Historical Meetings and Negotiations

A series of prints depicting significant historical meetings and negotiations, showcasing various figures in formal settings, with detailed etchings and dramatic poses.

Peter heals a paralytic, Philips Galle, Hieronymus Cock, 1558

Writer sitting at a table, pointing to a group of mythological figures, Laurent Cars, After Charles Joseph Natoire, 1733 print France paper engraving writer, poet, author. (story of) Mercury (Hermes)

Jacques Callot, Accursio, 1619 Accursio

Phineus verstoort de bruiloft van Perseus en Andromeda; Phineus Andromedae in nuptijs pugnam concitat; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.The Wedding Party of Perseus and Andromeda is disturbed by Phineus and his soldiers. Title in Latin in undermarge.

Print marked top right: Memor: Fol: 53., Charles II, King of Spain, listens on his throne to the terms of the peace at Nijmegen, print maker: Caspar Luyken, publisher: Willem Broedelet, print maker: Amsterdam, publisher: Utrecht, 1696, paper, etching, h 188 mm × w 136 mm

The Statue of Jupiter at Olympia (from the series 'The Eighth Wonders of the World') After Maarten van Heemskerck by Galle, Philipp (1537-1612) / Museum Boijmans Van Beuningen, Rotterdam / 1572 / The Netherlands / Etching / Mythology, Allegory and Litera

Decapitation of Charles I, King of England, in London, 1649, Jan Luyken, 1698 print Amsterdam paper etching violent death by beheading Whitehall

Servants cross their swords, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching kneeling figure. ruler, sovereign Paris

. Print at the top right labeled: MEMOR: FOL: 53.

. Print at the top right labeled: I. Partie Pag. 592.

The King hands out awards, Anonymous, After Jacques Callot, 1677 - 1690 print In the middle of the performance a king sits on a throne. Soldiers are left and right. One of them kneels while an honorary sign is hung. Under the show a six -line French verse. This print is part of a series of 17 (18 incl. Title print) prints with performances of various types of misery that warfare entails. print maker: Netherlands (possibly)publisher: Amsterdampublisher: Paris paper etching ruler giving mark of honour. medals and other marks of military honour

Amsterdam, Luyken, Jan, Christ sets a child as an example to his disciples, recto - manuscript in brown ink, print, prints, 60, height 118 mm, width 155 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Sadeler, Johann (I), Vos, Maerten de, Antwerp, Evangelicae Doctrinae, Life of Christ, Adoration of the Shepherds, verso lower left - stamped, The shepherds visit the stable and greet the Christ Child in the manger. In the background an ancient ruin. The print is part of a five-part series and has a Latin caption with a Bible quotation., print, prints, height 209 mm, width 148 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1582 - 1584, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Ink drawing by Luca Cambiaso showing a praise scene before a royal couple, surrounded by court figures, on brownish paper, using laviert and reddish squared techniques.

In 't Jaar 801. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Begrafenis Van Francesco II de 'Medici, Stefano Della Bella, After Alfonso Paris (the young), 1620 - 1664 print The funeral of Francesco II de 'Medici in the San Lorenzo in Florence. On the ceiling a large coat of arms the family de 'Medici. Along the ship, several decorated skeletons have been placed against pillars for decoration. Drawing of two figures on Verso. Italy paper. ink etching / pen public funeral. funerary ceremonial Sint-Lower Basilica

Surrender of the Landgraaf van Hessen, 1547, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 - 1556 print Philip I, Landgraaf van Hesse, kneels in front of the throne of Charles V in total surrender. To the left of Karel V the bishops of Arras, Naumburg and Hildesheim. On the right the Duke of Alva, the Duke of Saxony and the Duke of Brandenburg. The print is part of a twelve -part series about the victories of Karel V. paper engraving / etching

Emblem: Haak, Jan Goeree, 1723 print A garden with a pond. In the foreground, a worm is put on a hook by a putto. In the middle, a putto fishes in the garden pond and a fish is caught in the background. In the foreground on the left a vase on a pedestal with the performance of Adam and Eva in the garden. On the pedestal a representation of the personification fraud. In the foreground on the right also a vase with the presentation of the Judaskus. The pedestal bears a representation of the personification fraud. In the background a monument with a representation of the Jewish exile. print maker: Amsterdampublisher: Amsterdampublisher: Dordrecht paper engraving cupids: 'amores', 'amoretti', 'putti'. angling. angling (+ hunting with fish, bait). angling (+ fishing-rod). angling (+ float). Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). Mendacity. the Babylonian Captivity of the Jews. the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Eve offers the fruit to

Aaron turns the water of the river into blood, Caspar Luyken, 1712 print Amsterdam paper etching the plague of water turned into blood: as Pharaoh goes down to the Nile, Aaron strikes the surface of the river with his rod; the water turns into blood and all the fishes die

A Spanish Hopman for Orange, 1577; Prince Willem dismisses the missionary of Don Jan, Ao. 1577; Scenes from the life of Prince Willem I, 1568-1584. A Spanish Hopman fascinated for the Prince of Orange, 1577. Eighteenth singing.

