Historical Meeting Scenes

Engravings depicting historical assemblies and gatherings from the 18th and 19th centuries. Settings include formal rooms with men in period attire, rich details, and various social settings.

Nobody spoke, Sara Troost, Cornelis Troost, 1770

Willem V takes a seat as a governor at the WIC, 1768, Simon Fokke, 1769 - 1773 print Stadholder Willem V takes a seat between the directors of the WIC in Amsterdam, 1 June 1768. Part of a press series with title print and 14 records of the inducing the Prince and Princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving meeting, assembly Amsterdam

Willem V takes a seat as a governor at the WIC, 1768, Simon Fokke, 1772 print Stadholder Willem V takes a seat between the directors of the WIC in Amsterdam, 1 June 1768 as the Supreme Administrator. paper etching / engraving meeting, assembly Amsterdam

Nobody spoke, Sara Troost, Cornelis Troost, 1770

The Melton Breakfast, Charles G. Lewis, 1808-1880, British, after Sir Francis Grant, 1803-1878, British, 1839, Hand colored stipple engraving, Sheet: 18 1/8 x 28 1/4in. (46 x 71.8cm), dinner, food, meal

Since the son of a bald-of-aorded Lord is coupled (...); Le Mariage à la fashion.

Nocturnal Bacchanal in London, Ernst Ludwig Creite, After William Hogarth, 1739 - 1765 print Smoking and drinking company men around a table in a departure. A bowl with punch in the middle of the table. The gentlemen (merchants, lawyers, doctors and pastors) are in different stages of drunkenness. A man falls to the ground in the foreground; He is topped with alcohol. The print has a French on and caption. The inscription describes the print. The caption is set up in rhyme and spot with the British love for drinks and tobacco. paper etching / engraving / letterpress printing drinking. inn, coffee-house, public house, etc.. tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). pipe ~ tobacco. carousal, drinking-bout, orgy London

No One Spoke, Sara Troost, After Cornelis Troost, 1770 drawing Meeting of friends in the house of Biberius. paper. deck paint brush private festivities, merry company. pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

The Circle of Chess, Paris / During the Large Defi in Chess between MM St. Amant and Staunton, Champions of France and England. This is the meeting of December 16, 1843 (nineteenth part of this memorable fight) which was reproduced here with scrupulous fidelity.

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Since the son of a bare but noble gentleman is coupled (...), 1748 drawing paper. India ink (ink). pencil brush

Mozart in Schönbrunn Mozart as six-year-old boy in Schönbrunn in front of Emperor Franz I and Empress Maria Theresia. Xylography by drawing by Heinrich Merté.

Century of Louis XV / An evening at Madame Geoffrin in 1755 Philibert-Louis Debucourt (1755-1832). "Century of Louis XV, an evening at Madame Geoffrin in 1755". Engraving (Black Aquatint), 1821.

Print made by Johann Jacobus Haid, 1704-1767, Das Pharao Spiel, undated. Mezzotint on moderately thick, slightly textured, beige laid paper.

The princess of the Princess of the Europe Satirical Depting Representatives of European Countries at Two Tables. unknown

The children of Pieter Cornelis Hasselaer and Clara Wendela Sautijn, whose portraits hang on the wall, with their grandmother Wendela Eleonora Reael, draughtsman: Hendrik Pothoven, 1761, paper, pen, brush, h 428 mm × w 580 mm

First Meeting of the U.S.A. Congress, 1782, illustration from Historical and political essays on Anglo-American, by Michel Rene Hilliard d'Auberteuil. The United States, 18th century.

