Historical Genre Scenes

Detailed prints depicting social interactions and historical narratives set in domestic settings, characterized by period fashion and decorative elements.

Young woman comes in a departure with a described paper, Reinier Vinkeles (I), 1788 print A young woman enters a departure with a pile of paper in hand. The three figures in the departure look at her, a lady balded her fists. Amsterdam paper etching / engraving handwriting, written text. candle. interruption, questions (~ meeting)

De Stiefmoer, Jacob Houbraken, After Cornelis Troost, 1760 - 1780 print A dining room with figures around a table. On the right a richly decorated woman and child. Opposite them three sober dressed gentlemen. A man serves them. On the right in the background a child who eats from a pan. On the left a servant with glasses. Scene from the comedian De Stiefmoêr by Thomas Asselyn from 1684, in which the character Jochem gets the poor family of his second wife. His own child has to lick the pot, while his second wife and her family get the best food. Amsterdam paper engraving comedy. giving food. eating and drinking. dining-room

Young woman comes in a departure with a described paper, Reinier Vinkeles (I), 1788 print A young woman enters a departure with a pile of paper in hand. The three figures in the departure look at her, a lady balded her fists. Amsterdam paper etching / engraving handwriting, written text. candle. interruption, questions (~ meeting)

Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno) 1745 Jakob van Schley. Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno). Don Quixote. Jakob van Schley (Dutch, 1715-1774). 1745. Etching and engraving. Prints

Qu'en dit l'Abbé. Dated: 1788. Dimensions: plate: 48.1 x 35.5 cm (18 15/16 x 14 in.) sheet: 49.2 x 36.9 cm (19 3/8 x 14 1/2 in.). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Nicolas Lavreince.

Young woman comes in a leaving with a paper described. A young woman comes in a leaf with a stack of paper described in hand. The three figures in departure look at her, a lady has got her fists.

Nicolas Delaunay, Qu'en dit l'abbé, 1749-1792, etching and engraving on paper.

Painter at work, Simon Fokke, 1722 - 1784 print Pain at work in a room where various paintings hang on the wall and there are a number of statues. Print on top left marked: XXI. Amsterdam paper etching painter at work, in his studio

Le Billet Doux, Nicolas Delaunay, French, 1739-1792, Nicolas Lavreince, Swedish, 1737-1807, Engraving and etching on white paper, Print after a gouache work by Niclas Lafrensen, the younger. Shows an interior featuring a man and two women. The woman on the right is handed a folded letter by the standing man in the center, as she reaches towards him. She is seated with a small musical instrument is in her lap. The second woman appears to the left of the man; she is seated and reading a sheet of music. A harp, cello, and harpsichord stand to the right, and some books, music, and a box lie on the floor next to them. The interior is ornate, consisting of a mantle and large mirror in the center. The walls are decorated with roundels, sculptures, garlands, and Corinthian pilasters. The interior also includes a curtain on the left with a screen in front, candelabra on opposing sides of the mirror, and a carpet with an elaborate pattern. A cat is seated next to the fireplace in the center of t

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Poetry and History, Presenting Painting, with Subjects for her Pencil. Engraving.

Le Lever de la Mariée. Philippe Triere (French, 1756-c. 1815); after Jean Démosthène Dugourc (French, 1749-1825). Date: 1781. Dimensions: 475 × 340 mm. Etching and engraving in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

. Mrs. Rodriguez, who has a night conversation with Don Quixote, is surprised by the Hertogin's courtesets. They enter the departure with a candle. In the margin a two-person caption in French.

Card -playing company with Louis XV in a salon, Jacques -Philippe Le Bas, after Charles Joseph Dominique Eisen, 1730 - 1783 print print maker: Parisafter painting by: Francepublisher: Paris paper etching / engraving historical persons. king. playing-cards. drawing-room, 'salon'

After': Girl in worship for her seducer, William Hogarth, 1707 - 1764, paper, etching

Remarkable Words of the King to Mr Sauce Prosecutor Sindic ... (IT)

Marrying; Koenig (König) Fr., Orgelbrand, Samuel (Warsaw; publishing house, printing; Fl. 1836-1919); 1854 (1854-00-00-1854-00-00);

Jean-Michel Moreau, le jeune, Le Coucher de la Mariée, 1752-1814, etching and engraving on paper.

