Historical Illustrations and Prints

A series of historical prints illustrating significant events and subjects, including battles and mythological themes, showcasing fine line work and etching techniques.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Right Side of Hottentots with Herd, from Set of Exotic Races, in Holzschnitte alter Meister gedruckt von den Originalstöcken der Sammlung Derschau im besitz des Staatlichen Kupferstich-kabinetts zu Berlin. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Sheet: 12 3/16 × 11 5/16 in. (30.9 × 28.8 cm)Plate: 10 3/8 × 9 3/4 in. (26.4 × 24.7 cm). Editor: Max J. Friedländer. Publisher: Kupferstichkabinett, Staatliche Museen zu Berlin; E. A. Seemann. Series/Portfolio: Set of Exotic Races. Date: Printed 1922.From the 1922 publication in four volumes by Max Friedlander with impressions from wood blocks previously in the collection of Baron Hans Albrecht von Derschau. Derschau is said to have discovered hundreds of original wood blocks by German masters in a trunk in Nuremberg, and in 1808 Rudolph Zacharias Becker produced the first of three volumes with restrikes from these blocks. This print, however, comes from the 1922 series of impressions, made after the collecti

Schlacht, chart 5, Gesang XX Vers 35, `Achill`. Slevogt, Max (1868-1932), graphic artist, Albert Langen-Verlag (Monachium ; wydawnictwo ; 1894-1932), publishing house, Langen, Albert (1869-1909), publisher

. Title page for: The political Kruyer, dl. 2, 1784. Allegory in which an armed citizen under the approving supervising the Dutch freedom a horny knight with brisk banner with orange apple prevented the freedom fluid.

N ° 1. / It was once, a long time ago ... () | The beautiful nick. (Title of all)

1st interview. (registered title) | In Italy (IFF 9) (set of all)

Francisco de Goya y Lucientes, Cartloads to the cemetery., 1810-1820, etching and aquatint.

Constraint by body ... / 12 (title registered (letter)) | Grotesque mirror (title of all)

Harlequin and a clown move on without using their arms and legs, Anonymous, After Gerardus Josephus Xavery, 1728 print Amsterdam paper etching / engraving types in 'commedia dell'arte': Harlequin. clown

Four men in harness flights with treasures away from a burning city, Jos Ratinckx, 1889 print paper etching plunder of the arts. armour

Man at farm, Johann Friedrich Gottlieb Unger, 1763 - 1804 print paper farm or solitary house in landscape. human types

To bas the impptements. (IT)

Ice breakers at work at Bois de Boulogne, Auguste André Lançon, 1881 print paper etching / drypoint ice ~ state of water. two-wheeled vehicle drawn by one animal Bois de Boulogne

Loading Corn. Thomas Hart Benton; American, 1889-1975. Date: 1945. Dimensions: 244 x 325 mm (image); 278 x 406 mm (sheet). Lithograph on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Le Savetier, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Jean Dambrun (French, Paris 1741-after 1808). Author: Jean de La Fontaine (French, Château-Thierry 1621-1695 Paris). Dimensions: Sheet: 13 1/2 × 9 15/16 in. (34.3 × 25.2 cm)Plate: 12 1/2 × 9 5/8 in. (31.8 × 24.5 cm). Publisher: Pierre Didot l'ainé (French, 1761-1853). Series/Portfolio: Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Date: published in 1795. Museum: Metropolitan Museum of Art, New York, USA.

Der Tod des Oedipus (The Death of Oedipus). Artist: After Henry Fuseli (Swiss, Zürich 1741-1825 London). Dimensions: Plate: 9 13/16 × 12 5/8 in. (25 × 32 cm)Sheet: 13 3/4 × 19 9/16 in. (35 × 49.7 cm). Engraver: Franz Hegi (Swiss, Lausanne 1774-1850 Zurich). Series/Portfolio: Heinrich Fuessli's Sämmtliche Werke, 1807, part I, no. 9. Date: 1806. Museum: Metropolitan Museum of Art, New York, USA.

