Historical Frescoes and Mural Art

A collection showcasing detailed frescoes and murals from different eras, highlighting architecture, historical themes, and artistic styles in rich colors.

The Embarkation of Ulysses. Attributed to Erastus Salisbury Field (1805-1900). oil on canvas, 33 X 38.5 In.

Effects of Bad Government in the City, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala della Pace, west wall. Detail. Dwellings at the top left.

ESCALERA PRINCIPAL-MURALES DE LA HISTORIA DE MEXICO - FOTO AÑOS 90. Author: DIEGO RIVERA. Location: PALACIO NACIONAL. MEXICO CITY. CIUDAD DE MEXICO.

Paris (VIIE arr.), France The exhibition of decorative arts, Court of Trades, Esplanade des Invalides, Charles Plumet, Marret panels, Sports , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Cour des métiers , esplanade des Invalides , Charles Plumet , Panneaux de Marret , Les Sports). Represented animal , fantastic animal, sculpture, painting, decorative arts, exhibition, exhibition of decorative arts, courtyard, carved decor, frieze, ephemeral architecture, Animal , Art , Habitat , Architecture, France, Paris, Exhibition of decorative arts, the court of trades, the sports panel

Recreación de un cubículo (cubiculum) de la villa romana de Boscoreale, S. I a. C. Museum: Metropolitan Museum of Art, New York.

Klingholz Fritz (1861-1921), wall painting (February 25, 1913): Aphrodite and Tritons in ancient architecture. Opinion. Pencil watercolored on linen, 26 x 38.3 cm (including scan edges) Klingholz Fritz (1861-1921): Wandmalerei

Stage design for the opera The Gambler by S. Prokofiev by Levental, Valeri Jakovlevich (*1938)/ State Tretyakov Gallery, Moscow/ 1974/ Russia/ Oil on canvas/ Theatrical scenic painting/ 61x90/ Opera, Ballet, Theatre

Entrance Door. Dated: c. 1939. Dimensions: overall: 45 x 56.8 cm (17 11/16 x 22 3/8 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Hans Westendorff.

The Embarkation of Ulysses. Attributed to Erastus Salisbury Field (1805-1900). oil on canvas, 33 X 38.5 In.

Design for a wall painting in the side room at Hendrik Wessels, c. 1780 drawing Wall with two wallpaper subjects and two set -up sheets on either side of a chimney. paper. pencil. ink pen / brush

Ceramic tiles with a scene of a peasant woman in traditional Majorcan dress and monkeys, twentieth century, Jaume III shopping galleries, Palma, Mallorca, Balearic Islands, Spain.

The Interior of Saint Peter's, Rome, first quarter 17th century, pen and brown ink with brown wash and watercolor heightened with white over black chalk on laid paper, overall: 33.5 x 45.8 cm (13 3/16 x 18 1/16 in.), Italian 17th Century (artist)

Anonymous. Vase of flowers in a niche. Door-to-door. Oil on canvas. 1769-1789. Paris, Carnavalet museum. 76090-10 Above, flower, canvas oil, niche, door, vase, still life

James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), The Dressmaker's Shop, ca. 1897. Watercolor on medium, slightly textured, cream wove paper.

Textile, Madium: cotton Technique: printed by engraved copper roller on plain weave, Fragment showing boy lounging on the ground in front of a building. Another boy is descending from a donkey., ca. 1790, printed, dyed & painted textiles, Textile

Campania Salerno Padula Monastery of S. Lorenzo30. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

A work by Maximilian Liebenwein titled 'Herbst', created using cover colors, deck white, gold paint, and ink applied with a brush.

The woman is standing in an interior near a portal. Next to her is a fallen basket with laundry. Near the washtub stands a girl with a fruit or ball in her hand. Sheet 5 recto from a sketchbook with 21 sheets, Washerwoman, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, pen, brush

The Holy Family at Night, Print made by James McArdell, ca. 1729-1765, Irish, after Rembrandt van Rijn, 1606-1669, Dutch, ca. 1750, Mezzotint on moderately thick, slighlty textured, cream laid paper, Sheet: 17 9/16 × 22 7/8 inches (44.6 × 58.1 cm), Plate: 13 1/2 × 18 1/2 inches (34.3 × 47 cm), and Image: 12 1/4 × 18 7/16 inches (31.1 × 46.8 cm)

Sketch for the Town Hall of Vanves: the pond of Ursine Pierre Vauthier (1845-1916). Sketch for the Town Hall of Vanves: the pond of Ursine. Oil on canvas, and black ink. 1902.