Woman brings drinks to a man located on a bed, Auguste Numans (attributed to), 1833 - 1880 print paper etching interior ~ representation of a building. bedding. nursing, tending the sick

Antoine Cosme Giraud after Antoine Borel, Le bain des pieds (The Foot Bath), in or after 1810 Le bain des pieds (The Foot-Bath)

Le jour. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Emmanuel Patas after Charles Eisen.

Wateryting, Johan Wilhelm Kerism Kaiser (I), After Alexandre Marill Guillin, 1857 print In a departure, a fortune teller explained her cards on the table. The young woman in the chair opposite the fortune teller is sitting with a rose in her hand or listening while the maid, who stands behind her, is leaning on a pile of books with an elbow. paper etching fortune-teller ~ pleasure fair and circus. divination ~ human corpse, necromancy. flowers

Reception of the first Dutch envoy in the US Senate, 1783. Reception of the first Dutch envoy Pieter Johan van Berckel in the US Senate in Princetown, October 31, 1783.

Tobias makes his father again seeing, Gaspard Ducange, After Antoine Coypel, 1699 - 1712 print paper etching / engraving Tobit's blindness (Tobit 2 - 3:6)

. A young nobleman is sitting next to Clio, the muse of history. She points to a book about the history of Europe with her left hand. With the other hand she points to the scene in the background. Fortuna, love and death fly above an exuberant crowd. In the margin a six-line caption in French.

This 1765-1768 copper engraving and etching by René Gaillard depicts the Russian Bonnaventure Diseuse, with portrait detail and period costume.

A harlot's progress, plate 1 , Prostitutes, Horses, Carts & wagons, Courtyards. William Hogarth (1697-1764). Prints

The fortune teller, Nicolaas Verkolje, 1683 - 1726 print In front of the entrance to a house, a fortune teller reads the hand of a young woman, while the man who stands next to her whispers something in the ear. A fountain in the background. print maker: Delftpublisher: Amsterdam paper fortune-teller ~ pleasure fair and circus. divination ~ human corpse, necromancy. garden fountain

Illustration for Wild Betty Johann Karl Wea Betty is Presented to the Fiancé, Mr. Rat (Die Wilde Betty. A marriage status history in the publisher of the Dykic Book Manual. 1779) Chodowiecki, Daniel Nikolaus (1726 1801)

In a modest interior, a woman whispers another woman in the ear, Reinier Vinkeles (I), 1783 print Amsterdam paper etching / engraving whispering. the poor. weeping

Le magnifique. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Tilliard after Jean-Honoré Fragonard.

Marriage A-la-Mode, Plate IV April 1, 1745 Simon Francis Ravenet, the elder French. Marriage A-la-Mode, Plate IV 406302

Siegfried von Lindenberg receives lessons from his servant about weapons, Daniel Nikolaus Chodowiecki, 1783 print At the top left numbered: I. paper etching Literature. interior of the house. parents with their children. house personnel, servants. firearms: rifle. hacking and thrusting weapons: sword. pipe ~ tobacco. knighthood order

Maintenance with the Princess in Goejanverwellesluis, 1787. Maintenance of Princess Wilhelmina van Prussen with the Deputies of the Commission from Woerden, in the home in Goejanverwellesluis, 28 June 1787.

Tattenbach-Geilsdorf, Johanna Dorothea Countess.

Jacques Aliamet and Antoine-Jean Duclos after Jean-Honoré Fragonard, French (1742-1795), A femme avare galant escroc, etching and engraving

Augustin de Saint Aubin and Noël Pruneau after Jean Baptiste Le Prince, L'amour a l'espagnole, 1783 L'amour a l'espagnole

View of the Crusaders of Paris on the day of the entrance of S.M. Louis XVIII. (IT)

Copper engraving and etching by Jacques Firmin Beauvarlet circa 1769 depicting a Spanish conversation, showing figures, gestures, interior, and interaction.