Die Testaments erœffnung. L'ouverture du testament. The reading of the will.. Wilkie, David, Sir, 1785-1841. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Lutes, Crowds, Trunks (Luggage)

Emrik & Binger, Haarlem, Brederode, JJ van, Bedaff, Antonis Aloisius Emanuel van, Netherlands, Nunnink, Adolf Carel, The league of nobles. 1565, The league of nobles, 1565, The league of nobles at the castle of Hendrik van Brederode in Vianen, 1565. Several nobles gathered around a table at which a document is being drawn up. In the middle a standing man who takes an oath with raised hand., print, history print, prints, Frederik Muller History plates, height 320 mm, width 502 mm, Dutch, 1813-08-26 - 1894-03-07, print maker, printmaker, 1823 - 1894, 19th century, 19e eeuw, paper, papier, lithografie (techniek), Work conception, 1787 - 1829, after a design by, Publication (Event), Publication, publisher, uitgever, printer, drukker

William Shakespeare (1564-1616). English writer. Hamlet. Queen Gertrude dies poisoned after drinking to the health of Hamlet for his victory in the duel with Laertes. Engraving after painting by Salvador Sanchez Barbudo "The last scene of Hamlet," 1884. Engraving, 19th century.

Engraving by British artist & engraver, William Hogarth 1697ñ1764: Columbus Breaking the Egg. 1752. An old fable, applied here to Columbus. As related by Girolamo Benzoni, after admiration for Columbusís discoveries waned and success turned to envy, his enemies began to assert that anyone could of thought of his plan and carried it out. Columbus challenged his detractors to balance an egg upright on the table. All failed, so Columbus, smashing the base of the egg, thus managed to place it uprigh

A drunken party for friends of a nobleman who has inherited a large estate. Aquatint after H. Dawe, 184-.

Keyser, Thomas de, Haarlem, Suyderhoef, Jonas, The four Amsterdam mayors waiting for the news of the arrival of Maria de´ Medici, 1638, verso - stamped, The four mayors of Amsterdam waiting for the message of the arrival of the procession with Maria de´ Medici, 1638. Seated around a table are: Antonius Oetgens van Waveren, Albert Coenraads Burgh, Pieter Hasselaer and Abraham Boom. On the left standing the lawyer Cornelis Davelaer. In the caption two lines of text and the names of the persons presented in Latin., print, prent, prints, prenten, height 321 mm, width 379 mm, 1613 - 1686-05-09, print maker, printmaker, 1638 - 1638, paper, papier, engraving, engraving (printing process), 1597 - 1667-06-07

A drunken party with men smoking, sleeping and falling to the floor. Engraving by T. Cook, c. 1798, after W. Hogarth.

Alexander Hamilton (1755 or 1757 - 1804), first United States Secretary of the Treasury 1789-1795 appointed by George Washington. One of the founding fathers of the United States. His plan for the 'adequate support of public credit' led to the financial stability of the new nation.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), The Death of Chatham, 1788. Line engraving and etching, published state.

Johan van Oldenbarnevelt for his judges, February 1619, Jacobus Buys, 1779 - 1784 drawing paper. ink pen / brush historical persons. historical events and situations. court session (court of justice)

Henry Addington (viscount sidmouth) 1757-1844, speaking to parliament 1802. Addington was British Prime Minister between 1801 and 1804. In this caricature, he is watched by the speaker of parliament, Charles Abbot 1757-1829.

Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.

Mirabeau in Front of Dreux-Breze Joseph Desire Court (1797-1865 French) Musee Des Beaux-Arts, Rouen

Honoré Daumier, Lecteur du moniteur, 19th century Lecteur du moniteur

The parsonage , Religious dwellings, Interiors, Dogs, Pianists. Thomas Rowlandson (1756-1827). Prints and Drawings

Painting of Ludwig van Beethoven (1770-1827) a German composer and pianist, with his friends. Painted by Albert Gräfle (1809-1889) a German historical, genre, and portrait painter. Dated 19th century

The Assembly of the Gifted: Mr.Bullock Addresses His Friends. George Cruikshank; English, 1792-1878. Date: 1843. Dimensions: 103 × 108 mm. Graphite, with watercolor, on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

British Gentlemen at Sir Horace Mann's Home in Florence, Thomas Patch, 1725-1782, British

An engraving depicting an artist's reconstruction of the meeting of the Royal Society in April 1800, when Joseph Banks read to the Society Volta's letter about his electric pile (batter). Dated 19th century

