Historical Landscape Prints

A collection of intricate etchings showcasing diverse landscapes, featuring scenes with figures, biblical narratives, and rural settings from historical periods.

Wood gatherer, Carel Lodewijk Hansen, c. 1780 - 1840

Village face with pedestrian at Vrouw in Door, Hermanus Fock, 1781 - 1822 print Amsterdam paper etching village (+ city(-scape) with figures, staffage)

Claude Lorrain, The Vision (L'apparition), c 1630 The Vision (L'apparition)

Face outside Haarlem, Roelant Roghman, 1637 - 1677 print View of a hilly landscape with shepherds and sheep, near Haarlem. On the right on the hill a house with a fence. Numbered at the bottom of the margin: 2. Amsterdam paper etching / drypoint herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sheep. low hill country. farm or solitary house in landscape - II - ideal landscapes

Landscape with Mercury that kills Argus, Etienne Dupérac, 1535 - 1604 print paper etching Mercury beheads Argus

Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli (Remains of the Temple of the God Canopus at Hadrians Villa in Tivoli), from Vedute di Roma. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

The Three Men and the Porter Allart van Everdingen Dutch. The Three Men and the Porter 428246

Dresden, Holtzmann, Carl Friedrich, Landscape with ruins and a shepherd with cattle, verso - stamped, print, prints, height 93 mm, width 140 mm, 1740-04-04 - 1811-05-18, print maker, printmaker, 1750 - 1811, paper, papier, etching, etchings

Elia fed by Raven, Magdalena van de Passe, After Roelant Savery, 1617 - 1634 print Forest landscape with Elijah that sits along the Beek Kerit. A raven brings him bread and meat. In the margin a Bible quote from 1 Kon. 17 in Latin. Utrecht paper engraving Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Widok Pieskowej Skały pod Ojcowem. Vogel, Zygmunt (1764-1826), draughtsman, cartoonist

Road Leading to aChurch. Artist, circle of: Gillis Neyts, Flemish, 1623-1687

Figures at a farm; Landscapes in ovals. A landscape with figures at a farm. Print from a series of eight with landscapes representations, all in an oval.

Figures on a path at Schemering, Gillis van Scheyndel (I), 1631 - 1656 print A rolling landscape in the twilight. In the foreground a rider and a running man. In the background two figures with a knapsack over the shoulder. The print is part of a series of seven landscapes. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving dusk, evening twilight. road, path. riding a horse, ass, or mule; rider, horseman

Landscapes of the Environs of Rome: The Molle Bridge over the Tiber, 1636-1652. Jan Both (Dutch, c. 1618-1652). Etching; sheet: 20.2 x 28 cm (7 15/16 x 11 in.); platemark: 19.7 x 27.4 cm (7 3/4 x 10 13/16 in.).

River Valley with Obelisk ca. 1560-70 Lucas Gassel. River Valley with Obelisk. series of varied landscapes. Lucas Gassel (Flemish, Helmond ca. 1495/1500-ca. 1570 Brussels). ca. 1560-70. Etching and engraving. Prints

Genoels, Abraham, Paris, Landscape with pond, verso center bottom - stamped, Landscape with a pond left. Right a road. In the background a temple, print, prints, diameter 89 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1723, paper, papier, etching, etchings, Work conception

Hilly landscape with hunter and ruin, c. 1600 unknown parchment (animal material). ink. deck paint brush unknown parchment (animal material). ink. deck paint brush

View of Dohan, Martinus Antonius Kuytenbrouwer Jr., 1831 - 1897 print View of the Belgian village of Dohan, with the river Semois on the right and two weapons under a crown on the left. Netherlands paper etching / drypoint river. village. low hill country

Coastal face with a ship being raised on the right; Designs for a pictures with coastal landscapes.design for a print.

Landscape with bathing nymphs. A landscape with the right in the foreground four bathing nymphs. On the left a river and a bridge in the background, right buildings.

