Historical Landscape Prints

A collection of intricate etchings showcasing diverse landscapes, featuring scenes with figures, biblical narratives, and rural settings from historical periods.

Wood gatherer, Carel Lodewijk Hansen, c. 1780 - 1840

A 17th-century drawing by Isaak Major depicting ash on the way, executed in dark and light brown ink.

An angler and a second figure on the bank of a stream near a tower in a landscape. In front of the tower a stone bridge. To the left a church and on the path in front of it two clergymen. Eighth print from part two of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Tower and a church in a landscape Amenissimae aliquot requculae (series title) Landscapes (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Italian landscape with Tobias and the Engel, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In an Italian landscape with overgrown ruins, Tobias and the Angel are on their way. For them, Tobias's dog runs. Various figures and shepherds run with their sheep in the landscape. There is a city on the other side of a river. Paris paper etching / engraving Tobias and the angel Raphael travelling, accompanied by Tobias' dog. landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with the fall of Icarus, Claes Jansz. Visscher (II), After Gerard van der Horst, 1610 print In a wide hilly landscape, the shepherds and walkers do not notice how Icarus flies too close to the sun. His wings melt his wings through the heat. His father Daedalus flies under him and sees the accident happen. On a hill on the left a walled city with a castle. A river flows through the valley in which two fishermen have thrown their rod. Amsterdam paper etching / engraving death i.e. the fall of Icarus (Daedalus present)

Cornelis Claesz. van Wieringen depicts a mountain landscape illustrating the Escape to Egypt, drawn in brown pen and black chalk, showing mountains, figures, and terrain.

Allart van Everdingen (1621-1675). Landscape in the round tower. Drawing with a brush and bistre. Museum of Fine Arts of the City of Paris, Petit Palais. 76856-19 Boat, castle, drawing, passage, landscape, round round, 17th 17th 17th 17th 17th 17th 17 century, dog

Amor at a bird trap, Jan van Vianen, 1686 print Amor catches birds in a landscape. Love ensures that man wants to be trapped and exchanges his freedom for love. Third emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). finch trap, finchery. fowling, fowler. marriage as trap, snare, etc. (+ variant)

Giovanni Battista Piranesi, Sepolcro delle trè fratelli Curiati in Albano, 1748 Sepolcro delle trè fratelli Curiati in Albano

The fugitive holy family find rest. Etching by C. Macé after A. Carracci.

Jan Both, The Ponte Molle The Ponte Molle

Landscape with church tower, print maker: Ernst Willem Jan Bagelaar, (mentioned on object), Netherlands, 1798 - 1837, paper, etching, drypoint, h 48 mm × w 44 mm

Landscape with a Goatherd and a Drover mid-18th century Charles François César Le Tellier, Marquis Montmirail French. Landscape with a Goatherd and a Drover. Charles François César Le Tellier, Marquis Montmirail (French, 1734-1764). mid-18th century. Etching. Prints

Hagar Consoled by the Angel 17th century Anthonie Waterloo Dutch. Hagar Consoled by the Angel. Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching. Prints

Plate 27: Tomb of the three Curiatii brothers in Albano (Sepolcro delle tre fratelli Curiati in Albano). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 5 3/16 × 10 9/16 in. (13.2 × 26.8 cm)Sheet: 12 11/16 × 18 3/4 in. (32.3 × 47.7 cm). Series/Portfolio: Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.

Louis XIV (king of France), Paris, Swanevelt, Herman van, Story of Adonis, Venus abducts Adonis, verso lower left - stamped, In a wooded landscape, Venus rides in the left foreground with her hair flowing in a chariot drawn by two doves. In her left arm she holds Adonis and behind her kneels Cupid on the chariot. On the right Diana sleeps among some water nymphs. On the ground lie weapons. At the bottom the episode in the story is explained in a four-line, French text., print, prints, height 254 mm, width 332 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1654 - 1654, paper, papier, etching, etsen, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Wooden bridge at a Rocking Party, Anthonie Waterloo, 1725 - 1765 print On the right a shepherd walks with his herd in the direction of a wooden bridge that partially carries through a rock party. Front left two figures under trees. Amsterdam paper etching bridge. rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Tobit from Landscapes with Biblical and Mythological Scenes. Artist: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Dimensions: Sheet: 9 1/16 x 12 7/16 in. (23 x 31.6 cm). Date: 1558. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Everdingen, Allaert van, Watermill, View of a house with a waterfall flowing underneath. Next to the house a person is standing by a rock and a little further away a man with a child., print, prints, height 130 mm, width 189 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