CONTY, FRANZ LUDWIG PRINZ.

Le Colin Maillard, to E. Giraud.

Louis Joseph Lefevre, Nous n'avons pas le patience d'attendre que nous fussions seuls, published 1797 Nous n'avons pas le patience d'attendre que nous fussions seuls

Le Billet doux. Dated: 1778. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Nicolas Lavreince.

A copper engraving and etching by Antoine François Dennel between 1760 and 1815 representing an allegorical figure of Music.

Charlotte, Princess of Prussia.

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, L. Truchy, 1721-1764, after Joseph Highmore, 1692-1780, British, 1762, Engraving, Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm) and Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm), card table, dress, genre subject, pleading

Thomas Jones bezoekt Sophia.Mrs. Bellaston steps into the room where Thomas Jones and Sophia are engaged in a conversation.

Susanna and the elders, Paulus Pontius, after Peter Paul Rubens, 1624 print Susanna is touched by two elders when bathing. She tries to cover her body. Antwerp paper engraving the elders making advances towards Susanna

Sketch for a stage curtain in The Hague, Jurriaan Andriessen, 1803 drawing Design for a theater decor. paper. graphite (mineral) brush stage design

Illustration No. 2 (from 12) to the drama of Fryderyk Schiller Kabale und Liebe (Intrigue and Love), Posted in Royal British Genealogical Calendar to 1786, Lauenburg Bey J. G. Berenberg Chodowiecki, Daniel Nikolaus (1726 1801)

Franse kroon, Parijs, Chéreau, François, Watteau, Jean Antoine, France, Cochin, Charles Nicolas (I), Musician couple with pierrot figures in a garden, Paris, verso - stamped, print, prints, height 233 mm, width 275 mm, French, 1688-04-29 - 1754-07-05, print maker, printmaker, 1698 - 1726, paper, papier, etching, etchings, engraving, engraving (printing process), 1684-10-10 - 1721-07-18, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Illustration of a French parlor in which a small black child is riding on the back of the Duke of Orleans while three women look on.. 1834. Child, Lydia Maria, 1802-1880. text. Prints, Illustrations. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division. Children, Black, Children , France, Aristocracy (Social class), Children, Black , Abuse of

Visit to the New Mother 1633 Abraham Bosse French. Visit to the New Mother 358771

Reception by the Management Board. (IT)

The Cache Cache Mitulas game.

Happy Moment Artist's working dates 1759-1792 France. Etching on paper . Nicolas Delaunay

L. Truchy, 1721-1764, Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, 1762. Engraving.

Print made by John Greenwood, 1727-1792, American, active in Britain (from 1763), The Curious Maids, 1768. Mezzotint on moderately thick, moderately textured, cream laid paper.

Husband and wife at a cradle, Willem Frederik Wehmeyer, after David Bles, 1834 - 1854 print A man plays the violin with a cradle. The woman next to him looks smiling. On the left is a table with a washbasin next to a bed and on the right the fireplace burns. The Hague (possibly) paper etching / engraving bedroom. cradle, crib. violin, fiddle. adult man. adult woman. open hearth, fire-place

False as fair.. Herbert, John Rogers, 1810-1890. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts

Allegorie op het bedrog van Aron Abrams, 1737.Allegory on the deception of the Amsterdam Jewish usury Aron Abrams (or Abrahams). A man hands over a bag of money on which 2600 is and receives a change of 4000 for this. This central show surrounded by some smaller scenes. Design for a print.

Print made by Anker Smith, 1759-1819, British, Lady Elizabeth Grey's Interview with Edward IV, 1816. Line engraving on thin, slightly textured, cream laid paper.

