et des Modes, an XI, Parisian costume, Plate 470: Grande Parure Pierrain Galliera, Museum of fashion of the city Paris. 26002-1 FEMININE, HAUTE-COUTUREFashion Plate, 'London Fashionable Walking Dresses' for 'Lady's Magazine'. England, London, July 1812. Prints; engravings. Hand-colored engraving on paperHistorical costumes : Flemish costume (17th century) Achille Deveraia (1800-1857), French engraver, and Cattier. Historical costumes: Flemish costume (17th century). Lithograph colored and gummed on paper, 1831.Journal des Ladies et des Modes, Costume Parisien, 5 Juin 1819 (1820). Standing woman with a canopy hat from "Paille d'Italie" decorated with flowers. She is wearing a Cotton Batist Jap (Percale) garnished with pleated muslin strips in a wave motif. High pleated collar. Parasol in the hands. Flat shoes with square noses. Test pressure of a print from the fashion magazine Journal des Laden et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839.Fashion Plate, 'London Fashions As Worn December 1806' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, December 1806. Prints; engravings. Hand-colored engraving on paperNuremberg citizen woman with folding fan; Eine Spaziren-thrown Frau; Clothing contract in Nuremberg. Fourth print of a fifteenthous series with clothing product from the city of Nuremberg.Journal des Luxus und der Moden, 1795, T 21.Standing woman dressed in a dotted dress with long sleeves and trail. FICHU. To head off a scarf with fringes, decorated with egret. Further accessories: earring in the left ear, impeller. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Ladies and Modes 1823, Paris Costume (2127). Prant uit Het Tijdschrift Journal des Dames and Modes, 1823.Ackermann's Repository of Arts, ca. 1828, Pl. 33, Vol. 9: Promenade Dress., c. 1828 'Promenade Dress' or Walking Japon with three rosettes in the middle. Accessories: hat decorated with flowers and veil; Collier with pendant in the form of a cross; gloves. Print from the fashion magazine Ackermann's "Repository of Arts", Literature, Commerce, Manufacture, Fashions and Politics "(London 1809-1828). paper etching fashion plates. dress, gown: walking dress (+ women's clothes). head-gear: hat (+ women's clothes). pendant, trinket, 'breloque' (+ women's clothes). gloves, mittens, etc. (+ women's clothes).Gallerie of French modes and costumes, 1785, nr. 3, Kopie Naar V 126: Circassian of Taffeta (...), c. 1785 Woman dressed in a 'circassienne' from a taf side with tires of ribbon. Skirt of a different color decorated with pleated tulle and three large tires of ribbon in different colors. Accessories: pleated hat decorated with ribbon, flower corsage, walking stick with brushes, chatelaines, shoes with heels and buckles. Copy to V 126 from series V. 21st Cahier des Costumes Français, 15th Suite d'Habillemens à la Mode and 1779, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à la circassienne (+ women's clothes). neck-gear ~ clothing (+ women's clothes). skirt (+ women's clothes). shoes, sandals (+ women's clothes). walking-stick, staff, cane (+ women's clothes). border, ribbon, braid (+ women's clothes). head-gear: cap (+ women's clothes). corsage (+ women's clothes). flowersJournal of the ladies and fashions, Parisian costume, August 20, 1813, (1334): above Perkal (...), 1813 Standing woman dressed in a 'pardessus' of cotton batist (percale) on a dresser (percale) jaron. Long sleeves of muslin. Flat shoes with crossed tires and bows (Cothurnes). She has a bird on the right hand and a bird cage in the left hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (PARDESSUS) (+ women's clothes). coat (+ women's clothes). sleeves (+ women's clothes). shoes, sandals. man and animal (+ animal cage)Delivery, Jeanne Emilie.Laan, Adolf van der, Dutch costumes, Woman with cap, recto - stamped, Woman in a landscape, dressed according to the Dutch fashion of 1710-1720. Full-length, seen from the front. The print is part of a sixteen-part series of prints depicting Dutch costumes., costume print, prints, verso - stamped, height 148 mm, width 98 mm, 1690 - 1742-05-09, print maker, printmaker, 1710 - 1755, first quarter 18th century, second quarter 18th century, paper, etching, etchings, Work conception, 1690 - 1742-05-09" Laan, seen from the front. The print is part of a sixteen-part series of prints depicting Dutch costumes. Dutch costumes., height 146 mm, width 99 mmEmilie-Honorine Guyon as Marie in Les Orphelines D'Anvers by Joseph Bouchardy, Theatre de L'Ambigu Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.Journal des ladies et des modes, 1912, Costumes Parisiens, no. 6: Robe à Panier (...), Francisco Javier Gosé, 1912 Woman with dog, in Robe à panier of coffee -colored satin. Handbag in the left hand. Hat with green spring on the head. paper engraving fashion platesElegantia, or magazine of fashion, luxury and taste for women, January 1809, no. 67: Robe de Cour and Satin ..., Anonymous, 1809 According to the accompanying text (p. 32): 'Grande Parure'. Red velvet cloak with gold embroidered. 