Historical Landscape Sketches

A collection of pencil and ink drawings showcasing tranquil landscapes, rural scenes, and architectural details from different eras and locations.

Trial Proof for Cotton Printing: 'Pastoral Scene with Peacocks and Poultry', Copper engraving in gum paste on grey/buff laid paper, France, after 1761, textile designs, Print, Print

Landscape at Schagen, draughtsman: Jacob Colijn, (attributed to), draughtsman: Collijn de Oude, (possibly), draughtsman: Claes Jansz. Visscher (II), (rejected attribution), 1600 - 1699, paper, pen, brush, h 83 mm × w 156 mm

James Pattison Cockburn brown ink drawing on brown paper depicting the landscape view of Santarem, Portugal.

Sketchbook with 33 sheets. Sketchbook consisting of 33 sheets with Italian landscapes, cityscapes, figures, animals and religious performances, presumably signed to artworks.

Capt. Thomas Hastings, 1778-1854, British, Near Newport, 12 August 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

Depiction of the ruins of the southeastern Palatine with herds of cattle and shepherds by Willem Romeijn using graphite pencil and black chalk on paper with brown-yellow edges.

Capt. Thomas Hastings, 1778-1854, British, Near Saint Lawrence, Isle of Wight, December 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

copy after Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), Three Figures Standing by Rocky Cliffs, Two Horsemen in Distance Left, undated. Black chalk with graphite and black ink on medium, slightly textured, blued white laid paper.

Sketch of a walker on a road, Andreas Schelfhout, 1797 - 1870 drawing paper. pencil

Etched by Joseph Mallord William Turner, 1775-1851, British, Sheep-Washing, Windsor, between 1813 and 1823. Etching Early (touched) on medium, slightly textured, cream wove paper.

Trial Proof for Cotton Printing: 'Pastoral Scene with Peacocks and Poultry', Copper engraving in gum paste on grey/buff laid paper, France, after 1761, textile designs, Print, Print

Ship located off the coast of Sicily, Johan Teyler, 1679 - 1683 drawing A ship located off the coast of Sicily, in the distance the Volcano Etna. paper. ink pen sailing-ship, sailing-boat. coast. volcano Mediterranean. Etna. Sicily

Millfield, East Cowes, 25 May 1832, Capt. Thomas Hastings, 1778-1854, British, 1832, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)

Rest on the Flight into Egypt Artist's working dates 1661-1708 France. Pen and black ink, on tan laid paper, laid down on cream laid paper . Michel Ange Corneille

Thomas Daniell, 1749-1840, British, active in India, Landscape with Figures, undated. Graphite on medium, slightly textured, cream, laid paper; mounted on, moderately thick, slightly textured, cream, wove paper.

Out of study window , Cities & towns. Francis Seymour Haden (1818-1910). Prints and Drawings

La Tonnelle 1838 Charles-François Daubigny. La Tonnelle. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1838. Photogravure. Prints

'Winchelsea, Sussex', 1812, (1923). Artist: JMW Turner.

Bliżej Kultury Stanisławski, Jan (1860 1907)

Capt. Thomas Hastings, 1778-1854, British, Millfield, East Cowes, 25 May 1832, 1832. Graphite on medium, slightly textured, cream wove paper.

Statue of Cain and Abel in the Forest near Leytonstone, Capt. Thomas Hastings, 1778-1854, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)

Part of Mayo's Island, Cheshunt, 23 May 1814, Capt. Thomas Hastings, 1778-1854, British, 1814, Graphite and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 7 5/8 inches (12.1 × 19.4 cm)

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Capt. Thomas Hastings, 1778-1854, British, Newport, 16 September 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

On the West Cowes Road to Newport, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on thin, slightly textured, cream laid paper, Sheet: 4 × 6 1/2 inches (10.2 × 16.5 cm)

Abklatsch of the chalk drawing on page 22. Page 23 from a sketchbook with 49 sheets.

In Bradley Vale, May 1833, Capt. Thomas Hastings, 1778-1854, British, 1833, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Pencil study of acroters by Carl von Hasenauer, showing architectural details and ornamental features.

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Capt. Thomas Hastings, 1778-1854, British, Clevedon, 8 September 1845, 1845. Graphite on medium, slightly textured, cream wove paper.

Capt. Thomas Hastings, 1778-1854, British, From under the Keep within Carisbrooke Castle, 18 May 1829, 1829. Graphite on medium, slightly textured, cream wove paper.

