Historical Illustrations of Don Quixote

A collection of 18th-century prints depicting scenes from Don Quixote's adventures, featuring rich details and classic attire in a narrative setting.

Amsterdam, Picart, Bernard, Meeting between Louis XIV and the Duchess of Fontange, verso lower left - stamped, Louis XIV, King of France, and Marie Angélique de Scoraille de Roussille, Duchess of Fontanges, meet secretly in the forest. On the left in the background a deer hunt. In the margin a two-line caption in French., print, book illustration, prints, height 141 mm, width 90 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1731 - 1731, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), supervision

Coypel, Charles-Antoine, Picart, Bernard, Amsterdam, Princess of Micomicon kneeling before Don Quixote, verso lower right - stamped, The Princess of Micomicon is kneeling before Don Quixote. She begs him to restore her to the throne. In the margin a two-line caption in French., print, book illustration, prints, height 220 mm, width 159 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1733, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Frans, 1694-07-11 - 1752-04-16

Le Panier Misterieux (The Mysterious Basket). Artist: After François Boucher (French, Paris 1703-1770 Paris); René Gaillard (French, ca. 1719-1790 Paris). Dimensions: Sheet: 20 13/16 x 15 11/16 in. (52.8 x 39.8 cm)Plate: 19 11/16 x 14 3/4 in. (50 x 37.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

. Don Quixote is misled by Sancho Panza and holds a farmer's dulcinea. The farmer's sitting on her donkey and tries to hit him away with a branch. A caption in French in the margin.

Fokke, Simon, Amsterdam, Le Rameau d'or, Shepherd kneels before shepherdess, verso - stamped, Illustration from the fairy tale Le Rameau d'or by d'Aulnoy. A shepherd kneels before a shepherdess who is resting on a stone. A number of sheep are walking in the foreground. Print marked at top right: No. 8. Pag. 303. Mm, print, prent, prints, prenten, height 119 mm, width 67 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen, Work conception, after own design by

Joseph Wagner (publisher) after Jacopo Amigoni, Jacob's Ladder, c 1745 Jacob's Ladder

A number of deceased philosophers and writers discuss with each other, Bernard Picart, 1727 print Allegorical representation with deceased philosophers and writers who argue with each other in the Elysium. On the left in the foreground the Greek Lierdichter Anakreon in conversation with Aristotle. In the middle Homer and Aesop, Alexander the Great and the Courtisane Phryne. In the background even more historical figures. In the margin a three -faced caption in French. Amsterdam paper etching / engraving Elysium, Elysian Fields; Islands of the Blessed. debate, discussion (~ meeting)

Cassandra, Frontispiece, Vol. 4. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Young woman in conversation with a shepherd, Francesco Bartolozzi, 1762 print Numbered bottom left: No. 7-9. Bottom right: No. 3. Venice paper etching / engraving conversation, dialogue; conversation piece. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. 'en route', traveller under way. carrying a child on the back

Flight to Egypt, Sébastien Bourdon, 1626 - 1671 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Amsterdam, Picart, Bernard, Meeting between Louis XIV and the Duchess of Fontange, verso lower left - stamped, Louis XIV, King of France, and Marie Angélique de Scoraille de Roussille, Duchess of Fontanges, meet secretly in the forest. On the left in the background a deer hunt. In the margin a two-line caption in French., print, book illustration, prints, height 141 mm, width 90 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1731 - 1731, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), supervision

Jacques Callot, Saint Mary Magdalene Saint Mary Magdalene

Man and woman in conversation; Set of Mother's goose illustrations. A man and woman have a conversation in the open air. In the background sit on a clearing in the forest five figures around a set table. Further on, seats are collected and a figure stirs in a large pan. This print is manufactured by a story from "Mother's orders - Certs du Tem's Passé de Ma Mere l'Oye" by Charles Perrault.