Amsterdam, Picart, Bernard, The Prince of Orange William the III. takes the Oath as Stadholder in the year 1672, Willem III is sworn in as stadholder, 1672, recto top right - handwritten in brown ink, The swearing-in of Prince Willem III as stadholder of Holland and Zeeland by the States-General, 10 July 1672. On the wall portraits of the stadholders Willem I, Maurits, Frederik Hendrik and Willem II., print, prints, verso - stamped, N. 49, height 275 mm, width 358 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1728 - 1728, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), supervision

Et toi, qu'est-ce que tu trouves de meilleur ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Rakes Progress Surrounded by artists and professors From the original picture by Hogarth from The Works of Hogarth published London 1833

FRIEDRICH II THE GREAT King of Prussia from 1740-86 depicted with Voltaire and others at Sans Souci Date: 1712 - 1786

Christopher Columbus (1451-1506). Explorer and navigator genoese. Engraving by Sheus in The Artistic Illustration, 1888.

Henry III of France is said to have been considered as a husband for Elizabeth I of England. This image shows the two at a ball in France. The artist is unknown. Elizabeth I was Queen of England and Ireland from 17 November 1558 until her death in 1603. She was the last monarch of the House of Tudor. Henry III was King of France from 1574 until his assassination in 1589, as well as King of Poland and Grand Duke of Lithuania from 1573 to 1575.

Illustration depicting Japan's first treaty of Commerce with Great Britain

King William IV sits with knife and fork at the ready before a pie containing blackbirds served to him by Lord Melbourne. Coloured lithograph by H.B. (John Doyle), 1836.

William Say, 1768-1834, British, The Society of Dilettanti. Mezzotint.

A consultation previous to an aerial voyage from London to Weilburg in Nassau on the 7th day of November, 1836 / painted by J. Hollins, A.R.A. ; engraved by J.H. Robinson, hon. member of the Imperial Academy of St. Petersburgh.

Willem III is sworn as a cityholder, 1672; The Prince of Oranie Willem de III. As a stadholder in the year 1672. the swearing of Prince Willem III to Stadtholder of Holland and Zeeland by the States General, 10 July 1672. On the wall portraits of the Stadhouders Willem I, Maurits, Frederik Hendrik and Willem II .

Louis XVI presented his defense to the bar of the National Convention Skravone. Louis XVI Grantent Sen Defense to the Barrice of the Convention.

Engraving depicting a classical music performance inside someone's home. Dated 18th Century

Print made by William Say, 1768-1834, British, The Dilettanti Society, 1812. Mezzotint (proof before letters) on medium, slightly textured, cream laid paper.

Dinner given in 1771 for Louis XV, 1710-74 King of France, at Htel de Ville, Paris, France, on the occasion of the Dauphin's birth, 18th century engraving

Louis-Léopold Boilly (1761-1845). "Interior of a large Parisian cafe, around 1815-1820". Watercolor. Paris, Carnavalet museum. 36596-4 Parisian Cafe, Customer, Interior, Palais-Royal, Watercolor, Dog

Meeting of the cruciverbalist club in Ludwik Adam Dmuszewskis apartment in Warsaw. Kurczyński, Stanisław (1780-1822), painter

1770s 1800s JOHANN VON GOETHE READING FAUST AT THE COURT OF SAXE-WEIMAR - q75050 CPC001 HARS INSPIRATION MALES ENTERTAINMENT 1800s B&W FREEDOM PERFORMING ARTS ADVENTURE EXCITEMENT KNOWLEDGE OPPORTUNITY OCCUPATIONS CONCEPTUAL PLAYWRIGHT VON JOHANN 1770s CREATIVITY FAUST GOETHE JUVENILES STATESMAN YOUNG ADULT MAN BLACK AND WHITE CAUCASIAN ETHNICITY INTELLECTUAL OLD FASHIONED

Photographic reproduction of a painting by the painter Félix Jobbé-Duval (1821-1889), representing the municipal council of Paris in 1883. 1880-1890. Photograph by Etienne Carjat. Paris, Carnavalet museum. 24642-9 Office, municipal council, advisor, politician, table reproduction

The Philanthropists of the Day: A 43rd Toast...to the Temperance Society, 1844. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.8 x 26.9 cm (14 1/8 x 10 9/16 in.); image: 23.5 x 17.8 cm (9 1/4 x 7 in.).