Frontispiece with stepped fountain; a stone wall with water spout pouring water into a rectilinear basin, from which a second spout pours water into a smaller rectilinear basin, flanked by tree branches. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: Sheet: 6 1/8 x 5 1/2 in. (15.5 x 14 cm). Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Creation of EVA; E Diminutione Augmentum; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. In the middle of the animals, God creates EVA from the Sleeping Adam and helps her up (Gen. 2:21). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Wieringen, Cornelis Claesz. van, Amsterdam, Visscher, Claes Jansz. (II), Amaeniores Aliquot Regiunculae, Dutch landscapes, Mountain village with houses and stairs, verso - stamped, Landscape with stairs to houses on a hill. Various figures carry jugs of water up the stairs., print, engraving, prints, engravings, height 139 mm, width 192 mm, Northern Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Work conception, 1577 - 1633-12-29

Tombe Van Orazi en Curiazi Op De Castaba Albana, Anonymous, 1675 - 1711 print Amsterdam paper etching churchyard, cemetery

Party in a forest, Nicolaes de Bruyn, after David Vinckboons, 1642 - 1665 print A feast of an elegant company on the edge of a forest. They eat, drunk, music played and danced. A castle in the background. print maker: Antwerppublisher: Amsterdam paper engraving castle. private festivities, merry company - AA - in the open air, 'fíªte champíªtre'

A River between Rocks, from the series Set of Landscapes. Herman Naijwincx; Dutch, 1624-1651. Date: 1644-1651. Dimensions: . Etching on ivory paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Herman Naijwincx.

Use, Louis Gabriel Moreau, 1770 - 1825 print A wooden bridge over a small river, with two stone pillars. Two figures on the bridge. Paris paper etching landscape with bridge, viaduct or aqueduct

Artist: Ercole Bazzicaluva, Italian, c. 1610-after 1641, After: Jacques Callot, French, 1592-1635, Hunting Scene: Near the Kill (after a design of Jacques Callot1592-1635), Etching, sheet: 12.1 × 16.6 cm (4 3/4 × 6 9/16in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

The Hague, Hardenberg, Lambertus (1822-1900), River landscape with sailing ship and farm, verso - stamped, print, prints, height 100 mm, width 118 mm, Dutch, 1822-11-07 - 1900-01-15, print maker, printmaker, 1837 - 1900, paper, papier, etching, etchings

Sorious, Isaac, Series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672, 't Slot te Breukelen, The castle at Breukelen, destroyed by the French in 1672, verso middle bottom - stamped, The ruins of the castle at Breukelen. Ninth print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., print, prent, historieprent, prints, prenten, height 153 mm, width 253 mm, print maker, prentmaker, 1672 - 1676, paper, papier, etching, etsen

The Large Landscapes: Solicitudo Rustica, c. 1555-1558. Attributed to Jan van Doetechum (Flemish, 1530-1616), and Lucas van Doetechum (Flemish), after Pieter Bruegel (Flemish, 1527/8-1569). Engraving and etching; image: 31.5 x 43 cm (12 3/8 x 16 15/16 in.); sheet: 31.5 x 43 cm (12 3/8 x 16 15/16 in.).

Shepherds and travelers at a fountain in a landscape with ruins, Jean Jacques André Le Veau, 1739 - 1786 print print maker: Francepublisher: ParisFranceFrance paper etching / engraving landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. utilitarian, public pump or water fountain

Landscape with a boat, houses and a cart, anonymous, 1600 - 1699 drawing Landscape with a boat, houses between trees and a cart with figures. paper. ink pen landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat

Landscape with Mercury who steals the herd of Apollo, A landscape with a castle on a hill. Different birds fly above the castle. In the foreground Mercury stealing the herd of Apollo (or Argus), by soothing him to sleep with music. by making music, Mercury steals the flock which Apollo is tending, Angelo Falconetti (mentioned on object), Italy, 1527 - 1567, paper, etching, h 220 mm × w 265 mm

The house on the rock steep (Bartsch 15) Herman van Swanevelt (1600-1650). The house on the steep rock (Bartsch 15). Etching. 17th century.