Landscape with kneeling woman and putti, A kneeling woman is standing on the point to be lauded by a putto with palm branch floating above her in the air. In the left foreground a putto reads a book, a second putto watches a painting., Crowning with laurel, cupids: 'amores', 'amoretti', 'putti', Simon Fokke (mentioned on object), Amsterdam, 1722 - 1782, paper, etching, h 94 mm × w 141 mm

Grey man, woman and child on a forest path Landscapes with figures (series title), print maker: Leendert Overbeek, (mentioned on object), Haarlem, 1791, paper, etching, h 202 mm × w 162 mm

Les Foltres Jeux font les premiers cuisiniers du monde. Nicolas de Launay (France, 1739-1792). France, 1778. Prints; engravings. Etching and engraving

Fokke, Simon, Amsterdam, Ponce de Leon nouvelle Espagnola, Man robbed found by horsemen, verso - stamped, A man lies on the ground with his legs tied together and is helped by two horsemen. The robbed man points to a horseman who is being pulled off his horse by a figure in the distance., print, prints, height 115 mm, width 66 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen, Work conception, after own design by

Lagrenée, Jean Jacques II, Saint-Petersburg, Offer to Pan, verso - stamped, print, prints, height 264 mm, width 323 mm, French, 1739-09-18 - 1821-02-13, print maker, printmaker, 1749 - 1821, paper, papier, etching, etchings, Work conception, after own design by

. Landscape with Europeans in the foreground that bind Indians, pick up their resources and take their country. Indians murdered in the background.

Augsburg, Nilson, Johann Esaias, Eisen, Charles Joseph Dominique, Rugendas, Johann Georg Lorenz (I), Pastoralen, La Cruauté pastorale, Damon and Chloris, verso - stamped, In a landscape the shepherd Damon declares his love for Chloris. She rejects him and recoils, knocking over her basket of roses. In the bottom margin two columns with three-line German text. Publisher's number XIV., print, ornamental print, prints, ornamental prints, height 290 mm, width 194 mm, German, 1730 - 1799, print maker, printmaker, 1740 - 1778, paper, papier, etching, etchings, Work conception, French, 1720-08-17 - 1778-01-04, after a design by, Publication (Event), Publication, 1721-11-02 - 1788, publisher

Abraham teaches Isaac, Jan Punt, 1745 print Abraham teaches his son Isaac while they walk through the landscape. He put his arm around his shoulder. A dog walks with them. Amsterdam paper etching / engraving the story of Abraham (part III)

Shell causing with a woman after Berchem (Dutuit 7) Visscher, Jean (or Jan or Johannes). Shelling pastry with a woman after Berchem (Dutuit 7). Etching.

Diana and shepherds; Title page for: Gerard Kempher, Shepherds, 1732. Diana with hunting dog is accompanied by three female hunters with hunting horn, safety net, arrow and bow and a second hunting dog. In the background, shepherds rest with their cattle.

Roof of Europe, Paul van Somer (II), 1670 - 1697 print Europe's desperate service stunned watches from the beach how she is taken in the sea on the back of the bull (Jupiter). Putti hold the floral wreaths, with which Europe decorated the bull. Under the image an explanatory text in French. Scene from Ovidius' metamorphoses (with. II, 836-875). Paris paper etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water. cupids: 'amores', 'amoretti', 'putti'

Print at the top right labeled: Tom. 5. PAG. 212.

Angelika and Medoro Writing their Names on a Tree. 1757. Tiepolo, Giovanni Domenico, 1726-1804. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Pyramus and Thisbe; Metamorphoses from Ovid. Pyramus lies dying on the ground for a fountain. His beloved Thisbe is with him and hopefully raises her arms. From sadness she throws himself in his sword. In the background the lioness walks into her mouth with the veil of Thisbe.