The Last Supper, Raphael Morghen, After Teodoro Matteini, After Leonardo da Vinci, 1768 - 1833 print The fresco 'The Last Supper' by Leonardo da Vinci with Christ among the apostles at a long table. Assignment in the end margin. print maker: Italyafter drawing by: Italyafter painting by: Milaan paper etching / engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

a tobacco college is a group of people, mostly men, who regularly come together for tobacco enjoyment and socializing. Historically, the term is usually used with the appropriate institution under the Prussian king Friedrich Wilhelm I. connected / Eine Tabakschule ist eine Gruppe von Menschen, meist Männer, die regelmäßig zusammenkommen, um Tabak zu genießen und Kontakte zu knüpfen. Historisch wird der Begriff in der Regel mit der entsprechenden Einrichtung unter dem preußischen König Friedrich Wilhelm I. verbunden, historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt, koloriert, handcoloriert, Koloration.

Honoré Daumier (1808-1879). "Robert Macaire before his judges". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56111-4 Crook, gommee, judge, judgment, justice, lithography coloie, character

A group of politicians debate at a coroner's inquest whether Lord Melbourne's temporary resignation was equivalent to murder or to suicide. Coloured lithograph by H.B. (John Doyle), 1839.

Henry Dawe, 1790-1848, British, The Life of a Nobleman: Scene the Fifth - The Gambling House, undated. Brown wash and graphite on medium, slightly textured, cream wove paper.

The death of Alexander I of Russia in Taganrog on 19 November 1825 by Anonymous Russian National Library, St. Petersburg 1828 Russia Colour lithograph Graphic arts History

Regenting piece, 1789. Regenting piece from 1789 with four unknown regents sitting around a table, on the right a servant, left a young man.

Study for a Group Portrait. Date/Period: Between 1729 and 1730. Painting. Oil on canvas. Height: 349 mm (13.74 in); Width: 457 mm (17.99 in). Author: JOSEPH HIGHMORE.

As you like it. Act II. Scene VII. the seven ages of man. Fifth Age. From the Boydell Shakespeare Gallery, published at the end of the 19th century, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Four philosophers. Group portrait of four men: Peter Paul Rubens, Philip Rubens, Justus Lipsius and Jan van den Wouwer (on the print like Hugo de Groot), around a table. On the right a bust of the philosopher seneca.

MEN OF PROGRESS, by Christian Schussele, 1862. This group portrait of nineteen American inventors and innovators was composed from separate portraits copied by Schussele, for this large, ambitious painting. While all those portrayed were still alive in 1862, they never posed as a group. Among those depicted are Samuel Colt, Cyrus McCormick, Charles Goodyear, John Ericsson, Samuel Morse, and Elias Howe. On the table is Morse's telegraph recorder. On the floor are a model of McCormick's reaper (left), and an high precision metal machine (right). A portrait of Benjamin Franklin hangs at left (BSLOC_2019_7_73)

In memory of the constitution, German Reich Assembly of , Club of the Augsburg court, Group portrait, Alfred von Arneth, Franz Barth, Wilhelm Beseler, Karl Biedermann, Carl von Breuning, August Emmerling, Heinrich Carl Esmarch, Friedrich Wilhelm Alexander Falk, Johannes Fallati, Karl Philipp Francke, Adolph Goeden, Carl Wilhelm Otto Koch, Heinrich Laube, Robert von Mohl, Hans von Raumer, Gabriel Riesser, Gustav Adolf Rösler, Gustav von Rümelin, Heinrich Schierenberg, Albert Sprengel, Friedrich Wilhelm Stahl, Stedmann, Gustav Adolf Stenzel, Philipp Wilhelm Wernher, Christian Friedrich Wurm, Adolph von Zerzog , August Friedrich Pecht -, lithograph