'Caëffure and Diamans'. Toque of white satin (). Diamond bracelets. According to the caption: Hofjapon van Satijn. Mantel of velvet. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 32): 'Grande Parure'. Red velvet cloak with gold embroidered. 'Caëffure and Diamans'. Toque of white satin (). Diamond bracelets. According to the caption: Hofjapon van Satijn. Mantel of velvet. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingStore of French and English new modes, October 10, 1787, pl. 1, 1787 Standing woman dressed in a mousseline pier rot on a matching skirt, trimmed with two recommended strips. A fichu around the neck. Accessories: High striped hat decorated with flowers and a veil (), Flower corsage, long gloves, folding range and shoes. The print is part of the 33rd Cahier from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. head-gear: hat (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). shoes, sandals (+ women's clothes). corsage (+ women's clothes). flowersJournal of the ladies and fashions, Parisian costume, November 6, 1802, an 11, (424): co -deffure decorated with an arch (...), 1802 Woman, seen on the back, standing in front of an easel with cloth. 'Coeffure' decorated with an arrow and inverted hair comb. She wears an apron on a dress with tow. Further accessories: earring in the right ear, flat shoes. Paint, palette and brushes in the hands. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). anonymous historical person portrayed. styles of hairdress - AA - ~ women. painter at work, in his studio. palette. chair. apron (+ women's clothes). comb, brush and other tools (care of the hair) - AA - ~ women. ear-rings (+ women's clothes). archer's weapons: arrow (+ variant)Young woman of the Oetz Valley, Tyrol, Switzerland, 19th century. She wears her hair in pigtails braided with red ribbon secured with a silver needle. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de divers Pays, Paris, 1827.Fashion Plate, 'An Evening Dress. A Parisian Winter Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, early 19th century. Prints; engravings. Hand-colored engraving on paperLady in Japon, Samuel Gränicher, 1803 - 1808 Dresden paper etching folk costume, regional costume. underclothesYoung woman with veil, 1800 - 1801 Young woman with veil, standing by a box on which a winch stands. Print taken from the fashion magazine Journal des Dames et des Modes, Costume Parisien, An 9 1800-1801, no. 266. paper. printing ink etching fashion platesWoman fixing her hair on a grassy bank. She wears a pink Mamluk tunic bordered with Turkish muslin. Her scarf is tied around her back, and her bonnet lies on the grass. Mameluck borde en mousseline Turque. Handcoloured copperplate engraving by Pierre-Charles Baquoy after Carle Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, 1804.Elegantia, or magazine of fashion, luxury and taste for women, May 1809, no. 76: Costume de Lonchamp ..., Anonymous, 1809 According to the accompanying text (p. 159): Redingote of cotton batist (percale) with a serrated garnish from mousseline. Silk shell -shaped hat with blue roses. According to the caption: "Costume de Lonchamp." Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 159): Redingote of cotton batist (percale) with a serrated garnish from mousseline. Silk shell -shaped hat with blue roses. According to the caption: "Costume de Lonchamp." Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingJournal of luxury and fashions, 1795, T 21, 1795 Woman in a dotted dress with a pleated collar and half -length wide sleeves with bows. The skirt has stopped at the front and has a bow with two hanging ribbons, including a bottom skirt. Accessories: Hair band, belt, shoes. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). diadem, tiara (+ women's clothes). shoes, sandals (+ women's clothes). skirt (+ women's clothes). fashion plates. bow (ornamental part of clothing) (+ women's clothes)Catherine Parr, 6th wife of Henry VIII, England, 1545. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Gallerie des Modes et costumes français, 1785, ddd 304: La Tendre Aspasi (...), 1785 Asphasia, sitting in casual attitude, after her amorous pleasures. The hat she wears was called 'Chapeau à la Nouvelle Omphale'. Dress of striped mousseline with an elegant edge. Fichu and small shoulder mantle, trimmed with a wrinkled strip of fabric. Further accessories: earring in the left ear, tied neck cloth, flower corsage, shoes. From series DDD. 48th Cahier de Costumes Français, 42nd Suite d'Habillemens à la Mode and 1785, Gallerie des Modes et Costumes Français. paper fashion plates. dress, gown (+ women's clothes). coat (+ women's clothes). head-gear: hat (+ women's clothes). cut flowers; nosegay, bunch of flowers. ear-rings (+ women's clothes). shoes, sandals (+ women's clothes). corsage (+ women's clothes)Small ladies' mail 1826 (371); Small ladies' mail, or new newspaper of modes, theater, literature and arts.print from the Fashion Magazine Small Ladies Courier (1821-1868).Marie Gigault de Bellefonds, Marquise de Villars, epistolary writer and wife of Pierre de Villars 1624-1706. Handcoloured lithograph after an original portrait from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Catherine de Medicis, Queen of France, wife to King Henry II. Velvet or satin hat, gold chain, gauze ruff collar, black velvet cape, black velvet gown with gold braid. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 5me Cahier, 5 April 1790.Petit Courier des Ladies, 20 Mai 1828, No. 555: Chapeau de Paille d'Italie .... standing woman dressed in a "Palmirienne" dress with an embroidered floral pattern. On the head a hat of 'Paille d'Italie' decorated with feathers of the bird of paradise. Pelerine and Boa van Tule. In the hand a handkerchief. Sitting figure in the same dress, seen on the back. Print from the fashion magazine Petit Courier des Ladies (1821-1868). Bound (with a few pp. Le Journal des Laden et des modes). January 15, 1827 to March 20, 1830. Incomplete.Antoinette Du Ligier de la Garde Deshoulières, 1638-1694, French poet at the court of King Louis XIV and literary society. In low-cut gown, tucker, embroidered bodice, frilled sleeves, gold hemmed petticoat. Madame Deshoulieres. Regne de Louis XIV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Paula of Viguier, Paule de Viguier, La Belle Paule, renowned beauty of Toulouse, 1518-1610. She wears her hair tied back under a velvet cap with feather, a surtout decorated with pearls and lace collar and sleeves. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.Woman in Royalist Coblentz-style dress, 1797. Her English hathas a foliage cockade. She wears a pink shawl over a Coblentz-style gathered dress. Cocarde en feuilles sur un chapeau a l'Anglaise. Schall uni. Robe froncee a la Coblentz. cockades on an English Style hat! and Robe froncée a la Coblentz was a Royalist stronghold in Germany where ousted French nobles gathered during the early years of the French Revolution. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1797. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.Fashion Plate, 'Morning Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, May 1, 1817. Prints; engravings. Hand-colored engraving on paperJournal des Dames, Parisian costume, June 1797 (1): Greek wig (...), 1797 'Perruque Grecque'. Klapon in 'Empire' style with close -fitting sleeves and a wrap. Colored stockings and flat shoes with pointed noses; fan in hand. First print of the fashion magazine Journal des Dames, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). wig - AA - ~ women. piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). shoes, sandals (+ women's clothes). stockings, socks (+ women's clothes)Gallerie of French modes and costumes, 1778, l.65: young bourgeois dressed in a Polonoise ..., Etienne Claude Voysard, After Desrais, c. 1778 Burgervrouw in Een 'Polish dress' Waarover Een 'Abablier' Van Mousseline. OP HET HOGE KAPSEL 'Semi neglected' een BONNET DIE 'The Risingness of the Queen' WERD GENOEMD. Pretent of Serie L, 11th Book of French costumes, 5th suite of fashionable dresses in 1778. Gallerie of French modes and costumes. print maker: Francepublisher: Paris paper. cardboard. ink engraving Burgervrouw in Een 'Polish dress' Waarover Een 'Abablier' Van Mousseline. OP HET HOGE KAPSEL 'Semi neglected' een BONNET DIE 'The Risingness of the Queen' WERD GENOEMD. Pretent of Serie L, 11th Book of French costumes, 5th suite of fashionable dresses in 1778. Gallerie of French modes and costumes. print maker: Francepublisher: Paris paper. cardboard. ink engravingFrench costume, then new Parisian costume 1799-1810, No. 20: shirt dress (...), 1799 - 1810 Woman dressed in a 'Robe and Chemise' and Spencer with black trim. On the head a hat: 'Chapeau à l'Ecossoise'. Furer accessories: fan, flat shoes with pointed noses. The print is part of a series of 142 fashion prints, of which 115 have been identified, published by J. Chéreau, Paris, 1799-1810. paper engraving / etching fashion plates. head-gear: hat (+ women's clothes). dress, gown: chemise à la Reine (+ women's clothes). clothing for the upper part of the body (SPENCER) (+ women's clothes). fan (+ women's clothes). shoes, sandals (+ women's clothes)Observateur des Modes, Modes Parisiennes, 1820, No. 38 : Amazone en drap (...).Amazon in sheet decorated with Brandenburgs, Collet de Taffeta Moiré, Silk fabric hat, clavard straw ribbon. Gauze veil bordered in satin ribbons, beaver gloves.Print, Fashion Plate for Woman's; France; hand-colored engraving support: off-white wove paper; 19.9 x 11.7 cm (7 13/16 x 4 5/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)French actress Mlle. Marguerite Georges (1787-1867) as Athalie in the tragedy Athalie by Jean Racine at the Theatre Francais. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1820.J Panna Ashperger in the role of Jenny unknownAnne of Austria, queen of France, wife to Louis XIII, 1601-1666. In crown with veil, gown with large lace collar, embroidered sleeves and skirts, blue mantle with gold fleurs-de-lys. Anne d'Autriche, Reine de France. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Dress. Dated: 1935/1942. Dimensions: overall: 29.1 x 22.9 cm (11 7/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.Woman reading an almanac. She wears her curly hair tied with a bandana, tunic dress with no bodice. Coeffure a Bandeau Transversal, Tunique sans Corsage. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, July 1804. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Fashion Plate, 'Promenade Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, November 1, 1826. Prints; engravings. Hand-colored engraving on paperLa Mode, 22 septembre 1832, Pl. 254 : Chapeau de paille de riz (...).Hat from 'Paille de Riz' from the shops of Larochelle. Japon of muslin, decorated with 'brakeplis' and embroidery. Scarves from tulle, trimmed with fringes. Further accessories: gloves, impeller, handkerchief, flat shoes with crossed tires and square noses. Print from the La Mode mode magazine (1829-1855).Italy, 16th century. Sienese noblewoman. From Habitus praecipuorum popularum, engraving by Jost Amman, 1577.Gallery des Modes et Costumes Français, 1785, No. 15, no. 30, copy to H 44: Jeune Lady and Circassienne Garnie de Blonde (...). Standing young woman, seen on the back, with a dog on the line. It carries a circasienne, consisting of a dress and skirt deposited with blonde (dock edge) and decorated with dotted ribbon. On it tapped up her an elegant hat with flowers, feathers and a raised edge at the rear. Cord around the neck. Shoes with heels. Copy to H 44 from Series H. 8E Cahier des Costumes Français, 2nd Suite d'Habillemens de Femmes à la Mode, Gallery des Modes et Costumes Français.Journal des Ladies et des Modes, Costume Parisien, 10 Janvier 1801, AN 9, (272): Garnitures De Velours Appliqué. Standing woman in front of a fitting mirror, seen on the back, dressed in a dress applique with garments of velvet. Short sleeves and drag. A ribbon in the raised her. flat shoes. The print is part of the fashion magazine Journal des Laden et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839Woman in riding outfit, Paris, 1804. She wears a bonnet, wool ridingcoat, leather gloves and holds a riding crop. Habillement d'amazone en drap. Handcoloured copperplate engraving by Pierre-Charles Baquoy after Carle Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, 1804.Journal des Dames et des Modes, Costume Parisien, 22 septembre 1799, An 7, (159.) : Vue de Tivoli.Woman, seen half on the back, walking through