Landscape with Figures Binding a Bundle of Wood May 21, 1789 Thomas Rowlandson. Landscape with Figures Binding a Bundle of Wood. Imitations of Modern Drawings. After Thomas Gainsborough (British, Sudbury 1727-1788 London). May 21, 1789. Etching, soft-ground etching and aquatint, printed in brown ink. John Thane (British, London 1748-1818). Prints

A law at Abcoude, draughtsman: Paul Joseph Constantin Gabriël, 1838 - 1903, paper, h 254 mm × w 322 mm

Landscape with a Tree in the Foreground. Artist: Circle of Raphael Lamar West (British, London 1769-1850 Bushey Heath). Dimensions: Sheet: 11 7/16 × 13 3/4 in. (29 × 35 cm). Date: ca. 1800.Born and raised in London, Raphael Lamar West assisted his famous father Benjamin West, and became a skilled painter and draftsman in his own right. This drawing comes from a group that descended in the artist's family, with the pen work and knotted central tree trunk close in style to known works by Raphael. Museum: Metropolitan Museum of Art, New York, USA.

Charles Hamilton Smith, 1776-1859, Belgian, Resting Place at Night in the Northern Expedition, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Design for room wall with paintings for P. de Jongh ..

Antoine Watteau, A Fête Galante with Falconers, c 1711 1712 A Fête Galante with Falconers

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

A drawing by Stefano della Bella showing a landscape with overgrown ruins and a seated man wearing a hat on the left, appearing to draw, executed in chalk and pen with reddish tones around 1633/34.

Etang d'Issy les Moulineaux. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Oriental Landscape. Dated: c. 1845. Dimensions: overall: 35.7 x 52.1 cm (14 1/16 x 20 1/2 in.). Medium: charcoal counterproof on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Alexandre-Gabriel Decamps.

Georgin, work, 1000, drawing, 19.7 cm x 16.5 cm

Louisa Augusta Greville, 1743-active 1762, British, Untitled: Patstoral scene, 1740.

Rubber tempera on yellowish paper by Giovanni Benedetto Castiglione depicting Rachel with her children and Jacob's returning herds in a landscape.

Face of a high -lying terrace over a landscape with winding river, Jacques André Portail, 1705 - 1759 drawing paper. ink. chalk pen river

Sketchbook of American and Italian Subjects William Trost Richards (American, 1833-1905). Sketchbook of American and Italian Subjects, 1855-1856. Sketchbook containing drawings in graphite on wove paper, 4 1/16 x 6 5/8 x 3/8 in. (10.3 x 16.8 x 1 cm). Richards first traveled to Europe in 1855, remaining abroad for a year and spending most of the time in Italy. Like so many artists before him, Richards was overjoyed to be in Florence: I have not as yet realized that I am in Italy that all the dreams of a boyhood are fulfilled.” Richards carried this small sketchbook on a walking tour in the Apennine mountains in October 1855. The carefully drawn vista shown here of the broad valley through which the Arno river winds reminded Richards, always quick to compare American and European landscape scenery, of the view of the Hudson from the Catskill Mountain House. American Art 1855-1856

Sketch of an Ossendrift, drawing, sketch, Jurriaan Andriessen, 1752 - 1819, paper, graphite (mineral), h 145 mm × w 196 mm

Hohenlinden, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Open etching

Two mills on a waterfront, 1866 - 1922 There are sailboats on the water. Page 2 Recto from a sketchbook with 42 sheets. paper. chalk sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone). windmill in landscape

Album with Views of Rome and Surroundings, Landscape Studies, page 20b: "Cervera". Franz Johann Heinrich Nadorp (German, 1794-1876). Graphite;

Farmyard with two trees with ladders in between, draughtsman: Jean Honoré Fragonard, 1742 - 1806, paper, counterproof, h 335 mm × w 447 mm

Further pencil sketches by Ferdinand Georg Waldmüller showcasing his versatility and attention to detail in different subjects and scenes.

Hon. Henrietta Anne Fortescue, ca. 1765-1841, British, Cascatella, Tivoli, 1817, 1817. Pen and brown ink and brown wash over graphite on medium, rough, cream wove paper.

Zatoka Koryncka z Helikonem i Parnasem na horyzoncie. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Landscape with Castle, Nicholas Thomas Dall, op.1748-, d.1777, British, undated, Black and white chalk over graphite on moderately thick, rough, blue laid paper, pasted on thick, rough, cream wove paper, Sheet: 12 1/4 x 18 7/8in. (31.1 x 47.9cm), architectural subject, castle, landscape, trees

Castle Stuart, Scotland, James Moore, 1762-1799, British, 1792, Graphite on medium, slightly textured, beige, wove paper, Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)

Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank. Date/Period: Ca. 1752. Landscape. Graphite and black chalk on medium, moderately textured, blued white laid paper mounted on smooth, moderately thick, cream wove paper. Height: 257 mm (10.11 in); Width: 316 mm (12.44 in). Author: RICHARD WILSON.

