Historical Meetings and Negotiations

A series of prints depicting significant historical meetings and negotiations, showcasing various figures in formal settings, with detailed etchings and dramatic poses.

Peter heals a paralytic, Philips Galle, Hieronymus Cock, 1558

The Amsterdam mayor Hendrik Hooft Danielsz. Negotiates with the bourgeoisie about the abduction of the Rijngraaf van Salm, 26 February 1787. Hooft stands for the entrance to the mayor's room in the town hall the combined citizens.

Antwerp, Bouttats, Gaspar, Eight representations from the lives of the De Witt brothers, Cornelis de Witt apologizes to a rapist, First print in a series of eight representations from the lives of Johan and Cornelis de Witt. All prints are by Gaspar Bouttats and have a verse of four or two lines. The depiction shows Cornelis de Witt giving excuse to a rapist., print, prints, Frederik Muller Historieplaten, height 121 mm, width 131 mm, 1640 - 1695, print maker, printmaker, 1672 - 1672, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Jacques Callot, Entry Into the Town of Ferrara, 1612 Entry Into the Town of Ferrara

The trades: the savetier Abraham Bosse (1602-1676). The trades - the savetier.

Print at the top right labeled: fol: 135.

Reinoud II of Brederode, the Knowers Order of the Golden Fleece is torn by the Bishop of Utrecht, 1470, 1787 print Reinoud II of Brederode, the bishop of Utrecht David van Bourgondia is torn off the knighthood of the Golden Vlies, because of the (false) accusation that he would have planned an attack on the life of Charlemagne, 1470. Netherlands paper etching knighthood order of the Golden Fleece

After Jacques Callot, Pilate Washes His Hands, etching.

The Servants of Absalom Killing Amnon 1540 Heinrich Aldegrever German Two of Absalom's servants raise daggers to stab Amnon while two figures watch. Based on 2 Samuel 13:29. Plate 5 from a series of seven plates with the Story of Amnon and Tamar.. The Servants of Absalom Killing Amnon 428353

Louis XIII Receiving a Deputation of Magistrates. Abraham Bosse (French, 1602-1676). Etching and engraving;

Herodes in David's graf.

Mentor has grasped the hand of Telemachus, who is kneeling before him. A third person on the right observes this scene. In the background, a temple in front of which stands a minstrel couple. To the right a woman with raised arms walks towards the couple, Telemachus kneels before Mentor Adventures of Telemachus (series title), print maker: Jacob Folkema, (mentioned on object), Jacob Folkema, (mentioned on object), 1715, paper, etching, h 149 mm × w 114 mm

Martyrdom of Saint Mark. Engraving by A. Zucchi after S. Manaigo after J. Tintoretto.

Schoolmaster Cassianus van Imola killed by his students, Jan Luyken, 1685 print Amsterdam paper etching teacher and pupil. St. Cassian's pupils kill him with their iron styles. violent death, being killed; being mishandled and maltreated; seeking death

Martyrdom of Bartolomeüs, 1643 print Bartolomeus is skinned by Indians. On the left next to the scene of his torture death, he is shown again, with a knife in his hand. Under the performance an explanatory text in Latin. This print is part of an album. Amsterdam paper engraving Bartholomew flayed alive. the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff - martyrdom, suffering, misfortune, death of male saint

Amsterdam, Damme, Andries van, Leiden, Dalen, Daniel van den, Sluyter, Pieter, Title page for: Europische Mercurius, 13th piece, 1st part, 1702, verso center - stamped, The Dutch Garden with the Dutch Lion, outside the fence Mercury with other allegorical figures and animals. On the right in the background a grave monument for William III., print, engraving, title page, prints, engravings, Frederik Muller Historieplaten, height 162 mm, width 133 mm, Noord-Nederlands, 1675 - 1733, print maker, printmaker, 1702 - 1702, paper, papier, etching, etsen, Publication (Event), Publicatie, Nederlands, publisher

The Fall of Euthychus. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philip Galle after Jan van der Straet.