Paul before Felix. 1752. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Mausoleum of halicarnassus; Septem Orbis Admiranda; The seven wonders of the world. Halicarnassus mausoleum under construction. King Mausolus graftombe, a Persian city prince from Halicarnassus from the 4th century BC. It became after his death in 353 v. Chr. Built on behalf of his widow, Queen Artemisa. Text in Latin in undermarge.

Two representations of a plate. Numbered top right: 79 and 82., Joseph makes himself known to his brothers / Meeting of Jacob and Joseph, print maker: Caspar Luyken, (mentioned on object), publisher: Barent Visscher, publisher: Andries van Damme, Amsterdam, 1698, paper, etching, h 158 mm × w 89 mm

Statue of Jupiter in Olympia; Septem Orbis Admiranda; The seven wonders of the world. A landscape with centrally a round temple with the great statue of God Jupiter by the Phidias sculptor. For the temple a crowd people looking at struggling men. Text in Latin in undermarge.

In the sand of the Arena, philosophers look for the powder of the Stone of Wise, Andries van Buysen (Sr.), After Bernard Picart, c. 1700 - c. 1750 print paper etching wisdom, 'Sapientia' ~ one of the seven gifts of the soul

Amsterdam, Luyken, Caspar, Moses and Aaron before the Pharaoh, verso - stamped, print, prints, pictures, height 77 mm, width 89 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings

France. A ward in the Hotel-Dieu, in Paris. Facsimile after a 16th century wood engraving, in the frontispiece of a Manuscript "Le Pardon, graces et facultes octroyes a Monseigneur l'archeveque patriarche de Bourges et primat d Aquitaine, aux bienfaiteurs de l'Hostel-Dieu de Paris". Sciences & Lettres au Moyen Age et a l'epoque de la Renaissance. Paris, 1877.

Ferdinand III crowned Roman king, 1636, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Les mendiants de Bruges , Beggars, Alphonse Legros (1837-1911)

Title page for "Les coups de l'amour et de la Fortune", in: P. Quinault, Le Theater, Part I, 1697, Caspar Luyken, 1697 print Amsterdam paper etching (story of) Aurora (Eos); 'Aurora' (Ripa). rescue from fire

The sacrifice to Diana, Richard van Orley, c. 1695 - c. 1705

Wedding of the Prince Ruy Velazquez, Maternal Uncle of the Infantes, to Doña Lambra in Burgos. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Henri Goltzius from a table by Pieter Coecke Van Aelst. "The Lord's Supper". Engraving, 1585. Museum of Fine Arts of the City of Paris, Petit Palais. Bible, Catholic, Cene, Christian Chretian, Christ, Last meal, disciple, Biblical scene, engraving

Apollo and Diana kill the children of Niobe; Metamorphoses from Ovid. Apollo and Diana fires from a cloud arrows at the children of Niobe to punish her for her conceit. The seven sons, partly on horseback, and seven daughters of Niobe are dead on the ground or try to flee. In the undermaster a three-legged explanation of the show in French.

Il Liceo della Pittura (Academy of painting). Allegory on the theory and practice of the visual arts

Title page of vol. 1, Historie van de reformatie der kerke van Engeland, Romeyn de Hooghe Collection, Burnet, Gilbert, 1643-1715, Hooghe, Romeyn de, 1645-1708, Engraving, 1686, title page, vol. 1, inscribed at lower center of plate, R de Hooghe f. 1685.

Solomom Adoring the Idols 1545 Germany. Engraving in black on ivory laid paper . Hans Brosamer

Heraldry and martial art; Bellona; Human business activities. The Roman goddess Bellona as a personification of the arms industry. She is in the middle of a harnesses and weapons on a cannon. In the background right a blacksmith where arms charges are made. Links A store where harnesses are sold. The print has a Latin caption and is part of a print series about human business.