Textile; Warp x Weft: 29.5 x 57.5 cm (11 5/8 x 22 5/8 in.)

the adoration of the shepherds. (Albrecht altdorfer; orbiting;)

Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) weaver Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) weaver c. 1700-1720 Tapestry Dimensions: H 13'4" x W 22'2" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left not visible in photograph Inscriptions: Woven signature location unknown; not visible in photograph: A. CASTRO (=Latinized version of Brussels family of weavers named Borcht) Theater setting with audience watching scene performed on stage (BRD) scrolling acanthus leaves around central rod overlaid with spiraling vine; bunches of flowers in corners & in center of each side There are extensive notes on the stock sheet about the subject

Campania Salerno Padula Monastery of S. Lorenzo27. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Street scene - Skeletons by Paul Delvaux, 1897-1994

Robert Smirke, 1752-1845, British, Five Vignettes of Scenes from Antiquity, undated. Watercolor and graphite on medium, moderately textured, cream, wove paper, mounted on, thick, smooth, peach, wove paper.

Ornate chamber with scenic view by Andreas Leonhard Roller, oil on canvas, 1842, 1805-1891, Russia, St. Petersburg, A. Pushkin Memorial Museum, 46, 8x60, 6

People bending behind empress Elisabeth I by Alexander Nikolayevich Benois, watercolor, gouache, white color, ink on paper, 1903, 1870-1960, Russia, Moscow , Museum of Private Collections in A. Pushkin Museum of Fine Arts, 37, 1x62, 5

British, Neoclassical Revival frame, Unknown framemaker, 1st half of 19th century, Wood and compo, water gilt and patinated

Theatrical Painting. Dated: 1935/1942. Dimensions: overall: 40.9 x 54.6 cm (16 1/8 x 21 1/2 in.) Original IAD Object: 35' high; 45' wide. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman.

View of Interior with Figures, Saint Clotilde second half 19th century Jules-Edmond-Charles Lachaise French. View of Interior with Figures, Saint Clotilde 345425

Design for a ceiling painting with allegory on Truth and Justice, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 368 mm × w 471 mm

Station of the Cross No. 14: "Jesus is Laid in His Tomb. Dated: c. 1936. Dimensions: overall: 31.1 x 50.4 cm (12 1/4 x 19 13/16 in.) Original IAD Object: Approximately 30 x 50 in.. Medium: watercolor, gouache, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Stage design for the opera Boris Godunov by M. Musorgsky by Polenov, Vasili Dmitrievich (1844-1927) A. Pushkin Memorial Museum, St. Petersburg 1916 Watercolour, Gouache on cardboard 32,7x47,8 Russia Theatrical scenic painting Opera, Ballet, Theatr

The Actors Rest by Sudeykin, Sergei Yurievich (1882-1946) State B. Kustodiev Art Gallery, Astrakhan 1914 Oil on canvas 55x100 Russia Russian Painting, End of 19th - Early 20th cen. Genre Painting

Design for ceiling decoration in a house on the Boulevard Haussmann second half 19th century Jules-Edmond-Charles Lachaise French. Design for ceiling decoration in a house on the Boulevard Haussmann 384800

Arras. unknown, author

Chatham Square, N.Y. 1812.. Stone, William L. (William Leete) (1792-1844). Prints, Illustrations. 1825. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Erie Canal (N.Y.), New York (N.Y.), Chatham Square (New York, N.Y.)

Stage Set. Dated: c. 1939. Dimensions: overall: 45.6 x 56.4 cm (17 15/16 x 22 3/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman.