Two Figures on a Road with Castle in Center Distance, Rev. William Gilpin, 1724-1804, British, between 1745 and 1748, Gray and brown wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash, Sheet: 5 x 7 5/8in. (12.7 x 19.4cm), castle, figures, landscape, mountains, road, rocks (landforms), travel, trees, walking

John Robert Cozens, 1752-1797, British, Grotto di Posillipo, ca. 1783. Graphite on thin, slightly textured, cream laid paper.

Le Vieux Paysagiste. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1880. Prints; etchings. Etching

John Robert Cozens, 1752-1797, British, Ronciglione, between 1782 and 1783. Graphite, buff ground and varnish on thin, slightly textured, cream laid paper.

Widok Karkonoszy z okolic Lubania; verso: dachy domów w Barcinku (). Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Mountain Landscape, Peasants in a Clearing near a Waterfall (recto); Landscape Sketch (verso); Anthonie Waterloo (Dutch, 1609 - 1690); early 1650s; Point of the brush and black ink, gray and brown wash with touches of blue and red wash in the figures (recto); black chalk (verso); 36.8 x 52.2 cm (14 1,2 x 20 9,16 in.)

Capt. Thomas Hastings, 1778-1854, British, Shorwell, 3 August 1832, 1832. Graphite on medium, slightly textured, cream wove paper.

Brown pencil and pen drawing by Jakob Gauermann depicting trophies, showing compositional arrangement and object details.

Sawrey Gilpin, 1733-1807, British, Study of cattle and figures in a landscape, undated. Graphite on medium, slightly textured, cream laid paper.

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Italianate Landscape with the Ruins of Brederode Castle. Artist: Nicolaes Berchem (Dutch, Haarlem 1621/22-1683 Amsterdam). Dimensions: sheet: 16 3/8 x 22 5/16 in. (41.6 x 56.7 cm). Date: mid-17th-late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Glass-Furnace, Murano. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Arrivee au Marche. Dimensions: overall (approximate): 19.9 x 32.7 cm (7 13/16 x 12 7/8 in.). Medium: black chalk on two sheets of laid paper. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Drawing, Imaginary Landscape with; Frederic Edwin Church (American, 1826-1900); Attributed to Thomas Cole (1801 - 1848); USA; pen and dark brown ink support: paper; 8.5 x 11.2 cm (3 3/8 x 4 7/16 in.) 3 5/16 x 4 7/16 in. Mat: 40.6 x 55.9 cm (16 x 22 in.)

Windsor. Date/Period: Mid-19th Century. Drawing. Watercolor and charcoal on medium moderately textured cream wove paper. Height: 153 mm (6.02 in); Width: 314 mm (12.36 in). Author: David Cox.

Capt. Thomas Hastings, 1778-1854, British, Hastings, October 1820, 1820. Graphite on medium, slightly textured, cream wove paper.

Netherlands, Bagelaar, Ernst Willem Jan, Water landscape with cow, print, prints, height 50 mm, width 53 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Expression creation

Yezd-i-Kast. (Vue générale.). Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Watercolor on medium, slightly textured, white wove paper.

James Bruce, 1730-1794, British, Two Youths, undated. Graphite on medium, slightly textured, cream laid paper.

The Great Victory of Qurnam. Artist: Augustin de Saint-Aubin (French, Paris 1736-1807 Paris); (direxit) Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); after Giovanni Damasceno Salusti (1727-1781). Dimensions: Sheet: 39 5/8 × 25 13/16 in. (100.7 × 65.5 cm)Plate: 37 1/16 × 22 11/16 in. (94.1 × 57.7 cm). Series/Portfolio: The Conquests of the Emperor of China(Les Conquêtes de l'Empereur de la Chine). Date: 1770.The event shown is the 1759 battle of Qurnam in which Qing troops defeat the enemy at the end of the Qianlong Emperor's East Turkestan campaign.Part of a set of sixteen, "The Great Victory of Qurnam" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engra

Classical Landscape - Tivoli 1636 France. Pen and ink on paper . Claude Lorrain

Drawing, Summit of Mt. Washington; Winslow Homer (American, 1836-1910); USA; graphite on paper off-white wove paper; 12.9 x 24.8 cm (5 1/16 x 9 3/4 in.)