Illustration No. 1 (from 12) to the drama of Fryderyk Schiller Kabale und Liebe (Intrigue and Love), Posted in Royal British Genealogical Calendar to 1786, Lauenburg Bey J. G. Berenberg Chodowiecki, Daniel Nikolaus (1726 1801)

Sweeting children caught, François Rolland Elluin, After Jean -Baptiste Greuze, 1755 - 1797 print print maker: Francepublisher: Paris paper engraving / etching child (at home). mother with son(s) and daughter(s) (mother-love). eating. armorial bearing, heraldry

The discovered Schijndugd: The feigned sadness of Geertruy, Pieter Tanjé, After Cornelis Troost, 1757 print Geertruy Veinste grief when she says hello to her husband Filibert, who goes on a business trip. Filibert has just learned from his servant Joris, who walks behind him, that Geertruy is cheating on him with his cousin. The Dienstmeid Bely mocked Filibert as a cheated husband by holding two fingers as Hornjes at her head. Scene from the play De Discovered Schyndugen, from David Lingelbach. Amsterdam paper etching / engraving weeping. waving farewell ~ departure on a journey. postures and gestures of index finger and middle finger. comedy

Fist fight between Donna Inez and Donna Isabella, Caspar Luyken, 1696 print Print at the top right marked: Reyse fol: 148. print maker: Amsterdampublisher: Utrecht paper etching fist-fight

-By God, Catherine.... -Monsieur, this Zouave is a healer... it's just for my health!, from 'News of the day,' published in Le Charivari, September 18, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 3/8 × 8 1/4 in. (23.8 × 20.9 cm)Sheet: 13 1/8 × 11 11/16 in. (33.4 × 29.7 cm). Series/Portfolio: 'News of the day' (Actualités). Date: September 18, 1867. Museum: Metropolitan Museum of Art, New York, USA.

Vinkeles, Reinier (I), Noordelijke Nederlanden, Johan de Witt begged by his daughter not to visit his imprisoned brother, 1672, Northern Netherlands, Johan de Witt begged by his daughter not to visit his imprisoned brother Cornelis in the Gevangenpoort, 20 August 1672. With the caption: A clear conscience is my shield. Marked lower right: p. 294., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 191 mm, width 120 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1751 - 1816, third quarter 18th century, fourth quarter 18th century, first quarter 19th century, paper, papier, etching, etchings, Work conception, after own design by

The Regents of the Leprozenhuis, 1649, 1769 print Group portrait of the regents of the Leprozenhuis, painted by Ferdinand Bol in 1649. A meeting of the regents is interrupted by the inner father who leads a sick child inside. Northern Netherlands paper etching leprosarium Leprosy house

Frontispiece, from Bozzy and Piozzi by Peter Pindar, Esq. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 3/8 × 7 3/16 in. (23.8 × 18.3 cm). Publisher: George Kearsley (London). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.

John Ogborne the Elder, 1755-1795, British, Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton. , 1803. Engraving, unfinished state.

Print made by Johann Jacobus Haid, 1704-1767, Vie debauche de l'Enfant Prodigue, undated. Mezzotint with etching on moderately thick, slightly textured, beige laid paper.

Taste in High Life small version. 1746. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

French 18th Century, Imitation d'anacreon Le portrait d'iris Imitation d'anacreon: Le portrait d'iris

Nicolas Delaunay after Nicolas Lavreince, Le Billet doux, 1778 Le Billet doux

The Director Artist's working dates 1744-1780 France. Etching and engraving in black on ivory laid paper . Nicolas Joseph Voyez

La soiree des Thuileries Artist's working dates 1762-1813 France. The prolific reproductive printmaker Jean Baptiste Blaise Simonet frequently etched paintings by Pierre Antoine Baudouin. This frothy confection lacks Baudouinís pastel colors and gauzy glazes, but substitutes an ethereal sense of moonlight. Two stylish lovers share a knowing glanceóand a glimpse of skinóon a park bench partially concealed behind a monumental column. This early state of Simonetís print lacks a title or signature, but the coupleís elegant meeting place is specified in the final state as the Tuileries Garden, near the Louvre, Paris.. Etching on cream laid paper . Jean Baptiste Blaise Simonet