. H. Empress Flaccilla issues food to a sick woman in the guesthouse. In the background other sick.

Awakening the new couple, Abraham Bosse, 1632 - 1633 print The new couple is awakened by a group of men. A musician and a man with a broom are at the forefront. There are two men who wear a kettle with broth. Paris paper etching / engraving awakening of the bride. (civil) marriage ceremonies. kitchen-utensils (with NAME). waking up

Achilles at the Court of Lycomedes, Nicolas Ryckermans, 1595 - 1650, Peter Paul Rubens, Flemish, 1577 - 1640, Engraving on paper, The bearded Achilles and an attendant examine the treasure offered by Queen Lycomedes, shown with her court ladies, one of whom brandishes a sword. Below, a six line Latin explanatory inscription., Netherlands, Antwerp, Netherlands, ca. 1650, Print, Print

Genoa, with the aid of Arethusa, Alcimus, and Cosmus, introduces the lemon tree into Italy, thanks to the warm air of the Ligurian coast. Engraving by G.F. Greuter after G. Reni.

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Fall and the Redemption of Mankind through the Life and Passion of Christ, Christ before Herod, Christ is brought before Herod. Herod has Christ wear a beautiful white robe. The print is part of a thirty-part series of prints about the Fall and Christ's Passion., print, prints, width 197 mm, height, 248 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

The Visitation. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). Dimensions: Sheet (Trimmed): 12 11/16 × 19 1/2 in. (32.3 × 49.5 cm). Date: 1540-50. Museum: Metropolitan Museum of Art, New York, USA.

$Alexander the Great Cutting the Gordian Knot by Matham, Theodor (1589-)\ Rijksmuseum, Amsterdam\ 17th century\ Etching\ Holland\ Baroque\ Mythology, Allegory and Literature\ Graphic arts$

Print, Parable of the Talents; Print Maker: Michel Lasne (French, ca. 1590 - 1667); France; engraving on paper; 11.7 × 15.2 cm (4 5/8 in. × 6 in.); 1896-31-22

Bolesław Śmiały, promising to return to them, historical songs with music and engravings, in Warsaw, in the printing house at Nowolipie, 1816 Sułkowska, Ewa (1786 1824)

Pallas praises nature at the birth of the seven sons of Lara; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

King Ptolemae Philadelphus studies the Hebrew law roles / reading the translation of the law to King Ptolomaeus Philadelphus.two representations of a plate. At the Top Right Numbered: 646 and 648.

The portrait van der Noots will be placed on the altar in Brussels on June , Pobedruck before the script, Cornelis Brouwer, Copper Engraver, Arend Fokke Simonsz -, publisher

Satan as a bird catcher with worldly wealth such as bait, Jan Luyken, 1699 print In the foreground, the devil is behind a wall with a cord attached to a safety net in his hands. In the background, people run towards a globe with all kinds of riches. The people are not aware of the safety net that is tense around the globe. Worldly wealth is the bait de de Devil used to catch people. Amsterdam paper etching devil(s) and demons. bird hunting (+ net). 'Mondo', 'Machina del mondo' (Ripa). acquiring riches

Jacques Callot, A Capucin bringing thanks of the King of Bavaria, 1612 A Capucin bringing thanks of the King of Bavaria

Seat of the Spanish Blood Council, 1567, 1613 - 1615 print Session of the Council of Strokes, nicknamed the Blood Council, chaired by the Duke of Alva on a throne with the court rod in hand, 1567. Wall dresses hang on the walls of the interior. With caption of 4 lines in Latin. Numbered: 44. Printed on the back with text in Latin. Northern Netherlands paper etching court session (court of justice)

A dying man in bed is surrounded by onlookers and demons. Etching by Karel van Mallery after Jan van der Straet.

