Historical Italian Art Documentation

Vintage photographic documentation of Italian art, highlighting frescoes, architecture, and ornamental details from various historical periods.

Lazio Viterbo Bagnaia Villa Lante49. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante49. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia Palazzo Petrignani17. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister08. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa09. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Lazio Viterbo Caprarola Palazzo Farnese415. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fourth Knot. Albrecht Dürer (German, 1471-1528). Woodcut;

Lazio Viterbo Caprarola Palazzo Farnese78. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)83. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Campania Caserta Caserta Palazzo Reale32. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Rocca Abbaziale1. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister5. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of th

Marches Macerata Visso Santuario di Macereto1. Hutzel, Max 1960-1990 Exterior photos of temple and other buildings in the sanctuary complex. Temple is in the style of Bramante, but was designed by Giovanni Battista da Lugano. There are many photos of the exterior architectural details. Interior photos show the vaulting and cupola as well as the "Tempietto" or baldacchino in the classical style which stands under the cupola. Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Celano Museum26. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Plate, from Ornamenti o Grottesche (Ornaments or Grotesques), Stefano della Bella, Italian, 1610-1664, Etching on off-white laid paper, Vertical rectangle showing a symmetrical grotesque design composed of camels, acanthus leaves and fruit., Italy, ca. 1653, ornament, Print, Print

Campania Caserta Carditello Plazzo Reale01. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Barry, Jean. Ceiling of the old Hotel Flesselles / Rue de Sévigné, 52 -Mars 1908- / Offered to the Commission du Vieux Paris by the office of the Parisian iconography society- January 26, 1909. "Decor of mansion, 3rd District, Paris ". Albumin paper draw. Around 1908-1908. Paris, Carnavalet museum. 123819-2

, FREYUNG - Palace Hachan - Innernamens - Stuccodetail, Bruno Raising Strategy -, Photographs

Lazio Viterbo Caprarola Palazzo Farnese2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Grottaferrata S. Maria7. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Embroidery example with seven wreath -shaped motifs, Albrecht Dürer, after Leonardo da Vinci, 1575 - 1585 print Black disk with four bulges, filled with white moresken, including in the form of seven wreaths. This print is part of a series of 6 ornament prints with Moresken. Nuremberg paper ornament ~ geometric motifs

Tuscany Siena Poggibonsi S. Lucchese19. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Depicts a draft design by Dagobert Peche showing a trailer and a brooch, created as a woodcut on Japanese paper in 1921, showing design details and composition.

Lazio Viterbo Caprarola Palazzo Farnese419. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Embroidery Pattern with an Oblong Panel in its Center 1521 before Albrecht Dürer German Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form three tiers surrounding the central motif which is an oblong panel, left blank. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The leaves are filled with more knot work in white on the dark ground while swirling straps in black surround them.. Embroidery Pattern with an Oblong Panel in its Center 388377

Schmalz Otto (1861-1915), travel sketches from Italy (June 9, 1887): Milan: Dom (Views Details Bronzel light). Ink and pencil on paper, 42.8 x 30.9 cm (including scan edges)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)90. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Lazio Viterbo Bagnaia Villa Lante15. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante047. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Albrecht Dürer, First Knot, with a heart-shaped shield, c. 1506, woodcut on paper.

Lazio Viterbo Caprarola Palazzo Farnese58. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Germany, Cartouche with two putti, verso - stamped, A large ornamented cartouche with two putti, right with cloth., print, prent, ornamental print, prints, ornamental prints, height 315 mm, width 182 mm, print maker, printmaker, 1700 - 1799, paper, papier, engraving, engraving (printing process), Expression creation

Lazio Rome Sant'Oreste S. Maria Hospitalis3. Hutzel, Max 1960-1990 Medieval: Architecture, 14th century (probably) with earlier sculpted fragments incorporated; altar tables with 6-7th () century decoration. Post-medieval: Frescos: Coronation of the Virgin (1500's); Madonna and Child (influence of Piero della Francesca) Antiquities: Roman inscription German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Swinging plant motifs, Tom Poggenbeek, 1882 - 1942 print paper ornament derived from plant forms

alms dishes and chalices, 1878 . Butterfield, William 1878, undated A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1859). The Royal Institute of British Architec

Abruzzo Isola del Gran Sasso d'Italia S. Massimo1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, monstrance, reliquary German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Perugia Convent S. Pietro5. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche1. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese085. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Below is a plinth and a short shaft, with a row of cherubim. The lower part and the rim of the bowl are separated by moldings with a shorter diameter. The lid has the shape of an angular pedestal with oblique short sides at which cherubim are, above, supporting festoons. On top are three cherubim with lilies in clouds. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); After Leonardo da Vinci (Italian, Vinci 1452-1519 Amboise) (or workshop). Dimensions: sheet: 11 5/16 x 9 1/16 in. (28.7 x 23 cm). Date: 1521 before.Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form six-pointed stars: one in the middle and six surrounding it. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The tips of the bottom two leaves fall outside of the image. Museum: Metropolitan Museum of Art, New York, USA.