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Sketch of a landscape with shepherd boy under Boom, Anthony Andriessen, 1756 - 1813 drawing paper. pencil

Huang Gongwangs (1269-1354) Dwelling in the Fuchun Mountains, as interpreted by Xiao Yuncong, from the Mustard Seed Garden Manual of Painting First edition, 1679 Designed by Wang Gai In 1679, the author Li Yu published a primer for aspiring landscape painters called the Mustard Seed Garden Manual of Painting, and he commissioned the versatile painter Wang Gai to provide designs for the illustrations. The first edition features volumes on the components of landscape painting—trees, rocks, and human figures—with instructions on how to draw different types of each. It also includes two volumes of landscapes in the styles of old masters, which show readers how to transform what they have learned into their own historically minded compositions.The manual transmitted the fashion for studying old masters' styles beyond the rarified elite circles that had given rise to the practice, and it went on to become the most widely used introduction to painting not only in China, but in Korea and Japa

Vaart face with farm and lying broke ..

Study sheet with three figures at top left, one of which is fishing. Next to it the head of an older man with beard and hat and at the bottom right a landscape with a river, trees and a farm., Study sheet with four figures and a landscape, print maker: Johan Philip van der Kellen, print maker: David van der Kellen (1804-1879), 1841 - 1878, paper, etching, drypoint, h 149 mm × w 117 mm

From an original, late in the Collection of Charles Frederick Abel Esq'r , Cattle, Laborers, Fuelwood, Trees. Thomas Rowlandson (1756-1827). Prints and Drawings

Vallombrosa William Trost Richards (American, 1833-1905). , October 29, 1855. Graphite and white on light brown paper, Sheet: 4 13/16 x 7 7/16 in. (12.2 x 18.9 cm). American Art October 29, 1855

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387334

City view and a landscape with figures, Hendrick van Beaumont, 1696, View of a city by a river and a hilly landscape with figures on a path. Sheet 62 recto from a sketchbook containing 91 sheets., draughtsman: Hendrick van Beaumont, 1696, paper

War ships on the Rede van Vlissingen, Willem van de Velde (II), 1643 - 1707 drawing paper. pencil brush sea (seascape). navy (+ sailing-ships). sailing-ship, sailing-boat. ship in the roads, roadstead Flushing

Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), A Dying Hindu Brought to the River Ganges, 1788. Black chalk, red chalk and white chalk on moderately thick, slightly textured, blue laid paper.

View of Nowy Targ; SchouPpé, Alfred (1812-1899); 1893 (1893-00-00-1893-00-00);Nowy Targ (Lesser Poland Voivodeship), Poland, SchouPpé, Alfred (1812-1899), SchouPpé, Alfred (1812-1899) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860 -1940) - collection, gift (provenance), trees, churches (architect), recovered war losses, landscapes, mountain landscapes, Poland (culture), message (provenance), Polish drawings, city views

Cytadela w Kairze. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Landscape with the Penitence of Saint Jerome. Dated: 1553. Dimensions: Overall: 23.2 x 33.6 cm (9 1/8 x 13 1/4 in.) support: 33.1 x 42 cm (13 1/16 x 16 9/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: PIETER BRUEGEL THE ELDER.

Monastery Nothgottes and Slot Johannisberg, 1861 Leaf 10 Verso from a sketchbook with 57 sheets. Rüdesheim paper. watercolor (paint). pencil brush cloisters ~ monastery. city-view, and landscape with man-made constructions. castle Rüdesheim

George Walker, active 1792-died 1795, British, Rural Scene, undated. Pen and brown ink on medium, slightly textured, cream laid paper.

Landscape with Castle 1600-1699 Italy. Pen and black ink, with brush and brown wash, with traces of graphite, on cream laid down on ivory laid paper . Giovanni Francesco Grimaldi

View of Lekkerkerk over the Lek. Draughtsman: Cornelis Pronk. Dating: 1720 - 1740. Measurements: h 127 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Boat face with farm and lying barge, draughtsman: Jan Hulswit, (possibly), 1776 - 1822, paper, pen, brush, h 145 mm × w 273 mm

View of Alle, Medallion with view of the Belgian village All with the contours of the Saint-Maurus church, church (exterior), mountains, village, river, Belgium, Martinus Antonius Kuytenbrouwer jr., Netherlands, 1831 - 1897, paper, drypoint, h 136 mm × w 175 mm

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