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Tuinating figures, Anonymous, 1661 - 1726 print Numbered below: 3. paper etching / engraving gardening. bee-hive. garden

Salmacis en hermaphrodite c. 1636 - 1670 print Hermaphroditus, the child of Hermes and Aphrodite (Mercury and Venus), wads through the lake in which the Nymph Salmacis lives. Salmacis, one of Diana's nymphs, fell in love with Hermaphroditus. She clamps herself to him so that their bodies will merge. Hermaphroditus tries to resist her hugs. Scene from the fourth book by the Metamorphoses of Ovidius. Understand a four -line caption and an assignment in Latin. paper engraving Hermaphroditus and Salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph Salmacis, who holds the bathing Hermaphroditus closely embraced, their bodies fuse (Ovid, Metamorphoses IV 373). story of Hermaphroditus and Salmacis

Telemachus Redt Antiope, Jacob Folkema, after Louis Fabritna Dubourg, 1702 - 1767 print Telemachus rescues antiope from the attack of a wild boar. The boar is surrounded by figures with spears, dogs storms on the beast. In the margin there is a rule of text in French, marked at the bottom right: Liv. XXIII. Illustration made by book 23 from "Adventures of Telemachus", written by François de Fénélon. paper etching (story of) Telemachus - triumph. (story of) Antiope. boar (male pig)

Seven Boys. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1625-77. Museum: Metropolitan Museum of Art, New York, USA.

Feast of Anthony and Cleopatra (After Tiepolos painting in Labbia Palace, Venice). Etcher: Jean-Honoré Fragonard, French, 1732-1806 After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Robberies found by riders, Simon Fokke, 1722 - 1784 print A man lies with his legs tied together on the floor and is helped by two riders. The robbery man points to a rider who is pulled in the distance by a figure of his horse. Amsterdam paper etching traveller(s) attacked by robber(s)

Flight to Egypt, Sébastien Bourdon, 1626 - 1671 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Zomer, Caspar Luyken, 1698 - 1708 print Young woman with a corn sheaf in her arms, on the floor is a sickle. To her to the right of her children bind Korenschoven. In the margin a four -line French verse on the summer. The print is part of a four -part series with performances of the four seasons. paper etching summer, 'summer'; 'Estate' (Ripa)

Allegorical representation on the occasion of the marriage of Abraham Barnaart and Engeltje van Hoven, Bernard Picart, 1724 print Allegorical representation on the occasion of the marriage of Abraham Barnaart and Engeltje van Hoven on March 28, 1724 in Haarlem. The wedding god Hymen stands for his temple and receives the couple and its consequence of nymphs, faunen and maenaden. At the top of the air, the trade god is floating Mercury. On the right is Minerva, who points to the pair. Putti show her substances, which symbolizes the trade of the couple in substances. Under the show The motto: Oppugnent Alii Hic Solus de Corde Triumphhat. Amsterdam paper etching / engraving Marriage, married couple, 'Matrimonium' (story of) the hymen(Aeus). (Story of) Mercury (Hermes). (Story of) Minerva (Pallas, Athen). faunus. Satyrs, fans, sileni. Spirit of the Air, Sylph

Family van Saters, Michiel Mosijn, After Cornelis Holsteyn, 1640 - 1655 print A family of Saters is gathered. One of the Saters makes a flute in the midst of women and children, another Sater looks carefully. On the right a Minnekozend pair, where the Sater learns to play the woman whistle. At the bottom of the margin a four -line verse in Dutch. paper engraving satyr(s) (in general). flute, aulos, tibia. landscapes in the temperate zone

Schoolmeester door Camillus gestraft.The Roman statesman Marcus Furius Camillus leaves the schoolmaster of the Falerii. His own students play him and drive him back to their own city.

Two men at a brord house; This is the overblyfzel.

Man sitting on the edge of a deep pit, print maker: Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1711

Claudius, 69-70, 1770 - 1784 print Confrontation between Claudius Civilis and a Roman soldier. print maker: Netherlandspublisher: Amsterdam paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Minerva and Telemachus for a temple; Adventures of Telemachus. Minerva has taken care of Telemachus and points him to a temple. Illustration manufactured by a story from "Adventures of Telemachus", written by François de Fénélon.

Mais l'ombre des berceaux Aigrit encor mes maux. Laborde, M. de (Jean-Benjamin), 1734-1794. Prints. 1773. Spencer Collection. Bookbinding

Apollo Killing the Python. Dated: 1665. Dimensions: overall: 14.6 x 14.9 cm (5 3/4 x 5 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

Woman has herself advocated after her relationship was broken; That paint fluffed Brut-Henn.