The Garden. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 306 x 240 mm. Cancelled copper plate. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Viterbo Caprarola Palazzo Farnese2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dubufe, Georges (n. - d.), Ceiling project with five caissons for the Lobau gallery at the Town Hall (main title), 1891. Pencil, watercolor and golden gouache on splashed paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Abruzzo L'Aquila Ortucchio S. Orante8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Baroque and renaissance vintage ornament elements for design. Old 19th century engraved illustration from Jesus Christ by Veuillot 1881

Campania Caserta Casertavecchia S. Michele, Cathedral3. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

Bull Gustav (1807-1880), furniture designs (1846): toilet table. Pencil on transparent, 35 x 21.4 cm (including scan edges) Stier Gustav (1807-1880): Möbelentwürfe

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)37. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta San Prisco S. Prisco8. Hutzel, Max 1960-1990 Medieval: 6th century mosaics. Post-medieval: 18th century architecture, architectural sculpture and decoration; baldacchino; wooden organ; paintings on canvas; frescos German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Cornice'. France, Between 1750 and 1755. Dimensions: 24,4x23,9 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Aurora, Des gottseeligen hocherleuchteten Jacob Böhmens teutonici Philosophi Alle theosophische Wercken, Böhme, Jakob, 1575-1624, Engraving, black-and-white, 1682, Aurora--printed at upper left.

Decorative design ..

Bouclier en fer qu'on croit avoir appartenu à François 1er. Cabinet de Mr. Demonville.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Lazio Roma Grottaferrata Museo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chair Strip with Elephant 18th century China The length of this chair strip is divided into segments, with a different design for each part of the chair being coveredthe front legs, seat, and back, and a short segment that hangs behind the chair. Elements of standard rebuses are present in the section with the elephant embroidery, where various treasures and auspicious objects crowd the vessel on the elephant's back. For example, the frequent pairing of a musical stone and a halberd occurs on one side of the vessel, representing a celebratory occasion. On the other side of the vessel, peaches, symbolizing longevity, dangle from a branchlike decorative accessory (ruyi), which stands for wish fulfillment. The elephant is a rebus for a sign. Thus, the composite motif is read as "signs of celebration and longevity.". Chair Strip with Elephant 70342

Abruzzo Teramo Castel Castagna S. Maria di Ronzano5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (12th century); frescoes (12th century); baptismal font Objects in treasury (): processional cross, reliquary shrines, silver plate, wooden statue of the Virgin and Child Post-medieval: Sculpture (13th century, repainted 17th cent.), sculpture fragments; Easter candle, frescoes of Old and New Testament scenes including the Patriarchs and Christ in a mandorla. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Simurgh-Whirl / Miniature C14/15

Kośka from the 17th century from the collection of Roman Szewczykowski, in the collections of the National Museum in Warsaw from 1918 - a general view; around 1920-1922 (not after 13.05.1922) (1918-00-00-1922-00-00);

ABANICO CALENDARIO - EXPOSICION DE CARLOS III - SIGLO XVIII. Location: MUSEO DE HISTORIA-ABANICOS. MADRID. SPAIN.

Lazio Frosinone Ausonia Santuario di S. Maria del Piano55. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

States of Holland and West Friesland, Amsterdam, Schenk, Pieter (I), Theater of War, Beginning from King Charles II. Up to King Charles III. Existing in IX. Historical Figures on a Olifants Blad, als Veldstrijden, Besiegen te Water en te Lande, met de hoofd Vestingen, Speculum Architecturae Militaris, Schouwburg van den oorlog (blad XXXIII), 1708, Sheet with a composite composition built up from twenty points of military fortification types, 1708. In each point the name of the military engineer who designed the bastion. Blad XXXIII in: Schouwburg van den oorlog (edition of 1709), the printwork with the bundled series of 18 plates about the War of the Spanish Succession., print, prent, prints, Frederik Muller Historieplaten, height 505 mm, width 585 mm, Noord-Nederlands, 1660-12-26 - 1711, print maker, printmaker, 1708 - 1710, paper, papier, etching, etchings, kleurdruk, Publication (Event), Publicatie, publisher, issuer, granter of privilege

Lazio Vatican City Casino di Pio IV0. Hutzel, Max 1960-1990 Exterior views including the piazza, fountain and facade of il grande Casino and il piccolo Casino; interior views of fountains, statues, mosaics, a cupola and ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dress panel. Designer: Hector Guimard (French, Lyons 1867-1942 New York). Dimensions: 27 × 18 in. (68.6 × 45.7 cm). Date: ca. 1900.One of the most original Art Nouveau designers, Hector Guimard turned his hand to a wide range of projects. This silk panel, possibly designed as an insert for the bodice of a dress, recalls his innovative designs for ironwork used at the entrances to the Paris Métro. Museum: Metropolitan Museum of Art, New York, USA.