The criticism of the school of women ", Théâtre de Molière, Tome II, page 349. Estampe de Laurent Cars (1700-1771) after François Boucher (1703-1770). Museum of Fine Arts of the city of Paris , Small palace. 33342-5 French dramatic author, comedy, critic, print, education, woman, illustration, piece

Cecilia or the Story of a Rich Orphan. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

Kitchen scene with caught game, Jacques Beauvarlet, After Justus Juncker, 1741 - 1797 print print maker: Francepublisher: Paris paper etching / engraving kitchen-interior. game, hunted animals. kitchen-maid, kitchen servant

A copper engraving and etching by Antoine Trouvain created around 1710 depicting the queen's marriage, showing the ceremony, attendants, and formal setting in detailed 18th-century style.

Two farmers, Cornelis Bloemaert (II), After Abraham Bloemaert, after c. 1625 print Two women with baskets rest. With two -way Latin caption. paper engraving Pastoral, Arcadian Scenes

Charlotte Corday d'Armans in prison writing a letter to his father, July 16, 1793. French Revolution (Title Title)

Portrait of Benjamin West and his family, D.P. Pariset, After Benjamin West, 1781 print Paris paper etching historical persons. parents with their children

The Prussian Royal Family. Dated: 1796. Dimensions: plate: 15.6 x 12.4 cm (6 1/8 x 4 7/8 in.) sheet: 16.1 x 17.4 cm (6 5/16 x 6 7/8 in.). Medium: etching proof with remarque on laid paper. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

Love.. Corbould, Edward Henry, 1815-1905. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts

Print made by Richard Parkes Bonington, 1802-1828, British, Les Plaisirs Paternels, 1826. Lithograph on medium, smooth, cream wove paper.

Drawing by Charles François Hutin depicting a maroni seller, executed in black chalk with white highlights on blue paper around 1775.

In the foreground disputing gentlemen at physics instruments and weck bottles. Design for a title page, print, Disputing gentlemen at physics instruments and weckflessen., draughtsman: Simon Fokke, (mentioned on object), c. 1722 - c. 1784, paper, pen, brush, h 191 mm × w 143 mm

Portrait of Vorstin Ekatarina Petrovna Bariatinsky and her family. Group portrait with left Vorstin Katarina Petrovna Bariatinsky, sitting with a portrait in hand. On the right a standing young woman and two standing young men. Behind them a classic portrait. A French poem in two columns and a family crest in the undermarge.

Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753 Joseph Relays to Mary God's Command to Flee

Joseph de Longueil after Charles Eisen, French (1730-1792), Le concert mecanique, 1769, etching and engraving

Print made by J. Barlow, active 1791, Scene at a Banking House in 1745, 1799. Line engraving and etching on medium, slightly textured, cream wove paper.

Man points a company to a clock, Reinier Vinkeles (I), 1780 print Amsterdam paper etching / engraving clock. index finger forwards, pointing, indicating. wig

Woman removes a bed; The bed.

Man whispers a woman in the ear, Reinier Vinkeles (I), 1796 print In a departure, a man whispers something in the ear during a hug. At the same time, a man with a violin comes in. Amsterdam paper etching / engraving violin, fiddle. embracing each other, kissing. whispering

Conversation in the Manner of Van Dyck, Print made by J. Barlow, active 1791, after William Hogarth, 1697-1764, British, Published by Samuel Ireland, active 1760-died 1800, British, 1799, Etching and line engraving on medium, slightly textured, cream wove paper

A young man walks towards a young woman holding out his hands imploringly. Etching by Lalu>.

Giorgione und Cathaina Cornaro Lüttmann, August (ca 1830 1882), Grotjohann, Philipp (1841 1892)

Copper engraving and etching by Gabriel Scorodumoff from 1776 depicting the biblical figure Susannah in the scene of chastity.

A company of ladies and gentlemen are having tea in a drawing room One man wears a uniform In the margin is a portrait bust of William II, Company in a salon Orangists, print maker: Petrus Johannes Arendzen, (mentioned on object), David Bles, (mentioned on object), Netherlands, 1856 - 1909

of 3