While the farmer and his servants are sleeping under a tree, the devil is sowing weeds in the field where they have just sown wheat., The Devil Sows Weeds Under the Wheat The Parable of the Sower (series title), print maker: Hans Bol, Hans Bol, Southern Netherlands, 1574, paper, etching, d 108 mm

LETO (Latena) Verandert de Lyciërs in Kikkers, Johann Sadeler (I), After Gillis Mostert (I), 1560 - 1600 print Landscape with a river. Leto is sitting with her two children on the banks of the river. In addition to her, the Lycians turn into frogs because they had forbidden her to drink water from the river. At the top right Jupiter, Juno and the other gods in the clouds. The third print of a six -part series of landscapes with mythological scenes. print maker: unknownafter drawing by: Antwerppublisher: unknown paper engraving Lycian farmers changed into frogs: Latona changes Lycian farmers into frogs, because while they were weeding a marsh, they prevented her and her children from quenching their thirst (Ovid, Metamorphoses VI 369). river

View of the Village with Falconers (Landscape with the Village and Falconers). Bol, Hans (1534-1593), graphic artist, Doetecum, Lucas van (-1584/1589), graphic artist, Doetecum, Joannes van I (1528/1532-1605), graphic artist, Cock, Hieronymus (ca 1510-1570), publisher

Boslandschap, Aegidius Sadeler (II), after Paul BRIL, 1580 - 1620 print Venice paper engraving forest, wood

Landscape with River and Figures. Giovanni Francesco Grimaldi (Italy, Bologna, 1606-1680). Italy, 1600 - 1699. Drawings. Pen and brown ink

Drawing by Tobias Verhaecht in pen and brown wash, depicting a landscape with ruins and a fountain featuring a mascaron.

Belgium, De Jonghe, Jan Baptiste, Landscape with shepherd and cattle, verso bottom middle - stamped, Wooded landscape with shepherd and cattle. Bottom left: N. 1., print, prints, height 111 mm, width 148 mm, Belgian, 1785-01-08 - 1844-10-14, print maker, printmaker, 1830 - 1830, paper, etching, etchings

A black chalk drawing by Johann Martin von Rohden depicting cattle drinking from a source between Ariccia and Genzano, on yellowish paper, created between 1818 and 1820.

The nacelle under the drilled rock (Bartsch 66) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The nacelle under the pierced rock (Bartsch 66). Water-strong on paper, 1645-1675.

Sheperds Dancing in Classical Landscape. Artist: Paul van Somer, Dutch, ca. 1649-1694

. A mountainous landscape with ruins from antiquity. In the foreground on the right, two figures expire at the foot of a demolished column.

Landscape with a gallows, Johann Sadeler (I), After Hans Bol, 1560 - 1600 print View of a hilly landscape with a gallows in the middle. Next to the gallows a shepherd with his herd. Left in the foreground a covered wagon pulled by two horses. On the right a few travelers. The print is part of a four -part series with landscapes. unknown paper engraving covered wagon, hooded wagon. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. low hill country. violent death by hanging. death penalty, execution (+ place of execution)

The Fisherman's Boat. Allart van Everdingen; Dutch, 1621-1675. Date: 1641-1675. Dimensions: 75 x 107 mm (plate and sheet). Etching on ivory paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Jan van de Velde II after Willem Buytewech, Air Air

View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose Giovanni Battista Pittoni the Elder Italian 1575-85 This etching depicts an antique landscape with at its center an island filled with ruins of Classical architecture. In the foreground at right, two figures are depicted on a different shore, who are seemingly running away. On the right side of the sheet, in the background, another island is depicted, reminiscent of those in the Veneto, and in the water the Greek goddess Europa is being carried away by Zeus in the guise of a bull. The print was made by Giovanni Battista Pittoni the Elder, and is part of a series depicting myths from Classical Antiquity. They were published in 1585 by Francesco Ziletti under the title "Imagini Favolose", but had likely been published previously by Pittoni himself. Pittoni is principally known for his prints depicting landscapes, some after the Venetian artist Titian, but many seemingly of his own design. His prints co

De verzoeking van de heilige Antonius (linker deel).A rocky landscape with many diabolical beings. In the middle above a strikingly large, smoking sample. In the background left the Saint Antonius between the rocks, harassed by demons.