Adewold and Emma. Dated: 1798. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

Amsterdam, Luyken, Jan, Paulus voor de leden van de Areopagus in Athene, recto - manuscript in brown ink, print, prent, prints, verso - stamped, 141, height 117 mm, width 153 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etsen

The Small Port, from Various Scenes Designed in Florence 1618-1620 France. Etching on paper . Jacques Callot

Frederik Hendrik takes sitting in the states of Holland as a city center, 1625; Frederic Henric Prince from Orange, Zyn Eedt does as Stadthouder on the Rolle.The States of Holland Meeting in The Presence of Frederik Hendrik As a New Stadholder, September 1625.

Other Nymphs Serving Psyche at the Table 1530-1540 Italy. Engraving in warm brown ink on cream laid paper . Master of the Die

Print at the top left of marked: Foli 587.

Rome, Schiaminossi, Raffaello, Quindecim Mysteria Rosarii Beatae Mariae Virginis, Fifteen Mysteries of the Rosary, Visitation, recto lower right - handwritten in brown ink, The visit of Mary to her cousin Elizabeth. Several figures are watching the meeting. In the bottom margin a two-line Latin text., print, prent, prints, prenten, verso - stamped, 2, height 109 mm, width 153 mm, Italian, 1572 - 1622, print maker, printmaker, 1602 - 1604, paper, papier, etching, etchings, Work conception, after own design by

CASTRO, In_s de (1320-1355). Galician noblewoman. Second wife of Peter I of Portugal. Her life inspired the Portuguese literature. Ines de Castro assassination plot by supporters of Ferdinand, son of the first marriage of Peter I. Engraving.

De Witt brothers attacked in their room above the prison gate, 1672; The brothers Kornelis and Joan de Witt, in a departure of the prisoner in Den Haage, robberies by some citizens, on the twentieth August 1672. Plundering civilians invaded the Chamber of Johan and Cornelis de Witt in the prison gate in The Hague. Johan got up from his chair and cornelis on bed begs citizens with folded hands to calm.

Heinrich IV., King of France.

Gargantua's officers rewards gold service, Pieter Tanjé, After Louis Fabritius Dubourg, 1716 - 1761 print Grangousier, with crown on the head, hand out Golden Servies to the Gargantua officers. His son Garagantua is standing next to him. Illustration in the stories of François Rabalais about Pantagruel and Gargantua. In the margin there is a rule of text in French, marked at the bottom right: L. I. Ch. 51. Amsterdam paper etching / engraving giants, colossi. officer. dish, plate, saucer

Procne shows the head of Itys to Terereus; Progne ityn interficit et tereo epulandum proponit; Metamorphoseon Sive Transformationum; Metamorphoses from Ovid.procne shows the chopped head of Itys to Terereus. On the table is a bowl with other cut-off limbs from itys. Title in Latin in undermarge.

Visscher, Claes Jansz. (II), Northern Netherlands, Dolendo, Bartholomeus Willemsz., 1. 't Is de Rijckste die daer leven, Die ghenjoght met dat hy heeft, The bailiff tries to buy the farmer's cow, The bailiff tries to buy the farmer's cow. On the right the bailiff of South Holland with a bag of money, on the left the farmer and his family. In the background the cow is milked by the farmer's wife. Image no. 1 in a series of six small scenes of the successive episodes of the story of the Judiciary of Count Willem III in the year 1336. These small prints belong on either side of the large central image. Each representation has a caption consisting of a saying and a verse of two columns of eight lines., print, image, history print, prints, Frederik Muller History plates, height 180 mm, width 188 mm, 1560 - 1626-05-27, print maker, printmaker, 1613 - 1613, first quarter 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, 1586 - 1652-06-19, publishe

This woodcut by Leonhard Beck from *Der Weisskunig* portrays four unknown men standing before the White King. Created between 1514 and 1516, it reflects the hierarchical structures and courtly life of the time.

The Seraglio (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, pl. 18). Artist: After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul). Author: Illustrates Aubry de La Mottraye (French, 1674-1743). Dimensions: plate: 10 x 13 7/8 in. (25.4 x 35.2 cm)sheet: 10 15/16 x 14 1/16 in. (27.8 x 35.7 cm). Etcher: William Hogarth (British, London 1697-1764 London). Date: 1723-24. Museum: Metropolitan Museum of Art, New York, USA.