Dangers of the process, Cornelis Galle (I), After Philips Galle, After Hendrick Goltzius, c. 1593 - c. 1597 print The female personification good case law (Bona Causa) must make its way between positive and negative personifications of law. On the left are the personifications just judge (Judices Iusti), skilled legal profession (advocati periti), loyal civil service (procurate res fideles) and honest witness (testes veraces). On the right are unreliable witness (FALSI testes), negligent civil service (Procuratores Negligenites), inexperienced lawyer (Advocati imperiti) and unjust judge (Iudices InIusti). Each of these personifications threatens good case law with a spear. At the end of this dangerous road, victory (Victoria) is waiting for her with a laurel wreath. The print has three captions (two in Latin and one in Dutch) and is part of an eight -part series about the abuses in process operations. Antwerp paper engraving litigation, legal proceedings, lawsuit. Impartiality. lawyer,

Faith (Fides) from the series The Virtues ca. 1559-60 Pieter Bruegel the Elder Netherlandish. Faith (Fides) from the series The Virtues 383066 Artist: Pieter Bruegel the Elder, Netherlandish, Breda () ca. 15251569 Brussels, Artist: Philips Galle, Netherlandish, Haarlem 15371612 Antwerp, Publisher: Hieronymus Cock, Netherlandish, Antwerp ca. 15101570 Antwerp, Faith (Fides) from the series The Virtues, ca. 155960, Engraving; first state of two, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.2 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1926 (26.72.30)

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 1530, The head of the procession at a triumphal arch, plate B, plate B. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, news print, propaganda print, prints, pictures, Frederik Muller History plates, height 360 mm, width 295 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, paper, etching, etchings

. Print at the top right labeled: first part fol 191.

Orange only visits the rebellious Ghent, ca. 1579, 1788 print Orange only visits the rebellious Ghent, ca. 1579. In conversation with furious soldiers at the Stadspoort. Twenty -fourth singing. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper etching Ghent

Servius Tullius, King of Rome, assassinated Interitus. Servii Tullii , print maker: Caspar Luyken, (mentioned on object), Caspar Luyken, (mentioned on object), publisher: Caspar Luyken, (mentioned on object), 1698 - 1708, paper, etching, h 290 mm × w 398 mm

Sickbed of the wife of the pasha, 1639, print maker: Caspar Luyken, Caspar Luyken, Johann David Zunnern, 1701.

Keizer Karel V transmits the board of the Netherlands to Philip II, 1716 - 1761 print Keizer Karel V, standing under a canopy with coats of arms, handed over the board of the Netherlands to his son Philip II on 25 October 1555. Amsterdam paper etching / engraving ruler, sovereign. kneeling figure

The widow of Johan van Oldenbarnevelt begs Maurits for grace for her son Reinier, 1623, Bernard Picart (attributed to), after Bernard Picart, 1728 - 1730 print In an interior, Maria van Utrecht, the widow of Johan van Oldenbarnevelt, kneels at the feet of the prince and Maurits begs for grace for her son Reinier van Oldenbarnevelt, one of the consciented conscious people, March 1623. Insidering with Pilasters with Allegorian medallions. On the left cutting down the lance; On the right the shepherd dog is devoured by the wolf. paper etching (revolutionary) plot, conspiracy. granting mercy; free pardon

Allegory on the French economy with the portrait of Philip II, Duke of Orléans, Bernard Picart, 1720 print In the middle a portrait of Philip II, Duke of Orléans. On the left is the sad personification of France, with an empty horn, bonds and debt letters at the feet. Behind the portrait a winged woman with an hourglass, surrounded by clouds, who refers to the wind trade and the time that will break on. Mercury points France to the portrait of the Duke, who gave the Scottish economist John Law in 1716 to set up a bank to stimulate the French economy. Minerva points to a horn with money. In addition, there is an original occupant of America with a fee, sash and skirt with a map of Louisiana, where Law founded a company that operated the state bank. On the right in the background, soldiers defend the French Banque Royale, stormed by the people because of the unrest due to the wind trade of 1720. paper etching / engraving Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). (st