Sadeler, Johann (I), Vos, Maerten de, Antwerp, Boni et mali scientia, History of the family of Cain, On good and bad works, Adam and Eve at work outside the Earthly Paradise, verso lower left - stamped, Adam and Eve and their children Cain and Abel in the wilderness outside the Earthly Paradise. Adam works the ground while Eve breastfeeds Abel. Cain warms himself by the fire. Various animals surround them. The print has a Latin caption., print, prints, height 204 mm, width 255 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Work conception, after a design by, writer, Publication (Event), Publication, publisher

Arsenius, pl. 12 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

a design by, Publication (Event), Publication, French, English, 1709-07-11 - 1780-11-26, publisher, uitgever" London, Vivares, François, Nilson, Johann Esaias, Hemerich, Cornelius Heinrich, Caffe The und Tobac Zierathen, Man and woman in conversation, London, verso - stamped, In a landscape with rocaille ornament a man is talking to a seated woman., print, ornament print, prints, ornament prints, height 81 mm, width 107 mm, German, print maker, printmaker, 1731 - 1780, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1721-11-02 - 1788, after a design by

Shepherds with bird cage, Nicolas de Larmessin (III), After Nicolas Lancet, in or after 1736 print publisher: ParisFrance paper etching / engraving pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. bird in a cage

Apollo and a shepherd, Abraham Bloteling, Zacharias Webber (II), c. 1677

A New Race Springs Up. Dated: 1665. Dimensions: overall: 15 x 14.6 cm (5 7/8 x 5 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

Man and Woman with a Flower Guirle, Joseph de Longueil, After Pierre Alexandre Wille, 1765 - 1792 print France paper etching / engraving garland, wreath. smell, smelling (one of the five senses)

Allegory on Great Britain; The present state of Great Britain, Iie part; Title page for: Thomas Salmon, Contemporary History or present state of Great Britain, 1755..the Virgins of England (left), Scotland (Center) and Ireland (right) Are Sitting With Associated Coats or Arms at a Portico with a Weapon of Great Britain. The Irish Virgin Indicates An Image with a Face on London. There Are Two Putti With a Map Of The British Islands For Them.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), suite of twelve landscapes. A seated man causing with a young peasantry standing. First issue of a suite of 12 rooms. (A. de Vesme 769; Dutuit 147) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Kephalos and Procris

Sancho Panza has lost his donkey, Bernard Picart, After Charles -Antoine Coypel, 1732 - 1733 print Sancho wakes up and is desperate when he no longer finds his beloved donkey, who was taken away by Gines de Passamont. He only appears to be on the saddle. Don Quixote addresses him. In the margin a two -way caption in French. Amsterdam paper etching / engraving Don Quijote. Sancho Panza

Man wears the world on his back; The insignificant freight.

Two men near the bank of a stream. One man points to the water., Emblem: stream Two men by a stream, print maker: Caspar Luyken, publisher: Christoph Weigel, Neurenberg, 1695 - 1705, paper, etching, h 108 mm × w 124 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, the pilgrims who rest. Fifth issue of a series of 13 pieces (A. de Vesme 121. Dutuit 84) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The Adventure of Mambrino's helmet. 1726. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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Fiddler, Sailor, Two Women and a Pig by a Cottage 1816 Thomas Rowlandson. Fiddler, Sailor, Two Women and a Pig by a Cottage. Thomas Rowlandson (British, London 1757-1827 London). 1816. Etching. Prints

The adventures of Mambrino's helmet , Horses, Jousting, Quixote, Don Fictitious character, Cervantes Saavedra, Miguel de, 1547-1616. Don Quixote. William Hogarth (1697-1764). Prints

Group of men and women under a signpost; Quae Cernuntur Temporaria Sunt (...); Vanity of the world. A group of men and women are in a landscape under a signpost. Three figures hide behind a globe and play a card game. Three figures point a young couple on a church in the background. Around the show a Rocaille frame with leaf motifs and a cartouche. In the bottom margin two columns with three-legged German text. Publisher number XXIII.