Landscape with the parable of the rich fool, 1653 - 1654 print Landscape with the farm of a rich man. The man sits on a grain bag by a tree and has a large shed built for his stocks and riches (Luke 12:16). At the bottom right the song that the print had in an earlier edition: 83. The print is part of an album. paper etching the rich fool, whose death comes when he has saved all his money to build new barns (Luke 12:16-21)

Two Men at the Door. Allart van Everdingen; Dutch, 1621-1675. Date: 1641-1675. Dimensions: 99 x 138 mm. Etching on ivory paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Car at a hut, Pieter de Molijn, 1650 - 1660 drawing Car with decent dressed ladies and gentlemen passes a hut and two beggars. paper. chalk beggar. four-wheeled vehicle drawn by two animals

Dracenfelss, castle view at the top of the mountain nad Rhine; Hollar, Wenceslaus (1607-1677), Hogenberg, Abraham (Fl. 1608-1659); 1635 (1635-00-00-1635-00-00);Nibelung, Rehdigeran (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, Wagner, Richard (1813-1883), fantasy, legends, rivers, dragons (fantast.), Hills, castles (architect)

The Three Men and the Porter Allart van Everdingen Dutch. The Three Men and the Porter 428252

Landscape with the Healing of the Blind, Jan van Londerseel, after David Vinckboons, c. 1601 print Forest -rich landscape with a city built against the hills in the distance. In the foreground a swamp area in which Christ heals a blind man right under the watchful eye of bystanders. On the other side of the swamp, a farmer and farmer with child watch the miracle from a distance. paper engraving healing of a man born blind: Christ touches his eyes with an 'ointment' of dust and spittle (John 9). swamp, inland marsh, fens

Tivoli and the Waterfalls with Shepherd Families. Dated: 1821. Dimensions: sheet: 33 x 45.6 cm (13 x 17 15/16 in.). Medium: pen and black ink over graphite, including borderlines, on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Anton Koch.

Frontispiece, with Statue of Minerva. Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Series/Portfolio: Vedute di Roma (Views of Rome). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.

Genoels, Abraham, Rome, Arcadian landscapes, Arcadian landscape with a mausoleum with six columns, verso bottom center - stamped, Arcadian landscape with trees. In the background classical ruins and a mausoleum with six Corinthian columns. In the foreground three women in conversation. The print is part of a series of four Arcadian landscapes., print, prent, prints, prenten, height 162 mm, width 223 mm, 1640 - 1723-05-10, print maker, prentmaker, 1684 - 1684, paper, papier, etching, etsen, Work conception

Print made by Richard Earlom, 1743-1822, British, Landscape with Ruins, 1817. Etching and mezzotint in brown ink on moderately thick, slightly textured, cream wove paper.

Study sheet, including with the tower of the St Aldegundiskerk in Emmerik, 1834 Also studies of hare, ducks, a horse, a tree stump and a hiker with a dog in a landscape. Page 26 Recto from a sketchbook with 41 sheets. Bucket paper. pencil city-view, and landscape with man-made constructions. church (exterior). rodents: hare. water-birds: duck. horse. walking Bucket

Landscape with a Large Tree 1611 Paul Bril The Netherlandish painter Paul Bril, whose significant activity took place while he was active in Rome between about 1582 and 1626, was a key figure for landscape painting. He influenced numerous northern artists who traveled to Rome after him. This lively and freely drawn image of a tree is a classic Bril theme. It was randered in layers of gray and black wash but Bril's black chalk underdrawing is also visible in parts, for instance as along the outlines of the tree trunk. This energetically twisting tree harkens back to drawings of single trees by Pieter Bruegel the Elder like the one in the collection of the Royal Library Albert I in Brussels (inv. S.II 113 145; Mielke 19)). Bril could have known drawings by Bruegel because Bril is thought to have worked with Jan Brueghel, the artist's son, who brought with him to Rome some of his father's drawings.. Landscape with a Large Tree. Paul Bril (Netherlandish, Breda () 1553/54-1626 Rome). 1611.