Landscape with Peasants Harvesting, print maker: Jan van Ossenbeeck, unknown, 1647 - 1674, paper, etching, h 70 mm × w 113 mm

Aarde, Johann Wilhelm Baur, 1631 - 1632 print For a ruin there are a satater, possibly marsyas, bacchus on a wine barrel and ceres with a straw. For them there is a prince, possibly King Midas. There are valuables displayed in front of his feet. In the background grazing cattle. paper etching earth (one of the four elements). satyr(s) (in general). (story of) Bacchus (Dionysus), Liber. (story of) Ceres (Demeter). landscape with ruins. (story of) Midas

Variae campestrum fantasiae. A winding road. prints, etchings, landscapes, works on paper

Le Chevrier (Bartsch 24) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The Chevrier (Bartsch 24). Water-strong on paper, 1645-1675.

Landscape, from a series of six landscapes titled "Observationib.Astronom.Regiae.Paris.Scient. Acad...1736" 1736 Quentin Pierre Chedel. Landscape, from a series of six landscapes titled "Observationib.Astronom.Regiae.Paris.Scient. Acad...1736". Quentin Pierre Chedel (French, Chlons-en-Champagne 1705-1763 Chlons-en-Champagne). 1736. Etching. Prints

Mercury with the head of Argus, Hieronymus Cock, Matthys Cock, c. 1551 - before 1558

Claude Lorrain, Le Dessinateur (Costal Scene with an Artist), c. 1638-41, etching on white laid paper.

Landscape 1780 Pierre Nicholas Camus. Landscape. Pierre Nicholas Camus (French, active 1779-80). 1780. Etching. Prints

Ruïne van een door zuilen omgeven tempel; Romeinse ruïnes en kustlandschappen (serie 1).A ruin of a temple surrounded by columns in a landscape. In the foreground two figures and a dog on the road and two seated figures. Print is part of a series of Roman ruins and coastal landscapes to a pictures of Willem van Nieulandt.

Fishermen (Bartsch 77) Herman van Swanevelt (1600-1655). Fishermen (Bartsch 77). Floor, 17th century.

Mercury puts battus silent. In a landscape with tree ladies and a water feature, a herd of horses can be seen in the front. With this herd of Apollo Mercurius is with a winged helmet and a caduceus. With his right hand he makes a silent gesture in the direction of farmer Battus who is behind him with a bull.

Priesteres speaks from a hill. Priesteres speaks from a hill. Is part of the eight illustrations in: Johan Picardt, short desk finging of some forgotten and hidden antiques ... in the antique-rijcke landscape Drenth, Tymon Houtbak, Amsterdam 1660, fol. 47.

Landscapes with Village Scenes: Landscape with a Chateau at the right, 1630. After Hans Bol (Flemish, 1534-1593), Hieronymus Cock (Netherlandish, 1500-1570). Etching and engraving; sheet: 23.2 x 31.9 cm (9 1/8 x 12 9/16 in.).

Etching by Hans Lautensack from 1554 depicting a rock path leading to an island fortress, showing detailed terrain and surrounding landscape.

Landscape with three figures on the banks of a water, Allaert van Everdingen, c. 1631 - c. 1675 drawing paper. ink pen / brush

Between two rows of trees, three men stand still, one looking at a document, the other toward the city and castle in the background. A man and a woman stand a little further down the path. In the sky a banding without text, Walkers and a Castle, print maker: Cornelis Elandts, (mentioned on object), The Hague, 1670, paper, etching, h 162 mm × w 233 mm

. A river landscape with a city in the background. In the foreground a rider blowing on the hunting horn. The print is part of a five-part print series with Italian landscapes.

Plate 9: Two goats resting to right, turned towards the left, four men and a horse in a river in the background, from 'Various Figures' (Agréable diversité de figures). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dedicatee: Artus Gouffier Marquis de Boissy (French, 1627-1696). Dimensions: Sheet: 2 7/8 × 4 1/8 in. (7.3 × 10.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various Figures' (Agréable diversité de figures). Date: 1642. Museum: Metropolitan Museum of Art, New York, USA.