De Staalmeesters, Henricus Wilhelmus Couwenberg, After Rembrandt van Rijn, 1844 - 1845 print Amsterdam paper etching officers trusted with control of quality. historical persons (+ state-portrait)

Decker, J. de (uitgever), Borch, Gerard ter (II), Suyderhoef, Jonas, Noordelijke Nederlanden, Het berogen van de Vrede van Munster, 1648, Northern Netherlands, Het berogen van de Vrede van Munster op 15 mei 1648, in de grote zaal or Friedenssaal van het stadhuis in Munster. The delegates stand around a table and take the oath with raised hands. With a caption of 2 verses of 4 lines in Dutch., print, picture, history print, prints, pictures, Frederik Muller History plates, height 184 mm, width 254 mm, print maker, printmaker, 1665 - 1667, third quarter 17th century, paper, engraving, engraving (printing process), etching, Work conception, 1613 - 1686-05-09, after a print by, 1617-12 - 1681-12-08, after, after a painting by, Publication (Event), Publication, publisher

Four Connoisseurs Seated at a Table. Artist: Antonio Zucchi (Italian, Venice 1726-1796 Rome). Dimensions: 7 1/2 x 10 1/4 in. (19 x 26 cm). Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Columbus Breaking the Egg, Print made by Thomas Cook, 1744-1818, British, after William Hogarth, 1697-1764, British, Published by Longman, active 1804-1914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper

Franklin's reception at the court of France, 1778

There Was a Commotion in the House. Draughtsman: Sara Troost. After Cornelis Troost. Dating: 1769. Measurements: h 278 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Fernado VII en la lonja, 1827. Author: EMILI CASALS.

NAPOLEON VUELVE A PARIS EN 1815. Location: PRIVATE COLLECTION. France. NAPOLEON BONAPARTE (1769-1821) NAPOLEON I.

Cafe' of a thousand Columns in Paris, engraving from Parisian Life by David Carey, 1822, France 19th Century.

La part du lion , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Party at the Royal Palace. Watercolor by Fritz von Dardel, 1836 Nordic

The happiness and hope of Austria combines in Leopold, Louise and her family Leopold II, Maria Ludovica and her children, Johann Hieronymus Delete Kohl -, publishing house

The Art Trade. Dimensions: 15.8 cm x 22.5 cm, 8.5 cm x 11.8 cm, 6.5 cm x 10.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRY SOMM.

The little guy still lives

Souper des philosophes (La sainte cène du patriarche), Huber, Jean (1721-1786)

Seder (The Passover Meal) (Der Oster-Abend). Date/Period: Ca. 1867. Painting. Oil on paper on canvas Oil on paper on canvas. Height: 6,220 mm (20.40 ft); Width: 4,570 mm (14.99 ft). Author: MORITZ DANIEL OPPENHEIM.

Lancelot relates his adventures

S. Maria delle Grazie, Leonardo da Vinci, Two photo reproductions of a print after a wall painting, representing the Last Supper, photograph, photo, reproduction, page, photos, photographically illustrated books, height 206 mm, width 156 mm, photographer, 1882 - 1887, photographic paper, photo paper, albumen print, albumine print, Work conception, after a print by, Italian, 1452-04-15 - 1519-05-02, after a painting by

Der Tod kommt zur Waisenhaus Inspektion, Totentanz, dance of death, Todten-Tantz after Beck, Noeller a. other painters by Georg Max. Theodor Goetz, Historical, digitally restored reproduction from a 19th century original

French Revolution. Paris. On 20 June 1792 the crowd attacked the Tuileries Palace, where King Louis XVI (1754-1793) was taking refuge. The mob forced the monarch to appear on the balcony, putting on Phrygian cap and drink to the health of the people, to which he agreed. Louis XVI drinking to the health of the nation. Drawing by Hippolyte de la Charlerie. Engraving by Jonnard. Detail. "History of the French Revolution". Volume I, 1876. Author: Hippolyte de la Charlerie (1827-1869). Belgian artist.