Brigand polka. Composed by Anton Wallerstein. Additional, Catarina; ou La fille du bandit., 1846., New York. Publisher, Wm. Hall & Son. Dancers Grahn, Lucile, 1819-1907. Lithographs

Soldier RescuingChild. Artist: Thomas Seir Cummings, American, born England, 1804-1894

Study sheet with rider in a landscape, Elias Stark, 1886 print Landscape with a man on horseback, who gives something to a child or tackles. A church in the background. In the air notes about the duration of biting certain parts of the plate. Nieuwer-Amstel paper etching riding a horse, ass, or mule; rider, horseman. church (exterior)

Cartloads to the cemetery, plate 64 from The Disasters of War Made 1812-1815 Spain. The prints in Goyaís Disasters of War, one of the artistís bleakest series, protest the treatment of civilians during the long Spanish conflict with France, particularly demonstrating the toll on women. The unceremonious manhandling of a female casualty of war makes a troubling focal point for this particularly dark image. The anonymous womanís dangling white limbs and displaced skirts suggest she may have suffered rape in addition to the other acts of violence that caused her death.. Etching, aquatint and drypoint in warm black on off-white wove paper with gilt edges . Francisco José de Goya y Lucientes

Geboorte Van Amor, Louis Desplaces, After Bernard Picart, After Eustache Lesueur, 1740 print One of the three graces presents the newborn Amor to his mother Venus. The other two graces admire the child. The personification of the hour of birth scatters flowers. To the painting in the cabinet de l'amour of the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving early life, prime youth of Cupid - birth. (story of) Venus (Aphrodite). Graces (Charites), generally three in number; 'Gratie' (Ripa). Hours (Horae), Seasons Lambert Hotel

William Finden, 1787-1852, British, A Concert, 1834. Line engraving on moderately thick, slightly textured beige, wove paper, with beige, chine colle.

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Jacob and Laban, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 16 × 19.5 cm (6 5/16 × 7 11/16in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Tancerki rzymskie Roman Dancers; from: `Tygodnik Ilustrowany` 1901, no., p. 70. unknown, graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Man with hands in the side, Gillis van Scheyndel (I), 1630 - 1706 print A man with a feathered hat on the head and hands in the side. A few trees in the background. The print is part of a series of 32 prints with genreta scenes. print maker: Netherlandspublisher: Amsterdam paper etching head-gear: hat (+ men's clothes)

Jacques Callot (1592-1635). "The fantasies, a lady with the left fist on the hip seen from the front between two men. Fifth number of a series of 14 pieces" (Lieure 1376, Meaume 872). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-17 Etching, engraving

7th Parade -1814 / The Marquis de Bergamo / or / Long live the king! Anyway! (IT)

Waarheid, Enea Vico, After Francesco Salviati, 1533 - 1567 print Above a gorge the time flies in the form of a winged man with an hourglass. With his hand he grabs the arm of a naked woman who proposes the truth (Veritas). The head of the woman is supported by the deception in the form of a figure with a snake tail. A rule of Latin text in the lower margin. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving Truth; 'Verití' (Ripa). other allegories of Time, e.g. 'Tempo' (Ripa). Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). city-view, and landscape with man-made constructions

La trompette, state III. Wittmann Ch., Imprimérie, Paris (fl. ca 1891-1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Meissonier, Jean-Louis-Ernest (1815-1891), painter

BUHOT, Félix (n.1847-07-09-D.1898-04-26), the small burial (Boucard-Goodfriend 154) (main title), 1878. Eau-tie, aquatinte, roulette and dry tip on . Petit Palais, Museum of Fine Arts of the City of Paris.

The Fairy of the Alps, first plate. Henri Fantin-Latour; French, 1836-1904. Date: 1873. Dimensions: 320 × 428 mm (image); 478 × 617 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Peasant CouplesDancing. Artist: Johann Theodor de Bry, German, 1561-1623 After: Hans Sebald Beham, German, 1500-1550

Scene in a Farce called The Quaker. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 11/16 × 12 7/8 in. (24.6 × 32.7 cm)Plate: 7 5/8 × 10 5/8 in. (19.3 × 27 cm). Date: December 22, 1783. Museum: Metropolitan Museum of Art, New York, USA.

Address card of Drukkerij Nys & Mommen, Félicien Rops, 1878 print paper etching / drypoint PRINTING Press. Cupids: 'Amores', 'Amoretti', 'Putti'

Prisoners in attire from the 12th century. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

They ride away.. Caldecott, Randolph (1846-1886). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Horn (Musical instrument), Scarecrows, Clothing & dress , England , 1890-1899, horseback riding , England , 1700-1799, saddles , 1790-1799

Print, MARCHE MILITAIRE; Print Maker: Jacques Bacheley (French, 1712 - 1781); After Hubert-François Gravelot (French, active England, 1699 - 1773); Published by François Chéreau, the younger (French, 1717 - 1755); France; etching on paper

Print made by William Blake, 1757-1827, British, There Is No Natural Religion, Plate 3, "I Man cannot naturally.. ." (Bentley a4), ca. 1788. Color-printed relief etching on moderately thick, slightly textured, cream wove paper.