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Mercury with the head of Argus; Landscapes with biblical and mythological scenes. Hilly landscape with a harbor town in the distance. Right for Mercury who has cut the giant Argus the head. Mercury holds the head in his hand. In the clouds Juno drives into her carriage that is drawn by two peacocks. Print from a series of 13 landscapes with biblical and mythological scenes.

The Water Mill early to mid-17th century Jan van Goyen Dutch. The Water Mill 335548

Rivierlandschap, Giles Sadeler (2), after Pieter Stevens (2), 1624 - c. 1650 print A river with travelers on the right along a balustrade. A tower on the right in the background. The third print of an eight -part series with Bohemian landscapes. print maker: Praagpublisher: Venice paper etching / engraving river (+ landscape with figures, staffage). 'en route', traveller under way Bohemia

Some travelers and a few hunters rest on an island with trees, near a villa. The fifth print of an eight-language series with bohemian landscapes.

Landscape with duck hunt, anonymous, after Nicolaes de Bruyn, after Gilles of Coninxloo (II), 1600 - 1706 print Mountain landscape with a castle. On the left front ground two men hunting water birds. Antwerp paper etching bird hunting. landscape with tower or castle (+ city(-scape) with figures, staffage)

July, Simon Fokke, 1722 - 1784 print From a series of twelve prints, the imagination of the month of June. Fishermen on the water in a rowing boat, in the distance a walking couple on the bank. Amsterdam paper etching July ~ other concepts

Pejzaż z kuszeniem Chrystusa. Reinhart, Johann Christian (1761-1847), graphic artist

Cityscape with ruins, fantasy architecture and a colossal image in the background; Landscapes with ruins and fantasy architecture and figures in antique and exotic pregnancy. Cityscape with ruins, fantasy architecture and a colossal image in the background. In the foreground a man contains a bull. Print from a series of landscapes with ruins and fantasy architecture.

Bathing girls, Simon Klapmuts, 1768.

Amsterdam, Esveldt Holtrop, Jan Steven van, Spiegel der natuur en school der teekenkunde, Arcadische landschapen, Landschap met bergen en ruineuze bouwen, Uitzicht op een landschap met bergen en ruineuze bouwen. In the foreground two men are standing by a building, possibly a tomb. The print is part of an album., print, prent, albumblad, prints, prenten, height 129 mm, width 163 mm, print maker, prentmaker, 1701 - 1701, paper, papier, etching, etchings, Publication (Event), Publication, 1777 - 1833-11-20, publisher, 1787 - 1833

Landscape with Wine Harvest ca. 1630 Pietro da Cortona (Pietro Berrettini) Italian A work of the artist's mature years, this composition was probably a presentation piece for a patron, judging from its high degree of finish and virtuoso technique. The drawing was painted almost entirely with the tip of the brush to obtain delicately pictorial effects of light (for example, in the rays emanating from between the clouds and in the highlights on the bark of the trees), and an atmospheric conception of space. It portrays an idyllic, classically inspired scene in which the magnificent scale and robust vegetation of the landscape, with ancient Roman ruins and distant towns and farmhouses, overpower the small figures of the farm laborers harvesting grapes in the foreground. The dynamic presentation of the scene and the dazzling technical skill seen here attest Pietro da Cortona's stature as one of the most innovative landscapists in Baroque art. With its obvious reference to the seasonal boun

Le P�lerin (Bartsch 12) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The pilgrim (Bartsch 12). Water-strong on paper, 1645-1675.

Cityscape in a river valley, Simon Frisius, after Matthijs Bril, 1611 print print maker: Northern Netherlandspublisher: The Hague paper etching landscapes (+ landscape with figures, staffage)

Waterfall near the Brug Ponte della Trave, Bartholomeus Breenbergh, 1639 print paper etching waterfall

Horseman in a Landscape. Artist: Attributed to Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: Sheet: 13 1/8 × 17 3/4 in. (33.3 × 45.1 cm). Former Attribution: Formerly attributed to Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Date: ca. 1550-60. Museum: Metropolitan Museum of Art, New York, USA. Author: Attributed to Battista Franco.

Joris Hoefnagel depicted the Tyrrhenian Sea from Monte Posilippo near Naples and Mount Vesuvius using brown ink and blue lavation in 1578.