Tusculum (Frascati) from the southwest, Jan de Bisschop, 1648 - 1671, draughtsman: Jan de Bisschop, 1648 - 1671, paper, brush, h 98 mm × w 156 mm

At Nympharum Hecates Scapulis Timor Addidit Alas 1526-50 Léon Davent. At Nympharum Hecates Scapulis Timor Addidit Alas 697359

Francis Seymour Haden, 1818-1910, British, Out of Study Window, 1859. Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper.

A man leaning on a stick next to a man, pointing to the rock. To the left bushes and a rock, Landscape with two figures by a rock, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, intermediary draughtsman: F. Bosch, (possibly), Vaassen, 1833, paper, etching, h 114 mm × w 178 mm

The martyrdom of Saint Sebastiaan, Jacques Callot, 1631 - 1633 print Under the interest of a large crowd, Saint Sebastiaan is shot at a plain by a city (Rome) next to a dilapidated amphitheater (Colosseum) by archers. Nancy paper etching St. Sebastian, tied to a tree or a pillar, is pierced by arrows

Nieulandt, Willem van (II), Roman ruins and coastal landscapes (series 2), Cattle among Roman ruins, recto center top outside the plate edge - handwritten, On the right an overgrown ruin, on the left a fountain between two columns. In the middle various figures and cattle. Possibly the Roman Forum in Rome. Print is part of a series of Roman ruins and coastal landscapes after prints by Willem van Nieulandt. This series is a copy of the series that Claes Jansz Visscher made after Van Nieulandt., print, prints, verso - stamped, 34, height 100 mm, width 154 mm, Northern Netherlands, 1584 - 1635, intermediary draughtsman, after a drawing by, 1594 - 1685, paper, papier, etching, etchings, print maker, printmaker

Landscape with a barge and a ferry, Anonymous, After Hans Bol, 1548 - 1570 print A river flows through a mountainous landscape. A barge and a ferry sail over the river. Both banks are built on. print maker: Low Countriesafter design by: Low Countriespublisher: Antwerp paper etching tow-boat, towing-barge. ferry. mountains. river (+ landscape with figures, staffage)

Landscape with the Temple of Vesta; Arcadic landscapes. In a landscape with a round, classical temple holds an angel a man at hand (Tobias and the angel). On the left a shepherd with her herd.

. Landscape with Jupiter and IO, mounted on 16th-century album leaf with other etching of Etienne Duperac

Wodospad i świątynia Sybilli w Tivoli. Dietrich, Christian Wilhelm Ernst (1712-1774), graphic artist

Landscape with Shepherds and Travelers at a Watering Place L'abreuvoir au lion. , print maker: Andrew Lawrence, (mentioned on object), print maker: Jean Charles Levasseur, (mentioned on object), after: Francesco Giuseppe Casanova, (mentioned on object), Paris, 1718 - 1816, paper, etching, engraving, h 522 mm × w 405 mm

Allegory on the province of Holland; Title page for: Thomas Salmon and Jan Wagenaar, nowadays of the United Netherlands, sixth part, 1746; Title page for: Thomas Salmon, contemporary history, or present state of all peoples, Xvide part, 1746.View of People at Work in the Countryside of the Province of Holland. In The Foreground Two Putti With Maps Of Areas Around Delft And The Rhine. They flank the weapon of the hague. Right Cheeses, Cods and Barrels with Herring. In The Margin A Four-Line Caption in Dutch.