the gardens of Tivoli, dressed in a dress with a checkered body. Stretched ribbon on the back, zoom decorated with a geometric motif. Short sleeves and drag. Accessories: Hat decorated with flowers, impeller, flat shoes with pointed noses. She holds her Gon with the right hand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.New French and English New Modes Store, July 30, 1787, 26th notebook, 2nd year, pl. 2.Woman in a yellow half rescue with wide collar. Skirt with scalloped zoom. Around The Neck has done. Accessories: Hat Decorated with Feathers and Ribbons, Necklace, Long Gloves, Tax. The Print is part of the 26th Cahier from the News French and English Modes Shop Series. The Series consists of 172 Fashion Prints, Published by Buisson, Paris, November 20, 1786 - December 21, 1789Fashion Plate, 'Walking Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, June 1, 1822. Prints; engravings. Hand-colored engraving on paperFashion, France, 19th century. Women's fashion plate depicting tocco hat and redingote with brushed silk border (Toque et Redingote garniers de pluche de Soie). From Costume Parisien, Paris, 1809.Observer of Modes, 1818, No. 1: White Crepe Hood (...). 'Capote' From White Crepe, Decorated with Blonde (Dump Edge) and a bouquet of Purple Poppies on One Side. 'Bayadere' from Scottish Checkered Silk. Cotton Batust Joke (percale) decorated 'Crévés separates from between-two compounds of carnations and days executed at the eel'. The Bodice is 'at the gardeniere'. Beach Umbrella. Print from the Fashion Magazine Observator of Modes (August 1818 - November 30, 1823).Petit Courrier des Dames, 1826, No. 435 : Redingotte de Crêp (...).Standing woman with a letter in hand, dressed in a rescueote of crepe, lined with satin and decorated with ribbons 'à la talma'. On the head a hat of satin, decorated with blonde (dock edge) and half checkered ribbons, "des Magasins de Mure." Further accessories: belt, gloves, bracelets to both wrists, shoes with pointed noses. On the right a seated woman, seen on the back, dressed in the same dress. Print from the fashion magazine Petit Courier des Ladies (1821-1868).Journal of the ladies and fashions 1821, Parisian costume (1969), 1821 Print from the journal Journal des Dames et des Modes, 1821. paper etching Print from the journal Journal des Dames et des Modes, 1821. paper etchingJournal des Dames et des Modes, Costume Parisien, 31 mars 1800, An 8 (204) : Chapeau de Paill (...).Straw hat decorated with ribbons and ostriching. "Spenser à Demi Schall" on a dress with trail. Further accessories: gloves, reticule with embroidery and tassels, flat shoe with pointed nose. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Madame de Balb ... 1st. Aristocrat common by mountains and by you to gather the vampires of its race. 1792. (IT)Costume of Caen. The bonnet is of great height, with the veils twisted over the crown of artificial flowers up to a point like a mitre. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Gallerie of French modes and costumes, 1785, nr. 6, nr. 11, Kopie Naar n 78: Young lady in Circassienn (...), c. 1785 Young woman dressed in a circassienne of 'Gaze d'Italie' on a skirt of the same fabric; The Falbala is decorated with colored ribbon. The dressed hair is decorated with a 'pouf au fichu' decorated with pearls and a plume on the left, 'à la fashion Asiatique'. A sheet of paper in the right hand and a fan in the left hand. Copy to N 78 from series N. 13th Cahier De Modes Françaises, 7th Suite d'Habillemens à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: robe à la circassienne (+ women's clothes). skirt (+ women's clothes). sleeves (+ women's clothes). fan (+ women's clothes). styles of hairdress - AA - ~ women. letter, envelope. head-gear (POUF) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes)Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Oktober 1807, No. 24: Fichu a Colerette et a Peintes nouées en Echarpe.According to the accompanying text (p. 328): Jap of white muslin 'La Manches Bouffantes' (POF sleeves). Fichu with 'Colerette' with points tounded from behind. Straw hat with 'folettes'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).Woman in panier dress in coffee-coloured satin with pet dog. Robe a panier en satin cafe. Handcoloured pochoir (stencil) etching after an illustration by Xavier Gose from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1912.Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (621) Coeffure en Jais. Tablier ajusté..Woman to the right, in a tablier robe over a pink dress. Haircut with heretje van gitten. As jewelry a chain and earrings. Sprig of flowers in the left hand.Woman on the balcony at the theatre in cambric turban. She holds an opera glass, wears a dress with scalloped bodice and sleeves, and rests her shawl on the balustrade. Turban de Batiste. Corsage et Manches Drapés. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1803. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Fanny Cooper as Helena, Athenian lady, in Shakespeare's "Midsummer Night's Dream," mid 19thC. Miss Cooper (1814-1872) was an English actress who performed at Sadler's Wells. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Apparel. Woman standing in full figure with white apron. Watercolor in large format by O. Wallgren NordicElegantia, or magazine of fashion, luxury and taste for women, July 1808, no. 52: Cornette de Mousseline Brodée ..., Anonymous, 1808 According to the accompanying text (p. 224): dress of printed cotton, called 'Toile de Joui'. 'Colerette-Fichu'. 'Cornette' from embroidered muslin. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 224): dress of printed cotton, called 'Toile de Joui'. 'Colerette-Fichu'. 'Cornette' from embroidered muslin. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingWoman of Caux in white dress, tall bonnet with lace tails. All the elegant women of St. Clair are assembled for a harvest festival in an apple orchard. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Fashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, March 1, 1817. Prints; engravings. Hand-colored engraving on paperNoble Dama de Venecia, en la Edad Moderna. Grabado en color de 1870.Fashion Plate, 'Walking Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, August 1, 1816. Prints; engravings. Hand-colored engraving on paperMary Queen of Scots (born 1542, beheaded 1586), circa 1566. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Marie-Angelique de Scorailles, mistress of King Louis XIV. Marie-Angelique Scoraille de Roursille, Duchesse de Fontagnes. Handcoloured lithograph by Breton after a miniature in the collection of Louis Marie Lante from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Woman in a plumed hat of ribbed fabric, quilted housecoat in twilled silk, holding a fur muff. Chapeau de reps, douillette de Levantine. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1816.Woman of Rome in formal attire 1581. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.French Lady in 1675, History of Fashion, Costume History, Historical, digitally restored reproduction of a 19th century original, exact date unknownYoung woman from Store Magleby on the way to the church, Anonymous, in Or Before 1812 print Denmark (possibly) paper etching folk costume, regional costume. going to church AmagerJournal des Ladies et des Modes, edition Frankfurt 7 Mars 1808, Costume Parisien (10): Diadême de Fleurs .... according to the accompanying text (p. 264): Silver diadem with flowers. Necklace of crosses. Japon of white muslin, Retroussée avec des Noeuds de Pelerin. (a point of which is absorbed at the bottom, so that a bottom skirt with embroidered edge is visible. Puff sleeves. Embroidered silk shawl. White gloves. White shoes. The print is part of the fashion magazine Journal des Ladies et DES MASS, published in Frankfurt as Copy of the French edition of Pierre de la Mésangère, (1798-1848).Gallerie des Modes. In 1778 two young publishers tapped a previously undiscovered market with the launch of a series entitled Gallerie des Modes, which responded to the growing demand among Parisians for fashion news. Initially featuring only hairstyles, the series illustrations were later extended to include complete outfits to cater to its audience. These showed figures from head to toe. All ranks of French society were represented in a wide variety of fashionable clothes, from the simple negligée 1 to the robe à la polonaise 2 3, the robe à langlaise 4 and the occasional smart gentlemans suit.Journal des Dames et des Modes, Costume Parisien, 6 novembre 1802, An 11, (424): Coeffure ornée d'une Flèch (...).Woman seen on the back, standing in front of an easel with cloth. 'Coeffure' decorated with an arrow and reverse hair comb. She is wearing a apron on a dress with trail. Further accessories: earring in the right ear, flat shoes. Painting stick, palette and brushes in the hands. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.French Lady in 1675, History of Fashion, Costume History, Historical, digitally restored reproduction of a 19th century original, exact date unknownFashion Plate, Morning Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, August 1, 1825. Prints; engravings. Hand-colored engraving on paperWoman wearing a geranium coloured Drap satin dress, low cut corset with lace blouse and a hat with flowers, creation by Leony Taffare, colored engraving from La Mode Illustree, No 16, April 19, 1908.Journal of the ladies and fashions, Parisian costume, May 5, 1824, (2233): comb ivory (...), 1824 Two women who watch an album together. The woman on the left has a hair comb from ivory in the lit her. She wears a 'blouse' from Tulle. The other woman has decorated a hat of blonde (bobbin) with flowers on the head. She is wearing a Redingote from Vlokzijde. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). head-gear: cap (+ lace used for clothes). lace (+ women's clothes). neck-gear ~ clothing (+ women's clothes). dress, gown: redingote (+ women's clothes). ornamental parts of clothing (+ women's clothes). print, e.g.: engraving, etching, lithograph. clothing for the upper part of the body: blouse (+ women's clothes). comb, brush and other tools (care of the hair) - AA - ~ womenAgnes Sorel, Dame de beaute, mistress of King Charles VII of France, 1409-1450. She wears a tall brocade bonnet with long veil, necklace and velvet dress with fur trim, crakows or poulaines. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.Doll - "Ann Blairs". Dated: c. 1936. Dimensions: overall: 35.7 x 28 cm (14 1/16 x 11 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Mary E. Humes.Charlotte Stanley, Countess of Derby, 1599-1664. Charlotte de la Tremouille. Handcoloured lithograph by Breton after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Journal of ladies and fashions, Parisian costume, 1805, year 13 (628) embroidered dress ......, Horace Vernet, 1805 Lady in a dress with embroidery, in the style of a court japon. Large scarf with embroidered edges. Turban with aigrette; chain and earrings. paper engraving Lady in a dress with embroidery, in the style of a court japon. Large scarf with embroidered edges. Turban with aigrette; chain and earrings. paper engravingShe wears a green velvet bonnet decorated with plumes. Her dress is of purple velvet trimmed with marabou. The boa like the muff she carries is also of marabou feathers. Date: 1830Bound Print (France)Ninon de Lenclos or Anne "Ninon" de l'Enclos, 1616-1705, French author, courtesan and patron of the young Moliere and Voltaire. Handcoloured lithograph after a miniature in the collection of Louis Marie Lante from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Germany, Prussia, 1806 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, GermanyLadies and modes newspaper, Parisian costume, 1805, year 13 (613) Velvet hat .... seen from The Front, Dressed in a 'Florence' dress' with a fiche of satin. On The Head at Velvet Hat. Necklace and Earrings. The Print Is Part Of The Fashion Magazine Laden Journal and Moldes, Published By Pierre de la Mesanger, Paris, 1797-1839.Fashion Plate, 'Evening Dress' for 'Lady's Monthly Museum'. England, London, April 1813. Prints; engravings. Hand-colored engraving on paperJournal des Dames et des Modes, Costume Parisien, 1805, An 13 (601) Costume d'une Jeune Personne.Young woman in a "costume for a young person". She is wearing a blue rescueote with small black pellerine including a high collette of white muslin. As a jewelry a chain and earrings of blood coral. The print is part of the fashion magazine Journal des Ladies et DES MODES, published by Pierre de la Mésangère, Paris, 1797-1839.Woman wearing an Empire style meeting dress, blue Voile fabric, blouse corset with lace inserts, creation by Lachartrouille, colored engraving from La Mode Illustree, No 35, September 2, 1906.Fashion Plate (Carriage Dress). John Bell (England, 1745 - 1831). England, London, May 1, 1821. Prints; engravings. Hand-colored engraving on paperWoman in the costume of Rolleville. Side view of the tall bavolet bonnet. The decorations on the front and that fall on the chignon are sewn onto the bonnet. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.