Wael, Cornelis de, Parable of the Prodigal Son, The prodigal son chased away from the whores, verso lower left - stamped, The prodigal son is chased out of the brothel by an angry mob. Two women want to attack him with broomsticks., print, prints, height 201 mm, width 301 mm, Work conception, Southern Netherlands, 1592-09-07 - 1667-04-21, after a design by, 1658 - 1658, paper, etching, engraving, engraving (printing process), print maker, printmaker

Nuremberg, Weigel, Christoph, Amsterdam, Luyken, Jan, Grijsaard points to a man and a woman in the street, Emblem: man, verso lower left - stamped, An old man sits on the corner of a street. He points to a young couple., print, engraving, book illustration, prints, height 102 mm, width 118 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1695 - 1705, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Antwerp, Bouttats, Gaspar, Southern Netherlands, Parts of the bodies are sold, 1672, Parts of the bodies of the De Witt brothers are sold and eaten, 20 August 1672. Scene from the life of Johan and Cornelis de Witt; part of a group of illustrations, numbered: VII. Vertooningh and accompanied by a verse of 8 lines. Printed on the back with text in Dutch., print, picture, book illustration, prints, pictures, Frederik Muller Historieplaten, height 157 mm, width 135 mm, print maker, printmaker, 1672 - 1672, third quarter 17th century, paper, papier, etching, etchings, letterpress printing, Work conception, 1640 - 1695

Antonio Tempesta, Italian (1555-1630), Philip as a Boy Before Margaret of Austria verso, 1612, etching

Artist: Hans Weiner, German, ca. 1570-ca. 1619, EcceHomo, Etching, sheet: 27.5 × 19.7 cm (10 13/16 × 7 3/4in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Alkmaar, Schabaelje, Jan Philipsz, Galle, Theodoor, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Philips, Den Grooten Figuer-Bibel, Geschiedenis van Daniël, Bel en de draak, Van den Bel en den Draeck te Babel, King Cyrus has the statue of Bel smashed to pieces, bottom right - handwritten in brown ink, King Cyrus watches how men smash the statue of the god Bel to pieces. The entrance to the secret entrance to the temple can now be seen where the table with food stood. At the front right, a boy urinates in Bel's mouth. An explanatory text in Latin under the representation. Print is part of an album., print, album sheet, prints, 256, height 203 mm, width 249 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1586 - 1652-06-19, publisher, 1571 - 1633, 1592 - 1656-04

Hooghe, Romeyn de, Geneva, Gisling, Netherlands, Cartoons on James II and Louis XIV and the events in the years 1688-1689, The Duytse Doctor, and the strange Patients, Le Docteur parlant à l'Assamblée, Arlequin Deodat et Pamirge Hypochondriaques, Cartoon on the interference of Louis XIV in the English succession to the throne, 1689, lower right, outside the plate edge - letterpress, 1689. Childbed in which Queen Mary of Modena lies in bed and is visited by a German doctor who examines her urine. In the middle an angry Louis XIV (Harlequin) who is held back by William III, on the left three Algerians or Turks. In the foreground on the left, Cardinal von Fürstenburg is receiving an enema, on the right the child Jacobus Frans Eduard, the neglected child (the Prince of Wales) with a windmill and two wet nurses who are taking an oath of silence. With a caption of 2 times 2 lines and on the sheet below the representation 2 verses of 2 columns each with an explanation of the numbers 1-12 in D

Parable of the Talents (The Worthless Servant Cast into the Outer Darkness). Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Audience of Cornelis Hop at the Young King Louis XV, 1719; Public hearing Van den Heere Cornelis Hop, ambassador of their high paragraphs by Den King of Frankryk Lodewyk den XV, in the year 1719. Audience of the Ambassador of the States General Cornelis Hop at the Young King Louis XV, July 23, 1719. The Ambassador with his consequence for the child in a throne room. In the caption the title and the legend 1-9 and A-B.

