Historical Landscape Sketches

A collection of pencil and ink drawings showcasing tranquil landscapes, rural scenes, and architectural details from different eras and locations.

Trial Proof for Cotton Printing: 'Pastoral Scene with Peacocks and Poultry', Copper engraving in gum paste on grey/buff laid paper, France, after 1761, textile designs, Print, Print

Monuments of the 15th century - U RAW, Tower: Kotwiczniki, Jacek, Donica, AB, FRIE from Artus Court and 2 Piecz Cie, tabl. 24. From the first part of the second edition of "Gdańsk and his buildings ...", which appeared in the Ernst & Korn publishing house in Berlin; Schultz, Johann Karl (1801-1873), Ernst & Korn (Berlin; Publisher; Fl. 185.-189.); 1853 1872 (1853-00-00-1872-00-00);

Two Chinese fishermen in their boat, fishing by moonlight. Ink drawing, China, 18--

Wood Cutters, John James Chalon, 1778-1854, French, active in Britain, undated, Brown and gray wash, gouache, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 13/16 × 17 9/16 inches (35.1 × 44.6 cm)

Danbucket Falls.. Milbert, Jacques Gérard, 1766-1840. Prints. 1828. Irma and Paul Milstein Division of United States History, Local History and Genealogy. Hudson River (N.Y. and N.J.)

Flooding; Uberflutung. Paul Klee (1879-1940). Gouache On Paper Mounted By The Artist On Paper, 1931.

Stacks of Wheat. Claude Monet; French, 1840-1926. Date: 1891. Dimensions: 182 × 254 mm (primary/secondary supports). Black chalk, with frottage and stumping, on cream laid paper (discolored to tan), laid down on cardboard. Origin: France. Museum: The Chicago Art Institute, USA.

Vue des Environs de Nerva. Le Prince, Jean-Baptiste (1734-1781), graphic artist

Design for a Stage Set at the Opéra, Paris 1828-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358700

Edward Lear, 1812-1888, British, Abu Simbel, 9:00 am, 8 February 1867 (372A), 1867. Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper.

Loose fragments of an image of Paris judgment. Fragments of the right and left unit and fragments of the three goddesses.

Augustin Hirschvogel (German, 1503 - 1553), Landscape with the Conversion of Saint Paul, 1545, etching

Edward Lear, 1812-1888, British, Silsilis, 1854. Watercolor, graphite, pen and red ink on moderately thick, rough, beige wove paper.

Figures on a cart. Leaf 1 Verso from a sketchbook with 42 sheets.

John Robert Cozens, 1752-1797, British, Mont Cenis, October 20, undated. Graphite and varnish on thin, slightly textured, cream laid paper.

Duplicate entry: Adolf van der Laan etching from 1717-1775 depicts sea scenes with sailing ships, illustrating 18th-century Dutch maritime navigation and ship design.

John Robert Cozens, 1752-1797, British, At the Villa at Portici, August 30, undated. Graphite and varnish on thin, slightly textured, cream laid paper.

Faces on the villages Zyfflich and Niel in Germany.Leaf 24 Recto from a sketchbook with 69 sheets.

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387372

The dispersion of the works of all nations from the Great Exhibition of 1851 , Exhibitions, Exhibition buildings, Great Exhibition 1851 : London, England. George Cruikshank (1792-1878). Prints and Drawings

Pavillon de ferme from La Revuefantaisiste. Artist: Rodolphe Bresdin, French, 1822-1885

Butte Montmartre and telegraph turn (front). Georges Michel (1763-1843). Butte Montmartre and Telegraph Tour (front). Paris (18th arrest). Watercolor.

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Hellmuth (Fl. 1840 1843), lithography of H. Nicolet (Neuchtel)

View of the port of Agrigento near the Sea, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

Hull of a Boat on Shore, Thomas Daniell, 1749-1840, British, active in India, ca. 1789, Gray wash over graphite on medium, slightly textured, cream laid paper, Sheet: 3 1/2 x 6 5/8 inches (8.9 x 16.8 cm), boat, hull, marine art

Samuel Davis, 1757-1819, British, At Rajemahal Rajmahal, undated. Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper.

George Catlin, Encampment of Pawnee Indians at Sunset, 1861 1869 Encampment of Pawnee Indians at Sunset

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Lazio Viterbo Bagnaia Villa Lante005. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A drawing by Franz Anton Maulbertsch depicting an allegorical composition of Fides, Justitia, and Pictura as a partial ceiling design at the Residence of Kromeríz/Kremsier, executed in brown ink with shading.

View of the Bastille front. Louis Lincler. View of the Bastille (front). Feather and brown ink, green lavis, brown and gray on parchment. 1634.

Drawing, Landscape; Verso: Church; Frederic Edwin Church (American, 1826-1900); USA

Part of the Interior of the Elephanta, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print, Print

Tandefelt, Heikki, work, Suomenlinnasta, 1935, etching, graphics, plate width 43.1 cm, plate height 24.2 cm, leaf width 55.2 cm, leaf height 38 cm

Carlo Labruzzi, 1748-1817, Italian, Tufara, undated. Watercolor over graphite on medium, slightly textured, cream laid paper.