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Deraisme, Pierre -Georges (n.1859 - D.1932), pin and pendant (main title), 1910. Graphite on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Emilia-Romagna Ravenna Bagnacavallo Museo Civico5. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vignette with base with flower motifs, Elias Foot Jr., 1878 - 1940 print paper pedestal of a piece of sculpture (perhaps in the form of a herm)

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Oratory)1. Hutzel, Max 1960-1990 Several views of entire oratory (once a refectory); detailed views of the frescoes by Paolo Cardone. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Museo Campano91. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Sculptured figure at Chichén Itzá, 1843., 1843., New York. Publisher, Harper & Brothers. Yucatán (Mexico State). Description and travel, Architectural sculpture, Mexico, Engravings

Detail of the Decoration of the Pavillon Richelieu, Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Lazio Roma Albano Laziale Museo Civico Archeologico9. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copy of painting in Ajanta Caves, India

Lazio Roma Rome S. Maria in Vallicella06. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

alchemy allegory of the world scheme coloured woodcut by Libartus Frankfurt am Main 1606 private collection,

Garden of Love, Within Large Ornamented Circular Frame. Artist: Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt); After Master ES (German, active ca. 1450-67). Dimensions: Diameter: 6 11/16 in. (17 cm). Museum: Metropolitan Museum of Art, New York, USA.

Piece of lace, photograph, photo, photos, height 113 mm, width 124 mm, photographer, 1910 - 1910, cardboard, photographic paper, photo paper, daylight collodion silver print

CONFUNDIR AL MONSTRUO - 1993 - DIPTICO (IZQ) - 180x254 - TEMPLE/VINILICO/LIENZO - POSTMODERNISMO. Author: PEREZ VILLALTA, GUILLERMO. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

Flounce third quarter 19th century Flemish, Brussels. Flounce 222807

Design for a ceiling painting with cartouches and putti, Godfried Maes, 1644 - 1693 drawing paper. deck paint. brush (decorated) ceiling

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Rocaille frame, verso - stamped, Rocaille border with flowers, standing rectangle. Publisher number 29., print, ornament print, prints, ornament prints, height 200 mm, width 300 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Drawing, A Pendant; Italy; graphite, pen and ink on paper

Arnhem, Jong, PA de, Uilenspel, verso - stamped, Het Uilenspel. A circular board game with squares containing objects, animals and dice. In the middle an owl with a mirror. Below the representation the rules of the game in two columns., print, prent, volksprent, gameboard, spelenbord, prints, prenten, volksprenten, height 425 mm, width 412 mm, Publication (Event), Publicatie, publisher, uitgever, 1842 - 1873, paper, papier, lithografie (techniek), kleuren, letterpress printing, boekdruk, print maker, prentmaker

Forgedwork, Johann Thomas Hauer, 1781 print Three designs for forging work with leaf and floral motifs, garlands and vases. Paris paper etching forging (industrial process)

Schematic Drawing of Buyid Silk (1962.264), 1900s. Félix Guichert (French). Ink on paper; overall: 63.7 x 48.3 cm (25 1/16 x 19 in.).

Valentine. Dated: c. 1937. Dimensions: overall: 34.9 x 35.9 cm (13 3/4 x 14 1/8 in.) Original IAD Object: 15" in diameter. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Vincent P. Rosel.

Abruzzo L'Aquila Celano Museum7. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Cori S. Francesco5. Hutzel, Max 1960-1990 Views of facade and flank, two views of cloister, many views of naves and altars, some views of paintings and sculpture, and three views of Roman fragments in the garden. One Roman statue, a gravestone and an urn for ashes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno S. Maria Infraportas7. Hutzel, Max 1960-1990 Medieval: frescoes paintings on panel, wooden sculptures. Post-medieval: frescoes, paintings on panel, paintings on canvas, stucco, baptismal font, architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"Pearwood panel from the honorary gate of Emperor Maximilian I, C'4 right gable, right side portal section, carved by Albrecht Dürer workshop in 1515, featuring ornamental relief and decorative motifs."

Vilnius. "Embroidered and colled in silver"; Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

Design drawing. Artist: Christopher Dresser (British, Glasgow, Scotland 1834-1904 Mulhouse). Dimensions: sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm). Date: ca. 1883, based on earlier design. Museum: Metropolitan Museum of Art, New York, USA.

Claudius Ptolemy (90-168) Greco-Egyptian geographer. World map. Engraving, 16th century.

Three Sections of the Tempio della Speranza. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 17-13/16 x 12-15/16 in. (45.3 x 32.9 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.

Image of one of the four canvases that have formed together the painted ceiling in the front of the house behind St.-Pieter 4 in Utrecht.

Lazio Roma Grottaferrata S. Maria0. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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