Two gallant men in a park landscape, Nicolas Henri Tardieu, after Jean Antoine Watteau, 1694 - 1749 print Portrait of two men in a wooded area: the left with palette and brushes in hand, the other playing on a Viola da Gamba. On the right a easel. In the background a statue of a naked woman, seen on the back. Paris paper etching / engraving painter at work, in his studio - CC - out of doors. the arts; artists. viola, violoncello; double bass - CC - out of doors. public gardens, park

Mythological scene with a sacrificing queen in a forest, possibly althaea, and three gorgons. .

Weigel, Christoph, Amsterdam, Luyken, Jan, Kings of Israel, Judah and Edom at Elisha's, verso - stamped, print, prints, height 252 mm, width 205 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Cain flee after the murder of Abel, Gerard de Lairesse, 1665 print Cain flees after he has beaten Abel. He looks at a barking dog. The dead body of Abel is in the foreground. The print is part of a seven -part series with scenes from the Bible book Genesis. paper etching the flight of Cain

Le Berger Recompensé (The Rewarded Shepherd). Artist: After François Boucher (French, Paris 1703-1770 Paris); René Gaillard (French, ca. 1719-1790 Paris). Dimensions: Sheet: 19 1/2 x 14 3/4 in. (49.6 x 37.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Jacques Callot, Saint Amond, 1621 Saint Amond

. Sancho greets a duchess - who is entertained with hunting - and asks her or his master Don Quixote can put himself to her.

Return from the Game Hunt. Artist: Nicolas Colibert (French, Paris 1750-1812 London); After Francesco Casanova (Italian, London 1727-1803 Brühl). Dimensions: Sheet (trimmed): 15 3/4 × 12 1/16 in. (40 × 30.6 cm). Publisher: Chereau (French). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.

Calendar page August, Andreas Reinhard (i), After Great, 1686 - 1752 print paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'

The Grove. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: after Niclas Lafrensen II.

Simone Cantarini (Italian, 1612 - 1648). Mercury and Argus, 17th century. Etching.

Le M�n�trier and the Little Vielor (Bartsch 45) Adrais Van Easternade (1610-1685). Le Sueurber and the Little Vieror (Bartsch 45). Forter, 1654-1656

Old and young man by a tree with a ribbon, Jan Luyken, 1710 print Amsterdam paper etching trees. old man

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), six animal subjects. Two satyrs and a fauna watch two satyr children and another satyr who carries a child on his shoulders. Sixth number of a suite of 6 rooms. (A. de Vesme 719; Dutuit 128) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Heyrath from Annoyance Illustration No. 9 (from 12) Thu the topic Mostness to Marry and their Consequences reasons for marriages and effects, posted in: Goettinger Bags Kalender from 1789, Bey Joh. Chr. Dietrich. (Copy) Unknown, Chodowiecki, Daniel Nikolaus (1726 1801)

Old Man points a resting farmer to a snake, Jan Luyken, 1678 - 1679 print Amsterdam paper etching farmers. snakes

Weigel, Christoph, Nuremberg, Luyken, Caspar, Elisa vervloekt verloren kinderen, verso - stamped, print, prints, height mm, width mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Seated man with cup and can turns from a thirsty hiker, print maker: Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1711

Picart, Bernard, Le Brun, Charles, Amsterdam, Thomassin, Simon Henri, Mythological scene with a sacrificing queen in a forest, possibly Althaea, and three gorgons, verso - stamped, print, prints, height 294 mm, width 280 mm, French, 1687-02-25 - 1741-01-01, print maker, printmaker, 1697 - 1741, paper, papier, engraving, engraving (printing process), stipple work, etching, 1619-02-24 - 1690-02-12, after, after painting by, Noord-Nederlands, 1673-06-11 - 1733-05-08, intermediary draughtsman

Man is about to put the world in a nest; The wrong nation.