CIVITATES ORBIS TERRARUM - ORCHUNA (OSUNA) - DETALLE DE UN AGRICULTOR AVENTANDO EL GRANO - GRABADO - SIGLO XVI - CONJUNTO NUMERO 3033. Author: BRAUN GEORG 1541-1622 / HOGENBERG FRANS. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

View of Paris Goblins taken Adam-Frans van der Meulen (1632-1690). VIEW OF PARIS TAKING GOBELINS. Watercolor on feather tray.

Chile Easter Island landscape rock and Moai statues colour engraving from ""Voyage dans l` hemisphere Austral autour du monde"" Paris 1778 private collection Pacific South Seas Rapa Nui 18th century landscapes native fine arts sculpture sculptures Moais,

Photo production of a painting by Egbert van der Poel, 'The jumping of the Kruittoren in Delft, 12 October 1654', Adolphe Braun & Cie (attributed to), after Egbert Lievensz. Van der Poel, 1866 - 1900 photograph Amsterdam paper. cardboard carbon print gunpowder disaster Delft

City of Sobieslau Budweis. Kr. Sud-West. Tell out, v. Adalb. Juhn, raided v. Joan. Venuto 1811.

Pleasant prospect in the star of the Kaiserl, Au-Gartens, Augarten, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Georg Daniel Heumann -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Javaquára am Xingú Den 6` DEC 1842; Templtei, Julius Friedrich (1802-1870), Adalbert (Ksi Prussian; 1811-1873); 1847 (1847-00-00-1847-00-00);

Drawing, Royal Palm, Cuba; Winslow Homer (American, 1836-1910); USA; graphite, chalk on wove paper mounted on paper; 29.7 x 44.9 cm (11 11/16 x 17 11/16 in. )

Brunnen, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1859. Dimensions: 283 × 395 mm (image, primary support); 430 × 560 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Hague, Beeck, Anna, Hoefnagel, Joris, Cologne, Hogenberg, Frans, Novelanus, Symon, Archidona, View of Archidona, View of the city of Archidona with hills in the background. Print is part of an album., print, picture, book illustration, album page, prints, pictures, height 387 mm, width 465 mm, height 530 mm, width 630 mm, South Netherlandish, German, print maker, printmaker, 1596 - 1596, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, hand colouring, tearing, Dutch, 1540 - 1590, 1542 - 1600-09-09, intermediary draughtsman, after a drawing by, 1657 - 1717, colourist

Drawing, Village, figures; Frederic Edwin Church (American, 1826-1900); USA

Promenade at Richmond : Overlooking the river , Walking, Streets, Trees. Thomas Rowlandson (1756-1827). Prints and Drawings

Landscape with a Castle and Bridge. Dimensions: overall: 15.5 x 18.3 cm (6 1/8 x 7 3/16 in.). Medium: watercolor (with gum arabic coating) over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Payne.

View of the city of Cádiz, 1572 View of the city of Cádiz. In the foreground a group of musicians and a dancing couple. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Cádiz View of the city of Cádiz. In the foreground a group of musicians and a dancing couple. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Cádiz

View of the sea from the hills with a family on a terrace in the foreground. Draughtsman: Jan Toorop. Dating: 1868 - 1928. Measurements: h 195 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury Stanisławski, Jan (1860 1907)

Drawing, Sketches from the Rio Magdalena, Colombia: Plants, Steamer, and a Champan ; Frederic Edwin Church (American, 1826-1900); USA; graphite, brush and oxidized white on grey paper; Sheet: 21.5 x 27.5 cm (8 7/16 x 10 13/16 in.)

Design for a Fountain, Pen and gray ink, brush and watercolor, traces of graphite on off-white laid paper, Fountain set in a landscape. A shallow basin with dolphins is supported by sphinxes with fishtail legs. Water flows into a larger basin. Broad framing lines., Italy, 1790, architecture, Drawing, Drawing

RIBA, Carles (1893-1959). Spanish writer in Catalan language. 'Tannka' (traditional Japanese verse form) by Carles Riba, illustrated by Jaume Pla i Pallejö.