Design for a decorated dome in the Peruviez residence, Belgium second half 19th century Jules-Edmond-Charles Lachaise French. Design for a decorated dome in the Peruviez residence, Belgium 384794

Set design for opera Un ballo in maschera by Giuseppe Verdi, Conti, Umberto Primo (1900-1988)

The Electric Fairy (B) by Raoul Dufy, 1937, 1877-1953, France, Paris, Centre Georges Pompidou, Musee National d'Art de Moderne

The Vision of the Icons by Repin, Yury Ilyich (1877-1954)/ I. Repin Memorial Museum Penates near Sankt Petersburg/ 1934/ Russia/ Oil on playwood/ Modern/ 59x76/ Bible,Mythology, Allegory and Literature

James McNeill Whistler, Village Shop, Chelsea, 1883 1884 Village Shop, Chelsea

Lazare Meyer (19th century). Saint-Lazare prison. Oil on wood. 1908. Paris, Carnavalet museum. 76095-13

Brühl, Augustusburg Palace/ New Apartment, Cabinet, ceiling painting, scene with monkeys

News from the War.. Joseph John Elliott (British, 1835 - 1903)

Laundry woman, 1820 - 1872 The woman is in an interior at a portal. Next to her is a fallen basket with laundry. At the Wastobbe is a girl with a fruit or ball in her hand. Page 5 Recto from a sketchbook with 21 sheets. paper. ink. watercolor (paint). pencil pen / brush interior of the house. laundering

Ceramic tiles with a scene of a peasant woman in traditional Majorcan dress and monkeys, twentieth century, Jaume III shopping galleries, Palma, Mallorca, Balearic Islands, Spain.

Edward Hopper / 'New York Movie', 1939, Óleo sobre lienzo, 81,9 x 101,9 cm. Museum: MoMA, The Museum of Modern Art, New York.

Barth Erwin (1880-1933), Osterholzer Friedhof in Bremen (1910): Perspective view with a view of the central water axis. Coal and chalk on cardboard, 36.7 x 60.5 cm (including scan edges) Barth Erwin (1880-1933): Osterholzer Friedhof, Bremen

Real Laboratorio de Piedras Duras del Buen Retiro / 'The Ball Game, console'. 1782 - 1788. Gilt-bronze, Chalcedony, Lapis lazuli. Museum: Museo del Prado, Madrid, España.

The Reception of Henry III at the Villa Contarini, by Giambattista Tiepolo, 1745, Musee Jacquemart-Andre, Paris, France, Europe

Paris (8th arr.), France The Fair of French Artists at the Grand Palais, paintings , (French - Paris ( VIIIe arr. ) , France Le Salon des artistes français au Grand Palais , tableaux). Interior view, painting, conference , congress, exhibition, gallery, palace , castle, Habitat , Architecture , Art

The Ambulatory, Chartres Cathedral, 1840 Artist: John Ruskin, Watercolour, Pencil, Pre-Raphaelite, Architecture, Cathedral

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Uhde, Fritz von (1848 1911)

Orientals Tafereel; East subjects ..

Madrid, 1966. Palace of the Marquise of Santa Cruz. Detail of the Hall of the Goyas: two paintings representing the miracles of San Francisco de Borja, work of Francisco de Goya.

Carving Images, in the Top of the Great Gate, at Nikko. Kusakabe Kimbei (Japanese, 1841 - 1934)

EVENTAIL. Paper, gouache engraving, tinted wood. Paris, Carnavalet museum. 99159-16

Golden mural painting on red background with candelabra and cow elephant holding its son tight with its trunk, Pompeii, Campania, Italy, chromolithograph by D Capri from a drawing by Mollame, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume III, plate 25, 1854, Naples.

Stage design by Henry Hudfield, watercolour, gouache on paper, 1790, active 1790s, Russia, Moscow, Museum Palace Theatre Ostankino

Millinery Shop, 1905. Dated: 1935/1942. Dimensions: overall: 56.9 x 78.3 cm (22 3/8 x 30 13/16 in.). Medium: watercolor, pen and ink, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.