Herodias (c. 15 BC - c. 39 AD). Idumean princess of the Herodian dynasty of Judea. Married to Herod Philip I and later to Herod Antipas. Mother of Salome. Engraving from an original by Israel Van Mecken, late 15th century. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

Conversation in the midst of Grafmonumenten, Jan van Somer, after Karel du Jardin, 1655 - 1700 print In the midst of a few grave monuments, three men have a conversation at the table. A woman serves a bowl of food. paper. deck paint brush grave, tomb. drinking. conversation, dialogue; conversation piece

Joab kills Amasa.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Gibelin party is banished from Bologna. Twelfth number of the suite (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Atrocities by the French in the principality of Liege, 1650, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 111 mm × w 156 mm

'The Rejection of Joachim's Offering', 1506 (1906). Artist: Albrecht Durer.

Principles of landscapes. 20 stuks.

Odimuff by Solomon.

Raphael Sadeler I after Joos van Winghe, Solomon Led to Idolatry by His Wives, 1589 Solomon Led to Idolatry by His Wives

The Four Seasons: Summer, 1635. Abraham Bosse (French, 1602-1676). Engraving and etching;

Scene from Act IV from Goethe's "Gotz von Berlichingen". Dated: c. 1810. Dimensions: Overall: 14.8 x 19.4 cm (5 13/16 x 7 5/8 in.) support: 17.5 x 21.6 cm (6 7/8 x 8 1/2 in.). Medium: pen and black ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: Franz Pforr.

Slachtoffer van bezetenheid of tovenarij (nr. 6), ca. 1658.Two loosely cut performances of an interior with a person suffering from a form of falling illness or madness, interpreted as possessivity or sedary. A man falls on the floor during a church service. Numbered: 6.

. Two merchants close a trade agreement to a quay. They give each other's hand. One of them swears an oath. The Personifications of Deception (Fraus) and Formity (Fallacia) accompany them. A blindfolded (and therefore ignorant) notary records the (false) agreement. The print has three captions (two in Latin and one in Dutch) and is part of an eight-language series about the abuses in process.

Estius, Franco, Mander, Karel van (I), Haarlem, Matham, Jacob, Parable of the prodigal son, Homecoming of the prodigal son, verso lower left - stamped, The prodigal son welcomed by his father., print, prints, height 235 mm, width 172 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1592 - 1592, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1548-05 - 1606-09-11

Lake servants play dice on the coffin of the Duke of Luynes, 1621, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 156 mm

A drawing by Pier Leone Ghezzi from 1725 showing a gathering of Roman antiquarians around Baron Philipp von Stosch, executed in chalk and pen.

Phineus Attacking Perseus at the Wedding. Antonio Tempesta (Italy, Florence, 1555-1630)Wilhelm Janson (Holland, Amsterdam). Italy, published 1606. Prints; etchings. Etching

Litigant (Litigator) sits in bed writing, kept awake by a rooster and Anxious Care (with rattle). Anxious Care chases away Soft Sleep. Extensive captioning in Dutch, German and Latin. This print is part of a series of eight prints about greed, deceit and litigation, He who litigates, has sleepless nights Abuse of litigation (series title), print maker: Hendrick Goltzius, Hendrick Goltzius, publisher: Maarten Spiegel, print maker: Haarlem, publisher: Low Countries, 1597, paper, engraving, h 181 mm × w 226 mm

Tomb of David opened for the second time by order of Herod, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 113 mm × w 161 mm

Mordecai's disdain. Troy, Jean François de (French, 1679-1752) (cartoon creator) painter Neilson, Jacques (French, b.1714-d.1788) (workshop) weaver dated 1763 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Lord Foley (). Baron Albert de Rothschild coll. at Halton Castle, England, 1900 (). French & Co. Inscriptions: Woven signature in central field, lower center-right: Neilson.fleur-de-lys.G.ex.1763. Haman climbs the stairs of a palace followed by assistants & large crowd, as everybody bows to him except Mordecai; the latter withdrawn (R), standing near a man & 2 women prostrating themselves before Haman Borders missing (Soustelle). The present tapestry may be recorded in Fénaille p.22 & 38 as having been part of a set of four tapestries of the Life of Esther woven on low looms in the workshop of Jacques Neilson between 1761 & 1765. The set would have been executed for an English nobleman, Lord Foley & traced in 1900 to the collection of

Men fencing. Engraving by Egbert van Panderen.