Jurors Listening to Counsel, Supreme Court, New City Hall, New York. Dated: published 1869. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: after Winslow Homer.

The United States Senate, A.D. 1850 / drawn by P. F. Rothermel ; engraved by R. Whitechurch. | Library of Congress

King Charles II of England appeals a group of members of the States General, June 1, 1660. The king staant behind a table, on the wall portraits of the Stadhouders Willem I, Maurits, Frederik Hendrik and Willem II. The show is flanked by two cartouches in which two political events are depicted.

the death bed of Joseph II, Joseph Benedikt Anton Michael Adam 1741 - 1790, Holy Roman Emperor / das Sterbebett von Joseph II., Joseph Benedikt Anton Michael Adam 1741 - 1790, Heiliger Römischer Kaiser, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.

Napoleon and his court, Louis Stanislas Marin-Lavigne, 1807, paper

Frech Revolution 1787-1799. Louis XVI was forced to adopt the Constitution of 1791 by the National Assembly. Engraving by Meyer Heine, 1900. Colored.

Interior with four men, Franz Xaver Schmidt -, artist

Double portrait of Gijsbert Scharlaken Pieterszoon and Adriana van Slingelandt, Aert Schouman, after Anonymous, 1751 drawing Double portrait of Gijsbert Scharlaken Pieterszoon and Adriana van Slingelandt, 1552; working on weighing money and accounting. Caption: Pourtraitten of Mr. Gijsbert van Scharlaken Pieterszoon, and Lady Aderiana van / Slingelandt Heer Jansdogter. I copied the original / resigned by Mr Willem Kersseboom Comies of the finances of the Union / in s: Haage done in s: Haage den 18 March 17 = a fifty -one Aart Schouman. paper. ink pen / brush historical persons. weighing gold or money. money. book-keeping, accountant

Session on 16th September 1715 of the regency council when Louis XV was a child. The prince Philippe d'Orl_ans was elected president of the Council. Anonymous paiting circa 1720. Oil on canvas. FRANCE. LE-DE-FRANCE. YVELINES. Versailles. Historical Museum of Versailles.

Table d'Hote, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution" Various artists/makers 1821 View more. Table d'Hote, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution". Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution. Thomas Rowlandson (British, London 1757-1827 London). 1821. Hand-colored etching and aquatint. Rudolph Ackermann, London (British, active 1794-1832). Prints

The pruning of the Amsterdam Laken Breiders Guild, known as "De Staalmeesters", Karl Köpping, After Rembrandt van Rijn, 1887 print Paris paper etching officers trusted with control of quality. table. book - MM - book open. wool (material ~ textile industry) Amsterdam

Print made by John Faber the Younger, ca. 1695-1756, Netherlandish, active in Britain, A School of Boys, 1739. Mezzotint on medium, moderately textured, cream laid paper.

Marriage of Queen Victoria, February 10, 1840. Artist: After Sir George Hayter (British, London 1792-1871 London). Dimensions: Sheet (trimmed within plate): 13 1/2 × 11 1/4 in. (34.3 × 28.5 cm). Engraver: Charles Eden Wagstaff (British, active 1798-1850). Printer: Day & Co. (London). Publisher: Henry Graves & Company (London). Sitter: Queen Victoria (British, London 1819-1901 Isle of Wight); Prince Albert of Saxe-Coburg and Gotha (Coburg, Germany 1819-1861 Windsor). Date: 1844.Queen Victoria married Prince Albert in the Chapel Royal, St. James's Palace, on the morning of February 10, 1842. Hayter, who had painted the coronation, was commissioned to depict this ceremony also, and Wagstaff's engraving reproduces his 1842 painting (Royal Collection). The couple join hands before the Archbishop of Canterbury, and their union is witnessed by 56 members of the court and royal family. Most of the attendees sat to Hayter between 1840 and 1841, including Victoria in her "bridal dress, veil, wre

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