Winter; The four Seasons. Two men loaded a donkey with wood. A third man mins a tree trunk. On the left a family that is around a fire in their cabin and lies for the winter cold. Right three figures that gather wood. Winter presentation from a four seasons print series.

ruins of the Baths of Caracalla, Willem van Nieulandt (II), Anonymous, 1594 - 1685

Terrace in a park, Jan Fouceel, 1665 - 1679 print Terrace in a park with conversing figures in the foreground. Antwerp paper etching park. conversation, dialogue; conversation piece

Isaac Blessing Jakob, 1613 The old and blind Isaac bless Jakob disguised as his brother Esau. Jakob kneels at the bed. His mother Rebekka is on the left. On the right a river landscape with Esau returning from hunting (Gen. 27:18). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching The old and blind Isaac bless Jakob disguised as his brother Esau. Jakob kneels at the bed. His mother Rebekka is on the left. On the right a river landscape with Esau returning from hunting (Gen. 27:18). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Variae campestrum fantasiae. Two men on a bare hill. prints, etchings, landscapes, works on paper

Ioannis according to Martin of your Raphael Sadeler (said the old, 1560-1632). Ioannis after Martin of your. Burin, 17th century.

Depiction of an Arcadian landscape with a grave pyramid beside water, rendered in brown and gray tones.

Etching by Augustin Hirschvogel from 1549 depicting the parable of the vineyard, showing figures, gestures, vines, and 16th-century German religious iconography.

Abraham Aubri, Müllern, engraving.

Storm moved by love in Tuscan fields; Tempesta Commossa da Amore Ne Campi Toscani; Decor designs for the 'La Flora' opera in Florence in 1628. A face at sea during a storm. Between the clouds is Jupiter who causes the storm. Neptunus is being continued by hippocampuses at sea. In the foreground three women running away from Amor and a man with arrow and bow. A design for a theater decor for the opera 'La Flora' that in Florence in Florence was found in honor of the marriage between Odoardo Farnese (1612-1646) and Margherita de'Medici (1612-1679). Title in Italian in undermarge.

Antwerp, Cock, Hieronymus, Matthys, Landscapes with biblical and mythological scenes, Flight into Egypt, verso - stamped, Fragment of a print with the Flight into Egypt from a series of 13 landscapes with biblical and mythological scenes. Landscape with a watermill by a river., print, prints, height 218 mm, width 154 mm, Southern Netherlands, 1518 - 1570-03-10, print maker, printmaker, 1551 - 1558, paper, etching, etchings, Work conception, 1509 - 1548-03-20, after a design by, Publication (Event), Publication, publisher

Illustration for a Book: Meeting Between Two Generals () before a Fortified Town 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: Meeting Between Two Generals () before a Fortified Town 339299

Jacob struggles with the angel; Salutary obstinatio; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Boomy landscape. In the middle, Jacob struggles with the angel by the Jabbok River. In the background, caravan (Gen. 32:23). The print is part of an album.

Reynard Departs with the Badger. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

Seascape (La Naufrage) 18th century Adriaen Manglard French. Seascape (La Naufrage) 386168

Print made by Bernard Lens, 1659-1725, British, Tobit and the Angel, undated. Mezzotint on medium, slightly textured, blued white, laid paper.

The Covered Rocks. Artist: Laurent de La Hyre (French, Paris 1606-1656 Paris). Dimensions: sheet: 4 15/16 x 5 7/8 in. (12.5 x 15 cm)plate: 4 5/16 x 5 1/4 in. (11 x 13.4 cm). Publisher: Published by Herman Weyen (Flemish, died Paris, 1672). Series/Portfolio: Set of six unnumbered landscapes. Date: 1640. Museum: Metropolitan Museum of Art, New York, USA.

Bril, Paul, unknown, Sadeler, Aegidius, Mountain landscape with a hermit, verso bottom center - stamped, Mountain landscape with a hermit in the foreground on the right, reading a book. In the middle his hut., print, prent, prints, prenten, height 204 mm, width 274 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07

A black chalk drawing by Herman Saftleven depicting a rocky bay with a city view, on light brown tinted paper with horizontal folds and sky scraping.

Rabbit hunting; Yacht and fishing; VENATIONES, PISCATIONES ET AUCUPII TYPI. Hunting rabbits with guns and fall. The print has a Latin caption and is part of a series of 54 prints.