. A group of beautifully dressed people is talking, eating and drinking together in a room overlooking an open water. Links in a window Some musicians. In the foreground a dog. Under the show four times two lines of Latin text.

Dood van Vitellius.The Roman emperor aulus Vitellius germanician is bound by Soldiers of Vespasian with his hands and dragged into a sling around his neck to the forum.

Christ Crowned with Thorns, page 72 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1454-1519. Dimensions: 250 x 173 mm (image/block/sheet); 443 x 302 mm (album sheet). Woodcut on cream laid paper, with letterpress on verso, laid down on ivory wove album sheet. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Germany, Passion scenes in frames with animals, Passion scene in frame with rabbits, birds and foxes, At the bottom left a bird pecks at a crab. porcupine, in the middle below a fox and a monkey are sitting next to a shell., print, prent, ornamental print, prints, ornamental prints, height 65 mm, width 83 mm, print maker, printmaker, 1600 - 1699, 17th century, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Summer (L'Été) ca. 1637 Abraham Bosse French. Summer (L'Été) 390806

The story of the prodigal son, Cornelis van Dalen (I), Rombout van den Hoeye, 1622 - 1665

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Man for a soldier and two women, Abraham Dircksz Santvoort, Gerrit van Goedesberg, 1666.

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Oranje donates Goignies's sword, 1578, 1785 print Goignies, released at the request of Mondragon, receives a Degen van Oranje, 1578. Twentieth vocals. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching

Braun, Augustin, Nederlanden, Gelle, Johann, The parable of the prodigal son, The prodigal son as a pauper, verso middle bottom - stamped, The prodigal son has become a pauper. His former friends avoid and ignore him. The personification of poverty accompanies him on his path. The print has a Latin and German caption., print, prent, prints, width 187 mm, height, 260 mm, 1585 - 1625-03-30, print maker, printmaker, 1595 - 1625, paper, papier, engraving, engraving (printing process), Work conception

Antwerp, Wierix, Johannes, Contempt for the jewels, verso under - stamped, Three women sit around a table, one of them is leafing through a book. Two men enter the room, one of them carries a chest on his shoulder. The other has a chain and a cloak in his hands., print, book illustration, prints, height 154 mm, width 108 mm, Work conception, Southern Netherlands, 1549 - 1618, after print by, 1614 - 1616, paper, engraving, engraving (printing process), letterpress printing, print maker, printmaker

The symposium described in the Symposion of Plato. Etching by P. Testa, 1648.

Workshop of Hendrick Goltizus, after Hendrick Goltzius, Mercury Entering Herse's Room after Changing Agraulos to Stone, 1590 Mercury Entering Herse's Room after Changing Agraulos to Stone

Triumph van Mordechai, Lucas van Leyden, 1515 print Mordecai on horseback with consequence and bystanders. On mountain gallows with Haman suspension. Low Countries paper engraving Mordecai's triumph: Mordecai, mounted on the king's horse, is led through the city by Haman (Esther and Ahasuerus may be looking on from the palace)

Antwerp, Jode, Gerard de, Collaert, Hans (I), Francken, Ambrosius (I), Thesaurus sacrarum historiarum veteris testamenti, Parables from the New Testament, Parable of the Rich Man and Poor Lazarus, recto top right on mounting paper - handwritten, A rich man sits at a table with his family and guests. Outside the house on the right, the beggar Lazarus begs, whose sores are being licked by a dog. In the background, the continuation of the story is depicted. When the rich man and Lazarus have died, Lazarus sits on Abraham's lap in heaven. The rich man is in the flames of hell. Below the image a reference in Latin to the Bible text., print, prints, verso - stamped, Lazare covers Duleeres est etendu devant la porte durietse et ne recoit aucun soulagement., recto center bottom on mounting paper - handwritten in brown ink, 50, height 219 mm, width 285 mm, Work conception, 1544 - 1618-10-16, after a design by, 1585 - 1585, paper, papier, engraving, engraving (printing process), print maker, pri

The covenant of nobles, 1565. The covenant of nobles at the castle of Hendrik van Brederode in Vianen, 1565.