Young and old rabbits, we are free, / live the good children! (IT)

Wartime Triumphs, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I). Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Plate: 18 3/8 x 23 3/4 in. (46.6 x 60.4 cm). Publisher: Adolf Holzhausen. Series/Portfolio: The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I). Date: Printed 1883-84.Restrikes of Plate 95, from the series "Triumph Des Kaiser Maximilian I.", designed for a frieze celebrating the achievements of Emperor Maximilian I. The overall program was developed by Maximilian I and Johannes Stabius in 1512 and recorded by Marx Treitz-Sauerwein; the manuscripts with this text survive at the Nationbibliothek in Vienna. The illustrations, designed between 1516 and 1518, were largely the work of Hans Burgkmair, with contributions by Albrecht Altdorfer, Hans Springinklee, Albrecht Dürer, Leonhard Beck, and Hans Schäufelen. The project was incomplete as of Maximilian's death in 1519, and the first

Francisco de Goya y Lucientes, Why, 1810-1820, etching and aquatint.

The millstone rolls after them.. Caldecott, Randolph (1846-1886). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Meadows, Horn (Musical instrument), Millstones, Chasing, Clothing & dress , England , 1700-1799, horseback riding , England , 1700-1799, saddles , 1790-1799

Seven figure types in a row, Jan van de Kerkhove, 1876 print paper etching caricatures (human types)

Tanto y mas.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, War casualties, Dead persons

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. I will rather sell my last shirt, first! Well, wait for the judgment." Colored lithography, 1829. Paris, Maison de Balzac. 34928-11 Horse, debt, humorous, judgment, colored lithography, personification, animal

Cheval Cauchois, 1822, Jean Louis André Théodore Géricault, French, 1791 - 1824, 7 1/2 x 8 1/2 in. (19.05 x 21.59 cm) (image), Lithograph, France, 19th century

Aqua Fresca, by J.O. Philip. Robert Howlett (British, 1831 - 1858)

Lord and wanderer in a landscape. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1660 - c. 1687. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

V.H. Brunner: Ukřižování. Brunner, V. H. (Vratislav Hugo), 1886-1928. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Winkelried, Arnold .

Tillage. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Three jovial huntsmen at the end of the hunt.. Caldecott, Randolph (1846-1886). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Houses , England, Dirt roads, Arrivals & departures, Horseback riding , 1700-1799

Demons dancing with women and bats flying through the sky ca. 1880-1910 José Guadalupe Posada. Demons dancing with women and bats flying through the sky. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Soldiers Killed by Gas (Templeux-la-Fosse, August 1916), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 193 x 287 mm (plate); 475 x 353 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Equestrian formations (excellent), Jan van Ossbeeck, after Nikolaas van Hoy, 1667 print Vienna paper etching high-school riding. military honours (+ cavalry, horsemen)

Female Wrestler. Edgar Chahine (French, 1874-1947); published by E. Sagot (French, 1857-1917). Date: 1902. Dimensions: 188 × 300 mm (image/plate); 293 × 453 mm (sheet). Etching, aquatint and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Going Out In The Morning, c.1784-1788. Thomas Rowlandson

Carpet from the early 15th century depicting men and women riding horses outside a castle, courting, and sharing soup from a pot. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by CR, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Uhde, Fritz von (1848 1911)

Lock of the Canal Saint-Martin Made 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

Mending Nets, 1840-65. George Bryant Campion (d.1870)

Photo production of the painting Portrait of a couple in a landscape, probably Isaac Abrahamsz Massa (1586-1643) and Beatrix van der Laen (1592-1639) by Frans Hals. Part of photo album with recordings of the Frans Hals Parties in Haarlem on 14 June 1900.

Portrait of Stanisław Larysz Niedzielski, Reproduction of the Image of Jacek Malczewski Krieger, Ignacy (1820 1889)

Edmond Morin (1824-1882). "What we drink: absinthe". Bois, 1880. Museum of Fine Arts of the city of Paris, Petit Palais. Absinthe, alcohol, drink, drink, man, tavern, engraving

of 2