Allart van Everdingen, Reynard Blinds the Wolf in One Eye, probably c 1645 1656 Reynard Blinds the Wolf in One Eye

PEOPKA PAINT IN THE ROG; Ridinger, Johann Elias (1698-1767); 18th century (1700-00-00-1800-00-00);

The Two Mules, from a set of four Italian Landscapes. Jan Both; Dutch, c. 1618-1652. Date: 1645-1650. Dimensions: 266 x 205 mm. Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Unknown artist <Italian>: Landscape in rich staffage. Oil on canvas; 120 x 170 cm

Pejzaż - Nel Colosseo. Reinhart, Johann Christian (1761-1847), graphic artist

Groot, Reinhard, Andreas (II), Andreas (I), Calendar sheet October, verso - stamped, print, prints, height 195 mm, width 111 mm, German, 1676 - 1742-03-07, print maker, printmaker, 1686 - 1752, paper, papier, etching, etchings, Danish, 1715 - 1752-01-25, intermediary draughtsman

Landscape with ruins, courtiers, and a gondola 1526-50 Léon Davent. Landscape with ruins, courtiers, and a gondola 697363

Landcape, Brittany. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1907. Dimensions: 100 x 299 mm (image/plate); 119 x 314 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Jacques Callot, The Fair at Xeuilley The Fair at Xeuilley

The Shipwreck. Dated: probably 1553. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Cornelis Cort.

Haarlem, Matham, Jacob, Gauw, Gerrit, Landscapes, River view, verso middle - stamped, A river with a sailing ship. In the foreground fishermen at work. The print is part of a series of landscapes., print, prent, prints, width 328 mm, height, 219 mm, - 1638-01-26, print maker, printmaker, 1604 - 1638, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1571-10-15 - 1631-01-20, publisher

Imperial Court, Venice, Sadeler, Marcus, Aegidius, Stevens, Pieter (II), Prague, Eight Landscapes from Bohemia, Country Road beside a River, verso lower left - stamped, A Country Road beside a River. In the foreground a cross. The seventh print of an eight-part series with Bohemian landscapes., print, prints, height 162 mm, width 246 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, papier, etching, etchings, engraving, engraving (printing process), 1567 - 1624, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, German, 1614-04-11 - 1650, uitgever van privilege

Jean Laurent Legeay, Frontispiece for Fountains, 1768 Frontispiece for Fountains

Landscape with Classical Ruins, Figures and Fountain. Pierre-Jean Mariette (France, 1694-1774)Gabriel or Adam Pérelle (France, 1604-1677 (Gabriel), 1640-1695 (Adam)). France, 17th century. Prints; etchings. Etching

Interior view of the Colosseum, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1766. Dimensions: 454 x 693 mm (image); 461 x 697 mm (plate); 492 x 722 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

July; IVLIVs; The twelve months. Round table with summer landscape with summer scenes. July is the mowing or hay month. Central is the haymaking and mowing the grass. Hay wagons bring the mown grass to the barn. In the middle of the constellation lion. The print is part of a twelve-part series over the twelve months.

Phaethon drives the solar wagon, Hans Bol, Anonymous, c. 1550 - c. 1650

Ruins of the palace substructures of Septimius Severus, Rome. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: c. 1607 - c. 1609. Place: Rome. Measurements: h 202 mm × w 176 mm. Museum: Rijksmuseum, Amsterdam.

Cock, Hieronymus, Bruegel, Pieter (I), Landscape with a rabbit hunt, Landscape with hills and a river. In the foreground two men with a dog, hunting rabbits., print, prints, height 213 mm, width 292 mm, Southern Netherlands, 1525 - 1569-09-05, print maker, printmaker, 1560 - 1560, third quarter 16th century, paper, etching, etchings, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Traveling Women Drinking Water 1758 Jean Daullé French. Traveling Women Drinking Water 394383

The Merciful Samaritan performs the wounded traveler on his donkey through a dark landscape. Rear left the ruin of a castle on a hill. Print from a series of four.

Albert Flamen depicts a rocky coastline with a castle and a sailboat, drawn in brown ink, highlighting natural and architectural elements, with minor damage and blue discoloration.

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