Hrabia Wilczek blagajacy Jana III o pomoc dla Wiednia Count Wilczek pleading John III Sobieski to relief Vienna. Date/Period: Beggining of 20th ca. Print. Height: 342 mm (13.46 in); Width: 448 mm (17.63 in). Author: UNKNOWN.

Balthazar Charles, eldest son of King Philip IV, learning to dance at the court of his father King Philip IV, Education of Balthazar Charles, eldest son of King Philip IV, 1642, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Return home of the lost son, Jan Baptist de Wael, after Cornelis de Wael, 1658 print The lost son returns home where the family receives him together. He is met by his father, who takes him in his arms. He has a calf slaughtered for a feast to celebrate his son's return. Knee paper etching the prodigal son kneels before his father who takes him in his arms

Oproer in Moerkapelle, 1785, Reinier Vinkeles (I), After Jacobus Buys, 1780 - 1795 print Oproer and mistreatment of the Schout mr. H.A. Keet by Oranjegezinde Boeren in Moerkapelle, January 1785. Northern Netherlands paper etching street-fights, riots Moerkapelle

Zacharias tries to address the crowd but stupid, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching Zacharias speechless before the people

Erichthonius left out of his basket, Antonio Tempesta, 1606 - 1638 print The three daughters of Cecrops open the basket in which Erichthonius, the son of Vulcanus and Mother Earth, is locked up. Erichthonius, with a snake tail, is next to the basket. Title in Latin in STUDMARGE. paper etching .

Antwerp, Cock, Hieronymus, Southern Netherlands, Lombard, Lambert, Mary Magdalene anoints the feet of Christ, verso - stamped, Christ with the Pharisees at a table. In the foreground Mary Magdalene on her knees before Christ, drying his feet with her hair. An ointment jar on the ground. In the background, behind a curtain, some apostles., print, prent, prints, prenten, lo: H. coc excudebat. 1551, height 240 mm, width 303 mm, Work conception, 1506 - 1566, after a design by, 1551 - 1551, third quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Weerdt, Adriaan de, Goltzius, Hendrick, Haarlem, The history of Ruth, Boaz and the elders, bottom center - handwritten, Boaz in conversation with the elders. Two lines of Latin and two lines of German in margin below the print., print, prints, Henricus Golssius inuent et sculptor 1578, bottom right - engraved, verso bottom center - stamped, 60, height 218 mm, width 278 mm, Noord-Nederlands, 1558-01 - 1617-01-01, print maker, printmaker, 1578 - 1578, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, after own design by, Southern Netherlands, 1510 - 1590

The founding of the Obelisk on Sint Pieterplein, Natale Bonifazio da Sebenico, 1586 print A crowd of men and horses for St. Pieter is busy establishing the Vatican obelisk (in 1586). Under a legend with explanatory list of songs and letters and the portrait of Domenico Fontana, the architect who oversign the entire journey and establishment of the obelisk. print maker: Romeprinter: Romepublisher: RomeRomeVaticaanstad paper etching / engraving portrait, self-portrait of architect. obelisk, needle. Roman Catholic Church Saint Peters Square. Vatican CITY. St. Peter's basilica

Groningen, Bos, Cornelis, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Praise of the Virtuous Housewife, The Virtuous Woman Sells Her goods, verso bottom center - stamped, The virtuous woman sells clothes she has made herself to a merchant. In the background a ship is unloaded at the quay. The print is based on Proverbs 31:14: 'As a merchant's ship sails to distant lands, so she brings what she needs from afar' and Proverbs 31:24: 'She makes clothing and girdles, and delivers them to merchants'. The image has a German caption and is part of a six-part print series praising the activities of the virtuous housewife., print, prints, width 259 mm, height, 202 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1555 - 1555, paper, papier, etching, etsen, engraving, graferen (printing process), Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Netherlands, 1510 - 1566, publisher

Announcement of the second General Pardon, 1574, 1613 - 1615 print Annual General Pardon, 5 April 1574. For the Broodhuis in Brussels, Requesens lets the General Pardon read. Without a caption or number and unprinted on the back. Northern Netherlands paper etching granting mercy; free pardon Broodhuis

Tableau Vivant with the marriage of Jacobus II of Scotland to Maria van Gelre-Egmond in 1449, 1642, 1642 print Allegorisch Tableau Vivant with the marriage of King Jacobus II of Scotland with Maria van Gelre-Egmond in 1449. Display founded in the Theaterpoort on the Varkensluis for Doelenstraat on the visit of English Queen Henrietta Maria to Amsterdam, 20-22 May 1642. In The caption the title and 2 times 4 lines in Latin. Sixth plate in a group of ten impressions and triumph arches. Northern Netherlands paper etching / engraving 'Living painting'. (Civil) Ceremonies Marriage. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam. Dam

The Frenchman and the Dutch, 1673; Frans-Man Hollander / Le Francois L'Hollandois. The Frenchman and the Dutch, 1673. Copy no. VI to the French cartoon on the Dutch. A Frenchman and a Dutchman at a long table on which cheeses and vegetables are. A group of men and women kjkt. This specimen without the original captions in Dutch and French.