Le Pan de Muraille. Artist: Henri Mauperché (French, Paris () ca. 1602-1686 Paris). Dimensions: sheet: 4 3/4 x 6 7/16 in. (12 x 16.3 cm)plate: 4 1/2 x 6 5/16 in. (11.5 x 16 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Landelin of lobbes, holy.

Landscape with the expulsion of Hagar and Ismaël by Abraham, 1653 - 1654 print River landscape with houses. In the distance the sea with rising sun. On the left, Abraham Hagar and his first son Ismael sends away at the request of his wife Sara (Gen. 21:10). The print is part of an album. paper etching Old Testament. the banishment of Hagar and Ishmael (Genesis 21:9-21). landscapes. river. city-view, and landscape with man-made constructions

Venice, Sadeler, Marcus, Stevens, Pieter (II), Pieter (I), Prague, Aegidius, The twelve months, Ivnivs, June, verso lower left - stamped, June is the shearing month. In the foreground sheep are being sheared. On the left a river in which wood is transported on a raft. Hilly landscape with a church in the middle. In the sky the constellation Cancer. The print has a Latin caption., print, prints, height 212 mm, width 285 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1607 - 1607, paper, engraving, engraving (printing process), Work conception, 1540 - 1620, after a design by, 1567 - 1624, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher

A black chalk drawing by Herman Saftleven showing a mountain village with an archway and wall, on brownish tinted paper with folds, kinks, and squeezing.

Lutma, Jacob, Both, Jan, Landscapes, Mountain landscape with two seated figures, verso - stamped, print, prent, prints, height 145 mm, width 125 mm, Northern Netherlands, 1644 - 1654-06-24, print maker, printmaker, 1634 - 1654, paper, papier, etching, etchings, Work conception, Dutchman, 1622 - 1652-08-09, after a design by, Publication (Event), Publication, publisher

Fontainebleau, Monogrammist IQV, Landscape with two panthers, verso - stamped, Wide coastal landscape, with two panthers and two herons in the foreground. On the left a fort on a hill., print, prints, height 305 mm, width 444 mm, print maker, printmaker, 1543 - 1543, second quarter 16th century, paper, papier, etching, etchings

Village face with stone bridge, Anthonij van der Haer, after Jan van Goyen, c. 1745 - 1785 print Northern Netherlands paper etching landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage). landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Thankful for Having Survived, Francesco I d'Este Finds Refuge in the Shade of a Tree, as Anone is Overtaken with Heavy Musket Fire and the Example of His Own Survival, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico d

Rudolf II of Habsburg (German Emperor), Sadeler, Aegidius, Bril, Paul, Praag, The twelve months in six Italian landscapes, September and October, verso lower left - stamped, Italian landscape with the activities of the months September and October. On the left the fruit harvest; on the right the grape harvest. On the left in the foreground are ladders against apple trees. Men are sitting in the trees and picking the fruit. Under the trees the fruit is collected in baskets that are transported by donkey. In the middle the grapes are picked and on the right the wine barrels are nailed shut. In the back right in a small building the grapes are pressed by foot. On the top of the hill the ruins of a round temple. At the top left and right the signs of the zodiac: the constellation Libra and the constellation Scorpio., print, prints, height 357 mm, width 495 mm, Zuid-Nederlands, 1570 - 1629, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), Work co

A landscape during a cloudburst. People are running around seeking shelter from the rain. In the foreground a man, a woman and a dog under a shelter, Emblem: rain Landscape during a cloudburst, print maker: Caspar Luyken, print maker: Jan Luyken, publisher: Christoph Weigel, Neurenberg, c. 1700, paper, etching, h 108 mm × w 124 mm

Italianate Landscape, Adriaen van der Kabel, 1654, draughtsman: Adriaen van der Kabel, The Hague, 1654, paper, pen, brush, h 160 mm × w 256 mm

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, Milites Requiescentes (Soldiers at Rest), c 1555 1557 Milites Requiescentes (Soldiers at Rest)

River landscape with figures along the waterfront, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print paper etching / engraving river. angling. dog

The small wooden bridge (Hollstein 45) Anthonie Waterloo (1609-1690). The small wooden bridge (Hollstein 45). Floor, mid-17th century.