View of the Salle des Festins in the garden of Versailles, Jean -François Daumont, 1745 - 1775 print In the title numbered: 52. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. ornamental plants. garden fountain Festival hall

Tabriz. (Un pont.). Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Drawing, Drying and Pounding Tea Leaves; watercolor

Scene in a country house by Russian master / State Russian Museum, St. Petersburg/ 1830-1840s/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 36x50/ Genre

Muskego Church. Dated: c. 1936. Dimensions: overall: 22.9 x 28 cm (9 x 11 in.). Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Bertrand E. Old.

Harmony, Henri Felix Vion, French, 1854 - 1891, Rogelio de Egusquiza Barrena, Spanish, 1845 - 1915, Etching on paper, France, 1885, Print, Print

Benois, Alexander Nikolayevich (1870-1960) State Tretyakov Gallery, Moscow 1906 48x62 Pencil, watercolour, gouache, gold and silver colours on paper Russian End of 19th - Early 20th cen. Russia

Paris (VIIIE arr.), France The exhibition of decorative arts, pavilion of the city of Paris, the courtyard of a mansion , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIIe arr. ) , France L' Exposition des arts décoratifs , Pavillon de la Ville de Paris , la cour-jardin d' un hôtel particulier). Pet represented , fantastic animal, water piece, stele, mannequin, sculpture, portico, painted decor, column, vase, decorative arts, patio, architectural inscription, furniture, balcony , loggia, fountain, exhibition, exhibition of decorative arts, ironwork , Courtyard, carved decor, frieze, park , garden, ephemeral architecture, Animal , Art , Inscription , information , Habitat , Architecture, France, Paris, Decorative Arts Exhibition, Pavon INTR of the city of Paris

BATALLA NAVAL EN LAS AZORES (1571)- CONQUISTA DE LA TERCERA ISLA- PINTURA AL FRESCO 1585- RESTAURADA. Author: GRANELLO-TAVARON-CASTELLO Y CAMBIASSO. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Leon Bakst (1866-1924) Russian painter scane and costume designer. Stage design of for a production of Cleopatra by the Russian composer Anton Arenski. Watercolour and gouache on paper, 1909 .

Detail, The Penitence of Saint Jerome, Joachim Patinir, circa 1512-1515, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

The Portuguese army of Alfonso V during the occupation of Tangier (Morocco), detail of 15th century tapestry kept in the Collegiate Church of Pastrana, Spain.

Paul-Albert Baudouin (1844-1931). "Poetry and Brumaire - Vault of the peristyle, interior garden, small palace". Fresco. 1909-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99859-15 Year 1900, beautiful time, painted decor, fresco, 20th XXth XX 20th 20th 20th century

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, 1834. Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper.

Nikko views illustration in the album unknown

Fountain in the khans palace in Bakhchisaray. From the journey to Crimea. Ciągliński, Jan (1858-1913), painter

La visita del Archiduque Leopoldo Guillermo al taller de Teniers el Joven. Museum: MUSEO LAZARO GALDIANO MADRID ESPAÑA. Author: David Teniers II.

Cutout print interior St. Laurenskerk, cutting art footage paper wood, DE GROOTE or St. LAURENS CHURCH at ROTTERDAM from inside after the zyde des Orgels to see BY Y. ADELAAR Rotterdam City Triangle Laurenskerk

BOCETO PARA OPERA DE GASPARE SPONTINI 'AGNES VON HOHENSTAUFEN". Author: ERBERTO CARBONI (1899-1984). Location: TEATRO COMUNAL. Florenz. ITALIA.

Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric) Made 1816-1820 France. Cotton, plain weave; engraved roller printed . Hippolyte Lebas (Designer)

interior of Kenwood House Kenwood House. The original house dates from the early 17th Century and was then called Caen Wood House. Originally designed by Humphry Repton (1752-1818) English landscape designer. Dated 17th Century

British, Louis XIV style frame, Unknown framemaker, 2nd quarter of 18th century, Carved wood, later oil gilding and sanded frieze over original gilding

View of fireworks and a triumphal arch with a double-headed eagle and the name of Joseph II, German emperor. In the background on the left a building with figures explodes. In the background on the right a ship burns., print, prent, opticaprent, prints, prenten, opticaprenten, height 308 mm, width 456 mm, Publication (Event), Publicatie, publisher, uitgever, 1765 - 1799, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, etsen, brush, Borstel, cutting, haken, perforating, perforeren, print maker, prentmaker

Cocktail Lounge, 1946. Dated: 1935/1942. Dimensions: overall: 56.9 x 78.2 cm (22 3/8 x 30 13/16 in.). Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.