Don Quixote overcomes the knight of the mirrors, Nicolas Charles de Silvestre, after Charles -Antoine Coypel, 1709 - 1767 print Paris paper etching / engraving Don Quijote. Sancho Panza

The flood, Crispijn van de Passe (I), 1700 - 1750 print A crop rain floods the country for forty days and forty nights. People and animals are swallowed up by the water. In the background the ark that saves on board for the flood. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving the ark floating on the waters (destruction of mankind not visible)

Allegory on the death of Prince William IV, 1751, 1751 print Allegorie on the death of Stadholder William IV on October 22, 1751. The burial monument for the stadholder is covered with Garlande by Genia with the weapons of the seven provinces. Next to the grave the grieving Dutch Virgin. In the background, the young Prince Willem V is received at the entrance of the Temple of Sciences. At the top two angels lead a portrait medallion from Willem IV through the clouds. Northern Netherlands paper etching / engraving grave-building, monumental tomb

Brown and black ink drawing by Franz Sigrist depicting a sleeping figure and a guard in tree-covered ruins, showing landscape, architecture, and figures.

A rocky landscape. In the foreground two travelers resting in the shadow of a rock., Emblem: shadow Two travelers resting in the shadow of a rock, print maker: Jan Luyken, publisher: Christoph Weigel, print maker: Amsterdam, publisher: Neurenberg, 1695 - 1705, paper, etching, h 110 mm × w 124 mm

An etching titled 'Perrette, le pot au lait sur la tête, entre en chantant scène IV,' created in 1770 by François Nicolas Martinet. The image depicts a scene from the opera featuring a woman (Perrette) carrying a pot of milk on her head while singing. The artwork measures 20.5 x 11.9 cm, on a sheet of 24 x 16.5 cm, and includes details of the clothing and dress typical of the time in France. Other themes represented include two hunters and the milkmaid, illustrating elements such as lifting and carrying, along with various vessels used in milk transport. The piece reflects the cultural context of France from 1700 to 1799

Standing Violinist, from Diverse Figures from the Countryside. Stefano della Bella; Italian, 1610-1664. Date: 1649. Dimensions: 100 x 160 mm (plate). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

A composition by François Verdier showing Hercules in the garden of the Hesperides, drawn in black chalk with gray wash and white chalk highlights.

Tobias gets the fish on dry, Anonymous, After Augustin Braun, 1610 - 1649 print Germany paper engraving Tobias captures the fish and pulls it on the land

Man and Woman Imitating Birds, Adriaen Pietersz van de Venne, 1618 drawing Design for a print. paper. ink pen / brush farmers. farmers - AA - female farmer, farmer's wife. man disguised as animal. birds (+ egg-laying)

Le jardinier galant. Dated: 1778. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Isidore-Stanislas Helman after Pierre-Antoine Baudouin.

Heilige Familie Met Engelen, Étienne Gantrel, After Nicolas Poussin, 1656 - 1706 print France paper engraving / etching Holy Family, and derived representations

Allegorie op Amerika; Titelpagina voor: Thomas Salmon, Hedendaagsche historie, of Tegenwoordige staat van America, 1766.The personalized nautical nautical shows a globe to a man with a man with a corner of plenty. In the foreground a putto in the form of Mercury, with the portrait of Columbus. In addition, a putto with a Spanish flag. A five-line Dutch text in the undermarge.

Gehoor, Jan Both, after Andries Both, 1620 - 1638 print The sense of hearing depicted with two singers who torment the ears of the listeners with their song. The text of four lines below the image is ridiculed with the sense. paper etching hearing, listening (one of the five senses). singer without accompaniment

Travelers on a Road 1577-1668 Alessandro Tiarini Italian. Travelers on a Road. Alessandro Tiarini (Italian, Bologna 1577-1668 Bologna). 1577-1668. Pen and brown ink, brush and brown wash, over a little black chalk. Drawings

Juno approaches Semele in the form of Beroë, 1615 print Juno, in the form of Semeles old nurse Beroë, advises Semele to ask Jupiter to show her in his full majesty. Only in this way can she know for sure that the father of the child in her belly is a God and no ordinary mortal. In the lower margin a four -line explanation, in two columns, in Latin. paper engraving Juno, in the guise of an old woman (Beroe) induces Semele to ask Jupiter to show himself to her in all his divine splendour

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