Don Quixote embraces the priest, Daniel Nikolaus Chodowiecki, 1776 print Behind Don Quixote, Sancho Panza leads a donkey with the armor of Don Quixote. paper etching Don Quixote

Amsterdam, Luyken, Caspar, Moses found by the daughter of the pharaoh, verso - stamped, print, prints, height 77 mm, width 89 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching

Jurisders on the scaffold on Dam Square, 1535, 1629 - 1652 print Torture and execution of the re -buyers on the scaffold for the old town hall on Dam Square in Amsterdam, July 28, 1535. A large crowd on Dam Square. Under the scaffold the mutilated bodies of the already executed. With two -way caption. Northern Netherlands paper etching on the scaffold or place of execution City Hall of Amsterdam (14th century-1652). Dam

Anatomy in the 16th century as depicted in Bartholinus Eustachius' works. It looks as though dogs are enjoying the unwanted organs... Date: 16th century

Mord on Julius Caesar, Jean Lepautre, 1670 - 1682 print Paris paper etching death of Caesar, i.e. the murder of Caesar: he is slain in the Senate at the foot of Pompey's statue, exclaiming 'et tu Brute'. apotheosis of Caesar; his soul is changed into a comet by Venus. historical persons

Death of Prince Willem IV, 1751; Dead bed of Prinse Willem den IV. In the year 1751. Death on October 22, 1751 from Prince Willem IV. Bedroom with the prince on his death bed, surrounded by family and members of court.

Lemire, Noël, inventor: Jean Michel le Jeune, work, Il est navre ja l´entraine avec peine, 1779, copper engraving, graphics, dimensions : leaf width 13.8 cm, leaf height 25.7 cm, image width 13.5 cm, image height 18.2 cm

Last Supper from the Passion of Christ. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice). Dimensions: sheet: 9 7/16 x 7 7/8 in. (23.9 x 20 cm). Date: 1582. Museum: Metropolitan Museum of Art, New York, USA.

Raadsman Wild is introduced to his future wife, Daniel Nikolaus Chodowiecki, 1784 print paper etching Literature. betrothal and marriage. introducing

De Frenchman and De Hollander, 1673, 1673 - 1674 print The Frenchman and the Dutchman, 1673. Copy no. VI to the French cartoon on the Dutch. A Frenchman and a Dutchman at a long table on which cheeses and fruit lie. A group of men and women kjkt. This copy without the original captions in Dutch and French. print maker: Northern Netherlandsafter print by: Franceafter print by: Southern Netherlandsafter drawing by: Paris paper etching political caricatures and satires. (family) meal

Title page for "Pausanias", in: P. Quinault, Le Theater, Part II, 1697, Caspar Luyken, 1697 print Amsterdam paper etching dying

Amateurs of Tye-Wig Music, Edward Francis Burney, 1760-1848, British, ca. 1800-1815, Pen and ink and watercolor on moderately thick, slightly textured, cream laid paper, Sheet: 19 3/16 x 28 5/16in. (48.7 x 71.9cm), bellows, books, busts, cages, cat, cellos, chairs, children, clarinet, clocks, concert, dog (animal), fiddles, fireplace, flute, globe, horns, keys, leisure, men, music, oboe, organology, owl, playing cards, satire, saw, scales (weighing devices), score, sheet music, tie-wigs, toys (recreational artifacts), violins, women

Cavaliers in a City Square early 17th century Jean de Saint-Igny French Elegantly dressed aristocratic figures converse in small groups in a city square. Saint-Ignys skill is on display, both in his detailed treatment of the figures flamboyant attire and coiffures, and in his precise rendering of the architectural setting. Not only a painter and draftsman, Saint-Igny was also a printmaker—technical background that is evident here in his tightly controlled and highly varied use of line.. Cavaliers in a City Square 339746

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