Wreck and the Merchant Vessel, St. George, at Deal, Kent, John Samuel Hayward, 1778-1822, 1807, Brown wash and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm), architectural subject, beach, marine art, merchant vessel, shipwreck, Deal, England, Europe, Kent, United Kingdom

Path along a lighthouse at the beach, Anonymous, After Esaias van de Velde, 1617 print paper etching dune coast. lighthouse, lightship

Ornament with Eagle and Garlands 1833 Aug. Strubeker German. Ornament with Eagle and Garlands 383980

Rozmieszczenie wojsk w bitwie pod Żórawnem 1676 roku. Saal, Isaac (fl. 1673-1678), graphic artist, Roode, Johannes (fl. ca 1676), draughtsman, cartoonist

A Scene between Galle and Matura, about Six Miles from Galle, Samuel Daniell, 1775-1811, British, ca. 1801, Watercolor, graphite, pen in brown ink, and gouache on medium, slightly textured, cream, wove paper, Sheet: 12 5/16 × 17 7/8 inches (31.3 × 45.4 cm), architectural subject

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Landscape with a mill at mountain lake by Adriaen van Stalbemt, Pen, brush, brown and white color on grey-blue paper, 1610-1620s, 1580-1662, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 14, 8x18, 6

View of Ambon. Bird's-eye view of Ambon, with a Portrait of Frederik Houtman (1571-1627) in a Cartouche. Dating: c. 1617. Place: Holland. Measurements: support: h 148.8 cm × w 268.2 cm; frame: h 176.7 cm × w 296 cm × t 12.5 cm; sight size: h 148 cm × w 266.5 cm. Museum: Rijksmuseum, Amsterdam.

Schjerfbeck, Helene, work, Illustration sketch for Esaias Tegnér's Frithiofs saga, possibly 1870s, pencil on paper, drawing, 13.2 cm x 12.3 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1, George Cressal Ellis, ca. 1810-1875, undated, Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount, Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm) and Mount: 7 1/4 × 9 3/4 inches (18.4 × 24.8 cm), architectural subject, literary theme

View of Corinthe, Willem Swidde (attributed to), 1693 - 1717 print View of Corinth. Title in the end margin. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching city-view, and landscape with man-made constructions Corinth.

The Great Loop, Silver Plume, Col, U.S.A.. Benjamin West Kilburn (American, 1827 - 1909)

George Catlin, A Little Sioux Village, 1861 1869 A Little Sioux Village

Cabanes de pêcheurs.. 1846. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Cabins

Valance, Les Vendages (The Vintage); Made by Oberkampf & Cie. (France); France; cotton

Village long hut in Tahiti by Sydney Parkinson (c. 1745 - 1771), by Sydney Parkinson (c. 1745 - 1771), a Scottish botanical illustrator and natural history artist. He was the first European artist to visit Australia, New Zealand and Tahiti. Parkinson was employed by Joseph Banks to travel with him on James Cook's first voyage to the Pacific in 1768, in HMS Endeavour.

Ansicht der Ruinen von Sesebi.. Weidenbach, Ernst (1818-1882). 1849 - 1856. Lepsius, Richard, 1810-1884. Prints. General Research Division. Egypt , Antiquities, Temples, Egyptian

The Qianlong Emperor's Southern Inspection Tour, Scroll Six: Entering Suzhou along the Grand Canal dated 1770 Xu Yang Chinese The court painter Xu Yang, a native of Suzhou, was commissioned by the Qianlong emperor (r. 1736-95) to record in twelve monumental handscrolls the emperor's historic 1751 tour of south China. This scroll, the longest of the twelve, chronicles the lavish pageantry of the emperor's arrival in Suzhou.The careful attention to detail offers a rare opportunity to observe the daily life and activities of an eighteenth-century Chinese city. People, residences, shops, famous temples, and renowned scenic gardens and sites reflect the artist's intimate knowledge and love of his hometown. The influence of Western art on court taste is evident in the use of perspective and foreshortening in architectural details. Grand Secretary Yu Minzhong inscribed the beginning of the painting with a poem about Suzhou composed by the Qianlong emperor. Palace archives reveal that Xu Yang

Cannon by a Bulwark. Dated: 1849. Dimensions: overall: 27.9 x 44 cm (11 x 17 5/16 in.). Medium: watercolor and gouache over graphite on brown paper. Museum: National Gallery of Art, Washington DC. Author: Carl Friedrich Heinrich Werner.

Wilja, Ko Ió in Trynopol "; Zdanowski, Edmund and Boles paper / paper / bromide paper, products from W Dzkien / paper / cardboard / cardboard / cardboard / black cardboard; photo printing: height 8.5 cm, width 13.5 cm, card in the album: height 16.6 cm , width 25.0 cm; di 67090/44 MNW; all rights reservations.

Samuel Davis, 1757-1819, British, At Moorshedabad Murshidabad, undated. Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper.

Główna brama meczetu Badszahi w Lahaur. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

View of Zierikzee in Zeeland, Claes Jansz. Visscher (II), 1631 - 1636 drawing Design for a print. paper. ink pen / brush prospect of city, town panorama, silhouette of city Zierikzee. Zealand

Description: How are the mighty fallen! Location: Accra, Aburi Date: December 1892 africa

Bird's-eye view of the Piazza del Popolo and the Pincio Gardens in Rome, Ernest Farnum Lewis, 1883 - 1950, Graphite, brush and watercolors on white paper, View looking down upon the Piazza del Popolo, Rome, at right, with the Borghese Gardens partially shown at left. Title, upper left. A blank inscription ribbon along the bottom, center., USA, 1910, Drawing, Drawing

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