Moses is found by the daughter of Pharaoh, 1582 - 1586 print Coastal landscape. In the foreground on the left, Moses is found by the daughter of the Pharaoh on the banks of the Nile. The print has an ornament list with flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving the finding of Moses: Pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water. river mouth, estuary. flowers ~ ornament. ornamental birds. swimming mammals (with NAME) (+ ornamental variants of animals). other mammals: hedgehog (+ ornamental variants of animals)

Landscape with Mercury 1668 After Claude Lorrain (Claude Gellée) French. Landscape with Mercury 384229

Utrecht, Saftleven, Herman, Northern Netherlands, Winter, Anthonie de, Mountainous landscape with harvesters, verso lower left - stamped, In the foreground several harvesters are at work. On the various mountain tops are fortified buildings. A river flows in the valley., print, prints, height 92 mm, width 110 mm, 1653 - 1707, print maker, printmaker, 1668 - 1707, paper, etching, etchings, Dutch, 1609 - 1685-01-05, Work conception

Deer hunt; Landscapes and seascapes. Circular face on a landscape in which two horses on horseback and two dogs hunt a deer.

Antwerp, Nieulandt, Willem van (II), Italian landscapes with biblical scenes, Angelus iuuenem Tobiam comitatur, Landscape with Tobias and the angel, verso - stamped, In an Italian landscape, several figures sit and stand in the foreground, accompanied by some sheep. Further in the background, by the sea, are Tobias and the angel. On the right a steep coast with a road winding upwards, on which a man is driving cattle., print, prent, prints, prenten, height 232 mm, width 324 mm, Noord-Nederlands, 1584 - 1635, print maker, prentmaker, 1606 - 1628, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Landscape with male and donkey, 1565 - 1630 print In the foreground, a man with loaded donkey descends a ridge in the direction of a city with a dome church. On the right in the foreground is a house with a water mill and a tree that dominates it. A river flows through the rustic landscape, on which a boat floats with two people in it. A mountain range is visible in the background. paper etching / engraving ass, donkey

The Temptation of St. Anthony. Jan Wellens de Cock; Flemish, died before 1529. Date: 1522. Dimensions: 264 × 383 mm (sheet, border incomplete). Woodcut on paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

No title. (Circular landscape with figures at a watering place.) prints, etchings, landscapes, works on paper

Everdingen, Allart van, work, Log building on the brink of the rapids, (1000 - 2000), line etching, graphics, plate width 14.1 cm, plate height 9.3 cm

Venus mourns the death of Adonis, Hieronymus Cock, After Matthys Cock, c. 1551 - Before 1558 print Landscape with hunting scenes. On the right you can see how Adonis is killed by a wild boar. In the middle Venus and Amor who mourn around the dead Adonis. Print from a series of 13 landscapes with biblical and mythological scenes. Antwerp paper etching Venus mourning Adonis

Two Men on a Bare Hill. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

May: Hunting (Gemini), Antonio Tempesta, 1575 - 1613 print Landscape that depicts the month of May. Landscape with hunters and hunting dogs hunting a deer. In the middle of the symbol for the constellation twins. print maker: Italyafter own design by: Italypublisher: Rome paper etching Gemini (zodiacal sign of May). landscape symbolizing May. stag-hunting. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

Elie in the desert (Hollstein 136) Anthonie Waterloo (1609-1690). Elie in the desert (Hollstein 136). Floor, mid-17th century.

Catalogue Raisonné des differens objets dans...le Cabinet de feu Mr. Mariette. Designer: Designed by Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Designed by Pierre François Basan (French, Paris 1723-1797 Paris ()); Designed by Jean Michel Moreau the Younger (French, Paris 1741-1814 Paris). Dimensions: Overall: 7 3/8 x 5 1/8 x 1 1/2 in. (18.7 x 13 x 3.8 cm). Engraver: Engraved by Pierre Philippe Choffard (French, Paris 1730-1809 Paris). Date: 1775. Museum: Metropolitan Museum of Art, New York, USA.

Landschap Mets Apostel Johannes, Louis de Châtillon, After Nicolas Poussin, 1649 - 1696 print paper etching life and acts of John the Evangelist. landscape with ruins

Claes Jansz Visscher after Lucas van Doetechum after Master of the Small Landscapes after Johannes van Doetechum, the Elder, Village Road Village Road

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