Baptism of betters, 1535; Upright from the returners in Amsterdam in 1534-1535. Meeting of the betters in a house in Amsterdam where the return track is applied, 1535. With two-legged caption.

Amsterdam, Luyken, Jan, Christ shown to the people, recto - manuscript in brown ink, print, prints, etchings, verso - stamped, 119, height 119 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Psyche in the Palace of Amor, Sébastien Leclerc (I), 1647 - 1714 print France paper etching / engraving Psyche in Cupid's palace

Amnon handles Tamar the house; History of Tamar and Amnon. After Amnon has raped his half-sister Tamar, he feels a deep hatred for her and sends her way. Tamar begs him not to send her away, but Amnon gives his servants with a pointed gesture to put her out of home and lock the door behind her. A clerk cleans up the fallen table next to the bed.

Noblewoman kneels for count; Ada. A noble woman kneels in front of a count and has grabbed his hand. Three women and a man stand around them and hit the scene. This print is made for the torment game "Ada, Countess of Holland and Zeeland" (1765) by F. van Steenwijk.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), André multiplies the bread to be distributed to the poor. Twelfth number of a sequence of 20 pieces (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Ecce gay. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 264 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Amsterdam, Muller, Harmen Jansz, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Iosuae, History of Joshua, Fall of Jericho, Seven priests blow their ram's horns as they walk before the ark of the covenant. The walls of the city of Jericho collapse and the people storm the city. Below the image is a reference in Latin to the Bible text in Jos. 6. The print is part of an album., print, album leaf, prints, height 208 mm, width 288 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1567 - 1570, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Maubert Square. (Factitious title)

Woman puts herself in the chest, Jacob Folkema, 1702 - 1767 print In the presence of two men who want to prevent her from her suicide, a woman puts herself in a departure in the chest. Two figures come from behind a curtain. paper etching seeking death, suicide. hacking and thrusting weapons: dagger

The Four Seasons:Summer. Artist: Abraham Bosse, French, 1602-1676

Joan van Huydecoper Van Maarseveen gets a cup offered, 1641. Joan van Huydecoper, Lord of Maarseveen and Neerdijk gets a showcutter from a delegation from the inhabitants of the Maarseveen and Neerdijk, 13 August 1641. At the top of a cartouche with 4 lines in it Latin and the weapons of Huydecoper and Maarseveen. In the caption 2 times 8 lines in Latin.

Magician, Balthazar van den Bos, 1528-1580

Death of Requesens, 1576, 1782 print Death of Requesens. The governor Requesens dies at the table during a banquet, March 5, 1576. Sixteenth singing. Northern Netherlands paper etching dying

Daniël condemns the elders, Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1637 print In the courtroom, Daniël accuses the elders of Meineed. He proves this by each questioning them separately. They are found guilty and taken along. In the margin a two -way caption in Latin. Fourth print from a series of six about the history of Susanna. Antwerp paper engraving Daniel exposes the elders as deceivers

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, Geschiedenis van Salomo, Van den Coninck Salomon, Bathsheba submits Adonia's request to Solomon, bottom right - handwritten in brown ink, Bathsheba sits at the right hand of her son, King Solomon, and conveys the request of Solomon's brother Adonia to him. She asks for the hand of Abishag for Adonia. Solomon becomes furious and orders Adonia to be killed. In the background, Adonia is pierced with a lance. Below the scene is a reference in Latin to the Bible text in 1 Kings 2:19. This print is part of an album., print, album sheet, prints, 167, height 189 mm, width 245 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-

Fighter. / 63 / Nancy (IT)

The widow of Johan van Oldenbarnevelt begs Maurits to grace for her son Reinier, 1623; The widow of Oldenbarneveld pray Prince Maurits to grace for her son. In an interior, Maria van Utrecht, the widow of Johan van Oldenbarnevelt, at the feet of the prince and begged Maurits to grace for her son Reinier van Oldenbarnevelt, one of the orders sentenced to death, March 1623. Inside frame with pilasters with allegorical Medallions. On the left to cut the freedom lance; On the right the shepherd dog is devoured by the wolf.