The Electric Fairy (D) by Raoul Dufy, 1937, 1877-1953, France, Paris, Centre Georges Pompidou, Musee National d'Art de Moderne

Photographer preparing a portrait of a mummy. Nineteenth-century colored engraving.

Feeding the pigeons by Kotarbinsky, Vasilii (Wilhelm) Alexandrovich (1849-1921) / Museum of Architecture and Art, Alupka /Poland / Oil on canvas / Genre / 120x194,5

Iran, Tehran, Laleh Park, Carpet Museum of Iran, Iranian carpet with design of American presidents

Fresco in Piazza della Calza, Piazzale di Porta Romana, Firenze, UNESCO World Heritage Site, Tuscany, Italy

Panel with paint painting on metal surface, Sasaya, 1792 Panel with metal painting painting, executed to prints. Presentation: Roman fantasy buildings with caption: "Rome in it's Original Splendor. Rome Dans Sa Spleneur Ancienne". Signed under the title: "Fighting at Sasaja in Japan AO 1792". The paintwork is made of gold and silver lacquer on a dark brown soil. The caption as well as the surroundings, in which birds and branches are painted, on green soil. The list is painted black with gilded inner edge. Japan metal. lacquer (coating). paint (coating). wood (plant material). spruce (wood). gilding (material) lacquering / gilding Panel with metal painting painting, executed to prints. Presentation: Roman fantasy buildings with caption: "Rome in it's Original Splendor. Rome Dans Sa Spleneur Ancienne". Signed under the title: "Fighting at Sasaja in Japan AO 1792". The paintwork is made of gold and silver lacquer on a dark brown soil. The caption as well as the surroundings, in which bir

William Henry Pyne, 1769-1843, British, Poulterer's Shop, undated. Gray wash and graphite with pen and black ink and pen and red ink on medium, smooth, cream wove paper.

Mural painting with Venus fishing in the middle, Pompeian house, art in Pompeii, Campania, Italy, chromolithograph by D Capri from a drawing by Discanno, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume III, plate 15, 1854, Naples.

Stage design for the opera Eugene Onegin by P. Tchaikovsky by Lushin, Alexander Fyodorovich (1902-)/ A. Pushkin Memorial Museum, St. Petersburg/ 1938/ Russia/ Pastel on paper/ Theatrical scenic painting/ 33,5x45,5/ Opera, Ballet, Theatre

Musiciants in Srinagar by Yakovlev, Alexander Yevgenyevich (1887-1938) / Private Collection / Russian Painting, End of 19th - Early 20th cen. / 1932 / Russia / Watercolour and pastel on paper / Music, Dance,Genre /

Boschbeek & Gorenendaal: View from Turret towards fin du Haarlemmesmeer, Leiden, Bennenbrock, and Hillegom, Gerrit Jan Schouten, Born 1815, Dutch, undated, Watercolor on textured, moderately thick, cream wove paper, Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)

State Museum- and exhibition Centre ROSIZO, Moscow Opera, Ballet, Theatre

Relief of colored plaster, anonymous, c. 1700 - c. 1799 One of the six colored plaster reliefs eighter glass in freestyle, representing freedom etc. with Prince William I as Prince Willem V. gypsum One of the six colored plaster reliefs eighter glass in freestyle, representing freedom etc. with Prince William I as Prince Willem V. gypsum

Kiyevskaya is a station on the Arbatsko-Pokrovskaya line of the Moscow Metro. Opened in 1953, it is lavishly decorated in the quasi-baroque style that predominated in the early 1950s. The square pylons are faced with white Ural marble and elaborately patterned ceramic tile and the plastered ceiling is decorated with a series of frescoes by various artists depicting life in Ukraine. A large mosaic at the end of the platform commemorates the 300th anniversary of the reunification of Russia and Ukraine. The architects were L. V. Lile, V. A. Litvinov, M. F. Markovsky, and V. M. Dobrokovsky.

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