Paris explains his love to Helena, Crispijn van de Passe (I), 1613 print Paris explains his love to Helena van Troje, after a fight with her husband Menelaos. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving Paris at the court of Menelaus

The Wolf Rings the Bells of a Convent from Hendrick van Alcmar's Renard The Fox 1650-75 Allart van Everdingen Dutch. The Wolf Rings the Bells of a Convent from Hendrick van Alcmar's Renard The Fox 429571

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, Geschiedenis van Salomo, Van den Coninck Salomon, Solomon receives the Queen of Sheba, lower right - handwritten in brown ink, The Queen of Sheba kneels before Solomon's throne. Behind her stands her entourage. In the foreground are displayed gifts. Below the image a reference in Latin to the Bible text in 1 Kings 10. This print is part of an album., print, album leaf, prints, 171, height 188 mm, width 243 mm, Zuid-Nederlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Avarice. Léon Davent (France, active 1540-1556). France, circa 1542-1547. Prints; etchings. Etching with engraving

Epicharis Voor Trébace, Abraham Bosse, After Claude Vignon, 1639 print paper etching / engraving king. kneeling figure

Frontispiece, from Différentes vues de Pesto (Different Views of Paestum): Vue des restes intérieures du Temple de Neptune (View Showing the Remains of the Interior of the Temple of Neptune). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Couronnement de Voltaire (The Crowning of Voltaire), 1782, etching and engraving on laid paper, sheet (trimmed within platemark): 216 × 267 cm (85 1/16 × 105 1/8 in.), Bocher 1882, no. 261, State a, iii/vii, Charles-Etienne Gaucher (artist) French, 1741 - 1804, Jean-Michel Moreau the Younger (artist after) French, 1741 - 1814

Picart, Bernard, Northern Netherlands, L'Histoire composant le grand Dictionaire Historique, Allegory in which History writes history, Allegorical representation with the personification of History sitting in a landscape in the center, surrounded by a crowd of all kinds of people from history and allegorical characters. With French caption., print, prent, title print, prints, Frederik Muller Historieplaten, height 370 mm, width 221 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1726 - 1726, second quarter 18th century, second quarter of the 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Anatomical lesson; Title page for: A. Vesalius, Omnia Omnia Anatomica & Surgical, 1725. A surgery (Andreas Vesalius) provides teaching in the anatomy of the human body during anatomical lesson. He has opened the belly of the corpse and holds the skin aside while making a demonstrating gesture with his other hand. Spectators are sitting around the table on which the corpse lies.

Amsterdam, Luyken, Jan, Christ in the house of Martha and Mary, recto - manuscript in brown ink, print, prints, verso - stamped, 66, height 119 mm, width 155 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Gonzalo Gusto gives a ring that must be given to his unborn child if it is a son; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

unknown, Leblond, Jean (I), Bosse, Abraham, Les Métiers, Shoemaker fitting a woman a shoe, verso - stamped, print, prints, height 260 mm, width 334 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1632 - 1633, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher, granter of privilege

A man harrassed by personifications of greed, guilt, credulity, jealousy, sadness and pride. Engraving by P. Galle, ca 1563.

Kindermoord Te Betlehem, Anonymous, After Marco Dente, After Baccio Bandinelli, 1427 - 1527 print View of a palace of a palace where desperate mothers try to protect their children against the soldiers of Herod. In the foreground three women mourning the dead bodies of their children. Italy paper engraving the massacre ot the innocents; sometimes Herod looking on

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